Eren Yeager Never Changed: Why Did the Fandom Fall for the "Sigma Eren" Illusion and Misunderstand the Finale?

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Even though time has passed since the Attack on Titan finale (Chapter 139), endless debates continue to swirl across the community regarding Eren's final breakdown and his overall character arc. Many claim that the infamous crying scene came "out of nowhere, with zero setup," and that Eren's character was assassinated. However, when we look closely between the lines, at the psychological subtext of the characters, and at Hajime Isayama's narrative style, it becomes crystal clear that Eren's arc pointed toward this exact tragic destination from the very beginning. I want to open up a discussion based on Eren's true nature, his selfish motivations, the toxic polarization of the fandom, and Isayama's own statements:

  1. Eren's Inner Hypocrisy and Selfish Nature (The Military Police Example)

Eren's selfish nature—putting his own desires above everything else—was evident right from the very beginning, starting back in the 104th Cadet Corps days. Eren fiercely berated and looked down on any student who wanted to join the Military Police, labeling them as "cowards who just want a comfortable life" based on his own grand ideals. Yet, the moment it came to Mikasa, Eren completely threw out his own rigid principles and objective stance, telling her directly, "You should join the Military Police," purely to ensure she stayed safe and to satisfy his own selfish possessive instincts.

This detail proves that Eren was never an objective crusader for universal justice. He always chased his own personal feelings, his desire to protect his loved ones on his own terms, and his toxic fixations on the outside world. His blind hatred toward injustice and captivity conveniently turned him into an ideal martyr for an enslaved society like Paradis; but underneath that hero mask, the driving force was entirely selfish.

  1. Eren Never Changed (Mikasa's Big Realization in Chapter 123)

When Season 4 dropped, the fandom was completely mesmerized by Eren's new look—long hair, stone-cold expression, knowing what he was doing, and looking "mature." The audience assumed Eren had evolved into a ruthless leader or a flawless strategist. The main reason for this illusion was that throughout the story, we almost always viewed Eren through the perspective of others (especially those who idolized him).

Yet Mikasa slapped us all with the harsh reality in Chapter 123 (right before the Rumbling): Eren actually never changed; he had been exactly the same from the absolute beginning. The ruthless, violent young boy who slaughtered human traffickers without blinking an eye to save her, the one who joined the Scouts, turned against them when their views stopped aligning, manipulated his father Grisha in the Paths, and ultimately launched the Rumbling to wipe out the world—they were all the exact same selfish, violence-prone person. Even Mikasa painfully realized when the Rumbling started that Eren hadn't changed at all; she had simply chosen to see only the "savior" image she wanted to see.

  1. The Season 4 "Yeagerist" Fandom and Isayama's Deep Discomfort

This is precisely where the most toxic and fracturing turn took place. The radical "Yeagerist" faction that emerged in Season 4 embraced Eren's nationalist, destructive, and fascist actions (the Rumbling) as an epic heroic saga, blindly idolizing him. They completely ignored the dark, selfish, and pathological core of his character, marketing him instead as the ultimate "sigma leader."

Hajime Isayama was immensely disturbed by this widespread misinterpretation of Eren in Season 4, particularly by the pedestal these Yeagerist fanatics placed the character on. Because the author's intent was never to create a fascist hero, but rather to depict the birth of a tragedy and a monster. The fandom's celebration of Eren's dark and selfish side bred an overwhelming toxicity and polarization within the community, turning everyone against each other and completely poisoning the culture of discussion.

  1. Chapter 50 Kiss Scene: The Shipper Fallacy and the Shock Effect

One of Isayama's biggest regrets mentioned in past interviews was that he originally planned to have Eren and Mikasa kiss back in the Season 2 finale (Chapter 50, the famous Dina Fritz titan scene), but backed out because he felt too embarrassed as an author at the time.

Here lies the core turning point: If Isayama had actually executed that kiss scene back then, the fandom would never have experienced such a massive shock and chaos later on. Neither shippers nor neutral viewers would have felt blindsided or confused by Eren's final state. Why? Because had that scene happened, everyone would have clearly seen and accepted the dark, possessive, and selfish bond Eren held toward Mikasa right from the middle of the story.

Instead, unfortunately, as a fandom we were so obsessed with "shipping" everything and romanticizing every detail into a soap opera that we mistook that final selfish, pathetic breakdown for a pure and innocent "romantic love scene." There was no romance there; Isayama never gave us a romantic scene, but we forced ourselves to see it that way because we desperately wanted to ship them.

  1. Isayama's Horror and the Real Meaning Behind the "Insincerity" Confession

Isayama genuinely loved and embraced the tragic ending he crafted for Eren. However, when evaluating the final chapter in interviews, he candidly admitted that he felt a sense of "insincerity" in those final dialogues, particularly between Eren and Armin. The fandom's misinterpretation of this "insincerity" quote—claiming the author "rushed the ending"—completely misses the mark.

Isayama did not give us a pink-cloud, sweet, or applause-worthy romantic scene. On the contrary, he wanted to expose the dark, selfish, possessive, and pathological fixations Eren harbored toward Mikasa—highlighting the most pathetic, unappealing, and emotionally stunted sides of the character right in the reader's face. Yet, a massive portion of the audience looked at Eren's desperate, ugly breakdown in that scene and romanticized it into a grand "masochistic love epic." Isayama was genuinely horrified to see his depiction of a toxic, selfish collapse get co-opted and whitewashed into a generic shoujo romance by the masses. When he saw that everyone was still romanticizing this confession even years later, it triggered that feeling of artistic insincerity. There was no innocent love to applaud here; it was simply the dropping of a mask by a selfish kid crushed under the weight of his own monstrous power.

  1. The Final Crying Scene Wasn't Fanservice, It Was the Mask Falling Off

The primary reason many fans (including shippers) heavily resented the final crying scene is that it shattered the "cool, unbothered, sigma edgelord" Eren icon they had built up in their heads during Season 4. People couldn't stomach seeing the cold mask drop to reveal a pathetic, weeping kid crying because he didn't want Mikasa to find another man.

Yet this scene was not character assassination or cheap fanservice; it was the inevitable collapse of an ordinary, emotionally stunted, selfish 19-year-old kid whose mind was completely fractured by the multidimensional curse of the Founding Titan, knowing he was about to die as the greatest monster in history after slaughtering billions. Isayama perhaps regretted not making Eren toxic, pathetic, and unlikable enough from the start, because his goal was to deliver a shocking awakening to the reader—much like Mikasa's flashback to the trafficker cabin. Eren was never a folk hero or a flawless strategist; he was a fragile youth enslaved by his own warped and selfish concept of freedom.

Ultimately, Isayama ended the story precisely along the lines of this tragic cycle. Because we tried so hard to "ship" and romanticize everything, we misread the message, plunging the fandom into a toxic swamp.

What do you think? Were Eren's cold actions in Season 4 a genuine change, or just a selfishly sustained mask until the very end? I'm curious to read your thoughts.

reddit.com
u/No-Wrongdoer-288 — 10 days ago

Artist 211" (isym211) Can Only Be Hajime Isayama: All the Proof with the Chapter 50 Kiss Paradox, Years-Old Prophecies, and Editor's Statements Introduction

The Greatest Mystery of the AOT Universe

Uploaded to the Pixiv platform in 2013 (around the time Chapter 50 was freshly published in the manga) and deleted shortly after, a short drawing (doujinshi) titled "211" focused on the emotional and physical intimacy experienced by Eren and Mikasa right after their encounter with the "Smiling Titan" in Chapter 50.

So, was this drawing a regular fan art piece, or was it a secret piece published anonymously by Hajime Isayama because of his shyness and editorial obstacles that he couldn't draw in his own manga? Here are the mind-blowing details that definitively prove this:

The Greatest Contradiction: The Chapter 50 Kiss Paradox

The most staggering timing evidence that turns the 211 drawing from an ordinary fan theory into Isayama's signature is this:

The 2013 Anonymous Drawing: The anonymous artist (isym211) shared pages in 2013, right after Chapter 50, where Eren and Mikasa kiss and get intimate. At the time, the community thought this was just an ordinary fan drawing.

The 2021 Isayama Confession: After the manga ended, Isayama made a mind-blowing statement in an official interview: "Actually, at the end of Chapter 50 (in the scene where Mikasa thanks Eren), I had planned to have Eren and Mikasa kiss. However, while drawing that scene, I felt extreme embarrassment, shyness, and a lack of confidence, so I removed the kiss scene from the manga at the very last minute."

Paradoxical Question: How could "Artist 211", who uploaded an anonymous picture to the internet in 2013, know 8 years in advance that Isayama had planned a kiss scene in Chapter 50 and deleted it because he was shy? This information did not exist anywhere until Isayama's 2021 interview! The person who drew this kiss right after Chapter 50 in 2013 can be none other than Isayama himself.

Future Prophecies (Spoilers) in the 211 Drawing

The details contained in this 2013 drawing were only revealed in the manga years later:

Azumabito Clan Bandage and Symbol (A Prophecy 5 Years Ahead): In the 2013-released 211 drawing, a bandage is drawn on Mikasa's right wrist with the clan symbol underneath it. In the manga, the Azumabito clan, the Hizuru Kingdom, and this symbol on Mikasa's wrist were only included in the story during the Marley arc (Chapter 107, around 2018). It is impossible for an ordinary fan in 2013 to know this secret lore 5 years ahead of time.

Chapter 138 "Cabin Dream" Boots (A Prophecy 8 Years Ahead): The boot model worn by Mikasa in the 211 drawing has the exact same design as the boots in the "Cabin Dream" scene experienced by Eren and Mikasa on an alternate timeline in Chapter 138 of the manga.

Chapters 50, 52, and 53 Chronology: In the manga, Mikasa appears without her scarf in Chapter 52 after Chapter 50; in Chapter 53, the scarf is back around her neck. The 211 drawing is placed precisely between these two chapters. Indeed, in Chapter 53, Hange Zoe looking at Eren and Mikasa and asking "Did something secret/special happen between you two?" and the duo blushing directly matches the events in 211.

Technical and Numerological Evidence

"isym211" Secret User Code: In the system data of the Pixiv account where the drawing was uploaded in 2013, the hidden profile username was detected as isym211. "isym" is an abbreviation of Hajime Isayama's official last name.

Numerological Mirroring of 112 and 211:

Manga Chapter 112: The ruthless chapter where Eren breaks the bond between them by telling Mikasa "I've always hated you."

The Number 211: It is the symmetrical mirror reflection of 112 (emotional/physical completion instead of hate).

Mathematical Ciphers: 2 + 11 = 13 (The 13-Year Titan Curse) and 11 - 2 = 9 (The 9 Titan Powers).

Art Style: The ear anatomy, jawlines, brushstrokes, and facial expressions in the drawing match Isayama's raw manga drawing style from 2013 by 99%.

The Editor's Statements and Isayama's "Anonymous 211" Plan

Why Isayama did not publish this work in the official manga and instead shared it through an anonymous channel becomes clear with details from his editor Shintaro Kawakubo's interviews:

The Editor's Criticism: Editor Kawakubo stated that they were concerned about Isayama explaining fictional secrets in the story by leaving "blatant concrete visual clues" inside the drawings rather than through text, and that they criticized Isayama editorially for leaving such open visual evidence.

Isayama's Anonymous Strategy: Isayama had planned the Chapter 50 intimacy in 2012. However, due to both his own extreme shyness, his editor's anxiety that "you are giving readers too blatant concrete clues," and the pressures of magazine publishing, he deleted this scene from the official manga.

To complete the narrative gap, he uploaded it anonymously to Pixiv under the username isym211. Thus, he both bypassed his editor's warning of "leaving blatant evidence" by keeping it outside official publication, hid his shyness, and hid prophecies like the Azumabito clan logo inside this work.

Conclusion

Prophecies years ahead like the Azumabito logo, Isayama's confession that he couldn't draw the kiss in Chapter 50 because he was shy, his editor's criticisms of "leaving open evidence," and the isym211 user copy on Pixiv point to a single truth: 211 is an anonymous completion plan implemented by Isayama to overcome his shyness and editorial restrictions. The canonity of the Eren and Mikasa bond has been sealed by Isayama since the very beginning of the story.

And the weird thing is, this anonymous user suddenly deleted all their social media accounts, which is really strange. Let me put it this way: if they were the ones leaking these spoilers and deactivated because someone found them out, if they hadn't closed their accounts, we could have actually found some solid evidence. Guys, this is just a theory, please let's discuss respectfully below.

reddit.com
u/No-Wrongdoer-288 — 14 days ago
▲ 46 r/eremika

Artist 211" (isym211) Can Only Be Hajime Isayama: All the Proof with the Chapter 50 Kiss Paradox, Years-Old Prophecies, and Editor's Statements Introduction

The Greatest Mystery of the AOT Universe

Uploaded to the Pixiv platform in 2013 (around the time Chapter 50 was freshly published in the manga) and deleted shortly after, a short drawing (doujinshi) titled "211" focused on the emotional and physical intimacy experienced by Eren and Mikasa right after their encounter with the "Smiling Titan" in Chapter 50.

So, was this drawing a regular fan art piece, or was it a secret piece published anonymously by Hajime Isayama because of his shyness and editorial obstacles that he couldn't draw in his own manga? Here are the mind-blowing details that definitively prove this:

The Greatest Contradiction: The Chapter 50 Kiss Paradox

The most staggering timing evidence that turns the 211 drawing from an ordinary fan theory into Isayama's signature is this:

The 2013 Anonymous Drawing: The anonymous artist (isym211) shared pages in 2013, right after Chapter 50, where Eren and Mikasa kiss and get intimate. At the time, the community thought this was just an ordinary fan drawing.

The 2021 Isayama Confession: After the manga ended, Isayama made a mind-blowing statement in an official interview: "Actually, at the end of Chapter 50 (in the scene where Mikasa thanks Eren), I had planned to have Eren and Mikasa kiss. However, while drawing that scene, I felt extreme embarrassment, shyness, and a lack of confidence, so I removed the kiss scene from the manga at the very last minute."

Paradoxical Question: How could "Artist 211", who uploaded an anonymous picture to the internet in 2013, know 8 years in advance that Isayama had planned a kiss scene in Chapter 50 and deleted it because he was shy? This information did not exist anywhere until Isayama's 2021 interview! The person who drew this kiss right after Chapter 50 in 2013 can be none other than Isayama himself.

Future Prophecies (Spoilers) in the 211 Drawing

The details contained in this 2013 drawing were only revealed in the manga years later:

Azumabito Clan Bandage and Symbol (A Prophecy 5 Years Ahead): In the 2013-released 211 drawing, a bandage is drawn on Mikasa's right wrist with the clan symbol underneath it. In the manga, the Azumabito clan, the Hizuru Kingdom, and this symbol on Mikasa's wrist were only included in the story during the Marley arc (Chapter 107, around 2018). It is impossible for an ordinary fan in 2013 to know this secret lore 5 years ahead of time.

Chapter 138 "Cabin Dream" Boots (A Prophecy 8 Years Ahead): The boot model worn by Mikasa in the 211 drawing has the exact same design as the boots in the "Cabin Dream" scene experienced by Eren and Mikasa on an alternate timeline in Chapter 138 of the manga.

Chapters 50, 52, and 53 Chronology: In the manga, Mikasa appears without her scarf in Chapter 52 after Chapter 50; in Chapter 53, the scarf is back around her neck. The 211 drawing is placed precisely between these two chapters. Indeed, in Chapter 53, Hange Zoe looking at Eren and Mikasa and asking "Did something secret/special happen between you two?" and the duo blushing directly matches the events in 211.

Technical and Numerological Evidence

"isym211" Secret User Code: In the system data of the Pixiv account where the drawing was uploaded in 2013, the hidden profile username was detected as isym211. "isym" is an abbreviation of Hajime Isayama's official last name.

Numerological Mirroring of 112 and 211:

Manga Chapter 112: The ruthless chapter where Eren breaks the bond between them by telling Mikasa "I've always hated you."

The Number 211: It is the symmetrical mirror reflection of 112 (emotional/physical completion instead of hate).

Mathematical Ciphers: 2 + 11 = 13 (The 13-Year Titan Curse) and 11 - 2 = 9 (The 9 Titan Powers).

Art Style: The ear anatomy, jawlines, brushstrokes, and facial expressions in the drawing match Isayama's raw manga drawing style from 2013 by 99%.

The Editor's Statements and Isayama's "Anonymous 211" Plan

Why Isayama did not publish this work in the official manga and instead shared it through an anonymous channel becomes clear with details from his editor Shintaro Kawakubo's interviews:

The Editor's Criticism: Editor Kawakubo stated that they were concerned about Isayama explaining fictional secrets in the story by leaving "blatant concrete visual clues" inside the drawings rather than through text, and that they criticized Isayama editorially for leaving such open visual evidence.

Isayama's Anonymous Strategy: Isayama had planned the Chapter 50 intimacy in 2012. However, due to both his own extreme shyness, his editor's anxiety that "you are giving readers too blatant concrete clues," and the pressures of magazine publishing, he deleted this scene from the official manga.

To complete the narrative gap, he uploaded it anonymously to Pixiv under the username isym211. Thus, he both bypassed his editor's warning of "leaving blatant evidence" by keeping it outside official publication, hid his shyness, and hid prophecies like the Azumabito clan logo inside this work.

Conclusion

Prophecies years ahead like the Azumabito logo, Isayama's confession that he couldn't draw the kiss in Chapter 50 because he was shy, his editor's criticisms of "leaving open evidence," and the isym211 user copy on Pixiv point to a single truth: 211 is an anonymous completion plan implemented by Isayama to overcome his shyness and editorial restrictions. The canonity of the Eren and Mikasa bond has been sealed by Isayama since the very beginning of the story.

And the weird thing is, this anonymous user suddenly deleted all their social media accounts, which is really strange. Let me put it this way: if they were the ones leaking these spoilers and deactivated because someone found them out, if they hadn't closed their accounts, we could have actually found some solid evidence.

u/No-Wrongdoer-288 — 14 days ago
▲ 46 r/eremika

🧠 Please Require an IQ Test to Watch AoT 🤨

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Hello everyone! 👋 I wanted to make this statement today. Some parts of the AoT fandom are still stuck on Isayama's 2015 interview even at a time like this... and I've genuinely started believing there is a serious problem with the IQ levels of some people who watch AoT. 📉 I mean, I can't believe how shallow and sloppy their reading of Isayama's interviews is. 🤦‍♂️

This guy actually came up to me and said, "In 2015, Isayama said Mikasa is like a mother to Eren," but when we look at the full interview, the truth is this: 📜

Here is Isayama's actual dialogue and official statement from that interview:

"Mikasa's presence is like a mother to Eren. A mother's love is naturally very precious, but when it's overly protective, it can feel suffocating and annoying. Just as a child must eventually separate from their mother and become independent, as Eren and Mikasa become independent from one another, the true development and deepening of their relationship will take place. I want to write about the change and evolution of their relationship as the story progresses." ✍️🔥

That's what the man said! 🗣️ And when I looked at this person's other writings, he told me, "Ackermans are immune to the Founding Titan, why did Ymir love Mikasa?" 💀 The idiot doesn't even know that Ackermans are immune to mind manipulation! 🧠❌ He even claimed to me that Eren and Armin have a secret relationship, I'm still in shock. 🤯 He even suggested that Gabi has a connection to Ymir, meaning he practically told me, "I'm a better writer than Isayama, I'll even fix the story." 🤡📖

And when he compared the Sasuke-Sakura relationship to Eremika, I was literally dying of laughter! 😂 Comparing someone who tried to kill Sakura for 700 chapters to Eren—who felt weak next to Mikasa, became obsessed with getting stronger because he couldn't protect her, loved her on top of that, and always protected her against others... Seriously, these people are completely burnt out! 🔄🔥

I wanted to share all of this because I've truly started to believe there is an epidemic of schizophrenia in the AoT fandom. ☣️📉

u/No-Wrongdoer-288 — 14 days ago
▲ 43 r/eremika

PREPARE FOR WAR, MY SOLDIERS! 🗿

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Hello everyone, my glorious Eremika soldiers! Today is the big day!

I’m gathering our forces for the ultimate fandom operation. Equip your heaviest Eremika edit edits and keyboards! Rally at the digital frontlines at the coordinates I send—the ultimate ship battle begins now!

Let’s go, my lions! In the name of Eremika power! Hahahahaha!

We’re raiding Isayama’s social media and subjecting him to pure psychological warfare by forcing him to look at curse-tier Jean x Eren ship memes until he gives in! We won't stop until he officially draws and announces an Eremika OVA! Once that art is released, victory is ours!

For the glory of Eldia, I’ll be waiting for you on the frontlines! SHINZOU WO SASAGEYO! Hahahahaha! ⚔️🔥

EDIT: Guys, this is purely for joke/meme purposes, please don't take it seriously or get the wrong idea! 😂🙏

u/No-Wrongdoer-288 — 17 days ago
▲ 76 r/eremika+1 crossposts

Fans Need to Apologize to Isayama

For a series all about putting yourself into someone else’s shoes, this fandom sucks half the time.

I remember when the final chapter leaked. I was sitting in the back seat in a car, 2 am, and someone on reddit (probably this subreddit) said the last chapter had leaked. I ended up reading it because I just got spoiled Avengers Endgame so I didn’t want that to happen again.

Mind you, this was a fan translated chapter that most people read. FAN TRANSLATED.

Some of you probably don’t know that when this series went viral in 2013, several character names got mis-translated. People were calling Levi, Ravi. And Erwin, Ivan.

With this in mind, it’s not surprising that people were upset with the dialogue in the final chapter. However, I’m pretty sure it would have been more suitable to fans if it wasn’t leaked. Maybe they were still making changes? Or maybe it was done but barely anyone had seen it enough to comment on the pacing.

Either way, I think it’s an understatement that people overreacted. Because when the movie was released, and it showed Armin simply rephrasing his words a little to Eren, people were freaking fine with it.

So yeah. Talk about a bunch of drama queens.

This might be the first manga series that’s ever leaked its final chapter online for the world to see. I don’t remember Fullmetal Alchemist leaking, or Naruto, or Bleach. Or any series ending really.

So, I think people should take the time to be nice to Isayma when they post art or discussions online in case he were to ever read them. The guy and his team have been through a lot, more than most manga artist where they are so incredibly well-known. Most manga artists don’t show their face. For all I know Isayama may have had that get leaked too.

I just think for a series that is made to remind people that humans are humans, maybe show a little more humanity to artists who try really hard to please YOU.

reddit.com
u/No-Wrongdoer-288 — 20 days ago
▲ 15 r/eremika

Some idiot left a comment on the post I made three days ago about the Anri theory, but I laughed and debunked every single thing they said. :D

Kimi ga Fusawashii to Omou Daimei" and Ymir's Desire for "Extinction"

One of the arguments most relied upon by AnR proponents is the use of the SUZUKAKE Children's Choir in Linked Horizon’s song "Kimi ga Fusawashii to Omou Daimei" (A Title Thought Fitting for You), and the claim that the baby crying in this song symbolizes Founder Ymir being reborn as Historia's child. However, when the song's original lyrics are deciphered, it becomes clear that the real option presented to Ymir is not physical reincarnation, but "existential extinction."

Deciphering the Lyrics and Linguistic Analysis

In the song, the soul waiting in that cosmic void before birth (Ymir Fritz) is asked the following questions in sequence:

Original Japanese:

もし願いが一つだけ叶うならキミは何を願う?

とても大切なことだから、生まれるまでに考えておいでね

何が欲しい (何が欲しい)

何がしたい (何がしたい)

何のため何処へ行き どんな人になりたい?

それとも 消えてしまいたいというの?

Romaji:

Moshi negai ga hitotsu dake kanaunara kimi wa nani o negau?

Totemo taisetsu na koto dakara, umareru made ni kangaete oide ne.

Nani ga hoshii (nani ga hoshii)

Nani ga shitai (nani ga shitai)

Nanno tame doko e yuki don'na hito ni naritai?

Soretomo kiete shimaitai to iu no?

Literal English Translation:

If you could have just one wish granted, what would you wish for?

This is extremely important, so think about it thoroughly before you are born.

What do you want? (What do you want?)

What do you want to do? (What do you want to do?)

For what purpose, where will you go, and what kind of person do you want to be?

Or... do you just want to disappear (be completely erased)?

Thematic Analysis Debunking the AnR Theory

The first half of the song begins by asking the soul to be born about its worldly desires: "What do you want? What do you want to do? Where do you want to go?". However, the devastating line that follows immediately nullifies all these questions and the possibility of a worldly birth: "Soretomo kiete shimaitai to iu no?" (Or do you just want to disappear/be erased?).

The deepest, most sincere desire of a child (Ymir) who has been imprisoned in the pain-filled Paths dimension for 2000 years, whose body has been exploited by the royal line like "livestock," and whose words and selfhood have been taken away, cannot be to be reborn and return to a world where hatred never ends. Her only longing is to be completely freed from this cursed existence, to destroy the Paths dimension, and to erase her own being from this universe forever.

In fact, the song "Watashi ga Hontou ni Hoshikatta Mono" (What I Truly Wanted), featured in the limited edition of Linked Horizon's most recent farewell album "Shingeki no Kioku" (Memory of Shingeki - August 7, 2024), which directly tells the inner voice of Ymir Fritz, confirms this desire for extinction and liberation:

"Kizukeba watashi ni wa kazoku ga inakatta... Ai wo shiranakereba tomo mo naku... Kono karada sae dareka no mono datta [Livestock]... Kizukeba watashi kara kotoba wa ubawareta... Jiyuu wo shiranakereba jiko mo naku... Kono kokoro nado dareka no mono datta..."

(When I realized, I had no family... Without knowing love, I could have no friends. Even this body was someone else's [livestock/slave]... Before I realized, my words were taken from me. Without knowing freedom, I had no self. Even this heart was someone else's [slave]...)

"Iya da... watashi wa ikiteiru. Ubawareru dake no inochi da nante. Watashi ga hoshikatta no wa ai? Jiyuu? Soretomo..."

(No... I am alive. I don't want to be just a life taken away from me. Was what I truly wanted love? Freedom? Or...)

"A, tsuchi wo konereba nanika ga umareta keredo, muchi na watashi da sore wo tsukurenai..."

(Ah... when I molded the soil, something was born [Titans], but I, who am ignorant, could not create it [true love/freedom]...)

Ymir confesses that while shaping Titan powers from mud, she was actually completely deprived of and ignorant of love and freedom. Mikasa Ackerman showed Ymir that one could be liberated by duty without renouncing love by killing Eren. After this shocking observation, Ymir closed the Paths dimension of her own volition, erased the Titan curse from the world, and went into eternal rest (meaning the erasure of her existence). The heartbeat and baby crying at the end of the songs do not symbolize Ymir being reincarnated in Historia's womb; they symbolize that the Titan power has ended, the Paths have vanished, and every Eldian baby born henceforth has the right to be born "free," unburdened by the Titan curse.

  1. "Nee Tomo Yo" (Hey My Friend) and the Broken Ouroboros Truth

AnR proponents attempt to distort the Japanese exterior voice line at the end of the music video, claiming this lament supports a scenario where Eren survives.

Relational Analysis of the word "Tomo" (Friend)

The original Japanese line at the end of the video and song is:

"Nee tomo yo, kabe no nai yoake de aou..."

(Hey friend, let's meet in a dawn without walls...)

In Japanese literature and language, "Tomo" (友) is never used to define a spouse (Historia) or a lover. The only person who is Eren's closest "tomo" and shares the dream of seeing "beyond the walls" is Armin Arlert. If Eren were slaughtering Armin and his other friends as in the AnR theory, the promise to "meet in a dawn without walls" with Armin becomes thematically completely meaningless. This line does not symbolize a conclusion where Eren kills his friends and lives with Historia; on the contrary, it symbolizes that final dawn of freedom where Eren will reunite with his friends in eternity (the world beyond the Paths) after his own tragic death.

Broken Ouroboros and Breaking the Cycle

The snake that does not bite its own tail seen on the tombstone at the beginning of the video (the broken ouroboros) symbolizes that the cycle is broken. With the total destruction of Titan power in the canonical finale (Chapter 139), the Paths cycle, which was built with the help of a 2000-year curse, has been definitively broken. The "100% Rumbling" and military dictatorship claimed by the AnR theory does not end hatred; it does not break the cycle, it merely starts a new internal cycle of civil war within Paradis. Therefore, what breaks the cycle is not genocide, but the will Mikasa showed to Ymir by killing Eren without abandoning her love.

  1. Revo Interviews and Deflating the "Key Person" Balloon

One of the claims AnR proponents most frequently hide behind is the expression "Key Person" mentioned by the music video's animation director Kimimasa Inazumi, alleging that this person is Hajime Isayama himself and that Isayama directly guided the production of the video.

"Salon de Horizon" (2018) Official Document and Watanabe's Statement

This claim is nothing more than a distortion of the original Japanese texts of official interviews. In her interview published in the 2018 official Linked Horizon fan club magazine "Salon de Horizon," music video director Saori Watanabe explained the production process of the clip and her work with that "Key Person" (Revo) as follows:

"Revo-san gave me some keywords and vague images, and left the rest entirely to me. When I prepared the script, storyboards, character designs, and background drawings and presented them to Revo-san, he was very excited. I also freely designed them by combining my own thoughts with the world of the song."

This "key person" that animation director Kimimasa Inazumi referred to is none other than Revo, the creative mind behind the project. Revo did not know any hidden ending in Isayama's head. Revo stated in interviews he gave personally that he added his own "artistic interpretation" by reading the manga chapters over and over during the song production process, and that he only talked to the production team (Tetsuro Araki) about the tempo and atmosphere of the song. Revo's artistic philosophy is already: "Every interpretation is valid." The music video is not a hidden final scenario of Isayama; it is an independent visual animation interpretation that Watanabe and Inazumi brought to Revo's song.

  1. Resolution of the "Knife" and "King" Metaphors in "The Rumbling" Song

The AnR proponent is making a comically forced interpretation of the line "I never wanted to be a king" in SiM’s "The Rumbling" song as the kingdom to be established with Historia, and the "knife" line as the Rumbling.

A Knife Has Only One Owner: Mikasa Ackerman

When the lyrics of the song are examined, the situation is clear:

"All I ever wanted to do was save your life / I never wanted to grab a knife, I swear"

There is only one moment throughout the story where Eren literally "grabbed a knife" to save someone's life: that night when he saved Mikasa from human traffickers when he was 9 years old. In the music video of the song, the transition from adult Eren to child Eren is made while this line is being read. Interpreting the Rumbling as a "knife" is an absurd forced interpretation that completely ignores the visual direction in that scene of the song and Eren's unbreakable existential bond with Mikasa.

What Does "Not Wanting to be a King" Mean?

Throughout his life, Eren has hated authority, walls, and the systems that cage people. "King" here represents the role of being a messiah/savior or a fascist/militarist leader worshiped by the people of Paradis. Eren is shouting that he does not want the people of Paradis to see him as a "king," but that he is merely a slave to the destructive desire for freedom brought about by his own nature.

  1. The Inseparable Integrity of "13 no Fuyu" and "Ni-sen Nen... Moshiku wa... Ni-man Nen-go no Kimi e..."

AnR proponents attempt to link Mikasa's "unkept promise" to a promise between Historia and Eren by stating that "characters can repeat the same lines" in Linked Horizon's songs. This is reading the Linked Horizon discography and official album structures with complete ignorance.

"13 no Fuyu" (13 Winters) - Mikasa's Romantic and Eternal Love

The song "13 no Fuyu" (13 Winters), featured on Linked Horizon's official album "Shinjitsu e no Shingeki" (Advance to Truth - June 19, 2019), was sung directly by Mikasa's voice actress Yui Ishikawa. The song focuses on Eren's 13-year lifespan limit and Mikasa's eternal love for him. The original Japanese lyrics of the song clarify this "unkept promise":

This song is a special track featured on the official album cover; if you buy the physical album, you can see a note on the cover stating that it was written about Mikasa's deep feelings for Eren. Even Revo personally confirmed this in an official interview.

"Hatasenu yakusoku ga samayoeru yoiyami... Watashi wa shinjitsu no sono itami ni taerareru?"

(An unkept promise wanders in the dim twilight... Can I endure that pain of truth?)

This unkept promise is the promise Eren made to Mikasa when she was a child and repeated in the Season 2 finale (Episode 50): "I will always, always wrap this scarf around your neck." Since Eren died, he could not physically keep this promise.

"Ni-sen Nen... Moshiku wa... Ni-man Nen-go no Kimi e..." and the Ultimate Answer

This song is the most magnificent piece on Linked Horizon's "Shingeki no Kioku" (August 7, 2024) album, sealing Eremika by inheriting the melodies of "13 no Fuyu":

"Tomurai no hana no namae mo shirazu... (Without even knowing the names of the funeral flowers...)"

"Even though I sing songs of resentment with the passing seasons, you will never return again."

"The last kiss that colored red was from me, and from no one else."

Mikasa is personally confirming that moment (Chapter 138) when she beheaded and kissed Eren. The perfect transition to the "Akatsuki no Requiem" melody with Revo's vocals later in the song is the greatest proof that this lament was played for Mikasa, who mourned Eren for a lifetime at his grave (under that tree).

  1. "Lost Girls" Novel and the Fatalistic Nature of the Mirror Man

The AnR proponent's claim that "Seko writing the Lost Girls novel proves nothing, Mirror Man is time-traveler Eren" completely misses the series' deterministic philosophy.

Who is Mirror Man?

According to the description in the original novel written by screenwriter Hiroshi Seko, Mirror Man's face is a mirror; meaning whoever looks at him sees their own reflection. Mirror Man is Mikasa's repressed subconscious that shouts out rational and painful truths.

Determinism and Inevitable Death

Mikasa creates a perfect parallel universe in her mind where "the walls were never broken, her parents did not die" to escape the truth that Eren is dead. But even in this "perfect" world, Eren dies tragically because of the uncontrollable desire for freedom within him (the plan to board a hot air balloon with Armin and escape).

The famous line Mirror Man says to Mikasa:

"Eren and death are inextricably linked. You cannot change his destiny."

Eren is doomed to die because of his pursuit of freedom, in whatever universe or dream he may be in. This analysis makes the AnR ending, where Eren survives and lives in Paradis as a triumphant father, completely impossible. Eren's death is a universal law of physics, and the only person to carry out this death, ending the cycle by burying her love in her heart, is Mikasa Ackerman.

Conclusion

Linked Horizon's entire discography and Ai Higuchi's masterpieces tonally and officially prove that Ymir wanted existential extinction, not reincarnation; that Mikasa mourned only Eren throughout 13 winters; and that ultimately, by being buried on the left side of his heart in the grave, her heartbeat ceased. The shallow arguments presented by the opposing side have completely melted away in the face of the eternal truth of Shingeki no Kyojin.

u/No-Wrongdoer-288 — 1 month ago
▲ 89 r/eremika

WHY IS THE ANR THEORY TRASH AND WHY IS EREMIKA CANON?

Hi, today I'm going to debunk the AnR (Akatsuki no Requiem) theories and all the fan theories that have been built around these songs. It was really difficult to research and put this together, but thanks to my Japanese friend who helped me out, I managed to do it.

Kimi ga Fusawashii to Omou Daimei" and the Secret of the Baby's Cry

The Theory:Theorists claim this song describes Historia’s labor, the reincarnation of Ymir Fritz into Historia’s child, and Eren holding the baby while saying, "You are free."

Literary and Chronological Deconstruction:Analyzing the chronological questions in the lyrics proves the subject is not Historia or her child, but Eren Jaeger himself.

Lyric: "To you, 10 years from now, what is your dream?"

Canon Reality: In Year 845 (the day the walls fell), Eren was exactly 10 years old, and his dream to exterminate the Titans began then.

Lyric:"To you, 20 years from now, is it still the same?"

Canon Reality:ln Year 854 (9 years later), Eren was 19–20 years old, the period when he initiated the Rumbling.

Lyric:"To you, 2,000 years from now, are you free?"

Canon Reality: The title of the very first episode/chapter is "To You, 2,000 Years From Now." This question reflects Eren’s meeting with Ymir in the Paths and his questioning of becoming a prisoner to her destiny.

The Baby’s Cry:The cry at the end is not the reincarnation of Ymir. It symbolizes the time loop resetting to the day of Eren’s birth—a philosophical nod to the tragic moment Grisha Yeager held infant Eren and said, "Eren, you are free." Ymir is asking Eren about the brutal destiny he chose before being born.

"Akatsuki no Requiem" (ED 4) and the "Nee Tomo Yo" (Hey Friend) Address

The Theory: Eren returns to Paradis after killing his friends, mourns at their graves, and reunites with his wife, Historia.

Literary and Chronological Deconstruction:

Lyric: "So then, my friend (なぁ友よ), let us meet at a dawn without walls."

Linguistic Evidence: In literary Japanese, "Tomo" (友) means friend and is never used to address a spouse. The only "friend" who shared the dream of seeing "beyond the walls" is Armin Arlert. Armin’s official character song, "Far Away," completes this verse: "The sky we looked at that day stretched everywhere; we dreamed of the day we would fly like birds..."

The Broken Ouroboros: The broken Ouroboros on the tombstone at the start of the video symbolizes the permanent end of the Titan curse and the Paths. In the canon finale (Ch. 139), the power of the Titans was destroyed, and the 2,000-year cycle was broken.

Interview Facts: Revo, the leader of Linked Horizon, stated in a Natalie Music interview that he did not know the ending in advance. The music video was an independent artistic interpretation created by animation director Saori Watanabe based on the song. When performed live, the screen featured scenes of Kenny, Uri, Levi, and the friendship between Ymir and Historia (YumiHisu)—further debunking the "secret family" narrative.

The Knife and Saving Lives in "The Rumbling

The Theory: In "The Rumbling," Eren’s claim that he "didn't want to be a king" refers to the kingdom he would establish with Historia.

Literary and Chronological Deconstruction:

Lyric:"All I ever wanted to do was save your life / I never wanted to grab a knife, I swear."

Canon Reality:The most iconic moment Eren saves someone while "holding a knife" is when he, at age 9, stabbed the human traffickers to save **Mikasa Ackerman**. The music video visualizes this by transitioning from adult Eren to child Eren with the knife. The song has no romantic or ideological link to Historia.

"13 no Fuyu" (13 Winters) and the "2,000/20,000 Years" Connection

The Theory:The line "a flower dedicated to a promise that can never be kept" in ED 4 refers to a promise Eren made to Historia to protect Paradis.

Literary and Chronological Deconstruction:

In the song "13 no Fuyu" (13 Winters), written for Mikasa and performed by her voice actress, Yui Ishikawa, this line appears explicitly: "That promise between us that can never be kept is drifting in the dusk..."

This is echoed in the final ending theme, "Ni-sen Nen... Moshiku wa... Ni-man Nen-go no Kimi e...", voiced directly by Mikasa:

"The final kiss that stained me red came from me, no one else. The warmth wrapped around my trembling neck... I will face this cold countless times."

Decoding:This "unkept promise" refers to the scarf Eren wrapped around Mikasa and his pledge to be there for her, which was physically cut short by his death. Mikasa kept that promise by visiting his grave for the rest of her life, never removing the scarf, and being buried with it.

"Lost Girls" and the "Mirror Man" Thesis

The Theory: The Mirror Man in the Lost Girls OVA is a future version of Eren who hypnotized Mikasa to bend fate.

Literary and Chronological Deconstruction:

The Lost Girls spin-off novel was written by screenwriter Hiroshi Seko, not Hajime Isayama.

The Mirror Man is not a time-traveling Eren. He is a mental defense mechanism created by Mikasa’s subconscious to cope with the trauma of losing her parents and the fear of losing Eren. The man’s face appearing as a mirror reflects Mikasa speaking to her own subconscious. The details regarding the knife and the cabin are simply tied to the fact that Grisha Yeager was the doctor who regularly visited that family.

u/No-Wrongdoer-288 — 1 month ago
▲ 34 r/eremika

EreMika

Hello everyone, I want to talk about this 'ANR (Akatsuki no Requiem) theory' today. Honestly, I don't understand why people are still pushing it so hard. Today, I saw someone trying to mislead others by saying, 'This was Isayama’s true ending, it was the author’s original plan.'

Is there anyone here who knows the ANR theory inside out—someone who can dismantle all its arguments for me? I’m looking for someone who is so well-versed in the subject that they can say, 'I have debunked all the foundations of the ANR theory, and here is the proof.'

Specifically, I am looking for someone to debunk the following points with concrete evidence:

The 'Hidden Ending' Fallacy: How to debunk the conspiracy theory that 'the author had a secret ending but couldn't publish it,' despite the fact that Isayama personally drew and concluded the official ending.

Symbolism vs. Mechanics: How to debunk the forced interpretation of symbols (like birds, scarves, or falling shoes) as 'memory transfer devices' or 'prophecies,' rather than artistic motifs.

Manga vs. Anime Consistency: How to debunk the claim that scenes 'added later' to the anime are evidence of a changed timeline, when those details have existed in the original manga since chapter one.

Logical Consistency: Why it is logically impossible to rely on 'multiple timelines' when the entire series is built on a closed-loop (deterministic) system where titan powers were completely erased.

u/No-Wrongdoer-288 — 1 month ago
▲ 140 r/eremika

Face the reality that Jeankasa is a failure: Keep your stupid theories to yourselves 🤡

​

Hello everyone! Today, I’ve come to put an end to that pathetic 'Jeankasa' nonsense in the Attack on Titan community and the intelligence levels of those who defend it. 🤮

Let’s just accept that so-called 'confirmation' on the Blu-ray is real; do I even care? It doesn't mean anything to me, why would it? 💅 The fact that Mikasa loved Eren until her last breath, was buried next to him, and met him in the afterlife is clearer than anything else. 💀

And what about that group claiming the 'Itterasshai' video isn't official? I died laughing—are you guys really in such a pathetic state of denial? 🤡 You fools are seriously hilarious. I hate Jeankasa, and no one can tell me otherwise; I don't care about your opinions, so get that through your heads. 🖕

I’ve also heard the ridiculous fairytales about Mikasa being with Jean and the kids in the 15th-anniversary visual. It’s so funny! But what was the result? Once again, Mikasa was at Eren’s grave. ⚰️ That image summarizes everything; while Eremika is there like a work of art, your forced Jeankasa is just a soulless failure crammed in at the last minute to please fans. 🗑️

Would they have actually made Jeankasa if Eremika weren't there? No, of course they wouldn't have. This was just a failed attempt added at the last minute that contradicts the core of the characters. 🤡 Even the fact that Mikasa’s emblem is covered screams that she doesn’t see Jean as a real husband and that her heart still belongs to Eren. 🤫

Say what you want, Eremika was real and it will stay that way. The desperate efforts of Jeankasa defenders only show your own ignorance. Cry all you want; Jeankasa is just a failed disaster, and Jean will always remain the second choice. 🥈

Even the voice actors know how unrequited that 'love' of Jean’s was. Has anyone seen a real bond in this story other than Eremika and Ymir/Historia? Armin and Annie had their moment, but what about your forced Jeankasa? It's just a hollow fantasy and an insult to the characters. 💩

Do you understand now, you fools? 🤡 Laugh all you want, but you can’t force a ship that was never there. I hate it, and I will keep hating it. I don't care what anyone says; keep fooling yourselves with your stupid theories. 🖕🤡💅

u/No-Wrongdoer-288 — 2 months ago

Şia hakkında aslında yanlış fikirdeyiz

​

Herkese merhaba,

Bugün sosyal medyanın ve çeşitli platformların körüklediği büyük bir ön yargı dalgası, derin bir bilgi kirliliği üzerine konuşmak istiyorum: Şiilik (Şia) hakkındaki kalıplaşmış yanlış fikirler.Benim buradaki amacım körü körüne bir inanç savunuculuğu ya da mezhep tarafgirliği yapmak değil; sadece yıllardır süregelen tabuları yıkmak, sosyolojik gerçekleri ortaya koymaktır. Ne yazık ki dışarıdan bakıldığında milyonlarca insan tek bir kalıba sokuluyor ve bu durum muazzam bir dezenformasyona yol açıyor.

  1. En Büyük Yalan: "Bütün Şiiler Halifelere Küfreder"

En yaygın yanlış anlaşılmaların başında, Şiilerin istisnasız bir şekilde halifelere hakaret ettiği ya da saygısızlık sergilediği iddiası geliyor. Arkadaşlar, bu koca bir yalandır. Evet; İran'da ya da bazı fanatik çevrelerde, radikal grupların içinde bunu yapanlar, katı bir dincilik anlayışıyla inancı tamamen zehirleyenler var, bunu inkâr edemeyiz. Ancak bu yapılar, Şiiliği kendi siyasi emellerine göre uydurmuş, kendi çıkarları doğrultusunda manipüle ederek ideolojik bir silah haline getirmiş odaklardır. Onların bu aşırılıkları, koskoca bir inanç coğrafyasını ve milyonlarca insanı asla temsil edemez.

Madalyonun diğer yüzüne baktığımızda; sadece Azerbaycan'da değil, dünyanın dört bir yanında yaşayan ve bu radikal fikirlerden tamamen uzak olan milyonlarca Şii mevcuttur. Her Şii bir değildir; inancın yaşayış biçimi, ritüelleri ve hayata bakışı kültüre, coğrafyaya ve ülkeye göre köklü değişiklikler gösterir. Toptancı bir bakış açısıyla herkesi aynı kefeye koymak, sosyolojik ve tarihi gerçeklerle tamamen ters düşmektedir.

  1. Caferi Mezhebi ve Gerçek İslam Ahlakı

Ben kendim Şiiliğin Caferi mezhebine mensup biriyim. Bizim mezhebimizde inancın temeli son derece nettir: Biz On İki İmam'ı kabul eder, onlara derin bir hürmet ve bağlılık besleriz. Ancak bununla birlikte halifelere asla küfretmeyiz, onlara yönelik hiçbir aşağılamayı veya kötü sözü kabul etmeyiz. Çünkü bu, her şeyden önce İslam ahlakına, bir arada yaşama kültürüne ve bizzat kendi inancımıza yönelik büyük bir saygısızlıktır.

Tarihsel sürece bakarsanız, bu uzlaşmacı ve hakarete karşı olan Caferi anlayışı, zamanında Nadir Şah döneminde de diplomatik ve dini zeminlerde resmiyet kazanmıştır. Nadir Şah, İslam dünyasındaki bu derin mezhepsel ayrışmayı ve düşmanlığı bitirmek amacıyla büyük bir adım atmış ve bu dengeli duruşu tarih sahnesine taşımıştır.

İşte tam olarak bu noktada, Caferi mezhebinin o bilinen radikal uygulamalardan nasıl keskin çizgilerle ayrıldığını netçe ortaya koymak gerekir:

Halifelere ve Sahabeye Lanet Okumaz, Küfretmez: Caferi fıkhı ve ahlakı, İslam dünyasının saygı duyduğu tarihi şahsiyetlere hakaret edilmesini kesinlikle yasaklar.

Kan Akıtmalı Aşure Ritüellerini Reddeder: Kendini zincirlerle dövmek, başını yararak kan akıtmak veya kendine fiziki zarar vermek Caferi mezhebinin özünde yoktur; bunlar sonradan uydurulmuş kültürel aşırılıklardır.

Dini, Siyasi ve Silahlı Bir Yayılmacılık Aracı Olarak Görmez: İnancı radikal gruplar gibi devletlerin emperyalist emellerine, siyasi çıkarlarına alet etmez, inancın özünü saptırmaz.

Kendinden Olmayanı Tekfir Etmez (Dinden Çıkarmaz): Sırf aynı mezhepten değil diye diğer Müslüman toplulukları düşman görmez, onlarla ortak bir insani ve dini zeminde buluşmayı savunur.

  1. Kulaktan Dolma Bilgilerle Mezhep Kışkırtıcılığı

Ben de tam olarak böyle saygılı bir aile ve çevre ortamında büyüdüm. Hayatım boyunca ailemden, akrabalarımdan veya yakınlarımdan halifelere yönelik bir kere bile kötü söz, lanet ya da saygısızlık duymadım; aksine evimizde böyle bir şeye asla müsaade edilmez, sert bir şekilde tepki gösterilirdi. Bizler imamlara gönülden bağlı olsak da İslam tarihinin diğer önemli şahsiyetlerine her zaman saygı duyulması gerektiğini bilerek yetiştik. Bazı radikal çevrelerin yaptığı gibi törenlerde Kerbela günü için kendimize vurup kan akıtmak gibi aşırılıklar da bizim kültürümüzde yer almaz; inancımızı sade, temiz ve vakur bir şekilde yaşarız.

Buna rağmen sosyal medyada sanki bütün Şiiler aynı radikal kafadaymış gibi bir algı operasyonu yürütülüyor. Şiiler sürekli tek bir elden çıkan argümanlarla aşağılanıyor, hakaretlere ve haksız ithamlara maruz kalıyor. Kusura bakmayın ama Türkiye'nin de büyük bir çoğunluğu bu konularda tamamen cahillerden oluştuğu için hiçbir şeyi araştırmadan, kulaktan dolma bilgilerle hemen Şiiliğe küfürler savuruyor, kötü sözler söylüyorlar. Bilgi sahibi olmadan fikir sahibi olan bu kitle, mezhep kışkırtıcılığı yapmaktan başka bir işe yaramıyor. Lütfen şunu artık anlayın: Her inançta, her millette ve her toplulukta olduğu gibi Şiilerin de iyisi, kötüsü, ılımlısı ve radikali vardır. Kendi siyasi veya maddi çıkarları için dini bir silah olarak kullanan radikal figürler, koskoca bir inanç grubunun ve milyonlarca sessiz, saygılı insanın temsilcisi ilan edilemez.

  1. Dinin Özünden Uzaklaşan Yapay Ritüeller

Bugün din adına yapılan birçok şeyin aslında inancın özünden nasıl uzaklaştığını da görmek gerekiyor. Örneğin hac dönemindeki bazı sözde ritüeller, büyük kitlelerin yönlendirildiği şeytan taşlamalar ve benzeri durumlar artık inançtan ziyade tamamen ticari bir sektöre, devasa bir kazanç kapısına dönüşmüş durumda. Bu gibi yapay ve ticari ritüeller bize ruhen ve imanen hiçbir şey katmıyor. Bizim asıl yapmamız gereken şey; bu ticari, siyasi ve ideolojik oyunlara gelmeden, mezhep kavgalarının figüranı olmadan dinimizi ve imanımızı temiz, saygılı ve ahlaklı bir şekilde korumaktır. Özetle; her Şii bir değildir, ön yargılarınızı bir kenara bırakıp insanları toptan karalamaktan vazgeçmeniz gerekir.

Dinlediğiniz ve zaman ayırdığınız için teşekkürler.

Küçük Bir Not: Arkadaşlar, ben Alevi değilim; Şiiliğin Caferi mezhebine mensubum. Lütfen yorumlarda hakaret etmeyin, rica ediyorum. Ben burada sadece kendi perspektifimi ve doğruları paylaşmak istedim. Burada aşağılanacak, kavga edilecek bir şey yok; hepimiz kardeşiz. Saygı çerçevesinde kalalım.

reddit.com
u/No-Wrongdoer-288 — 2 months ago
▲ 88 r/eremika

Wit Studio's Most Foolish Changes to the EreMika

​

Hello everyone! Today, I’m going to talk about Wit Studio. I don’t know why, but I am getting seriously ticked off at this studio lately. As an Attack on Titan manga reader, the way they altered the anime based on their own whims—making Eren and Mikasa's relationship look way more toxic than it actually is—drives me absolutely insane.

For instance, why on earth did you make that massive change in the very first episode? Seriously, why? Just today on TikTok, I saw someone claiming that "Eren and Mikasa's relationship was retconned and forced at the end." Why do people even think that? Because the anime completely cut out the iconic See you later, Eren scene! Yes, it’s not there because the idiots at Wit Studio decided to chop it right out of the premiere. No matter what their reason was, you do not just casually delete a scene that vital to the core mystery!

To make matters worse, someone else in the comments was trying to justify it by saying, "But we saw the dream where everyone dies at the beginning of the anime, though." Let me tell you something, buddy: we never saw that in the manga! Wit pulled that entirely out of their own ass and put it in the animation. Those absurd, random dream sequence cuts showing future deaths do not exist in the manga at all; they are 100% a Wit invention. By erasing the critical "See you later" scene and replacing it with their own made-up nonsense, they sabotaged the series' greatest mystery and the fundamental bond between Eren and Mikasa from the very first minute.

Then, they went ahead and added some of the most out-of-character, foolish scenes to the Eremika dynamic. They threw beautiful manga panels into the trash just to force awkward, ridiculous moments. Why? They made Mikasa look like she was practically Eren’s slave in the anime—a completely obsessed character whose only purpose in life was screaming *"Ereh!"* On the flip side, they framed Eren as if he was straight-up hostile toward Mikasa and constantly resented her. Come on, just stay faithful to the source material and adapt it properly!

When the Attack on Titan manga started, the dynamic between Eren and Mikasa was built from day one on a mutual, deeply protective bond. In the manga, Eren treated Mikasa well, looked out for her, and genuinely cared for her well-being. But in the anime, almost every single scene where Eren was soft, gentle, or visibly worried about Mikasa was either heavily trimmed or completely altered. Why? For what reason?

Thank goodness MAPPA eventually took over the production, allowing the real, genuine dynamic from the manga to finally shine through. If it were up to Wit Studio, they would have kept making these exact same blunders throughout the entire series!

u/No-Wrongdoer-288 — 2 months ago

Osmanlı'nın Türkmen Siyaseti, Kürt Milliyetçiliğinin Çelişkileri ve Bitmeyen Mağduriyet Sektörü

Herkese merhaba,

Bu postta, Türkiye’nin sosyopolitik tarihini ve bugünkü etnik tartışmaları daha geniş bir perspektiften, özellikle Osmanlı’nın yönetim mantığı ve bugünkü Kürt milliyetçiliğinin tarihsel çelişkileri üzerinden masaya yatırmak istiyorum.

Bugün Kürt milliyetçiliğinin en büyük argümanlarından biri, tarih boyunca sürekli ezildikleri iddiasıdır. Oysa tarihsel gerçeklik tam tersini söyler. Osmanlı İmparatorluğu, özellikle 16. yüzyıldan (Yavuz Sultan Selim döneminden) itibaren Doğu sınırlarını güvenceye almak için bölgedeki Kürt aşiret reislerine muazzam imtiyazlar vermiştir. "Yurtluk-Ocaklık" sistemiyle bölge neredeyse tamamen Kürt mirlerine ve aşiretlerine bırakılmış, bu yapılar vergiden ve merkezi denetimden muaf tutulmuştur.

Buna karşılık Osmanlı, devletin kurucu unsuru olan öz be öz Türkmen / Yörük nüfusunu "etrak-ı bi-idrak" (anlayışsız Türkler) diyerek aşağılamış, ağır vergilerle ezmiş, göçebe hayat tarzlarını zorla baskı altına almış ve her toplumsal huzursuzlukta Türkmenleri katletmekten çekinmemiştir. Yani tarihsel olarak bu coğrafyada devlet eliyle asıl dışlanan, ezilen ve saray bürokrasisinden uzak tutulanlar Türkmenler olmuş; Kürt aşiretleri ise Doğu'da feodal birer krallık gibi ihya edilmiştir.

Osmanlı döneminde elde ettikleri bu feodal konfor, Kürt toplumunun modern bir ulus bilinci geliştirmesinin önündeki en büyük engel olmuştur. Tarihsel süreçte hiçbir zaman kurumsallaşmış merkezi bir devlet, ortak bir hukuk sistemi veya homojen bir kültür üretememişlerdir. Toplum; her biri kendi çıkarı için birbiriyle savaşan, merkezi otorite tanımayan, gücü eline geçirdiğinde kendi köylüsünü ve tebaasını acımasızca sömüren aşiret reislerinin, şeyhlerin ve ağaların elinde parça parça kalmıştır.

Bugün internet forumlarında veya siyaset kürsülerinde pazarlanmaya çalışılan "Kürt ulus bilinci", köklü bir tarihsel sürekliliğin değil; tamamen 20. yüzyılın ortalarında reaksiyoner bir şekilde, Türk karşıtlığı üzerinden kurgulanmış yapay bir ideolojik mühendisliğin ürünüdür. Ortada tarihsel bir devlet geleneği veya kurumsal bir ortak akıl yoktur; yalnızca geçmişin feodal reflekslerini modern siyasi kavramlarla makyajlama çabası vardır.

Kürt siyasi hareketinin ve entelektüel çevrelerinin en büyük başarısı, her türlü sosyo-ekonomik ve kültürel başarısızlığı profesyonel bir "mağduriyet" ambalajıyla dünyaya satabilmeleridir. Bu topraklarda bitmek bilmeyen bir ajitasyon ve mağdur rolü oynanmaktadır.

Bölgedeki aşiret baskısını, feodal sömürüyü, töre cinayetlerini, kan davalarını, çocuk yaşta evlilikleri ve bizzat kendi iç dinamiklerinin ürettiği cehaleti asla sorgulamazlar.

Kendi feodal ağalarına, şeyhlerine ses çıkaramayan bir toplum, iş kendi geleceğine dair sorumluluk almaya geldiğinde suçu anında rasyonellikten uzak bir şekilde "devlete" veya "Türklere" atarak işin içinden sıyrılır.

Bu kronik mağduriyet psikolojisi, bölge halkını kalkındırmak için değil; kitleleri sürekli öfkeli, radikal ve manipüle edilebilir tutmak için tasarlanmış siyasi bir endüstridir. Kendi içsel çürümüşlüğüne tek bir özeleştiri getiremeyen, şiddetle ve terörle arasına net bir çizgi çekemeyen bu reaksiyoner çizgi, hem Türkiye'nin ortak geleceğine hem de bizzat kendi insanına en büyük zararı vermektedir.

Siz Osmanlı'nın bu denge siyaseti ve bugünkü mağduriyet ideolojisi hakkında ne düşünüyorsunuz? Tartışalım.

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u/No-Wrongdoer-288 — 2 months ago