I've read Césaire's "Discourse on Colonialism" (1950) and I can't stop thinking about one idea
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I've read Césaire's "Discourse on Colonialism" (1950) and I can't stop thinking about one idea

I was expecting a dense theoretical slog and instead got one of the sharpest, angriest, yet most accurate essays I've ever read in a while.

In essence, Césaire says what actually horrified Europe about Nazism wasn't the cruelty itself. Europe had been fine with that cruelty for centuries — as long as it was aimed at colonized people in Africa, Asia, and the Caribbean. What made Hitler unforgivable, in his reading, was that he turned those same methods on white Europeans, on European soil. So the violence was not the problem, but the where and whom was.

This reminded me about the early coverage of the war in Ukraine, when reporters kept expressing shock that this was happening to "people who look like us." It seems that, 70 years later, the reflex (and maybe the underlying values?) is still the same.

The essay, albeit short, is rich with illuminating reflections. One other idea is the argument against then European claim that Africans and other colonized people were uncivilized before Europe brought them the "enlightenment". As an example, Césaire leans on the German ethnographer Leo Frobenius as a "good" European witness who admitted African societies were sophisticated. Interestingly though, and this is not in the essay, if you dig into Frobenius, he couldn't actually accept that Africans built those achievements themselves. He invented a whole lost "African Atlantis" theory to explain the art and sophistication. This idea is the intellectual cousin of "aliens built the pyramids."

Anyway. "Discourse on Colonialism" is wildly relevant for something written mid-colonial-era.

Do you think there's a meaningful causal link between Europe's colonial practices and the violence of Nazism?

We discuss Cesaire's essay at length in our podcast Threads of Ifriqiya, I will link it in the comments.

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At the Edge of Humanity: How Far Would You Go for Someone You Love?

Migration is often discussed through numbers, policies, and borders. But what happens when we follow the journey of a single person?

And the story told in this book is so powerful. It is the kind of story that can fundamentally change the way you look at migrants — the people you may casually see wandering through your city, serving you coffee at a restaurant, or quietly cleaning your office building every morning. This could very well be the story of any one of them. Or maybe not. Because this story is also deeply unique.

Little Brother tells the story of Ibrahima Balde’s life. And one thing is incontestable - Ibrahima went through immense suffering. What begins as the story of a boy growing up in Guinea becomes an extraordinary search for a missing brother. Along the way, Ibrahima crosses the Sahara Desert, survives traffickers, prisons, forced labor, and some of the most dangerous migration routes in the world.

This is a story about family, responsibility, sacrifice, and the lengths a human being is willing to go for someone they love.

In Thread of Ifriqiya's latest podcast episode (link in the comments) we take you through the thrills and horrors of the trans-saharan and trans-mediterranean crossing along Ibrahima's path.

u/Boring-Perception429 — 1 month ago
▲ 13 r/africanliterature+1 crossposts

Jacaranda - Searching for a meaning in the tragic history of Rwanda

In a recent podcast episode, we talked about Jacaranda, a novel by Gaël Faye, a Rwandan-French singer, songwriter, rapper, and writer whose work sits at the crossroads of music, memory, and literature (I will link the full episode in the comments).

Jacaranda is a novel about Rwanda itself. Written in a delicate, restrained prose, it traces the country’s recent history, beginning in 1994 (year of the genocide in Rwanda) and, at times, reaching further back to earlier layers of Rwanda’s past, and the story continues up until 2020. 

The main character is named Milan, a choice that immediately invites literary echoes (a quiet nod to Milan Kundera) and signals the novel’s philosophical undertone: memory, exile, and the weight of inherited stories.

We picked three main themes that the book reflected for us: African parenting, search for purpose, and (obviously) the Rwandan genocide.

The first theme, African parenting, runs from the very beginning to the very end of the book and more specifically the relationship between the narrator and his mother, who is from Rwanda. The relationship is quite familiar - typical, even, of many parenting styles in Africa: emotionally reserved, shaped by history, and grounded more in duty than in verbal affection.

The second theme is the search for purpose - how one finds meaning in life when there are many possibilities, and yet we are haunted by things from the past that we haven’t even lived. Another way to put is “exile” - not just geographical, but also existential - a feeling of being slightly out of place in one’s own life. The novel is less about displacement than about orientation: how to choose a direction when the past keeps pulling at you, quietly but persistently. Spoiler alert: the book does not give clear answers to this question.

And the third theme is, inevitably, the genocide. Not treated as a historical lesson, but as a presence, something that structures lives, silences, relationships, and choices long after the events themselves.

https://preview.redd.it/yy3te00idg4h1.jpg?width=2268&format=pjpg&auto=webp&s=c5c5ba7e55c692fab672aad8a63aae4b4270aad8

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u/Boring-Perception429 — 2 months ago