



Another one - Mac DeMarco in his home studio (2019)
Photos by Daniel Topete from Mirror Sound




Photos by Daniel Topete from Mirror Sound
Photos by Daniel Topete from Mirror Sound
Back in 2020 I made a book about musicians who record at home (or from their car or from a barn or while traveling through South America, etc) because I was (and still am) obsessed with the sound of recordings that are made that way. So cohesive/weird/fun when the same person who performed the parts also engineered the capture.
Anyway the book is back in stock now because the publisher is getting rid of a bunch of copies, and I'm trying to get the word out. It's a coffee table book with a zillion photos of artists' studios including Mac DeMarco, Sharon Van Etten, Suzanne Ciani, Yuka Honda, Emitt Rhodes, Jim O'Rourke, Bradford Cox, and a bunch more. And I interviewed each of them about their processes/ideas/feelings about self-recording.
It's not an instructional book. Just a look at a bunch of people's home studios. If you want one, they're here.
I've been wondering about this since I was a teenager.
Songs that are recorded by one person at home often sound more cohesive and interesting than songs that are recorded in a traditional studio. I'm thinking of McCartney I, Tame Impala albums, Emitt Rhodes, etc.
Maybe it's as simple as: one person playing every instrument means that every "member" of the "band" has the same brain and heart. Plus no studio time being invoiced or onlookers means a lot of freedom to experiment and iterate.
But maybe there's more to it ?
Obviously not saying that records from pro studios are bad… I love and make a lot of them… Just that self-recording often has a special flavor.
Easily the most beautiful home studio I've ever seen. On a cliff on the coast in California.
(These photos are by Daniel Topete and they're from a book I wrote called Mirror Sound.)