
TIL: Yann Tierson and others created a dark jazz album of Coil covers
The band name "This Immortal Coil" is so fucking perfect too!

The band name "This Immortal Coil" is so fucking perfect too!
big flex 😛
I have an LFO that I'm using to control panning via CV but I don't want it to pan completely to the left and right. How can I decrease the "depth" of the LFO... like increase the minimum value and decrease the maximum value of it?
Practice/improv with live setup
Practice/improv
Just some early fucking around and learning how to "play" my new setup
Would this track be more death industrial or martial industrial?
TLDR: BandCamp banned a new track from SPKtR as AI even though they claim it wasn't but they did use AI artwork and video.
Absolute classic in my book. Underrated release and artist.
Just an incredible module overall and extremely fun to use! Everytime I use the interface I find joy in it. The buttons are so fun and it's just so incredibly intuitive.
I'm honestly not even using it for anything "fun" like sample mangling or generative audio. I am using it as a multiple utility but I've built some crazy logic into it which has basically allowed me to create some really cool functionality out of thin air.
Delving deeper into it has been extremely rewarding. It's also a massive workhorse. I have a live patch that has so many features and I'm only at about 75% CPU capacity.
It's a lot of HP but so worth it.
Hey all. Hoping some 100Grit or CV aficionados could help me out with this. I can’t seem to control Gain & Res with CV in my 100Grit. I’d really like to map the Gain to my Octatrack slider as it would make the Dry/Wet signal all that much more detailed and the clean signal much less noisy.
I attached a video that shows the CV works on the FM 1 & 2 parameters. I’m just processing the base level hum/noise here so nothing special (yet!).
Thanks for the help!
I haven’t set all the tech up yet but there’s a metric fuckton of features on this thing. I’ll be making some videos about them eventually.
My first gear tutorial video. Please be kind!
I'm trying to develop a noise mangling signal chain that creates effective cut-up harsh noise and industrial atmospheres. This is the first experiments with an early prototype.
Next steps will be to increase signal processing with the Octatrack. This is the setup I'm dealing with. I have other modules I can swap out but as you can see I have limited HP in this DIY case. I'd love to be able to add the following features but not sure exactly how yet:
Stereo separation SFX - So sad the 100 Grit is not stereo!!! I want a switch I can hit for separate signal path of left vs. right channels to give a dramatic feel of space. Right now it sounds harshest when I have the 100 Grit AFTER the Endorphins Ghost so it's mono currently, it just sounds so much better that way.
Crossfade between Dry/Wet - I will probably use Octatrack to do this but haven't gotten into it yet - one thing I found out is that you can't assign the Cue output to the slider in Octatrack which fucking KILLS me.
This was kind of a one-off track I did that ended up on a comp and the retrospective tape box that was released by Black Horizons. Show is at Vancouver Noise Fest back in 2015