▲ 0 r/literaryjournals+1 crossposts

Some forum members here got a bit rattled by my arrogance and self-assurance, so I invite anyone to try and knock me dow

I’m about to post two excerpts below, around 1,000 words total. I think that's more than enough to get a rough idea of the author's level. The first excerpt is a stylized poetic-epic piece, and the second leans into a modern urban-mystic rhythm. So, let’s try it this way: I invite anyone willing to tear the author's literary efforts to shred. Roast it into the ground if you want.
Only two requests:

  1. If you're going to tear it apart, at least back it up with some basic reasoning.
  2. Please don't make it personal—focus strictly on the excerpts.

I'll say it again: go hard, don't hold back. Maybe I really do need a reality check. And while I have a pretty good idea of what kind of feedback to expect—and will probably disagree with a lot of it—there might just be a few points I'll be forced to take into account. Also, if by some chance anyone finds these excerpts decent, I'd love to hear your advice on which specific magazines or outlets I should submit to.
[Epic-poetic excerpt]

The Willow

If we are to steer a course for the Shores of Truth—for let us honest be, few have a taste for idle tales and toothless fables—the gathering-in of this ancient lay must begin with the Khukhas. The high-browed wiseacres, to be sure, might well take offense and carp: why start with the Khukhas, and not with the even older Khokhas, freshly sucked from some over-refined thumb? Or why must we open with the Khukhas instead of finishing with them, or bringing them up somewhere in the middle? Why is the wind windy, and why does the elderberry grow in the garden? These restless minds could surely spin endless webs of such tangled cleverness… But a countless flock of crayfish will whistle from the mountaintops, flies will bring forth elephants, and the boundless fields of fern will ignite their bizarre blossoms upon the Moon long before any soul needs to clutter their mind with such nonsense. For it is not the custom of worthies to blacken the white or to whitewash the black. Thus it has been since the days of old, and that is an end to it. To the Khukhas belongs the Khukhas' glory, and no more words upon it!

So, let us draw a deep breath and guide this flowing tale along—not to fashion it for any man’s whim, but as they used to do in the truly glorious past: by the bidding of the heart! And we shall begin not with empty breath, but with that very parable of how these fluffy little Khukhas once dwelt in the wide world, by no means unknown to fame. Today, of course, the very headwaters of time are beyond our reach. Yet they say that when the borders between Nava, the Unseen World, and Yava, the Waking World, lay so sheer that folk rarely even noticed them, there was in those times no messenger between lovers more faithful and selfless than these comely little creatures And though nowadays, search as you might with a lantern at high noon, you could scarce find a soul who has not sipped the bitter brew steeped on the sprouts of Betrayal, the blossoms of Desolation, and the roots of Despair, the Khukhas themselves bypass lovers by the most distant paths—it was not so once. Not so at all.

Even just around a not-so-distant corner of existence—in the morning, or at high noon, let alone in the evening dusk—whose hands did not try to catch them? They caught them in those brief moments when a careless Khukha, spun around in endless games, forgot to make herself invisible. And they caught them not merely for mischief—no! To send word of the restless beating of their hearts, entrusting their very fate to a speck of down—that was the hope of those who reached out.

“Fly, fly, little Khukha, to my lover’s ear,

Speak of his maiden, soothe her heavy heart…”

So chirped the girls to their weightless accomplice. And, brimming with hope, they gently blew her from their palms.

“Come, oh come, my lady-love,

I shall build a footbridge for thee…”

With no less longing did the lads who had lost their sleep call upon their desired maidens, baring their chests to the spring wind.

Yet it was not only girls and lads—anyone with strength left would quite often chant their spells to the Khukhas, lagging only a step or two behind the youth in this merry chase. And in springtime, the life of the Khukhas turned into something of a downright curse, so often did folk turn to them for help. True, it never happened that a Khukha refused anyone the first, second, or even the third time, for to aid lovers stood above all else for them. But when the exact same restless hands caught them without end, the thread of patience would snap even for the most long-suffering of Khukhas!

Then, waiting for the dead of night, the fluffy conspirators would quietly creep out of their soft little nests and flock to the homesteads of the biggest nuisances, bringing to their unbridled passion a grim but only possible reckoning. Settling on a chest or right by the ear, they would whisper their witchcraft charms in shifting voices over Those Who Had Lost All Measure. And it was a blessing if the spell of indifference they cast lost its power within a few months.

Furthermore, in a fleeting hope for peace, flocks of the Khukhas tried to change the places of their revels. Yet it was like drawing water with a sieve. For when some Khukhas, weary of the clinging, smoky world of mortals, fled the hearths for the Unseen Realm—others always returned from it to take their place, driven to their wits' end by the Navia, thus closing the enchanted circle.

And all because the Khukhas could not imagine their own selves outside of existence. A mere day or two of quiet, carefree rest was enough for them to grow thoroughly bored, turn their vexation into mercy, and, forgetting all grievances, return to the wide world. And most of all in that wide world, the little hearts of the Khukhas leaned toward the slender-legged nyavkas of the woods and the fair-tressed rusalkas of the waters. Why, they say that it was none other than the sleepless protection of the Khukhas that kept the forest, meadow, and water beauties beyond the reach of any signs of sorrow, despair, or hopelessness in those days. And no force existed that could make the restless, weightless things change their ways. Thus, unconditionally, did their tiny yet no less devoted hearts belong to the doe-eyed beauties. And no matter what trials that undeclared covenant had to endure—for a long time, so it went!

So it went, but only for a time! For is it within anyone's power, let alone that of tiny, fluffy creatures, to endlessly stave off the inevitable?

[Modern urban mystic-thriller excerpt]

Punishment

 

Murky yellow beams of light swept erratically over the nocturnal assembly. Yet even such an uncertain glow was enough to make out that the small group, pressed up against the edge of the cliff, posed no danger at all. And still, the frenzied crowd drove them forward with sticks like wild beasts—drunkenly hiccuping, and at the same time instantly flinching back from their slightest unexpected movement. Youths, everyday people of middle and advanced age. Even children. Despite the late hour, the mob swallowed up people of all ages.

“Punish! Punish! Punish! Punish!” The savage chant suddenly erupted from within the crowd, growing stronger with each repetition.

What do they want, these lost souls? If not for the glints in empty eyes, if not for the shoves toward the precipice, if not for that ominous cry, the whole scene might almost have resembled a festive pageant. What was even happening here? Other than them being driven into the abyss? As far as Eg could tell in the wavering light, the cliff did not seem very deep; if one tried to slide down while clinging to the wall, one could hope not to break one's neck.

A slender dark-haired woman from their group, yielding beneath the hail of shoves, stumbled into his shoulder and sent him staggering to the very edge. Only a step remained to the drop. It was now or never. Eg bared his teeth at the crowd… and, unexpectedly even to himself, froze mid-turn, extending his hand to the stranger. But she didn’t even move toward him, and the last thing he made out before the ground gave way was her terror-stricken eyes, lit by the twin glare of the spotlights—and then a sharp clap, like a dry crack of thunder, catching up with him already in total darkness.

He slammed into ledges on the wall several times, scraped against some roots, flew feet-first into a mound, and painfully smashed his back and head, so that for certain moments he distinguished nothing but sparks before his eyes—until at last, he felt the sand collapsing onto him. If only to keep a little room beneath himself... To rake the sand away—at least from his chest and head … Yet the loose sand immediately poured back into every hollow he managed to carve out, only making things worse. He needed help. If no one helped him, this was the end. One more shift and he would suffocate. Yet who would help him? Not those glass-eyed ones. So who could?…

A shallow inhale—exhale. Shallow inhale—exhale. Shallow inhale—exhale… Suddenly it dawned on Eg that he was occupied only with counting these inhale-exhales. One, two, three, four. And again—one, two, three, four. No understanding why, it had appeared to him that exactly four inhale-exhales remained until the end. Not some vague number, but for some reason, precisely four. And it seemed completely simple—to count to four, and just like that, be done with everything. Both with what had been. And with what would never be again.

Instead, after every fourth inhale-exhale, from somewhere deep inside, he received a renewed understanding—he still had those same four beats of existence. It seemed an obvious destruction of the escape schematics, yet the count reset with wondrous ease, and once more he counted—one, two, three, four. And no other aspiration. Only the counting of inhales and exhales. One, two, three, four. At some point, he was even struck by a revelation—he was not so much helplessly doomed as he was happy. Happy to count just like this. To dissolve into a perfect sequence of four beats, beyond which nothing existed, and nothing more was given to exist…

And here, already at the brink of no return, everything around trembled, and both he and the layer of sand beneath him were carried somewhere downward, and indifferently spat out into the open.

Heavy drops of thick rain on his face…

The suffocating four-beat pattern vanished without a trace at once in the saving freshness, yet the mere ability to breathe did not return even half his strength to Eg. It barely sufficed for him to dig himself out and clumsily crawl somewhere—not knowing where.

After that, there was only the roar of the downpour and some bushes.

 

 

Visions of the artless existence of the sand-dwellers, intermingled with scenes of the destruction of the mission’s retreating column, forced their way into Eg’s dreams all too often. Usually, though, that vision would regurgitate him, soaked in sweat, into the night. Or, at least, into the morning gray. At any rate, certainly not like now—at midday. Waking up always early, he never slept during the day even when ill. Only now did it dawn on him why. He no longer remembered the last time he had slept in daylight—precisely because of his unwillingness to let additional horrors pass through him. And though the assembly-cliff dream stood out from his usual nightmares, such an expansion of the repertoire was hardly comforting—for in this new delirium, too, he had been on the brink of death.

The nocturnal delusion had almost flown from his head, leaving behind little more than a meaningless heaviness, when suddenly sand ground against his teeth. Brushing away, like a fly, the wild thought of the glassy-eyed assembly, Eg deliberately, unhurriedly threw off the bedcover—and… could not believe his own eyes: beneath it, he lay in torn, filthy, and damp trousers and shirt.

Perhaps he needed to close his eyelids and try opening them again?

Yet even after several blinks, his eyes kept relentlessly testifying—he lay under the blanket in the ragged, dirty remnants of what only yesterday had been called his clothes.

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▲ 1 r/literaryjournals+1 crossposts

Rejections from Submissions to Famous English Sci-Fi & Fantasy Magazines and Contests

Dear forum members, I want to describe a situation I personally encountered and ask for your advice.

I submitted a few of my texts to almost all sci-fi and fantasy magazines and open-submission contests that Google could find for me.

Here is the situation: only from the Writers of the Future contest did I receive a message from the editor stating that I made it to the second stage of consideration. A few other times there were rejections saying something like, "your unique world is very cool, but it doesn't fit our magazine and lacks the pacing/dynamics we need," etc. In all other cases, it was either an automated rejection like "unfortunately, your text is not a fit," or no response at all.

Of course, the question arises: maybe I am worth nothing as an author, and the magazines are right to ignore me? This is a completely valid question, but even from the few seemingly non-automated replies, I formed a well-founded impression that the editors didn't read past pages 1–2. And not because they are poorly written—on the contrary, they have too much poetic tone and unusual elements, while they publish for the 100700th time stories about guilds and mages that everyone is sick of. And despite all that, they are the ones asking for new, unique stories—which, apparently, they don't even read if there are no mages and guilds on the first page.

Have you encountered such a situation, and what advice can you share?

Maybe there are still some resources where one can get at least normal feedback, let alone publication?

reddit.com
u/Certain-Newspaper837 — 3 days ago

я тут тікишо дещо зварганив. Оцінюємо за десятибальною шкалою. Є чуття шо може бути прикольно. А може й ні...

Медвяний запах, ледь терпкий,

струмує по твоїх вилогах,

богине моя гострогруда

в цю нічку млосно-задушливу.

В цю нічку млосно-задушливу

геть з глузду ізводить легіня...

reddit.com
u/Certain-Newspaper837 — 13 days ago

фокусування комьюніті на собі

Шановні, мені тут написали - ти просто хочеш сфокусувати комьюніті на собі
модератори врешті решт видалять цей допис, а тобі б краще піти до психолога...

Так от питання - а фокусування комьюніті на собі і своїх проблемах це типу ненормально? Це тут заборонено? Я, якщо чесно, і взагалі думав що тут для того й пишуть, щоб сфокусувати комьюніті на собі і своїх проблемах

reddit.com
u/Certain-Newspaper837 — 15 days ago

Сага про хейтерів і ШІ-шлак. Пропоную експеримент.

Мені частенько адресують такі повідомлення --Сподіваюсь сьогодні тебе теж захейтять, і продовжать хейтити поки ви самі руцями не зробите

або ---- прямо зараз ші-шлак знищує не тільки індустрії літератури (і мистецтва в принципі), але і буквально книги. В якій треба бульбашці знаходитись, щоб не знати, що ші це абсолютне зло, або наскільки треба бути злим, щоб вважати це зло добром...

Коли я читаю подібне мені чесно кажучи й справді здається що я існую в іншій вселенній.

Я легко можу показати що зробив, й отримати хейт, але я жодного разу ще зміг побачити що саме роблять своїми руцями мої хейтери. ЖОДНОГО РАЗУ.

Пропоную експеремент.

Нехай хоч один з хейтерів викладе на юбуці свій постер зроблений власними руцями і ми порівняємо його з моїм останнім. Я думаю це це ж не образа творчої інтелігенції?

Про якість літ текстів хейтерів я вже мовчу. Тут нема навіть з чим сперечатись. Про яку загрозу ші шлаку може йти мова якщо у нас і без ші було і є 99 відсотків шлаку.

БУДЬ ЛАСКА - ЗНАЙДИСЬ ХОЧ ОДИН ХЕЙТЕР З ВЛАСНИМИ РУЦЯМИ. Дуже вже хочеться доторкнутись святого й долучитися до великого

reddit.com
u/Certain-Newspaper837 — 15 days ago

Вчора мене справедливо захейтили й дещо зкорегував. Оцініть ще один постер

Який концепт більш придатний - сьогоднішній чи варто доробити вчорашній?

u/Certain-Newspaper837 — 15 days ago

шановні, я тут зварганив, за допомогою ШІ, собі постер і хочу чесну оцінку чи привертає він увагу

Чи захотіли би ви дізнатись про що текст й почитати побачивши такий постер? Деякі тегі, швидше за все, заміню чи скорегую - це просто типу ескіз. Якщо є зауваження чи пропозиції - будь ласка

u/Certain-Newspaper837 — 16 days ago

контрольна оцінка его і тупості автора

Шановні, тут деякі юбуківці виявили бажання ознайомитися з моїм текстом і дати чесний відгук. І я міг би перенести це в приватні розмови й написати в приват кожному, але, по-перше, це зайва морока, а по-друге, я тут подумав — може, іще хтось захоче долучитися до обговорення. Я скопіював перші 989 слів тексту й вважаю це цілком достатнім для формування первинного враження.

Отож не соромимося й жорстко та чесно критикуємо. Якщо в автора є очевидні проблеми й ви на них вкажете — це ж прекрасно. А раптом ви його добряче осоромите й це стане йому наукою! Коротше кажучи, не стримуємося — не буде жодних дитячих образ.

У мене є оригінальна укрверсія тексту, але оскільки в попередній темі йшлося про англ журнали та англ подання, то вважаю за правильне викласти саме англ уривок.

The Crimson Flower

 

Even from those days, when the Unmoored Glacier sheathed more than half the world in its thickest armor, and the Primeval Blizzards raged where now not a trace of them remains… Even from those days, when the True Words were being born, and the Stars fell upon the earth in a lavish rain, only to be gathered later among the wild grasses and offered in tribute to the Stone Mothers… It is from those very days that this tale flows.

But no! Though the opening is none too bad, it would still be better to begin this parable a little differently. For this tale is neither of the Primeval Blizzards, nor the True Words, nor the Stone Mothers. Nor is it of the tempting Sparks of Dreams, or the ash-covered Ruins of Hopes, without which one can truly go no further. Here shall be told the tale of a wondrous wonder-flower… of the unquenchable Crimson Flower that blossoms in caring hearts!

 

And so one day—just a day, an utterly ordinary, cool spring day, when white fluffy clouds (though not quite so white or so fluffy as they are wont to be in the height of summer) were peacefully grazing upon the boundless pastures of the sky—the mammothess Ohl brought forth a new shoot.

“A boy,” was all the exhausted mother could manage to whisper, catching sight of her son’s wrinkled little body—her long-awaited firstborn, born in truly blessed days, when not only Ohl, but many another mammothess had steeped themselves in the cares of motherhood. And yet—no one… no mother could love her child more than she did, Ohl dreamed and fancied, cradling the little one without measure, scarcely taking her eyes off him. She dreamed and fancied, unable to catch her breath for the joy of this feeling, so strange and wondrous to her.

“Come now. Do you mean to breed a mama’s out of him?” her lord would say, catching sight of such spoiling. But Ohl let all those words slip past her ears—ears so dear to his heart—and if a blade of grass settled upon the boy’s gray coat, she would blow the blade away. She blew it away, for so whispered her loving heart.

And so, brimming with maternal joy, the lowland spring unfolded for the new mother.

Yet, however much Ohl rejoiced in the all-encompassing fullness of motherhood, however she longed to hold back the coming of the Luminary-Turn—when parents were bound to wean their young from their care—so long as the world rested upon the backs of the Great Mammoths, the tide of existence could be stopped neither by her, nor by any other most-loving mother born beneath the heavens. Neither to be stemmed, nor seeped through—the stout dam of the age-old order.

For this was the custom of the herd back then: at every Threeday of the Luminary-Turn, the Old-Old-Mother would summon all the young wives to her side, passing over not even those whom the spring days had blessed with a second, a third… or even a tenth child. And, having gathered them, she would speak the primordial truths.

“Motherhood,” she would usually begin in her creaking voice—which, for its harshness, seemed as ancient as the world itself—“is the holy of holies. And none may call herself a keeper of the herd who has not brought forth a child. She who has ground down her long tusks to no purpose brings the line of the glorious to its end. The holy of holies, motherhood is… aye, that it is.”

 

And though little changed from one time to the next in these tales and counsels of hers, never did her creaking words sink fruitlessly into the sand. One might say, on the contrary, that with each passing time, the primordial truths she uttered sank deeper and deeper into the innermost corners of great maternal hearts. And nowhere in the herd could there be found a new mother who did not dreamily await the coming of the Luminary-Turn, preparing for it as though for the most exalted feast.

And how else could they receive the Luminary-Turn Threeday, when at the break of dawn the comely mammothesses gathered in their own close circle of wives? Having bathed in the hallowed brook, they would begin to speak of fortune and misfortune, of love and the bitterness of betrayal. They shared the secrets of female charms, feasting on news and gossip. By noon, the ban on tasting the Grass of Reveries was lifted for them, and, unburdened by any care at all, they banqueted until the very edge of evening. And after the feast… after that somewhat wild women’s revel, the Old-Old-Mother would at last join them. She sang ancient songs, traced primordial signs of age-old talismans upon the yellowish sand by the lake, and tirelessly recounted lore of what was and what never had been (for how could one do without such tales?). That is to say, she taught all that she knew, and warned against that which remained shrouded in darkness even from her.

And this was wondrous. And though the Old-Old-Mother would insist that much remained veiled in a shroud of darkness even from her, it seemed there was nothing her memory did not hold. Beginning with the birth of the world, swift as a lightning flash, she would suddenly leap into the present day. And from the present, like an underground river, she would imperceptibly steal back into the past. Then, before anyone had time to blink, she would unexpectedly find herself in the future. At times she arose so gentle and blessed, like the evening rays of autumn’s final warmth; and at others… at others she mumbled and smacked her aged, time-cracked lips so ominously that more than one mammothess felt a chill crawl beneath her skin. More than one heart faltered with fear, wonder, and anxiety.

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u/Certain-Newspaper837 — 1 month ago

Тупоголові відповіді англомовних журналів. Тупоголовість заразна, й повсюдно домінуюча?

 

Навожу приклад.

 

 

Шановний ……., Щиро дякую за те, що надіслали цю історію до журналу «Під безкінечним небом». На жаль, вона нам не зовсім підходить. Мене захопила концепція доісторичного світу, і мене заінтригував вибір головних героїв-мамонтів, які не є людьми. Використання міфічного, епічного тону було таким же інтригуючим та ефективним. Однак мені було важко взаємодіяти з персонажами після початку історії. Я хотів сильнішої наскрізної лінії чи точки зору, яка допомогла б мені пройти через історію та чіткіше зрозуміти, що стоїть на кону для мамонтів. Ми цінуємо ваш інтерес до нашого журналу. Будь ласка, не соромтеся надсилати інші роботи в майбутньому. З повагою,

 

Даю 100700 в редакції не прочитали і 3 сторінки. Більшого ідіотизму про -----як важко взаємодіяти й уявити важко. Але суть не в тому – ці редактори пишуть шо чекають оригінальні історії, цей журнал типу топовий, й  при тому всьому їм важко задіяти 3 відсотки мозку для взаємодії з персонажами й вони друкують 100700 опус про магів, стімпанк і родові травми героїв в трусиках.

 Й нехай би це відписувались аутсайдери індустрії чи окремі дятли – ні – це поголовно так.

 

До речі – а чи багато юбуківців здатні оцінити текст по 3 сторінкам?

До здатних додаткове питання – на фіга ж більшість читає тони худ-літ макулатури, якшо може все зрозуміти по 3 перших сторінках?

 

 

reddit.com
u/Certain-Newspaper837 — 1 month ago

ші-малювачка офігенська штука

Буквально годину тому, абсолютно не вміючи малювати, самостійно забульбенив отакий-от постер. Запропонував приблизний стиль і сюжет, і після кількох спроб - вуаля. Ну, не да вінчі, але хоч хтось скаже, шо це повний непотріб?

u/Certain-Newspaper837 — 2 months ago

Проясніть тему

Чи помічали ви, що під час ШІ-озвучуки пісень і текстів укр мовою ШІ припускається більшої кількості помилок у наголосах та темпоритмі, ніж при озвучуванні кацапською?

Я не є якимось цільовим споживачем Suno чи ElevenLabs, але саме так я чую, коли я порівнюю результат своєї ШІ-озвучуки з тим, що чую в кацмовних навчальних роликах. Тобто ні, місцями укр ШІ озвучує досить круто, але його не вистачає надовго: на одній сторінці тексту може бути з десяток збоїв у наголосах. Притому в кац озвучці, яку я чув, помилок не було взагалі. Я правий чи помиляюся? І якщо правий — у чому головна заковика? У природній відмінності правил наголошування чи, можливо, в ширшому використанні кацапської, через що ШІ краще її знає? Тобто англ. тексти ШІ озвучує ще краще кацапських? Чи як усе влаштовано?

І окремо проясніть чайнику — які ви використовуєте не надто складні й енергоємні маніпуляції, щоб зменшити кількість помилок у наголосах?

 

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u/Certain-Newspaper837 — 3 months ago
▲ 0 r/uabooks+1 crossposts

Шановні юбуківці! Просю консультації.

 

Чи помічали ви, що під час ШІ-озвучуки пісень і текстів укр мовою ШІ припускається більшої кількості помилок у наголосах та темпоритмі, ніж при озвучуванні кацапською?

Я не є якимось цільовим споживачем Suno чи ElevenLabs, але саме так я чую, коли я порівнюю результат своєї ШІ-озвучуки з тим, що чую в кацмовних навчальних роликах. Тобто ні, місцями укр ШІ озвучує досить круто, але його не вистачає надовго: на одній сторінці тексту може бути з десяток збоїв у наголосах. Притому в кац озвучці, яку я чув, помилок не було взагалі. Я правий чи помиляюся? І якщо правий — у чому головна заковика? У природній відмінності правил наголошування чи, можливо, в ширшому використанні кацапської, через що ШІ краще її знає? Тобто англ. тексти ШІ озвучує ще краще кацапських? Чи як усе влаштовано?

І окремо проясніть чайнику — які ви використовуєте не надто складні й енергоємні маніпуляції, щоб зменшити кількість помилок у наголосах?

 

reddit.com
u/Certain-Newspaper837 — 3 months ago
▲ 16 r/uabooks

Шановні англомовні юбуківці! Потребую вашої експертної думки.

Я не є ніяким видатним перекладачем, але, в силу обставин, зробив самостійний переклад свого тексту на англійську.

Звісно ж я й не розраховував сягнути перекладацьких вершин. Завдання було наступне – по можливості, зберегти авторський стиль, при цьому мінімізуючи грубі помилки. Тобто я вже одразу допускав не стовідсоткову філологічну відшліфованість. Якої, до речі, нема й в оригіналі.

Й мені здалось, з 3 разу у мене пристойно вийшло.

Я показав кільком людям, й назагал мені дали зрозуміти, що, враховуючи моє первинне завдання, у мене вийшло непогано.

Однак, мене не полишали сумніви, й я зарегілся на англ. форум спитати думку носіїв мови. Я виклав 1.5 сторінки тексту й попросив оцінити якість перекладу.

Й тут один чувак мене одразу й прибиває – твій переклад, каже - це салат слів, й повне лайно. Й  наводить приклади. А інший підтверджує й доповнює – у тебе занадто розлогі речення – спрости, й буде тобі хоч якесь щастя.

Й всі їх зауваження слушні, АЛЕ – саме в сучасно відшліфовано англ. розумінні. До якого я і не прагнув. Якщо ж спиратись на те, що мій текст свідомо дещо архаїзований й зважати на авторський стиль – 80-90 відсотків їх зауважень вилітають. Й виходить мій переклад не такий вже салат з лайном. Просто люди які відгукнулись звикли до максимальних спрощень й зациклені на актуальній граматиці.

От я тепер й думаю – й наче я зробив те що планував, й спрощувати нічого не збираюсь. Й я так зрозумів таких людей які не здатні сприйняти мною сплановане значна більшість.

Коротше – я зайшов у якийсь тупик, й потребую сторонньої думки.

reddit.com
u/Certain-Newspaper837 — 4 months ago