

Bandit Banquet
I know there have been a lot of things pointing to Ursa Minor lately but here’s potentially another one? Looks like the Little Dipper with the “Home” sign above the window being Polaris?


I know there have been a lot of things pointing to Ursa Minor lately but here’s potentially another one? Looks like the Little Dipper with the “Home” sign above the window being Polaris?
Thanks for the seed, u/jarofgoodness. Here’s my go:
I woke each day to borrowed time,
and fed my hours to the mill.
They weighed my worth in little lines
and found me wanting still.
I learned the roads that others chose,
the ladder, rung by rung,
but somewhere past the life I knew
a quieter song was sung.
So when an old man spoke of gold
beyond the beaten way,
I followed water, stone, and wood
and let the dream hold sway.
And later, past the map’s last edge,
where stranger stories grew,
I chased another thread of hope
through shadow, star, and blue.
Not riches. No, I wanted less:
a morning wholly mine.
One door the world had overlooked.
One break through endless pine.
One place where no one measured me,
or asked what I had done.
One little patch beyond the rain
where I could feel the sun.
But rainbows move when chased too long,
and maps at last must end.
The river keeps its secret still,
the road forever bends.
I sought no kingdom in the hills,
no crown, no grand design.
I only wanted one true dream…
For now, back to the grind.
According to a source within the now defunct Misfits, the group has officially disbanded.
But don’t worry—the private-server era of Beyond the Map’s Edge is alive and well.
Rose has now started a new private, females-only server… and guess who has a seat inside?
Justin Posey.
I’m genuinely trying to understand the logic here.
After everything that happened with the Misfits—the questions about private access, information being shared behind closed doors, certain hunters potentially having access to Justin that the broader community doesn’t—the solution is apparently to dissolve that server and immediately create another exclusive private server where the hunt creator himself is a member.
And to be clear, the issue isn’t women having their own private server. Have at it. The issue is Justin being inside it while his treasure hunt is still active.
If this hunt is supposed to be an even playing field, why does the person who designed it continue hanging out in private spaces with select groups of active hunters?
Maybe absolutely nothing hunt-related gets discussed in there. Fine. But after all the controversy surrounding private access already, why even create that appearance of preferential access?
The Misfits may have disbanded.
The conflict-of-interest questions definitely didn’t.
The majority of theories I’ve seen and heard over the last year and a half have been amazing. I enjoy this community and the like minded people that come along with it(for the most part). I’m glad I got involved. It’s the little things, like watching the book burn in that old wood stove. Maybe when someone tested the book for hidden messages with everything in their kitchen. When the tech clue, slowly spreading throughout a small group while everyone said it was nothing. The excitement and anxiety when the cipher was revealed. The late night conspiracies. The constant feeling of both winning and loosing. It all shows how we are as humans. “AI can’t drink wine and pour it on a book.”
Then there is the whole other side. It wasn’t dedication to solving clues. It was watching a car come together. Seeing a little baby grow bigger. Solving puzzles in chat. Drunk bar nights on an open mike. The great sending of the newts. Listening to all the “Roosters”. There’s just so much. All while searching for answers and just enjoying a good conversation! This is what underscores all of it.
I don’t talk very often, if at all, in Reddit, Discord, Facebook, or any social media for that matter. Oddly enough, the main reason is because the urge to share. It’s hard to keep a secret, especially when you must divulge information to even get a voice. The second part, is information overload. So many brilliant ideas, and some just absolutely not. These new ideas get added to the mix and just add more chaos in the end. Finally, the improbable part. If what you have works out in your solve… it’s wrong. Unless it fits that persons solve and they can tie it in. Guess what? “You might have been right!”
The truth to all of this?
This is a treasure hunt, greed is a thing just as much as gold. There is way more greed than there will ever be gold. Why does this matter? Simple. We get to choose how we conduct ourselves. I don’t see the reasoning behind some of it. I myself admit I am greedy, to an extent. My greed leans less on gold, and more on something else. The best part, it didn’t end too soon. Wouldn’t that have sucked?”I think yes!”
TO WHOM IT MAY CONCERN:
Some of you might think you’re being cheated. Some of you might feel it’s unfair. Let me be the hardest truth you may hear. If your mind is on that particular wavelength, you never had a chance. Hell, you may have never had a chance either way. Who am I to know?
Yours truly,
Mr. 6 Clues (2 U)
2 Truths and a Lie —
I wrote this article!
I am “6 Clues”!
You didn’t read this!
Posting this in hopes it helps. I want us to group think on this and have a discussion. In the Paternal Ploy "Niven" is mentioned. Assuming this is referring to the mathematician Ivan Niven, this gives some interesting data. I had AI count the letter, word and sentence counts for each chapter of the book to see which chapters hit. The data is posted in the photo above.
I am admittedly not a math person and had to look Niven numbers up, here is the definition:
"A Niven number (also called a Harshad number) is a positive integer that is evenly divisible by the sum of its own digits."
Chapter 24 "The Aft Assault" contains 3 Niven number counts in ALL (the letters, words, and sentences.)
Also Chapter number breakdown is:
24
Add its digits:
2 + 4 = 6
Divide the original number by the digit sum:
24 ÷ 6 = 4
Because 4 is a whole number, 24 is a Niven number.
Here's where it gets interesting: Sentence 4 in the Aft Assault gives us a location: Grasshopper Valley. Sentence 6 gives us the word anchor, followed by Polaris in sentence 7.
Chapter 42 "The Grizzly Gathering" also has a hit in the word count.
42
Digit sum:
4 + 2 = 6
Divide:
42 ÷ 6 = 7
Because 7 is a whole integer, 42 is a Niven number.
Sentence 6 & 7 in the Grizzly Gathering also gives locations: the North Fork of the Blackfoot River near Ovando. "There the river cleaves the wilderness between Bob Marshall and the Blackfoot Valley."
So you see where I am going with this analysis.
Does anybody have any ideas how this might apply to decoding the poem?
What's stumping me is the following description in the Paternal Ploy that is such a random, but precise illustrative detail that it just seems "uncanny." Posey writes: "He greeted us with a nod, his weathered hands absentmindedly fiddling with a set of what must have been 18 to 20 keys on an old brass ring."
Why 18-20? Does this have anything to do with the map and how we should analyze it? Perhaps with Polaris as the anchor? Could he be telling us to look at Polaris as the centre anchor with 18-20 key points around? Like snells window refraction riddle mentioned in The Aft Assault ?
How can we push further and group think this? Do you think the Niven numbers are giving us coordinate hints? Let's see what we can come up with and have a thorough discussion on Niven numbers.
Update (further definition on Snell’s window):
The Normal: Scientists measure angles using an imaginary straight line called the normal, which sits at a 90-degree angle to the surface of the material.
Snell's Law: The math behind this change is known as Snell's Law, which compares the angles and speeds (refractive indices) of the two materials.
Justin says he left one thing for us to find. I was totally in on QR or NFC tag idea but then I remember he said he modified something that was already there. Plus failure could happen in multiple ways with said tags. So now I’m leaning towards carving or something similar. Thoughts?
Justin has already done Q&As on X, YouTube, Discord, podcasts, radio, TV, and at Seeker Summit. Reddit would provide something those formats haven't: a place where we can ask questions directly, publicly, and in writing without moderators deciding which questions make it through. Even though Seeker Summit used attendee voting, the questions that got asked were still filtered through the interests and biases of the searchers participating.
There'd also be no need to create transcripts afterward, which has been an unfortunate necessity with previous recorded appearances. The questions and answers would already exist publicly, in writing, and in their original context. An AMA here wouldn't require Justin to answer everything. It would give him the opportunity to see the questions himself and choose which ones he wants to address directly.
Given how much BTME has evolved since launch, that kind of open format seems like it could clear up a lot of the post-launch ambiguities created by previous Q&A sessions. So, do you think a Justin Posey BTME Reddit AMA could be genuinely useful? If Justin agreed to do one, when would you prefer he do it? What questions would you most want him to answer in writing?
After months of delay, finally out in search zone. Burning all my yearly PTO in one clip 🤞🏻.
Yesterday got to the area I’m searching. Completely surprised & a little bamboozled tbh by the significant differences between being at the location and satellite images.
Before leaving, had a clear game plan. Upon arrival, overwhelmed by the sheer level of plant growth and scale. Feeling pretty deflated. Even if best case scenario and I am right on the location area, or even the kitchen area, still would be a needle in a haystack.
Issue: What am I even looking for at the treasure retrieval step? Justin mention there isn’t any identifiers indicates the is at the final location. Tree stumps? Is it buried? Feel like if I was standing in front of the treasure I still don’t know if I would see it. What am I manipulating?
Acknowledging & hoping to avoid reasonable comments because, well, I am already here.
*Cant find w/o checkpoint
*Exact final kitchen sized area
Confident in my solve, could easy (and most likely I am) completely wrong. But I am here & I am searching the area, and feeling very uncertain I could even find the treasure if Justin circled the kitchen on a map and I was standing in it.
From my speculation (imo), I think this hunt will either end very soon, or early next summer.
I have a botg planned later this month, and it will likely (in my estimation) be my last time searching for the treasure. This meaning that if I don’t find it, someone else will find it elsewhere before I am able to go out again.
This reality has made me confront how I would react if the treasure was announced to be found.
This could happen at anytime. Before Im finished typing this, an announcement could go on the website.
There will be no warning. There will only be infinite possibilities until they are immediately constrained to one:
Someone else already figured it out.
It made me curious if anyone else has considered their reaction to when this announcement comes (because it inevitably will) and how yall think you will react?
If I don’t find it, Ill just be sad for a while haha. Not sad that someone else found it, just sad that I wasn’t able to chase down the rest of my leads.
- not written by AI
Going BOTG with my 10 year old son. Hoping his childhood wonder can crack the code.
Does anyone want me to take a particular photo for you? Let me know and if the location is convenient, I’ll snap the shot and post it here for you.
What's going on?! I'm excited to say that I've officially returned to Reddit after burning out lol
I've had a few usernames like Specialist_828, Electric-Fire-4664, Hiiipower336, and floodinadrought from Discord.
This sub has been quiet lately,
It's starting to drift away from the true spirit of treasure hunting.
TLDR: ⚡⚡⚡
I don't think this means anything, just happened on this wordplay when re-reading the Mom's House chapter.
Meghan is a Quarter horse. It's an illustration. He's hanging. Hung, Drawn and Quartered...
...played by River Phoenix. Who also starred in "my own private Idaho"
I will be retrieving the treasure shortly.
But Posey’s menions guard this defiled place. Always fishing for answers, always wondering who’s who, always playing interference, always giving away hints and clues, always up to no good. You can't fool me cuz I have lots of experience with guards. You menions make it impossible to play nice; you're on your own now. By the time you figure out I left it will be to late for you to catch up.
The man is weak stomached ? What do you think is the smell that turns JMP’s nose? Clearly he’s slightly squeamish? Or?? What’s the common underlying thread here we might be overthinking on that story tid bit ? I feel something here like spidey senses …. I remember many funny and funky candle smells myself from the 90s …… particularly Christmas ones . That’s what turned my nose as a kid …. Is the underlying implication something here worth hounding ?wait dogs smell too . Damn it rabbit !! This candle thing has me irked a tad . Anyone wana discuss opinions / theories/ smells you remember or think JMP hates? I bet it’s cloudcroft#42 in fresh linen and pine with a hint of rawdoggin it .
Many men go fishing their entire lives without knowing it is not fish they are after. —Henry David Thoreau
I took a break from BTME, or at least from trying to decipher the poem. While many of you on Reddit have been preoccupied with putting out metaphorical fires or defending ANY criticism of Justin. I’ve come to accept that these flames are part of the cycle. It’s a complex dance of perspectives, with supporters and critics alike, but ultimately, it’s all part of the natural order.
Fires can help clear dense underbrush and promote ecosystem health by regenerating plants and creating diverse habitats. After all, diversity in thoughts and opinions fuel growth, just as fires rejuvenate a forest. Embracing this diversity enriches our discussions around BTME, reminding us that every perspective adds value, even when it feels like we're stoking the flames.
There is no order without chaos, there is no light without darkness, and there is no apthathy without passion. Some people on here try to extinguish people’s passions, posting comments like:
“Imagine if you put this much effort into actually solving the poem”
Here’s the thing, you don’t get to dictate what participation looks like in this hunt. Sure, your lawyer can send a cease and desist, your friends can ban your opps from their discord, create PR campaigns - but you can’t STOP what people think or communicate. BUT, you can certainly stop reading, stop showing up, stop logging on, stop replying, stop engaging and let the fire of passion burn out. As they say, if you can’t stand the heat, get out of the kitchen. Let me cook. I’m serving golden fish.
The very word "passion" originates from the Latin passio, meaning "suffering" or "endurance," which hints at the notion that true fervor often comes with both joy and pain. This historical connection underscores how our deepest passions can both illuminate our paths and scorch our souls, creating a compelling dichotomy that fuels our human experience. Let me carry my flame to illuminate my path, you can sleep while I explore.
Don’t worry, I’m not here to post any criticism about Justin. Instead, I’ll be doing the opposite. I applaud Justin for creating this puzzle. I strongly believe, Justin’s puzzle carries a message of hope and embraces this dichotomy of order and chaos.
While some of you have been looking to the stars for answers, using pareidolia to guide your quest, or consuming large amounts of American West history - I’ve been focused on understanding Justin. The good, the bad, and the ugly. It’s not to say that those other things hold no merit, but instead of reading the clock time, I’ve dissembled the timing mechanism to attempt to understand why it ticks and while I feel like I’ve made progress, I’m probably just as lost as the rest of y’all, but I’d like to share some thoughts and insights.
To grasp the concept of structure, it's essential to first understand its purpose. In other words, knowing why something was created provides valuable insight into its design and function. So before we look at the poem, let’s outline what Justin has said behind the why. I wrote about this at length in a now deleted post, but let’s look at what Justin says about the “big message.”
During the Deep State interview on X, Tyler asked about the "big message" Justin intended to convey, he outlined five key themes: Grief, A Message of Hope, Living in the Moment, Getting Outside, and Conservation. I believe, understanding these motivations enhances our interpretation of the poem. I’ll provide part of the transcript and try to expand upon it.
X, Deep State Transcript:
Tyler:
What do you think is the big takeaway from your book that you would tell somebody who's like, hey, like what do you want me to know? Like the big message from the book. What would that be? Would you say?
Justin:
No one’s ever asked me that before. Probably a few different things. You know, I think I think part of it is just the feedback that I've received. Is it? I think for anybody who's experienced any degree of grief in their life or, you know, a deep traumatic experience or loss. I hope that I can relate to them. And the book was a way for me to do that. And it was also a cathartic experience. It was a way for me to kind of work through whatever I was working through. You know, part of that book in effect wrote itself. I mean, I was able to bang it out very quickly because I knew what I wanted to say. And there were other chapters that took quite a long time to write and were very painful to do. And that's just the skeleton of the book. There was many more iterations that occurred after that.
But at its core, I wanted to communicate, I think, a message of hope to people and that time and life is precious. And that everyone gets a choice in terms of how you live it. And I hope, my hope is that people will live a little bit more in the moment. And we'll also get out and explore the public lands that we have in our country in the American West. And I think so many people take that for granted or push it off to tomorrow to say someday, you know, I'll make that trip. And sometimes someday never comes. And so I hope that people keep that in mind. And that's been the most uplifting part of the experience for me.
You know, I actually bumped into somebody at a restaurant the other day. And it was a mother and two children. And they had actually never been camping in their life. And this was the first time they had ever gone. And it was because of a treasure hunt. And I thought that was really cool. So I hope people do more things like that and try and seize the day.
His stated reason, purposes:
Grief: Justin shared how the hunt and his book-writing journey helped him navigate his grief, serving as a form of therapy. He hopes this resonates with others facing similar struggles.
A Message of Hope: At its core, Justin aims to instill hope. He draws inspiration from nature, as illustrated in BTME by his reflections on fishing: “Those fishing waters taught me more about life than any textbook could—about waiting, about hope, about the quiet thrill of possibility.”
Living in the Moment: Justin emphasizes the importance of savoring the present. He encourages everyone to avoid postponing adventures or outdoor explorations, as “someday” may never come. He observed how Brandon was “present in a way I was too consumed to notice, watching everything with quiet intention.”
Getting Outside / Nature: He cherishes stories like that of a mother and her children embarking on their first camping trip, encapsulating the joy of creating lasting memories in nature.
Conservation: During the Dillon Q&A, Justin became emotional discussing conservation, a significant motivation behind the hunt. During Tyler’s, interview Justin mentioned Annette Lilly Russ, highlighting her efforts to engage more women in fishing and environmental protection. Her legacy as the daughter of Bud Lilly—an avid conservationist and owner of a trout shop in West Yellowstone—underscores the importance of making a positive impact on our environment.
Now that we have purpose, let’s try interpret possible interpretations of the poem with these in mind. Surely, solving this poem takes obsession- it takes deep problem solving, rooted in logic.
In The Obsession’s Oath, Justin says, “Deep problem-solving sends a vibration through your skull, a low hum that builds and builds until your brain feels wired directly to the power line.”
How Poetic.
He’s hinting at, current.
CURRENT
The word "current" has several meanings depending on the context. In physics and electronics, it means the flow of electric charge. In geography, it refers to the steady, continuous flow of water in a river or ocean. In everyday speech, it means happening or existing right now.
Electric current is measured in amperes (amps). Most people know this measurement from everyday items like phone chargers, household circuit breakers, and car batteries. Hydrologically speaking, current is also measured. Hydrologists measure water current (flow velocity and discharge rate) to track water volume movement, manage supply limits, protect aquatic habitats, and prevent environmental damage. Knowing the speed and amount of moving water helps communities save finite freshwater resources. Aka. Water conservation.
In the western United States, the prior appropriation doctrine ("first in time, first in right") grants water rights to the earliest user during shortages. Artificial Intelligence data centers consume millions of gallons of water for cooling, raising concerns among local communities about depleting scarce water supplies and clashing with senior agricultural rights.
Justin says growing up that his friends called him “Running Water”. I’d like to point out that running water is not called current unless it’s in a stream or river, you don’t have “current” in your indoor plumbing, you have flow. So next time you see Justin indoors, feel free to call him Flow.
Flow is the general movement of a liquid, gas, or particles. Current is a specific scientific measurement of that movement, mostly used for electricity as the rate of charge moving past a point, or for a specific stream inside a larger body of water or air.
Let’s revisit Justin quote, “Deep problem-solving sends a vibration through your skull, a low hum that builds and builds until your brain feels wired directly to the power line.”
I submit to you, Justin is talking about current, more specifically a call of river.
In The Treasure Trail, Justin says:
The “Hole held this power over us, this marriage of water and memory where two boys became brothers, where we learned the language of current and call of river.”
Fly-fishing is the gateway to unlock this language of current and call of river.
Or as Justin put it, “Those fishing waters taught me more about life than any textbook could”.
If you’re like me and never grew up fishing or fish today, here is a link which might be insightful:
The traditional fishing proverb is "Give a man a fish, and you feed him for a day. Teach a man to fish, and you feed him for a lifetime." Justin’s version is a modern, humorous twist on the classic proverb, “Give a man a fish and he’ll have dinner. Teach a man to fish and he’ll be late for dinner.”
Fishermen.
“Every fisherman carries a mental map marked with sacred waters—places where the mundane world dissolves at the riverbank, leaving only the eternal triangle of river, fish, and friendship. These spots become temples, their locations passed between trusted souls in whispers, if shared at all.” - The Treasure Trail
I feel like Indiana Jones looking to raid the Temple of Doom. Just playing, I don’t wear hats, but also- I don’t fish either. I’m shit out of luck.
When people fish, they participate in a web of life that includes not just the fish, but also the ecosystems they inhabit, the plants that support them, and the predators that rely on them.
Overfishing can disrupt this balance, affecting not just fish populations but entire aquatic ecosystems. Sustainable fishing practices help maintain this cycle, ensuring that both humans and nature thrive together. Or as Justin’s father, Dennis. put it, “It’s called peaceful coexistence”. It’s no surprise Justin declared himself the “Jane Goodall of raccoons”.
Fishing taught him about the aquatic ecosystem, but in a greater sense it taught him about life. For example, listen how he describes hiding from his brother Aidan:
“Like a patient predator, he slipped back into the shadows of our shared space, waiting.”
You see, understanding shadows is important to be a successful fisherman. I don’t fish…so here is a expert explaining it, if you care:
https://m.youtube.com/watch?v=g8V0Lmdg7hA&t=191s&pp=2AG_AZACAQ%3D%3D&ra=m
Justin describes himself as having a “usual talent for blending into the shadows”, a trait no doubt he learned from fishing. Listen how he describes Brandon - “constant shadow during those shifting times”. It’s a metaphor for closeness, proximity, but also protection. You see, fish hide in shadows for protection.
In fishing terminology, an edge is any boundary where two different environments, depths, or water conditions meet. Fish love edges because they act as travel highways and provide hiding spots to ambush prey. The fish are predators, but they are also the prey. They hide in shadows to remain unseen on those they prey, but also it provides protection from their predators.
I think I’ve gone long enough without getting into the poem per se, but I believe we are looking for Justin’s sacred fishing corner. The intersection of edges.
Fuck it, let’s talk poem:
“Can you find what lives in time,
Flowing through each measured rhyme?
Wisdom waits in shadowed sight—
For those who read these words just right.”
We are looking for what lives in time and our hints is “flowing through each measured rhyme.” Well, I covered earlier the difference between flow and current.
Justin’s job as the designer of this poem/puzzle is to put us on the map. To place a X on a map, to provide context and a starting point.
Where the fuck do you start? At the beginning, of course. No really, where does one start this search for Justin’s treasure? Sure, sure Justin answers this question on his website:
“So where do you start? How do you begin this treasure hunt? As you entered this website, you saw a map. Start there. The treasure is located somewhere in the American West, and MY MAP will help guide you.” Let me remind you of the earlier quote, with emphasis on, “…mental map marked with sacred waters”.
The map. That’s not very helpful, is it? It’s missing context it’s missing the who, what, where, and why of this treasure hunt. Which he says you can gain from watching Gold and Greed and reading his book. Boom. Done.
We are now staring at a poem that we’ve looked at before, we’ve assigned our own values, thoughts and interpretations and we need to determine a location. A pin on the map, a general area of interest. And we need to derive this from the first few lines/stanzas of the poem I assume.
As we know, Justin said the first “actionable clue” begins as “hope surges…”.
Justin’s challenge here is he needs to be able to “drop the pin on a map”. Some have suggested, well Justin can get creative and drop many pins on a map and you’ll have to do math understand a computer program or app and use triangulation etc. I believe Justin has a few choices right? But what makes sense. The triangulation method might be braking the “approachable” rule, it displaces the “equal footing” he’s trying to…maybe assuming to my own detriment, to achieve. I’m sure there’s other creative ways to guide or Shepard searchers to “an area” and get this thing started. To get you BOTG.
How precise can we get with a natural feature on a map, a kitchen size - of course. No, but really, what’s in nature that can be used as a reference point. A valley, a mountain, a river etc. they each present their own problems. Without comparing all of them, I would say that a river is the best choice. After all, that’s exactly what Forest Fenn used. Justin’s own search methodology was finding the intersection of two symbolic things, which was Sunlight Creek near Dead Indian Pass.
See, Forrest Fenn wanted to end his life at his favorite fishing hole. Fenn’s writing had an element of mortality, but on the other hand I view Justin’s poem more about life and living. That’s why it’s about being present, about hope.
LIFE BEGINS WHERE ROUTINE ENDS
As you’ve probably noticed, I’m somewhat reluctant to spell it all out, this has been an excise in organizing my thoughts, but also there’s hesitation in overshading. I’ve changed my mind on serving golden fish, you’ll just have to learn how to fish and cook - if you can stand the heat in the kitchen.
Here’s some quotes I didn’t get to:
"Nine Mile Hole," Brandon echoed, the name expanding between us like river mist, heavy with unspoken histories.”
“We were going through the motions of our eight-year routine, but something had shifted beneath the familiar rhythms. Like a river changing course”
a place where brotherly bonds had been forged in river water and where ancient secrets might still whisper from beneath the current’s endless song.
learning the water’s secrets. Even after Brandon left, I stayed on two more weeks, grid-searching with methodical desperation, as if our shared history might have left some secret marker only I could find.
Also:
https://realvertigo.medium.com/begin-it-where-warm-waters-halt-forrest-fenn-fbcf4deddd06
monitors - message
Myst
Red / blue
Indian Jones- temples
In Hinduism, River edge symbolizes a
boundary or threshold, highlighting the significance of location. It represents a visual element that may denote the transition between sacred and secular spaces, enhancing spiritual practices and rituals.
^(EDIT #3:) ^(People want the condensed version, of course. I have completely replaced it below with the lazy version. Some really enjoyed the full version. Some didn't. Sorry!)
^(EDIT #2:) ^(The two photos keep disappearing from the post, so I have posted them as one singular photo comment in this post comments below.)
^(EDIT #1:) ^(This is) ^(the 2nd time I have made this post. The first post was published at roughly 11:00pm CT 08AUG2026. Unfortunately, while correcting a typo I discovered in my Reddit app, the photos contained herein simply disappeared with no ability to re-add them. I deleted the original post due to such. I had people reach out asking to repost, and I agreed. Give yourself ample time to read this or save it for later if you must. Thanks for all of the kind words on the original post late last night. Best of luck to everyone on their hunts!)
I’ve been sitting on quite a bit for a long time now. Some of it came through research, some through methods I’m not ready to explain, and a couple of the more important pieces were things I literally walked straight up to because that is where my solve told me to go. I’m sharing some of it now because the hunt feels like it is entering a different phase. I’m not trying to convince anyone that I’m right, and I’m definitely not giving everything away, but if our positions were reversed, I’d want to know that someone out there was finding things that seemed to go well beyond simply interpreting words on a page. One of those things involves Grandpa Fitzwater.
The runaway-tire story in Beyond the Map’s Edge always bothered me. Grandpa supposedly chases a trailer wheel into the water, gets knocked unconscious, and somehow ends up floating downstream on top of it. Maybe that happened exactly as written, maybe it didn’t, but what eventually mattered to me was realizing the story could also be describing something visually. A tire lying flat has parallel bands running across it, and a natural boulder can have the same appearance through weathering, mineral bands, or old water lines. Grandpa lying across the top could then be represented by some kind of marking, shape, or etching on the surface. Through a separate method, I was led to a particular seasonal water feature and essentially told where to look from there. When I finally went BOTG, I found a boulder with horizontal parallel lines running across it, and on top was an unusual multi-line marking that looked like an X or star with a tail.
That got my attention immediately. The direction of those tail lines also matched an orientation I had already derived independently from the compass imagery on the book cover. Suddenly the floating tire story, the rock imagery, the North Star idea, and this physical boulder were all sitting on top of one another. That became Grandpa Fitzwater for me. The problem was that I misunderstood what I had actually found.
For roughly seven months, I treated that location like the checkpoint and pushed forward into Stanza 3 from there. That mistake cost me a ridiculous amount of time, several BOTG trips, rental-car miles, research hours, and probably a measurable percentage of my sanity. The frustrating part was that I kept finding things I still believe are legitimate. They just belonged later. That created one of the nastiest kinds of false confirmation possible: the evidence itself could be relevant while I was using it in the wrong order. Instead of forcing me to abandon the larger structure, those discoveries kept reinforcing a sequence I had misunderstood.
Seekers Summit finally forced me to reconsider almost everything, or at least prove it all. One answer in particular hit me hard: if you are confident in the location where you are searching, there is little reason to stray, but it really comes down to how you built that confidence. That sent me backward. I started questioning things I had treated as settled, recognizing hints I had missed, and eventually realizing I had probably overcomplicated Stanza 3 for months. Somewhere in that reset, I came to the larger compass idea I had already been working upon unknowingly. Four characters in Justin’s life appeared to correspond with four physical elements of a compass, and I had already identified candidates for all four locations. Then the obvious finally hit me: four outside points do not really confirm a compass. You don't navigate from the top of the compass (the north point, which is what I was doing all along and failing). The center pivot point confirms it.
That was when the word pivotal started sounding a lot less figurative. If those four outside elements really formed a compass, then somewhere between them should be the pivot—the center pin where the entire thing comes together. I spent months trying to figure out where that point should be. When I finally returned in July, I tested two candidates and struck out on both. That evening, back at the hotel, I realized I had overlooked something embarrassingly simple in the poem: her foot of three. That changed the geometry, produced a third candidate, and gave me a new waypoint to test the following morning.
This time, I was not wandering around hoping to find something interesting and then drawing a target around it afterward. The pin existed before I ever got there. I walked toward it with my phone out, making only the adjustments necessary to avoid trees and terrain, until my position marker essentially overlapped the waypoint. I stopped, waited for the GPS to settle, and looked down. There it was: an arrow-shaped rock. Plain as day. I had approached it from the side, and part of it was covered with pine needles and mud, but the shape was obvious enough that I knew immediately what I was looking at.
The important part was not simply that an arrow-shaped rock existed somewhere near my predicted center. It was sitting essentially at the point I had plotted. Then I looked at where it pointed. Back toward Grandpa Fitzwater, along the same general axis I had already been working with. Behind the arrow, in the opposite direction, was the foot of three, while the other two compass elements also crossed through essentially the same center. That was the moment the “compass of lost loved ones” stopped being four interesting locations and became, for me, a functioning navigational system.
It also changed the way I read Stanza 3. My interpretation now is that the compass is intentionally out of alignment and that “return her face” is a mechanical instruction. The fixed pointer establishes the reference, while the surrounding compass face or rose must be corrected by twenty degrees. Reset the face, and a new bearing is created from the pivot. Suddenly another clue I had thought about almost from the beginning—“the key to one direction lies in another”—started sounding much more literal. I had always expected some kind of redirect from a precise physical location; I simply had the wrong location for most of the hunt.
Once I made that correction, the new bearing pointed toward an area where I had already spent time during earlier failed searches. The difference was that before, I only had a general area. Now I had a line. As I currently understand the sequence, I first had to find the compass, then find its center, confirm the geometry, recognize that the orientation was wrong, return the face twenty degrees, and cast the corrected bearing toward “the place.” Whether the arrow itself is technically the checkpoint, whether “the place” is the checkpoint, or whether that label belongs somewhere else is something I am not pretending to know yet. What matters to me is that the sequence finally makes sense.
The morning after finding the arrow rock, I followed that corrected line without having done enough desk work to isolate one specific endpoint. It was mostly reconnaissance, and there was one section of that line I deliberately chose not to investigate. After returning home, I spent the next several weeks working the line with the same two secret methods I had been using for months. Naturally, almost everything pushed me straight back toward the small section I skipped. Of course it did.
And not just generally. I am now looking at a very small area, roughly 10 meters by 10 meters and possibly smaller, where that corrected line intersects a feature that would be extremely fitting for “the place.” That is where I am now. I am not claiming the treasure is there until I stand there and prove it. It could even be the checkpoint. I don't know. For what I can tell, based on my solve, this area IS the place described in the poem. I have eaten enough humble pie during this hunt to know better than to claim this is IT. But I also know there is a huge difference between wandering around until something interesting appears and predicting where something should exist before ever seeing it. I have now experienced the latter more than enough.
So, soon enough, I’ll be back following Justin's words, going BOTG with the fourth Stanza because these two solving methods from the armchair are not valid anymore. I didn't have to go BOTG until now, technically, but the "brute-force" method was the route I unknowingly chose. You know, if I could go back, I don't think I'd do anything different in that sense. It's been one hell of a ride.
And we’ll see what is actually there.
Arrow-shaped rock, point the way!
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(X)
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Is the September meet up still on? I haven’t signed up, but I have been thinking about it. Anyone going BOTG in that area before or after 9/12? On another note, is Bear Tooth Pass open that time of year?