
u/Twiggy_02

Hate The Way
Anyone got a file or sum for Hate The Way? Can’t find ts anywhere…
Anyone know the og song or session for dis?
I found it on Spotify a while back and I know oriing was the producer for this stem but idk the actual song or session. If anyone knows please lmk!!! 🙏🙏
TwigWørld- Run The Wørld Tour (April 16th, 2021)
The Run The Wørld Tour was the first major headlining tour by American rapper TwigWørld, launched in support of his 2021 album Twigg For President. Spanning 12 cities across the United States, the tour ran from April 16 to May 23, 2021, and marked a defining moment in TwigWørld’s career as he transitioned fully into mainstream-level popularity.
Every show on the tour sold out, with consistently large arena-level attendance across all stops. Unlike many rising artists of his generation, TwigWørld chose not to bring a consistent set of opening acts, instead relying entirely on his own catalog and stage presence to carry the experience. The shows were primarily focused on Twigg For President, though he also incorporated major hits from earlier projects such as Twigg Season, Anxiety, CODE RED, and his 2019 trilogy era.
The setlist leaned heavily into album storytelling, with emotional transitions between songs rather than a traditional hit-only performance structure. While the tour highlighted newer material like “Millionares,” “Checkmate,” and “Morning Again,” it also included fan favorites such as “No More Love,” “Anxiety,” “All Eyes On Me,” and “Lights On,” giving the shows a full career-spanning feel.
Several surprise guest appearances elevated the tour’s biggest nights, with Lil Uzi Vert, Polo G, and Trippie Redd joining TwigWørld on select stages. Each appearance drew major crowd reactions and quickly circulated online, boosting the tour’s visibility across social media. Notably, no posthumous appearance from Juice WRLD was included, though “Perc Up The WRLD” was frequently performed as part of earlier promotional material from CODE RED’s era.
The most talked-about performances of the tour came from Los Angeles and Cincinnati. The Los Angeles show was widely considered the peak of the entire run, featuring the largest crowd, the most energetic performance, and a guest appearance that pushed the show into viral territory. Meanwhile, the Cincinnati stop carried emotional weight as TwigWørld’s hometown show, where he performed in front of one of the loudest and most personal crowds of the tour. The Cincinnati date became a symbolic moment in his career, reinforcing his status as one of Ohio’s biggest emerging artists.
By the end of the Run The Wørld Tour, TwigWørld’s popularity had noticeably expanded beyond his core fanbase. The combination of sold-out arenas, viral guest appearances, and strong catalog recognition helped solidify him as a long-term force in melodic rap rather than just a trending artist. Industry observers pointed to the tour as the moment he fully “leveled up,” transitioning from rising star to established mainstream act with staying power.
The tour is now often remembered as the turning point where TwigWørld stopped being seen as someone coming up — and started being recognized as someone already at the top tier of his generation.
*Character is heavily influenced by the late artist Juice WRLD*
TwigWørld - TwigWørld Presents: Twigg For President (February 12th, 2021)
Twigg For President is the sixth studio album by American rapper TwigWørld, released on February 12, 2021. The project marked a significant milestone in the artist’s career, becoming his first release as an independent artist following the completion and termination of his contract with Vibrant Vibes. Arriving nearly one year after the collaborative EP CØDE RED, the album showcased a more mature and ambitious version of TwigWørld, who was now 20 years old and firmly established as one of the most recognizable names in melodic rap.
Consisting of 24 tracks, including two interludes, an intro, and an outro, Twigg For President differed significantly from TwigWørld’s previous projects. Rather than functioning as a collection of standalone songs, the album was designed as a continuous listening experience, with tracks transitioning directly into one another. The project’s structure created a narrative-driven journey that followed TwigWørld’s thoughts on success, fame, society, and his own personal struggles. The intro, interludes, and outro worked together to form a larger story, giving the album a cinematic quality rarely seen in his earlier releases.
Musically, the album continued to blend melodic rap and hip-hop while reducing many of the heavier emo-rap elements that had defined portions of his earlier catalog. Although themes of success remained present throughout the project, Twigg For President also explored broader topics, including social issues, public expectations, personal responsibility, and the emotional effects of living under constant attention. The result was one of the most introspective and conceptually focused releases of TwigWørld’s career.
The album was supported by several successful singles. “Rockstar Status” served as an early introduction to the project and accumulated approximately 35 million streams. Additional lead singles included “Morning Again” (29.9 million streams), “Lemon Glow” (18.46 million streams), and “Make It Sell” (18.44 million streams). Upon release, however, it was the album track “Millionares” that emerged as the standout hit, generating approximately 71.8 million streams and becoming one of the most successful songs in TwigWørld’s catalog.
Unlike CØDE RED, which relied heavily on guest appearances, Twigg For President contained no featured artists. The decision reinforced TwigWørld’s confidence as an independent musician and allowed the project’s narrative to remain focused entirely on his perspective. Fans and critics praised the album’s cohesive structure, smooth transitions, and willingness to tell a larger story rather than simply chase individual hits.
In retrospect, Twigg For President is often viewed as one of the most ambitious projects of TwigWørld’s early career. By combining commercial appeal with a unified narrative, the album demonstrated his growth both as a songwriter and as a creative visionary. For many listeners, the project represented the moment TwigWørld fully stepped out of the role of rising star and established himself as an artist capable of building immersive, album-length experiences.
*Character is heavily influenced by the late artist Juice WRLD, and Sleepy Hallow*
TwigWørld- CODE RED (February 27th, 2020)
CODE RED is the sixth overall project and latest extended play by American rapper TwigWørld, released on February 27, 2020, through Vibrant Vibes. Arriving less than a year after the ambitious triple-album release of F.A.M.E, V.I.B.E.S, and L.O.V.E, the EP marked a significant moment in TwigWørld’s career. Released just one week before his Twentieth birthday, the project showcased a more established artist who had evolved from an Ohio underground prodigy into a recognizable name within the melodic rap scene.
Unlike many of TwigWørld’s previous releases, CODE RED was not built around a single concept. Instead, the six-track EP embraced a wide variety of themes and emotions, ranging from love and heartbreak to success, addiction, conflict, and personal struggles. Similar to the approach taken on V.I.B.E.S, each song explored a different mood, creating a fast-paced and unpredictable listening experience.
The EP is particularly notable for being the first project in TwigWørld’s career to heavily feature guest artists. Every track except the title song included a featured performer, bringing together a lineup that reflected some of the biggest names associated with melodic rap and the modern hip-hop scene. Featured appearances came from Juice WRLD, Lil Uzi Vert, Trippie Redd, Polo G, and Sleepy Hallow, making the project one of the most anticipated releases of TwigWørld’s career.
The project’s most successful song was “Chain Smoker” featuring Trippie Redd, which became the standout hit of the EP. Other notable tracks included “Emotional Overdose” featuring Polo G (8.8 million streams), “Drunk Driver” featuring Lil Uzi Vert (8.4 million streams), “Code Red” (7.7 million streams), “Got A Bag” featuring Sleepy Hallow (7.2 million streams), and “Perc Up The WRLD” featuring Juice WRLD (5.2 million streams). Despite its shorter runtime, every song on the EP gained significant attention due to its high-profile collaborations and diverse range of sounds.
One of the most discussed aspects of CODE RED was the inclusion of “Perc Up The WRLD,” which featured Juice WRLD. Released only a few months after Juice WRLD’s passing in December 2019, the collaboration carried emotional significance for both artists’ fanbases. The song quickly became one of the most talked-about tracks on the project, with listeners viewing it as a special moment in TwigWørld’s discography and a tribute to one of the artists who helped influence his sound.
Upon release, CODE RED received positive reactions from fans, who praised the chemistry between TwigWørld and his guest features while appreciating the project’s willingness to experiment with different themes and styles in such a short format. Although brief, the EP is often remembered as one of the most unique releases of TwigWørld’s early career, bridging the gap between his solo-focused beginnings and a new era of larger collaborations and mainstream recognition.
*Character is heavily influenced by the late artists Juice WRLD*
TwigWørld- F.A.M.E/ V.I.B.E.S/ L.O.V.E (April 18th, 2019)
After a very “boring” 2018 due to the only 2 releases, “Rogue” and “Ring Ring” (by Clever). On April 18, 2019, TwigWørld released an ambitious triple-album collection consisting of *F.A.M.E*, *V.I.B.E.S*, and *L.O.V.E*. The release marked one of the most unexpected moments of his career, as only *F.A.M.E* had received significant promotion prior to release. The other two albums arrived as surprise projects, giving fans over forty songs of new material in a single day and showcasing multiple sides of the artist’s personality, sound, and songwriting.
*F.A.M.E* was the most heavily promoted project of the three and was built around themes of fame, success, ambition, and the struggles that accompany public recognition. Consisting of 15 tracks, the album generated 146 million streams during its first week. Its lead single, “Lights On,” became one of TwigWørld’s biggest songs at the time, earning approximately 43.6 million streams. Other standout tracks included “F.A.M.E” (14 million streams), “Made It” (12 million streams), “Switched Up” (9.77 million streams), and “Spotlight” (9.3 million streams). While it was widely praised by fans and critics alike, many viewed it as the second-best project of the trilogy despite being the album most expected to dominate commercially.
Released alongside *F.A.M.E*, *V.I.B.E.S* quickly emerged as the breakout success of the trilogy. The 13-track album was designed around emotional variety rather than a single concept, with each song exploring a different mood, feeling, or perspective. The project generated 217 million streams in its first week, outperforming both companion albums and becoming the most successful release of the three. Its biggest hit, “Break Down,” accumulated approximately 58 million streams and became one of the defining songs of TwigWørld’s career. Other major tracks included “Run It Back” (52 million streams), “Too Much” (22 million streams), “Passed Out Again” (20 million streams), and “Cold Nights” (10 million streams). The album’s unpredictable structure and emotional range helped establish it as the most acclaimed project in the trilogy.
*L.O.V.E* served as the emotional counterpart to the other two releases. Spanning 15 tracks, the album focused primarily on romance, heartbreak, emotional attachment, and failed relationships. Although it received the least attention of the three projects, it still debuted with an impressive 88.3 million first-week streams. The album’s lead single, “Wish For Love,” accumulated roughly 12 million streams, while tracks such as “Healthy” (7.8 million streams), “Can’t Feel Shit” (7 million streams), “Sick” (6.9 million streams), and “Bad Things” (6.8 million streams) became fan favorites. While many listeners considered *L.O.V.E* the weakest entry of the trilogy, it remained a successful release on its own and further showcased TwigWørld’s ability to create emotionally driven music.
The triple-album release was widely viewed as one of the boldest decisions of TwigWørld’s career. Rather than focusing on a single sound, the three projects collectively highlighted different aspects of his artistry. *F.A.M.E* represented his public life and growing success, *V.I.B.E.S* displayed his versatility and emotional range, and *L.O.V.E* focused on his experiences with relationships and heartbreak. Together, the albums painted a broader picture of the artist than any single project could have accomplished.
Commercially, the trilogy proved to be a major success. Combined, the three albums generated over 451 million streams during their first week of release, with *V.I.B.E.S* unexpectedly emerging as the dominant project despite receiving little advance promotion. The performance demonstrated TwigWørld’s rapidly growing fanbase and ability to generate attention across multiple styles of music simultaneously.
In retrospect, many fans consider the April 18, 2019 trilogy release to be one of the defining moments of TwigWørld’s career. The event not only expanded his catalog significantly but also cemented his reputation as an artist willing to take creative risks. While debates continue regarding which of the three albums was strongest, *V.I.B.E.S* is frequently cited as the standout release, with *F.A.M.E* and *L.O.V.E* providing important companion pieces that completed the vision behind the historic triple drop.
*Character is heavily influenced by the late rapper Juice WRLD, and Drakes three new albums ICEMAN, HABIBTI, and MAID OF HONOR*
TwigWørld - The Wørld Is Watching (September 1st, 2017)
The Wørld Is Watching is the second studio album and fourth overall project by American rapper TwigWørld, released on September 1, 2017, through Vibrant Vibes. The album follows a rapid early-career run that began with his debut EP 3AM In Paradise, breakout studio album Twigg Season, and the emotionally heavy EP Anxiety. At just 17 years old, De’andre Smith Jr. had already established himself as one of the most promising young voices in melodic rap, transitioning from underground SoundCloud beginnings into a rising mainstream presence.
Unlike the darker tone of Anxiety, The Wørld Is Watching marks a clear shift in TwigWørld’s artistic direction. The project leans into confidence, success, and public perception, reflecting his sudden rise in popularity and the pressure—and excitement—of being observed by an expanding audience. While still rooted in melodic rap, emo rap, and hip-hop, the album carries a more energetic, prideful, and celebratory tone compared to his earlier emotionally vulnerable work.
Across its 14-track runtime (including one interlude), TwigWørld explores themes of fame, personal growth, lifestyle changes, and the realities of success at a young age. The album presents a more self-assured version of the artist, highlighting both the rewards and complications of being thrust into the spotlight before adulthood.
The album’s lead single, “All Eyes On Me,” became TwigWørld’s biggest hit on the album, debuting with 18.3 million streams in its first week and setting a new benchmark for his commercial performance. Other standout tracks, including “Crowd Pop,” “Life Lessons,” “Caught A Case,” and “Make Shit Worse,” further expanded on the themes of attention, pressure, and the consequences of rising fame, blending confident delivery with moments of reflection.
Upon release, The Wørld Is Watching debuted to strong streaming numbers and solidified TwigWørld’s position as more than just a viral underground act. While still released under Vibrant Vibes, the project signaled a noticeable step toward mainstream recognition and greater industry visibility.
In retrospect, the album is often seen as the turning point where TwigWørld transitioned from emotionally driven storytelling into a more public-facing artist persona—balancing success, identity, and the realization that his life and career were now unfolding under constant attention.
*Character is heavily influenced by the late rapper Juice WRLD… hence the album cover featuring a pic from one of Juice WRLD’s concerts with slight changes*
TwigWørld - Anxiety (January 6th, 2017)
Anxiety is the second official project by American rapper TwigWørld, released on January 6, 2017, through Vibrant Vibes. The 5-track extended play followed the breakout success of his debut album Twigg Season (2016), which had pushed the then-16-year-old De’andre Smith Jr. from an underground Ohio SoundCloud artist into early mainstream attention.
Riding the momentum of his Billboard-charting debut, Anxiety marked a noticeably more stripped-down and emotionally direct phase in TwigWørld’s sound. While Twigg Season balanced ambition, street influence, and emotional storytelling, this project leaned heavily into vulnerability, isolation, and mental strain—reflecting the sudden pressure of fame and expectations placed on the young artist.
Blending melodic rap, emo rap, and hip-hop, the project is minimal in length but dense in emotion. Across its five tracks, TwigWørld explores themes of overthinking, paranoia, emotional fatigue, and personal identity struggles. The project’s standout single, “Anxiety,” became his most commercially successful release at the time, peaking at No. 81 on the Billboard Hot 100 and accumulating over 9.7 million streams in its first week. The song’s success helped solidify TwigWørld as more than a one-project breakout, proving his staying power in the emerging emo-rap movement of the mid-2010s.
Despite its short runtime, Anxiety made a significant impact within the underground and streaming communities. It debuted at No. 86 on the Billboard 200, continuing the momentum established by his debut album, though it did not reach the Spotify Top 100 albums chart.
In retrospect, Anxiety is often viewed as a transitional project in TwigWørld’s early career—less a traditional album and more an emotional snapshot of a young artist grappling with rapid fame, internal pressure, and the psychological cost of success at a very early age.
TwigWørld- Twigg Season (July 22nd, 2016)
Twigg Season is the debut studio album by American rapper TwigWørld, released on July 22, 2016, through Vibrant Vibes. The project followed the moderate underground success of his first mixtape, 3AM In Paradise, which introduced listeners to the then-16-year-old Ohio native De’andre Smith Jr. While the mixtape failed to chart commercially, its breakout single “Midnight” earned over 2 million streams in its first week, helping establish TwigWørld as one of the most promising young artists emerging from the underground rap scene.
Blending melodic rap, emo rap, and hip-hop, Twigg Season showcased a broader range of sounds and emotions than its predecessor. The album opens with confident, energetic tracks centered around ambition, newfound attention, and street-oriented themes. However, following the project’s lone interlude, the tone shifts dramatically into darker territory, exploring heartbreak, isolation, failed relationships, and emotional vulnerability. The album concludes by returning to themes of achievement and perseverance, creating a full-circle narrative that reflected TwigWørld’s struggles and aspirations as a teenage artist.
Upon release, Twigg Season received positive reviews from fans and underground music publications, who praised TwigWørld’s melodic delivery, emotional honesty, and ability to balance aggressive tracks with introspective songwriting. The album peaked at No. 51 on the Billboard 200, a notable achievement for an independent 16-year-old artist with no guest features.
The album was supported by several successful singles, most notably “No More Love,” which debuted with approximately 4.25 million streams during its first week and became TwigWørld’s first major hit. Other standout tracks included “Better Than Me,” “Read It N’ Weep,” “Toxic Hoes,” and “Scared To Death,” all of which helped expand his audience beyond the underground scene.
In retrospect, Twigg Season is widely regarded as the project that transformed TwigWørld from a rising internet sensation into a legitimate artist to watch. Many fans view the album as the foundation of his career, introducing the emotional themes, melodic style, and personal storytelling that would later define his music.
*Character is heavily influenced by the late rapper Juice WRLD*
TwigWørld drops his first EP
After multiple singles, including “Cali Girl” were released in 2015, De’andre Smith Jr. who goes by the “rapper name” TwigWørld finally releases his first project titled “3AM In Paradise”. The EP featured 5 songs, and it’s hit, Midnight. The EP didn’t reach the billboard top 100, but it featured his promising future and talent.
*character is heavily influenced by the late rapper Juice WRLD*
Anyone know the og song or session for the stem edit of Truth No Dare?
Anyone know the og song or session for the stem edit of Truth No Dare?
Anybody got a mega file?
I can’t find one that I had so now I’m resorting to asking y’all. Thanks!
Is swearing/ cussing a sin?
I’ve been wondering this for a while and I can’t really come to a good conclusion. I’ve seen multiple posts on this thread and what I’ve come to is it determines what type of swearing it is.
I know/ think that using the lords name in vain is obviously bad. So saying something like, “god dang it” or “on god (ong)” is bad. I also gave hear that swearing (not cussing) on something is bad. So stuff like, “I swear” or “say you swear” is bad. But my question is about cussing.
So my real question is if I say fuck, or shit. Is that bad. I know if I said something like “god this fucking sucks” or “fucking swear” that’s bad. But if I was just having a conversation and something came up and I just said something like “oh shit.” Or if I stubbed my toe or something and “fuck” slipped out. Is that bad?
What were the other songs that could’ve been on GBAGR
Because today is the 8 year anniversary of Juice’s debut album Goodbye & Good Riddance. I was curious. What other songs were planned to be on the album. I know there are some because in an interview he stated, “I could’ve prolly put 30 or 40 other songs on the project.” So lmk!!
How do y’all organize your unreleased songs?
I need help organizing all of ts. Like I think I got 300+ songs and it’s all just so random. Some have actual covers and others have covers for shii like Outsiders or TPNE and it’s all over the place. So how do you organize your unreleased songs?
Juice WRLD Hypnotize song
I remember this song that had lyrics that went like this, “Hypnotize you hypnotized me” I THINK. It wasn’t Hypnotic and tbh it may even be a stem I forgot. Lmk if you have any ideas!!
Did Hoopland patch the cheat?
I was bored af so I decided to try and do that cheat where you send the file to your pc and max out all of your attributes and skills and allat, but it’s just not working. Like everytime I click save, then go back to my phone and copy the link and paste it, it’s still the same file with the same crappy attributes and stats.
Songs with these kinda vibes.
I want some songs with these kinda vibes. Preferably hip hop cuz that’s really all I listen too but I’m up to try new genres.
Anyone know any games that are similar to Hoop Land, but baseball themed.
(Pls note I already have Baseball 9, and
Pixel Pro Baseball sucks and is damn near pay to play.)