u/UI_74

These are some which i can remember atp(in random order).

Fei Fong Wong - xenogears, Harrier "Harry" Du Bois - disco elysium, delita heiral - Final fantasy tactics , ramza belouve - final fantasy tactics, valkyrie lenneth - valkyrie profile 1/covenant of plume , kaine- nier replicant , yuri lowell - tales of vesperia, jin - xenoblade chronicles 2 , estelle brigth - legend of heroes :trails in the sky , nameless one - planescape torment, jowy atreides - suikoden 2, aya brea - parasite eve, velvet crowe - tales of berseria, 9S - nier automata , vivi ornitier - final fantasy 9, geralt - witcher 3, connor - detroit become human

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In accordance to the pictures.

Let me know yours too..

Born: 19 Sept 1974 (51 years), Shizuoka, Shizuoka, Japan

Some of the best brother-sister duo across gaming.

No wonder why it was the darkest and most horrific godzilla movie.

Hideaki anno is the creator and director of neon genesis evangelion anime (just in case)

So, i got this game recommended by a discord friend of mine. And as i was getting pretty bored i decided to give it a try.

I went into it expecting an old JRPG , but I came out feeling like I had played something genuinely different from most games in the genre.

What impressed me the most about it is how immersively it mixes so many different ideas. It has traditional JRPG elements, but the structure, combat system( especially toss up, chain attack pws) , character arcs, exploration, and even the way the game handles its world feel very unconventional. Instead of constantly pushing you through a linear story, the game gives you a semi open world option through chapter and periods offering multiple endings .

The combat is probably one of my favorite parts. It looks simple at first, but the party-based button system gives every character an individual role, and figuring out combinations makes the battles even more satisfying. It has that old-school feeling where the game doesn't constantly explain everything to you, so experimenting actually feels rewarding.

The game has this strange mixture of beauty, melancholy, mythology, and tragedy. A lot of the einherjar stories are short, but they can still leave an impact because the game doesn't treat every character like they are simply another member of your permanent party. There is a feeling of inevitability surrounding many of their stories, which gives the entire game a unique emotional tone.

Another thing that startled me was tht the soundtrack was given by motoi sakuraba( the same person behind dark souls osts) . Her soundtrack fits the game incredibly well. The combination of the music, Norse setting, dark fantasy atmosphere, and unusual storytelling gives vp: leneth an identity that is difficult to replicate.

also really appreciate how experimental the game feels for its time. It isn't afraid to make the player learn its systems, explore without being spoon-fed, or experience the story in a less conventional way. Some of its mechanics can and will definitely feel dated today, and the game isn't always friendly or intuitive. But those rough edges are also part of what makes it feel like a product of an era when JRPGs (and especially square enix )were willing to take bigger structural risks.

For me, Valkyrie Profile: Lenneth isn't simply a great PSP JRPG. It's one of those games that feels distinct. It has its own identity, its own rhythm, and its own way of telling stories.

It definitely isn't perfect, and I wouldn't recommend it to someone expecting a modern, polished JRPG experience. But if you can get past its age and learn to appreciate what it is trying to do, it is actually an incredibly memorable experience.

My rating: 9.22/10

100% OC .

To release on 23rd october, 2026 in japan.

Credits - KADOKAWAanime yt