Do you still need to know how to use Pro Tools to work in studios?

For those who currently work in-house at a recording studio, or have in the recent past: is it still the 'industry standard'? By that I mean, is it a requirement to know how to use Pro Tools if you're attempting to get a job at a commercial recording studio?

My assumption is 'yes'. But I'd love to hear any anecdotes from the community and anyone who has been in a position that requires knowledge of a specific software for employment.

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u/unclemulch — 7 days ago
▲ 8 r/recordingmusic+1 crossposts

Latency when tracking through external hardware after an interface?

I’m using an Apollo 8 as the front end for my studio, with its outputs and inputs connected to a patchbay so I can route signals through external analog gear like an LA-2A, Pultec, JHS Colour Box and pedals.

For vocals, one possible path is:
Mic → Apollo pre/48V → D/A out → analog hardware → Apollo A/D return → DAW

Compared with recording straight into the Apollo, does that extra D/A → hardware → A/D loop make the recorded track land slightly late on the timeline? Is there any other important reason not to do this?

Mainly wondering:
- Is the delay usually negligible for a single vocal track?
- Can this be compensated automatically, or do people just measure the offset and nudge the return?

I’m also deciding whether my synths should hit the patchbay before the Apollo for the same reason.

Relevant setup:
- Apollo 8
- Behringer PX3000 patchbay
- LA-2A, Pultec-style EQ
- JHS Colour Box + a few pedals
- Logic Pro X / UAD Console

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u/unclemulch — 12 days ago

Logic Compressor safeguard

When adjusting make up gain (I use my MacBook touchpad), it seems unreasonably easy to accidentally click near the higher numbers and snap the gain knob to max volume - exploding my ears in the process. Am I just dumb or does this happen to anyone else?

TLDR: can we safeguard the make-up gain knob so it only moves when you drag it (as opposed to clicking)….?

u/unclemulch — 2 months ago