r/recordingmusic

I’m considering a new kick drum/bass mic, and the sE electronics V-Kick is on the list. I know that microphone EQ switches that cut low frequencies can increase headroom, but I’m wondering if EQ switches for changing tonal characteristics generally, like on the V-Kick, impart any distinct tonal difference on the captured sound compared to EQing it afterward in a DAW. Is it entirely a matter of convenience dialing in a sound, or is having the EQ done by circuitry within the mic itself, closer to the raw capturing of the sound, somehow advantageous to doing the exact same EQ adjustments during post-processing?

Hey all,

I'm having an issue I cannot seem to get around. When I record things to my DAW from analog sources through an interface it sounds fine at first, but then peters out in a weird way. I use a Scarlett 2i2 and Reaper, but have been getting the same outcome with other interfaces and DAWs.

Here's some facts:

- It sounds fine coming out the Scarlett's monitor as I'm recording.

- I've tried recording left and right individually with no luck, so I don't think it's a phase issue.

- As I've said, I've tried recording the same audio with a different interface (Behringer Xenyx 1204 built in interface) and different DAW (Audacity).

-I've tried all different cables throughout the signal chain, including different USBs between Scarlett and computer.

Here is an audio example. It should be a consistent wall of sound.

https://drive.google.com/file/d/10FUxlVdO7H0FX0w4F713ppmCiSq8BddM/view?usp=drive_link

Thanks in advance! This issue has been driving me crazy for weeks and has everyone I've asked about it stumped.

I mostly Film Tiny Basement Underground Venues, I use a TASCAM Dr 40 but the cymbals and snare always come out too loud here is one of my recent videos

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I've got a modular set up and a drum machine and I want to record some short clips to post on YouTube and Reddit. What are you guys using for workflow?

I’m using an Apollo 8 as the front end for my studio, with its outputs and inputs connected to a patchbay so I can route signals through external analog gear like an LA-2A, Pultec, JHS Colour Box and pedals.

For vocals, one possible path is:
Mic → Apollo pre/48V → D/A out → analog hardware → Apollo A/D return → DAW

Compared with recording straight into the Apollo, does that extra D/A → hardware → A/D loop make the recorded track land slightly late on the timeline? Is there any other important reason not to do this?

Mainly wondering:
- Is the delay usually negligible for a single vocal track?
- Can this be compensated automatically, or do people just measure the offset and nudge the return?

I’m also deciding whether my synths should hit the patchbay before the Apollo for the same reason.

Relevant setup:
- Apollo 8
- Behringer PX3000 patchbay
- LA-2A, Pultec-style EQ
- JHS Colour Box + a few pedals
- Logic Pro X / UAD Console

EDIT - looks like the interface I had initially ruled out was the smoking gun.

I don't expect anyone to solve this for me, but would appreciate any thoughts.

I'm working in an attic with a fairly high, pitched ceiling - not ideal I realize. I noticed on recent vocal tracks that there is a strange sort of distortion. At first I thought I was overloading my preamp, but I can now rule that out. It's a Scarlett 2i2 4th gen, and I'd be more than happy for an excuse to replace it, but I don't think it'll help this specific issue.

Then I thought I was somehow overloading the mic itself, so I engaged the pad, first at -10, then -30. It seemed to help, but not completely. Weird.

Then I noticed that it seemed to be frequency specific. When I found a note that was held at a certain pitch long enough for me to really listen, it sure sounded like comb filtering.

I'm using a Reflexion Filter, which I know only helps with sound approaching the back of the microphone. I have no expectation that it is helping me with sounds flying around from overhead.

To further complicate things, I am using a Sphere L22, which has front and rear facing diaphragms, which could be a contributing factor.

So, I'm trying to not spend a lot of time barking up the wrong tree. I don't want to start hanging rockwool panels everywhere, only to find out that my mic is the issue. I will try a different one tomorrow, but since this issue is not perfectly recreatable (maybe my head blocks reflections sometimes?) I don't know how easily I can rule anything out.

I mean... it could be me overloading the mic with my dumbass yelling, since the pad seemed to help a little ... but then again it isn't easy to reproduce... but then again...

Any words of wisdom for narrowing down the possibilities is appreciated.

Am I stupid for planning to use a Behringer Wing as a brain for a synth studio? I have many synths and drum machines. With a few mics set-up for guitars and vocals, I’ll be pushing the 48ch ceiling. Because so many of these electronic instruments have stereo outputs, and the Wing has 48 stereo channels, it seems like a good fit.

I do want to be able to just play live in the room as well as record, and I’m concerned about getting stuck in a latency nightmare.

This would be my first foray into digital consoles if I decide to pull the trigger. Don’t get me wrong, I’d love to have a custom built analog desk, but since I haven’t hit that lotto, I’m exploring more affordable options. Any input is welcome and appreciated.

I am currently learning how to record guitar/bass through my interface into audacity & I've ran into a couple problems. First my regular distortion pedal doesn't seem to work well with recording straight into the interface & even at the lowest settings will still sound super muddy & distorted. Does anyone know any kind of plugins that will be able to emulate a more "clean" distortion instead of a muddy, fuzzy mess whilst also being compatible with Audacity 4.