Sybil (1976 made for television film starring Sally Field and Joanne Woodward)

Sybil (1976 made for television film starring Sally Field and Joanne Woodward)

Sally Field really impresses with her performance in this made for tv movie. I saw her recently in Remarkably Bright Creatures and I am in awe of how well she still acts.

Plot

After suffering a small breakdown in front of her students (and then being forced to hear a neighbor play Chopin's Étude in A Minor, "Winter Wind", incessantly), Sybil Dorsett is given a neurological examination by Dr. Cornelia Wilbur, a psychiatrist. She admits to having blackouts and fears that they are getting worse. Dr. Wilbur theorizes that the incidents are a kind of hysteria, all related to a deeper problem. She asks Sybil to return at a later date for more therapy. Sybil says she will have to ask her father.

Sybil's father, Willard Dorsett, and her stepmother, Freida, are in New York on a visit. Sybil meets them at a cafeteria for lunch. She explains to her father that the problems she used to have as a young girl have returned and that she wants to see a psychiatrist, Dr. Wilbur. Sybil's father makes it clear to Sybil that they disapprove of psychiatry. Sybil becomes upset and dissociates into Peggy, who becomes enraged and breaks a glass. Peggy angrily storms out of the cafeteria. Later that evening, Dr. Wilbur receives a late night call from someone who identifies herself as Vickie and says Sybil is about to jump out a hotel window. Dr. Wilbur rescues Sybil, who denies knowing Vickie. Suddenly, Sybil becomes hysterical and begins speaking like a young girl. This girl introduces herself as Peggy, and Wilbur realizes that Sybil is suffering from multiple personality disorder (now known as dissociative identity disorder).

Vickie introduces herself to Wilbur at the next session. Vickie, who knows everything about the other personalities, tells Wilbur about some of them, including Marcia, who is suicidal, and Vanessa, who plays the piano although Sybil has not played in years and swears she has forgotten how to play piano.

Over the weeks, each of the personalities introduces herself to Wilbur. At the same time, the personality Vanessa falls in love with a charming neighbor named Richard.

Wilbur finally explains to Sybil about the other personalities. As proof, Wilbur plays the session's tape to allow Sybil to hear their voices, but when a voice that sounds like Sybil's mother Hattie speaks, an infant personality named Ruthie emerges. Wilbur is unable to communicate with the pre-verbal child and must wait until Sybil returns.

Life becomes more chaotic for Sybil as the other personalities grow stronger. The personalities make Dr. Wilbur a Christmas card, but Sybil made everything purple, a color that frightens Peggy. Dr. Wilbur hypnotizes Vickie and asks about the purple. Vickie relates a memory of a time Sybil's mother locked young Sybil in the wheat bin in the barn. Thinking she was smothering, Sybil used her purple crayon to scratch on the inside of the bin so someone would know she had been there.

Vanessa invites Richard and his son Matthew to have Christmas dinner, after which Richard spends the night in Sybil's apartment. Sybil has a nightmare and awakens as Marcia, who tries to throw herself off the roof. Richard rescues her and calls Wilbur. Soon afterwards, Richard moves away, crushing both Sybil and Vanessa. Once again confronted with her diagnosis, Sybil attempts to convince Wilbur that she has in fact been faking all of the other personalities the entire time and denies that multiple personalities exist within her.

Wilbur goes in search of Sybil's father, who mentions that Sybil's mother Hattie was diagnosed with paranoid schizophrenia but denies that she ever abused Sybil. Wilbur also seeks out Sybil's pediatrician. The doctor gives Wilbur a frightening account of extensive internal scarring he found while treating Sybil for a bladder problem. Finally, Wilbur visits the old Dorsett house, where she discovers the green kitchen Sybil's selves have described many times. She also finds the purple crayon scratches inside the wheat bin. She takes them back to New York City to prove all the memories really happened.

Dr. Wilbur takes Sybil for a drive, during which Peggy reveals the horrific physical abuse she suffered at her mother's hands. After Peggy exhausts herself, Sybil emerges, remembering everything that Peggy has just said. Finally, she is able to express her rage against her mother.

Dr. Wilbur hypnotizes Sybil to introduce her to the other personalities. Sybil, who has always been frightened of Peggy, meets her at last and is surprised that she is only a young girl. Sybil embraces a weeping Peggy. A voiceover from Dr. Wilbur explains that after this incident, Sybil recovered her memories and went on to live a full and happy life as an academic.

en.wikipedia.org
u/Benjamincito — 12 days ago
▲ 293 r/WeaponsMovie+1 crossposts

Just finished Weapons and it is now my favorite movie in recent years

My girlfriend and I just finished Weapons and holy hell what a ride. I haven’t felt genuine tension that carried over from scene-to-scene while watching a film since probably the first A Quiet Place. The acting, cinematography, and general structure of the storytelling all came together to form one of the most unique viewing experiences I’ve ever felt watching a movie.

I knew nothing about this film going into it. I remembered hearing a lot of buzz around it when it came out out but beyond the name, the fact that it was a mystery film, and that Julia Garner was in it it was a completely blind experience. I honestly think that really elevated do me personally cause for the first half of the film I had no idea where it was going.

I’m not gonna get into any plot spoilers because if anyone who hasn’t seen it comes across this post I want them to get that same experience I did going in because I think it’s a better movie for it. I’m going to be keeping things very vague, but if you’ve seen the movie you’ll still understand what I’m talking about.

The tone of this movie is so hard to put into words. It goes from eerily unsettling to almost comedic at times, and somehow these elements didn’t ruin the tone for me or feel out of place: if anything it enhanced the tension because I didn’t know where it was going to go during certain scenes. Even the way certain characters move was simultaneously funny and terrifying at the same time. Like watching certain scenes out of context would look so goofy but while you’re watching the film it works perfectly and doesn’t disrupt the overall suspense.

Like I said before: the cinematography and shot composition was awesome as well and also served in adding to the tension. One scene that stood out particularly was a dream sequence that happens with one of the main characters. It’s one of the first movies I’ve seen that was able to capture strange uncanniness/surrealness of what it’s like having a very vivid dream through its camera work alone.

I could go on and on but I think i’ve said everything I can without giving anything with plot relevance away.

If you are like me and know almost nothing about this film: I HIGHLY recommend it. I’m willing to bet you will not be disappointed if you like more weird and out there kind of stuff in media.

reddit.com
u/Benjamincito — 1 month ago
▲ 325 r/WKUK+1 crossposts

2026 has not been very kind to me mentally, wkuk is one of my favorite things to watch to cheer up . I figured since everyone has been shitting on RE on TikTok, I’d make this edit. I was giggling the whole time, the reception there was actually really positive. Is anyone else super exited for September?!?

u/Benjamincito — 2 months ago
▲ 3.4k r/TwoBestFriendsPlay+2 crossposts

Watch the Resident Evil Teaser Trailer Here: https://youtu.be/SJPu1spHqfk 

Resident Evil Director Zach Cregger shares some of his favorite moments from the new teaser trailer, along with behind-the-scenes insights and details you might’ve missed. Check out his insights below.

0:01 - We see our lead character here walking with a pistol. This is the first weapon he acquires in the movie. Just like in the games, as he progresses through the world he’ll get better weapons. It’s such a fun moment when you’re playing RE and you finally get the shotgun or the machine gun and I wanted that sense of progression to be in the movie.

0:32 - I wanted this movie to tell the story of what would happen if some idiot like me were dropped into the world of a RE game. So Austin plays not some badass with combat experience like Leon but just an average dude. That makes his experience of moving through this hellscape way more interesting to me than somebody who’s psychologically equipped.  

0:52 - Resource management! Just cause you found the shotgun doesn’t mean you get to go blasting your way to safety. I love how in the games you’re always very aware of how much ammo you have - and it’s never enough. In this movie we’re always keeping track of how many shots he’s got left. Pray and spray is not an option in the games and it won’t work in this movie either. 

0:59 - Locks. Fuck locks. Navigating obstacles as you move through the games is a big part of the experience and it’s something that was really fun to integrate into the story. 

1:04 - What I really love about RE4 is that you aren’t trapped in a single location like the mansion or the police station but rather you’re moving through a larger world. In this movie our character is progressing from one location to the next and each new setting holds a unique threat. (You can also see that at this point he’s got his hands on an MP5)

1:08 - RE is of course a franchise that’s got a ton of zombies but it’s also got all sorts of weirder monstrosities. Really wanted to make sure that we never got a handle on what kind of dangers we’d find. It’s not just a zombie movie. The T-Virus can have a lot of different effects and I wanted to make sure we had a variety of adversaries.

1:25 - The slow discovery of horrific elements is something I really love about RE. It’s not a run and gun action game. It’s about tension and atmosphere and so I really wanted to lean into that. As much as there’s plenty of action in the movie it’s equally important to honor the dread. That moment when you look down a dark passage and you know something awful is waiting in that darkness for you. You don’t want to go forwards but you can’t go back. That’s the sweet spot.

u/Benjamincito — 2 months ago