I am looking at getting some new shirts from Lulu. Has anyone tried either of these shirts. Appreciate any input you might have.
Hey everyone! I’m selling my DJI Ronin 4D 8K Cinema Camera System. It has only about 10 hours of total use and is in excellent, like-new condition.
Included:
• DJI Ronin 4D Main Body
• Zenmuse X9-8K Gimbal Camera
• DJI DL PZ 17-28mm T3.0 ASPH Lens
• DJI LiDAR Range Finder
• DJI High-Bright Main Monitor
• DJI PROSSD 1TB + Mount
• Left & Right Hand Grips
• 2× DJI TB50 Intelligent Batteries
• TB50 Charging Adapter
• Power Adapter
• Ronin 4D Carrying Case
• Base Plate
• X9 Counterweight
• Original cables, straps, caps, screws, hex keys, and other accessories
I’m only selling because the Ronin 4D is a little too heavy for the type of shooting I typically do. Otherwise, it’s an incredible camera system.
Price: $9,500
Location: New York
Local pickup only.
Feel free to comment or DM me if you’re interested or want additional photos/details!
I’m trying to understand YouTube loudness because something isn’t adding up.
My video shows Content Loudness: -14 dB / -14 dB in YouTube’s Stats for Nerds, so it seems like it’s right at YouTube’s target. However, when I compare it directly to creators like Jesse James West or MrBeast, my video sounds noticeably quieter even though their videos also show -14 / -14.
Why would this happen?
My understanding was that if YouTube normalizes everything to the same loudness target, videos should sound roughly equally loud. But that’s clearly not what I’m hearing.
Is this because of:
I’m measuring my mix at around -14 LUFS integrated before uploading, and YouTube isn’t turning it down. Yet their videos still sound much louder and more energetic.
Has anyone figured out what the difference is?
I’m trying to understand YouTube loudness because something isn’t adding up.
My video shows Content Loudness: -14 dB / -14 dB in YouTube’s Stats for Nerds, so it seems like it’s right at YouTube’s target. However, when I compare it directly to creators like Jesse James West or MrBeast, my video sounds noticeably quieter even though their videos also show -14 / -14.
Why would this happen?
My understanding was that if YouTube normalizes everything to the same loudness target, videos should sound roughly equally loud. But that’s clearly not what I’m hearing.
Is this because of:
I’m measuring my mix at around -14 LUFS integrated before uploading, and YouTube isn’t turning it down. Yet their videos still sound much louder and more energetic.
Has anyone figured out what the difference is?
I’m trying to understand YouTube loudness because something isn’t adding up.
My video shows Content Loudness: -14 dB / -14 dB in YouTube’s Stats for Nerds, so it seems like it’s right at YouTube’s target. However, when I compare it directly to creators like Jesse James West or MrBeast, my video sounds noticeably quieter even though their videos also show -14 / -14.
Why would this happen?
My understanding was that if YouTube normalizes everything to the same loudness target, videos should sound roughly equally loud. But that’s clearly not what I’m hearing.
Is this because of:
I’m measuring my mix at around -14 LUFS integrated before uploading, and YouTube isn’t turning it down. Yet their videos still sound much louder and more energetic.
Has anyone figured out what the difference is?
I’m trying to identify the impact/hit sound effect used in this video. There’s one at 1 second and another around 5–6 seconds. It sounds like a cinematic impact/boom, but I can’t figure out where it’s from or what it’s called.
Does anyone recognize it or know what sound library it might be from?
Thanks!
I shot a project using footage from multiple cameras:
• DJI Ronin 4D in D-Log
• Sony ZV-E1 (I accidentally had Log turned off, so I believe it was shot in S-Cinetone)
• iPhone 16 Pro Max
• DJI Osmo Pocket 3 in Normal mode (not D-Log)
• DJI Air 3 in D-Log
I’m struggling to get all of the footage to match and look consistent when color grading in both Premiere Pro and DaVinci Resolve.
What’s the best workflow for matching footage from a mix of Log and non-Log cameras? Should I be converting everything to Rec.709 first and then matching, using a color management workflow like DaVinci YRGB Color Managed, or relying on tools such as CineMatch?
The biggest issue is that the Ronin 4D footage tends to look yellow compared to the Sony footage, and overall I can’t seem to get all the cameras looking like they belong in the same project.
Any advice from people who regularly color match mixed-camera shoots would be greatly appreciated.
I shot a project using footage from multiple cameras:
• DJI Ronin 4D in D-Log
• Sony ZV-E1 (I accidentally had Log turned off, so I believe it was shot in S-Cinetone)
• iPhone 16 Pro Max
• DJI Osmo Pocket 3 in Normal mode (not D-Log)
• DJI Air 3 in D-Log
I’m struggling to get all of the footage to match and look consistent when color grading in either Premiere Pro or DaVinci Resolve.
What’s the best workflow for matching footage from a mix of Log and non-Log cameras? Should I be converting everything to Rec.709 first and then matching, using a color management workflow like DaVinci YRGB Color Managed, or relying on tools such as CineMatch?
The biggest issue is that the Ronin 4D footage tends to look yellow compared to the Sony footage, and overall I can’t seem to get all the cameras looking like they belong in the same project.
Any advice from people who regularly color match mixed-camera shoots would be greatly appreciated.
I shot a project using footage from multiple cameras:
• DJI Ronin 4D in D-Log
• Sony ZV-E1 (I accidentally had Log turned off, so I believe it was shot in S-Cinetone)
• iPhone 16 Pro Max
• DJI Osmo Pocket 3 in Normal mode (not D-Log)
• DJI Air 3 in D-Log
I’m struggling to get all of the footage to match and look consistent when color grading in both Premiere Pro and DaVinci Resolve.
What’s the best workflow for matching footage from a mix of Log and non-Log cameras? Should I be converting everything to Rec.709 first and then matching, using a color management workflow like DaVinci YRGB Color Managed, or relying on tools such as CineMatch?
The biggest issue is that the Ronin 4D footage tends to look yellow compared to the Sony footage, and overall I can’t seem to get all the cameras looking like they belong in the same project.
Any advice from people who regularly color match mixed-camera shoots would be greatly appreciated.