u/washington23

Lifted from the website:

• PORTLAND OR: HOLLYWOOD THEATER, SEPT 4, 7:30 PM
• CINCINNATI OH: THE WOODWARD THEATER, SEPT 13, 7:30 PM
• JERSEY CITY, NJ: WFMU MOVIE NIGHT AT MONTY HALL, SEPT 13, 7:30 PM
• SEATTLE, WA: Grand Illusion Cinema at SIFF Cinema Uptown, Sunday, Sep 13, 7

The website has direct links to the tickets, which I tried to include here, but Reddit has banned at least one or more of the links for some reason and wouldn't let me post.

The fine gentleperson who runs the CV Vault channel dug up another incredible find:

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"Previously uncirculated recording of Cabaret Voltaire live at Sheffield University’s Now Society (Bar 2), 26th June 1978. The Cabs’ earliest known full gig recording, captured on a reel-to-reel tape recorder by Geoff Davis. Edited and mastered by The Cabaret Voltaire Vault."

The sound quality is quite good, probably direct to digital from the source.

Update from Tom Stern just sent to Kickstarter contributers:

The New York Times is going to run an article about the film just before the release, which is great. We are also working out screenings in non-Alamo cities and have already lined up theaters in Portland, Seattle, Vancouver, Nashville, Cincinatti, Saugerties NY, and more to come. All of those will happen starting after the Alamo run, after Sept 4th. Check our Insta and website which we will update as those dates get set.

After the theatrical run the film will be released as Video On Demand, and ultimately on other streaming platforms, as well as physical media. We are working out those deals now and will announce them when they are done.

Just got this notification from Bandcamp:

“CABARET VOLTAIRE
LONG AWAITED REMASTERED RELEASE OF CODE
VINYL AND TRIPLE CD

CODE launches today with influential producer, writer and musician John Robie’s dub remix of ‘Thank You, America’.

CODE captures the band at the height of their commercial and creative powers, marking the point that Richard H Kirk and Stephen ‘Mal’ Mallinder signed to EMI exposing them to a world of bigger budgets, but no compromise on their unique vision.

Ever prescient, CODE tapped into an increasingly uneasy relationship with technology, computers and programming that was creeping into all aspects of life, unpicking the codes of control to expose them – a preoccupation that would continue in Cabaret Voltaire’s work.

CODE - OUT OCTOBER ON MUTE”

They're selling a marble vinyl and deluxe 3xCD, the CD version includes a ton of remixes.

Recorded last month while they were in Seattle.

The 1st linked track is 24/24, and they also performed Nag Nag Nag, Spies In the Wires, Landslide, and Sensoria.

Edit: Here's the whole performance if you wish to view in one go, plus a bonus interview at the end.

"In this edited extract of a conversation recorded at London's ICA on 25 March 2026 for the launch of Shock Factory: The Visual Culture Of Industrial Music, writer and art historian Nicolas Ballet talks to Cabaret Voltaire's Stephen Mallinder about sound, image and subversion"