I wrote a book about self-recording

Back in 2020 I made a book about musicians who record at home (or from their car or from a barn or while traveling through South America, etc) because I was (and still am) obsessed with the sound of recordings that are made that way. So cohesive/weird/fun when the same person who performed the parts also engineered the capture.

Anyway the book is back in stock now because the publisher is getting rid of a bunch of copies, and I'm trying to get the word out. It's a coffee table book with a zillion photos of artists' studios including Mac DeMarco, Sharon Van Etten, Suzanne Ciani, Yuka Honda, Emitt Rhodes, Jim O'Rourke, Bradford Cox, and a bunch more. And I interviewed each of them about their processes/ideas/feelings about self-recording.

It's not an instructional book. Just a look at a bunch of people's home studios. If you want one, they're here.

u/spencertweedy — 5 days ago

Why do self-recorded songs sound different

I've been wondering about this since I was a teenager.

Songs that are recorded by one person at home often sound more cohesive and interesting than songs that are recorded in a traditional studio. I'm thinking of McCartney I, Tame Impala albums, Emitt Rhodes, etc.

Maybe it's as simple as: one person playing every instrument means that every "member" of the "band" has the same brain and heart. Plus no studio time being invoiced or onlookers means a lot of freedom to experiment and iterate.

But maybe there's more to it ?

Obviously not saying that records from pro studios are bad… I love and make a lot of them… Just that self-recording often has a special flavor.

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u/spencertweedy — 5 days ago

Suzanne Ciani's home studio

Easily the most beautiful home studio I've ever seen. On a cliff on the coast in California.

(These photos are by Daniel Topete and they're from a book I wrote called Mirror Sound.)

u/spencertweedy — 5 days ago