Could someone explain to me what all the hate towards Art/Set Dec and Production coordinators comes from? I am genuinely curious
I have been in the industry now for 23 years. I've worked in LA- New York-Philly- Chicago, Puerto Rico,. Atlanta, Louisiana... Hell I basically have worked all the major hubs in the USA and a few overseas in various capacities.
In that time, I have noticed that there is a great deal of disrespect aimed at these type of coordinators from the International and especially in the smaller locals.
In some cases like in Georgia and Chicago they were forcing Coordinators to be both Art and Set Dec coordinators on the same show for only one, salary where they were not even bringing home $1000 per week. The Locals were totally fine with this! Basically eliminating an entire job another union member could be working and they just let the studio take advantage of one person, doing two jobs and pulling in a minimum salary!!!
All of this was proven over and over again. I remember the idiot BA in Georgia claiming Coordinators were better off not having a negotiated rate (!?) I remember hearing the one of the officers in the Chicago Local calling them "Glorifed PA's".
My experience has been completely different. They are usually in the office before call and leave after it. They are also more organized than most people on the show. I have noticed the ADs call the coordinators before they call the department heads to get answers faster. They are invaluable to nearly every department in many ways. Yet they were treated like garbage by many in IATSE. Why? What did they do, or do they do that makes you not want them to have a livable wage? I am honestly curious as to what I am missing here.