This is an AI film storyboard I created using GPT Image 2. This kind of storyboard simplifies AI film creation processes. However, some content is still incorrect, such as the camera placement order, which doesn't correspond to the storyboard images. Hopefully, the next update will reduce these errors.
This is a storyboard I created using GPT Image 2 for AI film creation. This kind of storyboard simplifies the AI film creation process. However, some content is still incorrect, such as the camera placement order, which doesn't correspond to the storyboard images. Hopefully, the next update will reduce these errors.
The prompt is: Using the person in the image as the main subject, keeping their facial features unchanged, generate an image based on the following: **PROJECT FILE: HIGH-ALTITUDE ASCENT // PREMIUM HARDSHELL CAMPAIGN**
**FORMAT: ARRIRAW 4.5K / KODAK VISION3 50D 5203 EMULATION**
**DIRECTOR'S PRE-PRODUCTION VISUAL BOARD**
---
### Top Left Area | Character Lock Zone
**[SUBJECT]** 35-year-old male mountain guide/extreme climber.
**[WARDROBE]** Top-of-the-line professional jacket (matte rock grey with minimal dark orange taped details), heavy-duty climbing harness.
**[VIEWS]**
- **Front:** The jacket is fully zipped up, hood pulled up, showcasing a three-dimensional cut and natural drape.
- **Side:** Shows ample shoulder and arm movement without bulkiness.
- **Back:** Shows the windproof and breathable back panel structure.
- **3/4 View:** Dynamic standing pose, holding an ice axe.
**[REALISM NOTES]** Realistic human bone structure, slightly asymmetrical. The face has the rough texture of high-altitude red and sun-dried skin, with clearly defined pores and stubble with a frosty look. Rejecting perfect plastic skin, rejecting CG aesthetics. Like a real makeup test photo.
---
### Top Right Area | Expression + Motion Keyframes (EXPRESSION & ACTION)
**[EXPRESSIONS]**
**[ACTIONS]**
---
### Upper Middle Area | CAMERA PLAN
**[GEAR]** ARRI Alexa Mini LF + Master Prime lens set.
**[LENSES]** 24mm (wide-angle environment), 50mm (medium-range tracking shot), 100mm Macro (fabric close-up).
**[MOVEMENT PLAN]**
- **Shot A (Drone/Crane):** A wide, overhead view, slowly pushing in along a snow-covered ridge.
- **Shot B (Handheld):** Shoulder-mounted camera, following the character's movements, with realistic breathing and slight shaking.
- **Shot C (Slider):** A close-up panning shot close to the clothing, showing water droplets sliding off.
---
### Central Main Area | Continuous Story Shots (STORYBOARD: 8 PANELS)
**[PANEL 01]**
- **Shot:** 01 | 24mm | Wide Shot (EWS) | Slow Push-In
- **Action:** A tiny figure struggles through a massive natural storm on a snow-covered ridge.
- **Detail:** Strong atmospheric perspective; the wind and snow create a realistic fog effect; slight chromatic aberration at the edges of the image.
**[PANEL 02]**
- **Shot:** 02 | 50mm | Mid Shot | Shoulder-mounted tracking shot
- **Action:** A man walks against a blizzard; the strong wind whips against his rain jacket, creating realistic physical wrinkles on the surface, but the overall silhouette remains sturdy.
- **Detail:** Noticeable film grain; the snow-capped mountains in the background are slightly out of focus.
**[PANEL 03]**
- **Shot:** 03 | 100mm Macro | Extreme Close-up (ECU) | Fixed Macro
- **Action:** Icy snowmelt hits the shoulders of the rain jacket.
- **Detail:** The lotus effect is realistically rendered—water droplets condense and quickly roll off the matte micro-ripstop fabric without penetrating.
**[PANEL 04]**
- **Shot:** 04 | 85mm | Close-up of face (CU) | Slow motion
- **Action:** The man stops and looks up. Real ice crystals cling to his eyelashes, and his breath dissipates at his collar.
- **Detail:** Natural skin tone, without excessive blurring; realistic catchlight in his eyes reflects the snow wall ahead.
**[PANEL 05]**
- **Shot:** 05 | 35mm | Low Angle Full | Handheld, low-angle shot
- **Action:** He swings his ice axe into the ice wall, climbing upwards.
- **Detail:** Emphasis on showcasing the flexibility of the jacket during vigorous movement; no feeling of restriction; realistic light and shadow highlight the garment's three-dimensional cut.
**[PANEL 06]**
- **Shot:** 06 | 100mm Macro | Close-up Detail (Insert) | Shallow Depth of Field
- **Action:** A heavily gloved hand pulls a waterproof zipper across the chest.
- **Detail:** The matte waterproof rubberized finish of the zipper and the clearly visible scratches on the brushed metal zipper pull exude a strong sense of industrial design.
**[PANEL 07]**
- **Shot:** 07 | 50mm | Over-the-Shoulder Lens (OTS) | Slow Zoom In
- **Action:** Over the man's shoulder, we see him finally reaching the summit, sunlight piercing through the clouds and shining on him.
- **Detail:** Realistic lens flare, not exaggerated, natural glow.
**[PANEL 08]**
- **Shot:** 08 | 35mm | Mid Shot | Still Camera
- **Action:** A man stands on a mountaintop, the wind howling, his expression serene, his rain jacket providing perfect protection in the harsh environment.
- **Detail:** Like a real brand lookbook image, restrained, with negative space in the composition, exuding a sense of sophistication.
---
### Bottom Left Area | Lighting Consistency
**[KEY LIGHT]** Natural, cool sunlight piercing through the clouds (high contrast, hard light).
**[FILL LIGHT]** Strong ambient light reflected from the snow (diffuse reflection, with a bluish-green tint).
**[RIM LIGHT]** Faint side-backlight refracted from the ice wall, outlining the subject's shoulders and the edge of his rain jacket.
**[ATMOSPHERE]** Rejecting dreamy volumetric lighting, only the physical diffuse reflection of light from real air dust and wind-blown snowflakes. ---
### Bottom Middle Area | Materials & Effects System
**[MATERIALS]**
**Clothing:** Matte Gore-Tex Pro fabric with a microscopic cross-cut ripstop texture and smooth, taped seams.
- **Accessories:** Climbing carabiners with signs of use (paint chips, scratches), worn nylon webbing.
- **Characters:** Realistic textured, chapped skin, realistic sweat and snow mixing.
**[VFX]**
- Realistic fluid dynamics (water droplets rolling).
- Realistic fabric rendering (physical feedback of wind movement).
- Absolutely prohibited: Glowing edges, magical effects, CG plastic look.
---
### Bottom Right Area | Color Script
**[PALETTE]** Alpine Cold Tones.
**[SHADOWS]** A darkened Cyan-Grey tone, preserving film noise in the shadows.
**[MIDTONES]** The rock-gray of the jacket contrasts subtly with the subject's natural, slightly warm skin tone.
**[HIGHLIGHTS]** A striking white (with a very faint warm undertone to prevent the image from being too cold), with natural exposure decay, avoiding overexposure.
**[LOOK]** Reduced overall saturation, creating a high-contrast cinematic feel, similar to the natural light photography style of *The Revenant*.
---
### Bottom Area | Film Metadata
**[GENRE]** Commercial / Extreme Outdoor Documentary
**[MOOD]** Resilient, Professional, Cool, High-End, Authentic
**[PACE]** Calm, Powerful
**[CINEMATOGRAPHY]** Realistic set photography, natural exposure, atmospheric perspective, slight motion blur, breathable lens
**[FILM STOCK]** ARRIRAW to Kodak Vision3 50D (5203) film simulation
**[DIRECTIVE]** Completely removed AI feel, generated entirely according to Hollywood A-list commercial production visual development standards.
This video was created using a combination of GPT Image 2 and Seedance 2.0. As a beginner, this combination made video creation much simpler. However, after compositing the video, I found that there were still many problems, such as the connection between segments and the background music. The background music, in particular, was terrible. So I removed the sound and put it here. I really want to know how to find suitable background music for a video.
This is a prompt for creating storyboards. If anyone is interested, I will open-source this agent.
The prompt is: Using the person in the image as the main subject, keeping their facial features unchanged, generate an image based on the following: **PROJECT FILE: HIGH-ALTITUDE ASCENT // PREMIUM HARDSHELL CAMPAIGN**
**FORMAT: ARRIRAW 4.5K / KODAK VISION3 50D 5203 EMULATION**
**DIRECTOR'S PRE-PRODUCTION VISUAL BOARD**
---
### Top Left Area | Character Lock Zone
**[SUBJECT]** 35-year-old male mountain guide/extreme climber.
**[WARDROBE]** Top-of-the-line professional jacket (matte rock grey with minimal dark orange taped details), heavy-duty climbing harness.
**[VIEWS]**
- **Front:** The jacket is fully zipped up, hood pulled up, showcasing a three-dimensional cut and natural drape.
- **Side:** Shows ample shoulder and arm movement without bulkiness.
- **Back:** Shows the windproof and breathable back panel structure.
- **3/4 View:** Dynamic standing pose, holding an ice axe.
**[REALISM NOTES]** Realistic human bone structure, slightly asymmetrical. The face has the rough texture of high-altitude red and sun-dried skin, with clearly defined pores and stubble with a frosty look. Rejecting perfect plastic skin, rejecting CG aesthetics. Like a real makeup test photo.
---
### Top Right Area | Expression + Motion Keyframes (EXPRESSION & ACTION)
**[EXPRESSIONS]**
**Focused:** Slightly furrowed brows, resolute gaze, staring at the rock face above.
**Bracing:** Squinting against the strong wind, facial muscles tense.
**Breathing:** Lips slightly parted, exhaling real white mist.
**[ACTIONS]**
**Hood Adjustment:** Pulling the drawstring of the hood with one hand.
**Ice Axe Swing:** Arm raised high with force, no pulling sensation under the armpits of the jacket.
**Brushing Snow:** Brushing snow off the shoulders, demonstrating the fabric's water-repellent properties.
---
### Upper Middle Area | CAMERA PLAN
**[GEAR]** ARRI Alexa Mini LF + Master Prime lens set.
**[LENSES]** 24mm (wide-angle environment), 50mm (medium-range tracking shot), 100mm Macro (fabric close-up).
**[MOVEMENT PLAN]**
- **Shot A (Drone/Crane):** A wide, overhead view, slowly pushing in along a snow-covered ridge.
- **Shot B (Handheld):** Shoulder-mounted camera, following the character's movements, with realistic breathing and slight shaking.
- **Shot C (Slider):** A close-up panning shot close to the clothing, showing water droplets sliding off.
---
### Central Main Area | Continuous Story Shots (STORYBOARD: 8 PANELS)
**[PANEL 01]**
- **Shot:** 01 | 24mm | Wide Shot (EWS) | Slow Push-In
- **Action:** A tiny figure struggles through a massive natural storm on a snow-covered ridge.
- **Detail:** Strong atmospheric perspective; the wind and snow create a realistic fog effect; slight chromatic aberration at the edges of the image.
**[PANEL 02]**
- **Shot:** 02 | 50mm | Mid Shot | Shoulder-mounted tracking shot
- **Action:** A man walks against a blizzard; the strong wind whips against his rain jacket, creating realistic physical wrinkles on the surface, but the overall silhouette remains sturdy.
- **Detail:** Noticeable film grain; the snow-capped mountains in the background are slightly out of focus.
**[PANEL 03]**
- **Shot:** 03 | 100mm Macro | Extreme Close-up (ECU) | Fixed Macro
- **Action:** Icy snowmelt hits the shoulders of the rain jacket.
- **Detail:** The lotus effect is realistically rendered—water droplets condense and quickly roll off the matte micro-ripstop fabric without penetrating.
**[PANEL 04]**
- **Shot:** 04 | 85mm | Close-up of face (CU) | Slow motion
- **Action:** The man stops and looks up. Real ice crystals cling to his eyelashes, and his breath dissipates at his collar.
- **Detail:** Natural skin tone, without excessive blurring; realistic catchlight in his eyes reflects the snow wall ahead.
**[PANEL 05]**
- **Shot:** 05 | 35mm | Low Angle Full | Handheld, low-angle shot
- **Action:** He swings his ice axe into the ice wall, climbing upwards.
- **Detail:** Emphasis on showcasing the flexibility of the jacket during vigorous movement; no feeling of restriction; realistic light and shadow highlight the garment's three-dimensional cut.
**[PANEL 06]**
- **Shot:** 06 | 100mm Macro | Close-up Detail (Insert) | Shallow Depth of Field
- **Action:** A heavily gloved hand pulls a waterproof zipper across the chest.
- **Detail:** The matte waterproof rubberized finish of the zipper and the clearly visible scratches on the brushed metal zipper pull exude a strong sense of industrial design.
**[PANEL 07]**
- **Shot:** 07 | 50mm | Over-the-Shoulder Lens (OTS) | Slow Zoom In
- **Action:** Over the man's shoulder, we see him finally reaching the summit, sunlight piercing through the clouds and shining on him.
- **Detail:** Realistic lens flare, not exaggerated, natural glow.
**[PANEL 08]**
- **Shot:** 08 | 35mm | Mid Shot | Still Camera
- **Action:** A man stands on a mountaintop, the wind howling, his expression serene, his rain jacket providing perfect protection in the harsh environment.
- **Detail:** Like a real brand lookbook image, restrained, with negative space in the composition, exuding a sense of sophistication.
---
### Bottom Left Area | Lighting Consistency
**[KEY LIGHT]** Natural, cool sunlight piercing through the clouds (high contrast, hard light).
**[FILL LIGHT]** Strong ambient light reflected from the snow (diffuse reflection, with a bluish-green tint).
**[RIM LIGHT]** Faint side-backlight refracted from the ice wall, outlining the subject's shoulders and the edge of his rain jacket.
**[ATMOSPHERE]** Rejecting dreamy volumetric lighting, only the physical diffuse reflection of light from real air dust and wind-blown snowflakes. ---
### Bottom Middle Area | Materials & Effects System
**[MATERIALS]**
**Clothing:** Matte Gore-Tex Pro fabric with a microscopic cross-cut ripstop texture and smooth, taped seams.
- **Accessories:** Climbing carabiners with signs of use (paint chips, scratches), worn nylon webbing.
- **Characters:** Realistic textured, chapped skin, realistic sweat and snow mixing.
**[VFX]**
- Realistic fluid dynamics (water droplets rolling).
- Realistic fabric rendering (physical feedback of wind movement).
- Absolutely prohibited: Glowing edges, magical effects, CG plastic look.
---
### Bottom Right Area | Color Script
**[PALETTE]** Alpine Cold Tones.
**[SHADOWS]** A darkened Cyan-Grey tone, preserving film noise in the shadows.
**[MIDTONES]** The rock-gray of the jacket contrasts subtly with the subject's natural, slightly warm skin tone.
**[HIGHLIGHTS]** A striking white (with a very faint warm undertone to prevent the image from being too cold), with natural exposure decay, avoiding overexposure.
**[LOOK]** Reduced overall saturation, creating a high-contrast cinematic feel, similar to the natural light photography style of *The Revenant*.
---
### Bottom Area | Film Metadata
**[GENRE]** Commercial / Extreme Outdoor Documentary
**[MOOD]** Resilient, Professional, Cool, High-End, Authentic
**[PACE]** Calm, Powerful
**[CINEMATOGRAPHY]** Realistic set photography, natural exposure, atmospheric perspective, slight motion blur, breathable lens
**[FILM STOCK]** ARRIRAW to Kodak Vision3 50D (5203) film simulation
**[DIRECTIVE]** Completely removed AI feel, generated entirely according to Hollywood A-list commercial production visual development standards.
I've created an agent for generating Japanese film-style image cues. The images produced using this combination are of very high quality. I've also tried using these cues to create images in MyJet, and the results are quite good. There are some noticeable differences in the results; which one do you prefer? If there's a lot of interest, I'll open-source this agent.
I've uploaded a Comfyui workflow for local use, you can click this link to download it directly: https://drive.google.com/file/d/1pLz52RDPdyQMgwS5LVeMrQ2GVFrhLy78/view?usp=drive_link
However, I strongly recommend replacing the node used for image-based prompts from qwen3 with a larger language model like Gemini or GPT for better results.
Therefore, I've also prepared two cloud-based workflows for your convenience: If you want to use the Comfyui cloud platform, the workflow is here: https://www.runninghub.cn/post/2053673047776866305/?inviteCode=rh-v1317
If you prefer to use MJ, you can use it through TapNow,the workflow is here: https://app.tapnow.ai/tapflow/view/2e3b1d50
I created an agent that generates prompts with Japanese film-like atmosphere images. I tested these prompts on "midjourney" and some open-source models. Here are some of the results, and they're quite good. I wanted to share them, and if there's enough interest, I'll open-source this content.
I think the difference is quite obvious. Midjourney has a special feel to it, I don't know how to describe it? Maybe it's the graininess, I'm not sure.
Which one do you prefer?