It's 2026, almost 2027. Adobe pushes so many AI features and annoying bugs every single update, but YET they never seemed to care to fix the most important bug...
The keyframe player overlapping the numbers is something so annoying to see, and to know that they ignore this every single update is infuriating .. can someone from Adobe please see this and let them know to update and fix...
Hello,
I've been getting this message for the second time now.
The clip at that time point is the last clip of the video. I did remove it and put it back in. ( I didn't do this with the sounds at that moment could that be it?
There should be nothing wrong with the clip self because I used it n other video's before.
My connection at home isn't the strongest so it takes the video about 13h to download but then it gives this message right at the end...
I really want this video out as soon as possible. thanks to everyone that can help me.
I run a small podcast post-production team with remote editors. A typical episode is around 40-50 GB of 4K footage. The editor has to download all of it first, then making proxies ties up their machine for another 2–3 hours. They can't start cutting until both are done, so a big chunk of the day is gone before the edit even starts.
Trying to work out if this is normal or if we're doing it wrong. Should we just edit native (Note the edits are multicam - super heavy)? Have someone else make the proxies? Something else?
If you use proxies, how do you make them (Premiere ingest, Media Encoder, Resolve, someone on the team)?
*Thank you so much guys. All your responses have made a lot of things clear. Really appreciate all the advice!!
I am currently working on a video using Premiere and I do most of the VFX in After Effects. My timeline currently imports all of the dynamic links (.aep).
What is the cleanest way to do color correction and color grading without affecting the visual effects I am bringing from After Effects?
I am currently on Premiere Beta so I am looking to use the new Color Grading tooling rather than Lumetri, but so far it seems that it will override most of what I am doing in AE.
If I choose to use Lumetri, is there a clean way to export (or copy) the adjustment layers with Lumetri into AE to re-use it? I know I can copy & paste layers and effects to an extent but I have no idea how that works for Lumetri itself since some of the controls look different
I constantly work on huge hour long projects usually involving multiple nests with different segments laid out on the timeline like this. Inside these nests are more nests, adjustment layers, linked comps, images, videos, multilayered edits basically. My usual process is to render each nest and add the mp4 on top of the nest so that it's baked into the video, but i'm scared that might ruin the quality after re-exporting all of the videos put together. Does it really ruin video quality or should i keep this current workflow? I purposely render them out separately so I won't have to do one long render after the whole video is done and i can render it as i go along.
[REPOST] I’m new to premiere and I’m editing reel vids, so they have the word by word animation
How do I select all the words and center align instead of doing it one by one. Did I miss any step or anything
I post a lot of social videos to LinkedIn for work. I edit and colour grade in Premier, then I use CapCut for captions and Adobe Podcast for better sound.
I've just noticed the animated captions in Adobe Podcast and they're great, the only problem is they seem locked down to a few presets. I can't edit the style or colour of any of them. Are these editable or am I just blind?
I'm trying to install motion factory plugin through zxp installer but it's saying no application compatible
And even after installing it's not showing in extension pannel
My premiere pro is 2026 version
How can I add a countdown timer in the app version? All tutorials I find talk about the desktop version - which I don’t have access to at the moment.
I’ve been working on big projects as of late and I’ve been having a problem with my program window falling asleep when I click on my 2nd monitor to grab something. Then when I click back into premiere and press play my program monitor takes a good 10-15 seconds to “wake up” and respond. Sometimes longer.
For background:
PC is an NZXT Pre-build (i9, 3090, 64gb RAM)
Footage is 3840x1080 (Gameplay + Webcam)
Sequence is 1920x1080
Premiere is version 26.5.2
The client provides a 3840x1080 recording with gameplay on one side and his webcam on the other.
I duplicate the footage to have gameplay on the background and scale down the webcam over the gameplay.
Projects can range from 1 hours to 20 hours of footage.
The Problem:
I access my 2nd monitor frequently to search for graphics, music, sfx.
So when my program monitor takes 15 seconds to respond, this gets incredibly frustrating. And wastes a lot of time.
Things I’ve Tried:
Lowering playback resolution
Changing high DPI scaling behavior
Updating graphics drivers
Changing audio input
Proxies
Unplugging and plugging it back in
The only thing that has helped is proxies but I just don’t have the space to create proxies for the amount of footage I get.
And I don’t think my PC is old enough to be struggling with this. Am I missing something or am I dumb?
Thanks for your time ❤️
This has been a pernicious issue that I finally found the answer to, and there doesn't seem to be much good information out there. Sharing here to help out future editors feeling the pain.
In short, the problem is overlapping audio signals so premier cannot draw the waveform for each track. To fix, open the track mixer and make sure each signal is isolated in the stereo pair. If you see any number thats no 100% L or R, that's the problem.
Example of correct routing:
track 1 - stereo 1-2 - 100%L
track 2 - stereo 1-2 - 100%R
track 3 - stereo 3-4 - 100%L
track 4 - stereo 3-4 - 100%R
Click the link above for the details.