So Im getting kinda bored of just VST synths. I have the microfreak, but it just doesnt hit that feel. I enjoy making aggrotech style beats but i just dont know what is modern that fits thats style like the old access virus.
Hello everyone
I would like to post about my project Blanca Division. I used to play dark ambient and death industrial many years ago (Aethere, Gioventu Suicida Studentesca), and then I ended up playing with two other individuals, both experienced musicians (one of them plays in a band called Viscera, a psychedelic post-metal band from Italy, which is quite known in certain circles).
We created a short EP 13 years ago, plus two other songs. For reasons I cannot even remember, we did not do anything anymore, and the EP was lost and forgotten. For unknown reasons, the two other members of Blanca Division contacted me about the EP last year, and we decided to release it via the label Phage Tapes.
We do a mixture of digital hardcore, aggrotech, and death industrial. For the EP 'Santa Muerte Hardcore', we used various vst I don't remember, plus korg ms2000r, and access virus c. We decided to (slowly) resume our activities, and we are eager to release old songs in splits (send me a dm if you want to collaborate), and create new material (as soon as I get my gears back on track).
Here is the EP - let me know your thoughts!
Hi there!
This week it's 0141's turn. This one came out a little bit heavier than usual.
Thanks for all your support and kind words!
Hope you enjoy!
Just looking to get those kind of drum sounds to use in the logic drum machine designer and sequencer so I can write some demos in logic.
I'm a high school student who is developing a free plugin!
A few weeks ago you probably saw that I posted about COGG, a free plugin I built that metallizes and industrializes any sound. Specifically, harmonic distortion, metal plate convolution reverb, and pitch layering are there all in one chain.
I just shipped v1.1 with 8 factory presets so you can dial in different metallic textures instantly instead of tweaking all the knobs from scratch. Everything is there, from subtle texture (like the preset RUST), to full chaos (like presets SHRAPNEL and MELTDOWN).
Still free, no account needed, VST3 + AU for Mac, VST3 for Windows.
Download now for free: https://plasma-hype.itch.io/cogg
Trailer/demo of the update: https://www.youtube.com/watch?v=HfD2drnrMjQ
Thanks to everyone who tried v1.0 and gave feedback, this update came directly from figuring out what people actually wanted to do with it. I personally have used COGG in almost all of my FL projects ever since I released it. Please give it a shot and let me know what you think of the presets and plugin as a whole for a v1.2!
Hi everyone. I’d like to ask: how do you create cool, gritty industrial modular drum- sequences, something like what the Moog DFAM produces (2:34 in video, this sequence go hard af)? I’m looking at VST options; I haven't found a proper analog equivalent to the DFAM itself, but in theory, I should be able to achieve this with any similar emulation, right? So, which plugin would be best to choose, and where can I find good tips or guides on synthesizing this kind of sound? I have the Arturia collection 11 pro — the presets are decent, but I’m looking for something better; perhaps one of those plugins in collection could do the trick?
A bit of a warmup, but sounds cool.
I have a setup consisting of about 8 synths that are all synced up via midi with the Maschine+ acting as the master clock. I have everything going into a Zoom LiveTrak L-12 mixer and each track is being recorded to an SD including the metronome track from the Maschine+.
How we typically work is by spending 5-10 minutes noodling around with sounds and riffs/melodies and roughly converge in a key or tempo. Other times we randomly pick a key/scale and tempo and go explore from there. When we’re ready, we hit record on the tracks and then improvise over that idea for the next 10-15 minutes. We then take the multitracks and import them into Ableton and line them up with the grid/metronome using the recorded clock track so we can edit and splice pieces and continue building the songs.
This process works very well for capturing raw ideas as they emerge between multiple people and being able to line everything up in Ableton is great for finding nuggets of the jams we liked and expanding on them. I then upload each song as its own self-contained ableton project to Google Drive so everyone can work on it in their own time.
My question is: how are you guys going about jamming and collaborating on songs in a dawless setup that is productive, fun, and interesting?
Hi there! It’s a pleasure to greet you all again. Today, it’s time for 0135.
0000 is a loosely defined project I started last year with the aim of creating quickly and spontaneously—an effort to overcome my perfectionism and simply let go. They are just numbered sequentially; I try hard not to dwell on any single one or get too attached to them: There’s always another one coming up.
Thank you so much for your support and kind words—they mean a lot to me!
Hello drivers!
Yok here again, I did another Maximum Sexy Pigeon EP for y'all to enjoy!
Plenty of angry, raspy, guitar-driven industrial sickness to tuck right into.
Have fun, drive safely!
Tell me what you think! Is it dreamy enough?
Hey everyone,
My new release Mountain <A> is out today on Bandcamp. Heavy riffs collapse into noise, which collapses into something you don't usually hear in the middle of a doom metal record. There's a handmade instrument on here that I built myself, run through enough distortion that it stopped sounding like an instrument at all. A few other things happening too that I'll let you discover.
You can listen to the full release here: https://ayman.bandcamp.com/album/mountain-a
Would love to hear your thoughts on the textures and pacing. Hope you enjoy the journey.
