
Brook knows Mother Caramel
Notice how we couldn't see his face when he was breaking the picture too

Notice how we couldn't see his face when he was breaking the picture too
D: Hello Odacchi! I was reading and thinking about the Celestial Dragons. If York wants to become a Celestial Dragon, does that mean that before he split off the satellites, Vegapunk also had some desire to become one? P.N. Kibi Dango
O: I see. Are you surprised? This is difficult to talk about, but in my opinion, everyone has "greed" for everything, and only when they have the "reason" to restrain themselves do they become "human". If Shaka is considered the "reason", then before being split, if you feel hatred for the Celestial Dragons or have the common sense that we shouldn't kill humans, then there may be some Celestial Dragon within you, being held back. That may be an extreme view, though. Please take it with a grain of salt haha. The simple answer is "maybe humans just feel the desire to become Celestial Dragons".
I want to talk about how Oda here is exploring something deeply human i.e the tension between desire, fear, and morality. The terrifying truth is that the impulse that created the Celestial Dragons doesn’t just exist in fiction. It exists in all of us.
That’s why people like Bryan Johnson and Peter Thiel feel strangely relevant to this conversation. Their obsession with anti aging, escaping death, building bunkers, colonizing space, or transcending human limitations feels extreme, but it stems from a very human fear which is mortality. Most people fear death. The difference is that most people eventually have to accept that fear, while the ultra wealthy often have enough power to endlessly indulge it.
And that’s what makes Egghead such a brilliant metaphor for the human psyche. Vegapunk literally splits his mind into separate beings, and it feels almost intentionally psychological. York embodies unchecked desire, greed, and indulgence. Shaka represents reason, morality, and restraint. The original Vegapunk acts as the mediator trying to balance both.
But Vegapunk makes a fatal mistake. He believes he can isolate greed and still remain whole. He thinks he can remove the darker side of himself and continue acting as a god of progress. Once Shaka dies, desire is no longer restrained. York doesn’t suddenly become evil. She simply becomes the inevitable result of ambition with no ethical limits. She betrays humanity for status and willingly aligns herself with the World Government and the Celestial Dragons because unchecked desire naturally gravitates toward domination.
This connects perfectly to Oda’s SBS quote about how humans only become truly human when they find a reason to control their desires. He’s saying desire itself is not evil. The problem begins when desire evolves into the need to dominate others.
And that’s where Doflamingo also can be involved because he too understands the nature of humans.
He said - "every human being, no matter how civilized they appear, carries a primal cruelty deep inside them. A desire to see blood. A barbaric impulse that emerges when consequences disappear." And, he’s not entirely wrong.
That panel is disturbing because Dressrosa constantly validates his worldview. People cheered violence at the Corrida Colosseum as entertainment. The world treats public executions as spectacle. The World Government protects the Celestial Dragons while they enslave people openly. Even ordinary citizens can become cruel when systems reward cruelty.
Doflamingo understands this because he experienced both sides of human depravity. He lived as a god among humans and then became a victim of humanity’s hatred after losing that privilege. He watched nobles act like monsters and common people become monsters too. That experience shattered his faith in people entirely and that’s his tragedy because he correctly identified humanity’s darkness, but draws the worst possible conclusion from it.
He believes that because humans are cruel, domination is the only logical response i.e rule before you are ruled and become a god before someone turns you into prey.
On the other hand, Vivi stands as the complete opposite. She also comes from royal blood tied to the original twenty families, but her ancestors chose to live among ordinary people instead of becoming gods. She represents power rooted in responsibility rather than supremacy. Even Oda showed a darker possible future for Vivi suggested that she will become a Celestial Dragon which means anyone can fall into corruption, but Vivi consciously chooses empathy over domination.
Then above both of them sits Imu, the ultimate endpoint of this ideology. An immortal ruler sitting on a throne that was meant to remain empty and that's why Imu feels less like a person and more like the final evolution of fear itself i.e fear of death, fear of equality, fear of losing control and that's why imo the final villain of One Piece isn't Imu as a person but rather the human desire to stand above everybody else.
And at the end there’s Luffy. He too also has immense desire. He wants freedom more than anyone else. But unlike Doflamingo, York, or Imu, he never wants power over people and doesn’t want followers who kneel or a throne to sit. He simply wants to be free, and he instinctively fights for the freedom of others too.
That’s why Luffy is the answer of the question as real world elites try to escape death and separate themselves from ordinary people.
But Luffy accepts the vulnerability of being human and accepts death.
The Celestial Dragons are just the most extreme manifestation of a flaw that exists within all humans: greed, fear, domination, and the desire to place yourself above others.
But Oda’s optimism is that humans also possess the ability to reject those impulses. We can choose restraint over indulgence and freedom over domination and that what makes us human.
D: Hello Odacchi! I was reading and thinking about the Celestial Dragons. If York wants to become a Celestial Dragon, does that mean that before he split off the satellites, Vegapunk also had some desire to become one? P.N. Kibi Dango
O: I see. Are you surprised? This is difficult to talk about, but in my opinion, everyone has "greed" for everything, and only when they have the "reason" to restrain themselves do they become "human". If Shaka is considered the "reason", then before being split, if you feel hatred for the Celestial Dragons or have the common sense that we shouldn't kill humans, then there may be some Celestial Dragon within you, being held back. That may be an extreme view, though. Please take it with a grain of salt haha. The simple answer is "maybe humans just feel the desire to become Celestial Dragons".
I want to talk about how Oda here is exploring something deeply human i.e the tension between desire, fear, and morality. The terrifying truth is that the impulse that created the Celestial Dragons doesn’t just exist in fiction. It exists in all of us.
That’s why people like Bryan Johnson and Peter Thiel are also relevant to this conversation. Their obsession with anti aging, escaping death, building bunkers, colonizing space, or transcending human limitations feels extreme, but it stems from a very human fear which is mortality. Most people fear death. The difference is that most people eventually have to accept that fear, while the ultra wealthy often have enough power to endlessly indulge it.
And that’s what makes Egghead such a brilliant metaphor for the human psyche. Vegapunk literally splits his mind into separate beings. York embodies unchecked desire, greed, and indulgence. Shaka represents reason, morality, and restraint. The original Vegapunk acts as the mediator trying to balance both.
But Vegapunk makes a fatal mistake. He believes he can isolate greed and still remain whole. He thinks he can remove the darker side of himself and continue acting as a god of progress. Once Shaka dies, desire is no longer restrained. York doesn’t suddenly become evil. She simply becomes the inevitable result of ambition with no ethical limits. She betrays humanity for status and willingly aligns herself with the World Government and the Celestial Dragons because unchecked desire naturally gravitates toward domination.
This connects perfectly to Oda’s SBS quote about how humans only become truly human when they find a reason to control their desires. He’s saying desire itself is not evil. The problem begins when desire evolves into the need to dominate others.
And that’s where Doflamingo also can be involved because he too understands the nature of humans.
He said - "every human being, no matter how civilized they appear, carries a primal cruelty deep inside them. A desire to see blood. A barbaric impulse that emerges when consequences disappear." And, he’s not entirely wrong.
That panel is disturbing because Dressrosa constantly validates his worldview. People cheered violence at the Corrida Colosseum as entertainment. The world treats public executions as spectacle. The World Government protects the Celestial Dragons while they enslave people openly. Even ordinary citizens can become cruel when systems reward cruelty.
Doflamingo understands this because he experienced both sides of human depravity. He lived as a god among humans and then became a victim of humanity’s hatred after losing that privilege. He watched nobles act like monsters and common people become monsters too. That experience shattered his faith in people entirely and that’s his tragedy because he correctly identified humanity’s darkness, but draws the worst possible conclusion from it.
He believes that because humans are cruel, domination is the only logical response i.e rule before you are ruled and become a god before someone turns you into prey.
On the other hand, Vivi stands as the complete opposite. She also comes from royal blood tied to the original twenty families, but her ancestors chose to live among ordinary people instead of becoming gods. She represents power rooted in responsibility rather than supremacy. Even Oda showed a darker possible future for Vivi suggested that she will become a Celestial Dragon which means anyone can fall into corruption, but Vivi consciously chooses empathy over domination.
Then above both of them sits Imu, the ultimate endpoint of this ideology. An immortal ruler sitting on a throne that was meant to remain empty and that's why Imu feels less like a person and more like the final evolution of fear itself i.e fear of death, fear of equality, fear of losing control and that's why imo the final villain of One Piece isn't Imu as a person but rather the human desire to stand above everybody else.
And at the end there’s Luffy. He too also has immense desire. He wants freedom more than anyone else. But unlike Doflamingo, York, or Imu, he never wants power over people and doesn’t want followers who kneel or a throne to sit. He simply wants to be free, and he instinctively fights for the freedom of others too.
That’s why Luffy is the answer of the question as real world elites try to escape death and separate themselves from ordinary people.
But Luffy accepts the vulnerability of being human and accepts death with a big smile.
The Celestial Dragons are just the most extreme manifestation of a flaw that exists within all humans: greed, fear, domination, and the desire to place yourself above others.
But Oda’s optimism is that humans also possess the ability to reject those impulses. We can choose restraint over indulgence and freedom over domination and that what makes us human.
Starting with Alabasta
When Vivi says she wants to stop the civil war without anyone dying, Luffy immediately calls her naive because from his perspective she’s trying to control something far bigger than herself. He understands that war is messy and that people can die no matter how noble your intentions are, so he sees Vivi’s refusal to accept that as childish idealism. But what Luffy doesn’t realize is that he’s speaking from an equally immature mindset. While he criticizes Vivi for believing she can save everyone, he himself believes that simply charging at Crocodile and defeating him will solve everything. His confidence feels admirable, but it’s still built on a very simple worldview where determination automatically leads to victory.
That belief gets completely dismantled when Crocodile defeats him twice. In the first fight, Luffy rushes in believing sheer willpower is enough and gets completely overwhelmed. In the second fight, he returns thinking he has figured Crocodile out by using water, but he still loses and nearly dies again. These losses are important because they force Luffy to confront something he rarely had to face before: wanting to win and believing in yourself does not guarantee success. For the first time, brute confidence fails him. By the time of the final fight, Luffy is in terrible condition. He has a hole in his body, he’s exhausted, dehydrated, and barely able to stand. At that point, what keeps him moving is no longer confidence in victory. He isn’t fighting because he thinks “I can beat Crocodile” or even because he knows he can. He fights because he understands that if he stops, the people who trusted him will suffer in his place.
That realization comes directly from Vivi. When she breaks down and says everyone will die, Luffy finally understands the emotional burden she’s been carrying throughout the entire arc. Vivi was never fighting because she thought success was guaranteed. She was fighting because failure meant thousands of innocent lives would be lost, and she couldn’t bear that responsibility. Earlier, Luffy dismissed that mindset as naive because he didn’t fully understand it. But by taking the responsibility of defeating Crocodile onto himself, he ends up experiencing exactly what Vivi was feeling. He learns what it means to fight not out of confidence, but out of obligation to the people depending on you and that’s why he says "I can hear you".
During Luffy’s fight against Rob Lucci, he is completely broken physically, just like he was in Alabasta. What pushes him forward again is not confidence in winning but the fact that Nico Robin placed her life in his hands. If he loses, someone who trusted him suffers. Alabasta is essentially the first time Luffy learns this lesson, and it becomes a defining trait of his leadership moving forward. He starts the arc believing that strength and confidence are enough to save people, but he leaves it understanding that true leadership often means carrying impossible burdens simply because no one else can. That’s why his “that’s naive” line becomes so powerful in hindsight, because the arc eventually proves that his own worldview was just as incomplete as Vivi’s.
Starting with Alabasta
When Vivi says she wants to stop the civil war without anyone dying, Luffy immediately calls her naive because from his perspective she’s trying to control something far bigger than herself. He understands that war is messy and that people can die no matter how noble your intentions are, so he sees Vivi’s refusal to accept that as childish idealism. But what Luffy doesn’t realize is that he’s speaking from an equally immature mindset. While he criticizes Vivi for believing she can save everyone, he himself believes that simply charging at Crocodile and defeating him will solve everything. His confidence feels admirable, but it’s still built on a very simple worldview where determination automatically leads to victory.
That belief gets completely dismantled when Crocodile defeats him twice. In the first fight, Luffy rushes in believing sheer willpower is enough and gets completely overwhelmed. In the second fight, he returns thinking he has figured Crocodile out by using water, but he still loses and nearly dies again. These losses are important because they force Luffy to confront something he rarely had to face before: wanting to win and believing in yourself does not guarantee success. For the first time, brute confidence fails him. By the time of the final fight, Luffy is in terrible condition. He has a hole in his body, he’s exhausted, dehydrated, and barely able to stand. At that point, what keeps him moving is no longer confidence in victory. He isn’t fighting because he thinks “I can beat Crocodile” or even because he knows he can. He fights because he understands that if he stops, the people who trusted him will suffer in his place.
That realization comes directly from Vivi. When she breaks down and says everyone will die, Luffy finally understands the emotional burden she’s been carrying throughout the entire arc. Vivi was never fighting because she thought success was guaranteed. She was fighting because failure meant thousands of innocent lives would be lost, and she couldn’t bear that responsibility. Earlier, Luffy dismissed that mindset as naive because he didn’t fully understand it. But by taking the responsibility of defeating Crocodile onto himself, he ends up experiencing exactly what Vivi was feeling. He learns what it means to fight not out of confidence, but out of obligation to the people depending on you and that’s why he says "I can hear you".
During Luffy’s fight against Rob Lucci, he is completely broken physically, just like he was in Alabasta. What pushes him forward again is not confidence in winning but the fact that Nico Robin placed her life in his hands. If he loses, someone who trusted him suffers. Alabasta is essentially the first time Luffy learns this lesson, and it becomes a defining trait of his leadership moving forward. He starts the arc believing that strength and confidence are enough to save people, but he leaves it understanding that true leadership often means carrying impossible burdens simply because no one else can. That’s why his “that’s naive” line becomes so powerful in hindsight, because the arc eventually proves that his own worldview was just as incomplete as Vivi’s.
Starting with Alabasta
When Vivi says she wants to stop the civil war without anyone dying, Luffy immediately calls her naive because from his perspective she’s trying to control something far bigger than herself. He understands that war is messy and that people can die no matter how noble your intentions are, so he sees Vivi’s refusal to accept that as childish idealism. But what Luffy doesn’t realize is that he’s speaking from an equally immature mindset. While he criticizes Vivi for believing she can save everyone, he himself believes that simply charging at Crocodile and defeating him will solve everything. His confidence feels admirable, but it’s still built on a very simple worldview where determination automatically leads to victory.
That belief gets completely dismantled when Crocodile defeats him twice. In the first fight, Luffy rushes in believing sheer willpower is enough and gets completely overwhelmed. In the second fight, he returns thinking he has figured Crocodile out by using water, but he still loses and nearly dies again. These losses are important because they force Luffy to confront something he rarely had to face before: wanting to win and believing in yourself does not guarantee success. For the first time, brute confidence fails him. By the time of the final fight, Luffy is in terrible condition. He has a hole in his body, he’s exhausted, dehydrated, and barely able to stand. At that point, what keeps him moving is no longer confidence in victory. He isn’t fighting because he thinks “I can beat Crocodile” or even because he knows he can. He fights because he understands that if he stops, the people who trusted him will suffer in his place.
That realization comes directly from Vivi. When she breaks down and says everyone will die, Luffy finally understands the emotional burden she’s been carrying throughout the entire arc. Vivi was never fighting because she thought success was guaranteed. She was fighting because failure meant thousands of innocent lives would be lost, and she couldn’t bear that responsibility. Earlier, Luffy dismissed that mindset as naive because he didn’t fully understand it. But by taking the responsibility of defeating Crocodile onto himself, he ends up experiencing exactly what Vivi was feeling. He learns what it means to fight not out of confidence, but out of obligation to the people depending on you and that’s why he says "I can hear you".
During Luffy’s fight against Rob Lucci, he is completely broken physically, just like he was in Alabasta. What pushes him forward again is not confidence in winning but the fact that Nico Robin placed her life in his hands. If he loses, someone who trusted him suffers. Alabasta is essentially the first time Luffy learns this lesson, and it becomes a defining trait of his leadership moving forward. He starts the arc believing that strength and confidence are enough to save people, but he leaves it understanding that true leadership often means carrying impossible burdens simply because no one else can. That’s why his “that’s naive” line becomes so powerful in hindsight, because the arc eventually proves that his own worldview was just as incomplete as Vivi’s.
I'm kind of tired from OP fandom and especially some Sanji fans who fully believes that Luffy would've never said this (I can't become PK without you) to Ussop or Nami and other crewmembers because he never said it to Ussop inside W7.
I think people read series often without context and more agenda nowadays but we need to remember the cycle of events Luffy went from Impel Down to MF and these events led to break him completely after Ace's death and he was suicidal and wanted to abandon his dream.
This is when Jinbei reminded him about his friends and that's when Luffy gains back his fire to live and work towards his dream again.
Back in W7, Luffy was different, he was always ready to sacrifice himself for his friends but also believed that he could become the KOP without them as they didn't provide the same amount of emotional stability as they do now but after losing Ace he understood that his friends are interwined to his dreams and they're a must to stay by his side and that's why he was so much insistent towards Sanji inside WCI to stay in the crew than he was with Ussop inside W7.
I'm kind of tired from this fandom and especially some Sanji fans who fully believes that Luffy would've never said this to Ussop or Nami and other crewmembers because he never said it to Ussop inside W7.
I think people read series often without context and more agenda nowadays but we need to remember the cycle of events Luffy went from Impel Down to MF and these events led to break him completely after Ace's death and he was suicidal and wanted to abandon his dream.
This is when Jinbei reminded him about his friends and that's when Luffy gains back his fire to live and work towards his dream again.
Back in W7, Luffy was different he was fully ready to sacrifice himself for his friends but also believed that he could become the KOP without them as they didn't provide the same amount of emotional stability as they do now but after losing Ace he understands that his friends are interwined to his dreams and they're a must to stay by his side and that's why he was so much more insistent towards Sanji inside WCI to stay in his crew than he was with Ussop inside W7.
One translator - Without you, I won't...I can't..become the King of Pirates.
Official - Without your help...I can't become... the King of Pirates.
Starting from Skyepia
Nami after seeing Enel effortlessly destroy everyone around her, she fell back into the survival instincts she developed while living under Arlong and that's why she completely abandoned her friends and didn't even check if they're all okay and alive and not completely lifeless but this fits her characterization as she has always been a pragmatic character.
For years, she survived by adapting to whoever held power over her. She learned to endure, obey, lie when necessary, and prioritize staying alive because that was the only way she could protect herself and the people she loved. Those habits never fully disappeared. Skypiea showed that despite how far she had come with the Straw Hats, that trauma still existed underneath.
When she boarded the Ark Maxim, she still believed there might be some way to escape. But the moment she realized the ship was going to fly, she understood there was nowhere left to run. Her back was completely against the wall. Everyone she trusted had already been crushed by a godlike figure she believed was unbeatable. At that point, survival felt like the only realistic option left to her.
That is why Luffy giving her the hat matters so much.
The hat is Luffy’s greatest treasure, but more importantly, it is his way of telling Nami that he trusts her completely. He trusts her to protect it, trusts her judgment, and trusts that she can stand strong. For Nami, who spent her entire childhood being used, manipulated, and forced to survive alone, that trust means everything. It is only after that moment that she finally gathers the courage to stand against Enel and openly say what she truly feels.
Then Wano shows character progression.
When Ulti asks Nami the same kind of question, telling her she can live if she insults Luffy’s dream, Nami actually has a way out this time. Just like Skyepia she has a way out of this i.e to simply lie and follow the tyrant.
She could easily lie to survive. In fact, lying would have been the most realistic option, and Nami has always been one of the most realistic characters in the series.
But for the first time, she refuses and shows that the love towards her captain and friends has far outweighed her trauma of always following the tyrant.
Instead, while terrified and crying, she declares that Luffy will become the King of the Pirates.
I loved this moment because pre timeskip Nami often struggled with idealism. You can see it throughout Jaya and even in moments like her frustration over Sanji refusing to fight women. Nami always viewed things through practicality and survival. But by Wano, she has changed. She is still scared, still human, still emotional, but also idealistic.
She is crying not just because she is afraid, but because she understands the weight of her words.
Nami was there in Whole Cake Island when Luffy said that his crew matters more to him than becoming Pirate King. If he loses even one of them, then becoming King of the Pirates means nothing to him. Nami understands exactly how much Luffy values them.
And despite knowing the danger, despite knowing she could survive by lying, she simply cannot bring herself to deny him anymore. Her love and loyalty toward Luffy have become too strong. It is no longer about logic or realism. To her, denying Luffy’s dream would feel worse than death itself.
That is also why the scene parallels Bellemere so beautifully.
Bellemere could have lied to Arlong and saved herself. She had the easy option right in front of her. But she chose to stand proudly for the people she loved, even if it cost her life. She can't lie about her kids because they are the reason why she is alive.
One Piece has always carried this theme. The story consistently shows that standing up for what and who you love is never wrong, no matter how unrealistic it may seem. The people who choose love, loyalty, and truth over fear are the ones the narrative ultimately rewards.
A core part of Mihawk’s characterization is that he is the strongest. It is the centerpiece of his character, and any meaningful analysis of him begins with understanding that.
His overwhelming strength led him into a life of isolation, serving as Oda’s meditation on what standing at the pinnacle of power ultimately means. Mihawk exists as someone who has reached the top alone, only to find himself separated from everyone else because of it.
At the start of his journey, Zoro mirrors Mihawk in many ways. He travels alone in pursuit of strength, a wandering swordsman driven by a promise he refuses to abandon. But after meeting Luffy, Zoro begins to understand the value of having others to rely on, and the strength that comes from having others rely on you in return.
Mihawk embodies the absolute peak of solitary strength, making him the perfect contrast to what Luffy’s true power represents. That is why, during Marineford, Mihawk is the one who first recognizes and explains Luffy’s greatest ability: his power to draw people toward him and rally others to his side, whether they are friend or foe.
And the one who acknowledges this is Mihawk himself, a man who sails the seas entirely alone, the embodiment of the exact opposite philosophy.
Mihawk’s anger toward Shanks after he sacrificed his arm stems from an inability to understand why someone so gifted would throw away both his ambition and future for the sake of another person.
But when Mihawk witnesses Zoro bow his head and cast aside his own pride for Luffy, he begins to understand why Shanks made that choice as well.
That moment marks genuine character growth for Mihawk, influencing his decision to train Zoro and even allowing Perona to remain with him.
Mihawk also acts as a foil to Whitebeard. Whitebeard, the world’s strongest man, sailed the seas searching for a family, while Mihawk, the world’s strongest swordsman, embraced isolation and rejected attachment altogether.
Every aspect of Mihawk’s life reflects that mindset. He is completely self-sufficient by design, making sure he depends on nobody for anything. He cooks for himself, lives alone, sails without a crew, and has no navigator, helmsman, doctor, allies, or anyone else to lean on.
That mentality is likely rooted in the great betrayal he suffered in the past, one that pushed him toward relying on others as little as possible.
In his first fight with Zoro, it is not Zoro’s swordsmanship or raw skill that first earns Mihawk’s respect, but rather his will and ambition. The moment Zoro refuses defeat even at the cost of his own life is the moment Mihawk recognizes the potential of a man who could one day surpass him. A man so devoted to a promise that his own life becomes secondary to fulfilling it.
Their eventual final battle becomes more than a contest between two swordsmen. It becomes a clash of ideologies i.e a man who believes strength is forged through solitude and the relentless perfection of one’s craft, shaped by betrayal and isolation, versus a man who grew beyond that mindset and came to understand the value of having people he loves and wishes to protect.
A core part of Mihawk’s characterization is that he is the strongest. It is the centerpiece of his character, and any meaningful analysis of him begins with understanding that.
His overwhelming strength led him into a life of isolation, serving as Oda’s meditation on what standing at the pinnacle of power ultimately means. Mihawk exists as someone who has reached the top alone, only to find himself separated from everyone else because of it.
At the start of his journey, Zoro mirrors Mihawk in many ways. He travels alone in pursuit of strength, a wandering swordsman driven by a promise he refuses to abandon. But after meeting Luffy, Zoro begins to understand the value of having others to rely on, and the strength that comes from having others rely on you in return.
Mihawk embodies the absolute peak of solitary strength, making him the perfect contrast to what Luffy’s true power represents. That is why, during Marineford, Mihawk is the one who first recognizes and explains Luffy’s greatest ability: his power to draw people toward him and rally others to his side, whether they are friend or foe.
And the one who acknowledges this is Mihawk himself, a man who sails the seas entirely alone, the embodiment of the exact opposite philosophy.
Mihawk’s anger toward Shanks after he sacrificed his arm stems from an inability to understand why someone so gifted would throw away both his ambition and future for the sake of another person.
But when Mihawk witnesses Zoro bow his head and cast aside his own pride for Luffy, he begins to understand why Shanks made that choice as well.
That moment marks genuine character growth for Mihawk, influencing his decision to train Zoro and even allowing Perona to remain with him.
Mihawk also acts as a foil to Whitebeard. Whitebeard, the world’s strongest man, sailed the seas searching for a family, while Mihawk, the world’s strongest swordsman, embraced isolation and rejected attachment altogether.
Every aspect of Mihawk’s life reflects that mindset. He is completely self-sufficient by design, making sure he depends on nobody for anything. He cooks for himself, lives alone, sails without a crew, and has no navigator, helmsman, doctor, allies, or anyone else to lean on.
That mentality is likely rooted in the great betrayal he suffered in the past, one that pushed him toward relying on others as little as possible.
In his first fight with Zoro, it is not Zoro’s swordsmanship or raw skill that first earns Mihawk’s respect, but rather his will and ambition. The moment Zoro refuses defeat even at the cost of his own life is the moment Mihawk recognizes the potential of a man who could one day surpass him. A man so devoted to a promise that his own life becomes secondary to fulfilling it.
Their eventual final battle becomes more than a contest between two swordsmen. It becomes a clash of ideologies i.e a man who believes strength is forged through solitude and the relentless perfection of one’s craft, shaped by betrayal and isolation, versus a man who grew beyond that mindset and came to understand the value of having people he loves and wishes to protect.
Does she means clothes are the national treasure or accessories?
Thanks in advance.
-> It was mentioned that that dress is the national treasure of Zou.
-> Later we were shown a whale tree which was also hinted to be alive in one of the panels.
-> Inside the Mural we are shown the exact tree again.
-> There's alot of rain dropping on that whale and the rain is only around the whale in that mural making it very specific and as if someone had the power of controlling rain in that age and time.
-> We are revealed that such a being actually existed as God of Rain.
-> Now we can surely see that Zou is connected to Zaza because the rain is only dropping around the whale and whale existed inside Zou and nowhere else meaning Zaza must also be a part of this millennium old civilization and what better place for someone strong can be other than a queen or someone really special?
This is why I theorize that her dress became the national treasure of Zou.
-> Nami wears a dress which have similar beads and I don't think we have seen anyone wear a dress with similar beads inside One Piece yet?
Personal opinions -> I don't think it's so far-fetched to say now that Nami wore the same dress as Zou (it's a theory don't attack me lmao) so when we take this as true we can see a certain picture forming around i.e Nami will be related to Zaza in some way and imo she will tame this mma like she did with Zeus who is mentioned to be God of Lightning.
I have already made a post about that but I just found these also connections also really solid so made another post
I've heard multiple theories regarding rain god but none makes too much sense to me for example while vivi was connected to rain inside alabasta so sure but the same can be said about cobra and he's in the same lineage as lily too so was he a rain god too 💀 obv no and heck most likely the rain was stopped because Crocodile have a desert logia which reduces the chances to rain just like ace stopped the cold inside drum island with his visit
dragon is possible but the theories so far are not worth it
the sfx which they're talking about has been used since nami was introduced and it's a very common sfx for rain so taking that as a evidence is kinda lame imo
third candidate was nami so first of all i don't think she's the descendant of rain god (it's possible but we don't have a confirmation) but it's definitely possible for her to take her mma form inside clima tact
inside an sbs oda drew zeus in human form and it had three segments
heat
rain
thunder
thunder was taken by zeus while rest of the two were empty so i believe that she will steal the mma once sanji or zoro attack Kilingham and weaken his presence of control just like how she stole zeus when he was at his weakest form and was looking for an escape
im not exactly sure about the technalities here on how she will steal it but i don't see why not because zeus was also a product of big mom's fruit and the same is true for Kilingham with mmas and the mma of rain god looks very specific imo and less goofy while nika/niddhog once looked very goofy and childish since they were made from kids imagination but technically from an author perspective it doesn't make much sense to give someone such a fire design and then not have her do something very relevant or atleast relevant for this arc and in my guess the relevancy here would be that nami will steal the mma
it fits her perfectly too, she's the weather witch
Having seen so many people proudly spread misinformation about Sabo's reveal being a retcon or plot hole because Oda never explained how Ace never knew about him before dying is the reason why I'm here to spread facts.
As shown inside the panel, Sabo was a COMMANDER.
He wasn't the Number 2 of Revolutionary Army when Ace died so there's next to no reason for someone like Ace to know another commander of Revolutionary Army member of whatever area he commands and these fellas weren't even super active until recently because they were building up their strength while helping the rebels.
Sabo freeing eight kingdoms alone became such a hit that he took over Dragon's popularity so you can imagine how many kingdoms have been freed by the commanders of the Revolutionary army to be the headline of WSJ.
Arguing about this is equivalent of saying everyone in the world should know Lindberg face or else it's a plot hole.
Starting from Skyepia
Nami after seeing Enel effortlessly destroy everyone around her, she fell back into the survival instincts she developed while living under Arlong and that's why she completely abandoned her friends and didn't even check if they're all okay and alive and not completely lifeless but this fits her characterization as she has always been a pragmatic character.
For years, she survived by adapting to whoever held power over her. She learned to endure, obey, lie when necessary, and prioritize staying alive because that was the only way she could protect herself and the people she loved. Those habits never fully disappeared. Skypiea showed that despite how far she had come with the Straw Hats, that trauma still existed underneath.
When she boarded the Ark Maxim, she still believed there might be some way to escape. But the moment she realized the ship was going to fly, she understood there was nowhere left to run. Her back was completely against the wall. Everyone she trusted had already been crushed by a godlike figure she believed was unbeatable. At that point, survival felt like the only realistic option left to her.
That is why Luffy giving her the hat matters so much.
The hat is Luffy’s greatest treasure, but more importantly, it is his way of telling Nami that he trusts her completely. He trusts her to protect it, trusts her judgment, and trusts that she can stand strong. For Nami, who spent her entire childhood being used, manipulated, and forced to survive alone, that trust means everything. It is only after that moment that she finally gathers the courage to stand against Enel and openly say what she truly feels.
Then Wano shows character progression.
When Ulti asks Nami the same kind of question, telling her she can live if she insults Luffy’s dream, Nami actually has a way out this time. Just like Skyepia she has a way out of this i.e to simply lie and follow the tyrant.
She could easily lie to survive. In fact, lying would have been the most realistic option, and Nami has always been one of the most realistic characters in the series.
But for the first time, she refuses.
Instead, while terrified and crying, she declares that Luffy will become the King of the Pirates.
I loved this moment because pre timeskip Nami often struggled with idealism. You can see it throughout Jaya and even in moments like her frustration over Sanji refusing to fight women. Nami always viewed things through practicality and survival. But by Wano, she has changed. She is still scared, still human, still emotional, but also idealistic.
She is crying not just because she is afraid, but because she understands the weight of her words.
Nami was there in Whole Cake Island when Luffy said that his crew matters more to him than becoming Pirate King. If he loses even one of them, then becoming King of the Pirates means nothing to him. Nami understands exactly how much Luffy values them.
And despite knowing the danger, despite knowing she could survive by lying, she simply cannot bring herself to deny him anymore. Her love and loyalty toward Luffy have become too strong. It is no longer about logic or realism. To her, denying Luffy’s dream would feel worse than death itself.
That is also why the scene parallels Bellemere so beautifully.
Bellemere could have lied to Arlong and saved herself. She had the easy option right in front of her. But she chose to stand proudly for the people she loved, even if it cost her life. She can't lie about her kids because they are the reason why she is alive.
One Piece has always carried this theme. The story consistently shows that standing up for what and who you love is never wrong, no matter how unrealistic it may seem. The people who choose love, loyalty, and truth over fear are the ones the narrative ultimately rewards.
Very random but I believe it's in the mist around Thriller Bark and these large animals or whatever they are guards the whole place so nobody finds the ruins underwater