r/alchemy

I've been practicing emotional alchemy but always stay stuck in the nigredo phase. Especially around shame, anger etc. It makes me feel weak and dirty. Especially as a former scapegoat. I think the root of this problem is im terrified of being unworthy. And failing confirms that feeling for me.

The problem is i know all of this, i can name it all. But when it comes to integrating i'm stuck. I managed to let someone embarass me without reacting or defending, cause i knew i would only defend myself to validate that i am worthy.

But now at home i spiral constantly over the embarassment, obsessively research revenge etc. I'm tired. I wanna step out of this.

What truly helped you with integration during alchemy?

Caveat: Please do not try this at home. Please do not do this!!!! Here is the link to my jewel post: https://www.reddit.com/r/alchemy/comments/1pa93ac/today_i_glimpsed_the_jewel/. I recently survived a Near Death-like experience. After 7 days of water fasting, I developed refeeding syndrome on the third day out of the fast due to undisciplined refeeding and nearly died. I calmly and instinctively retreated to the diamond I wrote about in my post 6mos ago. Once "there", I witnessed a humanoid diamond being emerge from the flared slope of the diamond "cave"/geometry. It took a few steps and then surprisingly and suddenly I was the diamond being. I inhabited the diamond body in the blink of an eye. It became my body. I was it. But I was also what I call the 64 point tetrahedron personified and I grasped what it is to be everything, everywhere, all at once. After that I "returned" to my body which I left in metabolic shambles and in real danger of nervous system collapse, a severe neurological event (coma or stroke), sudden heart failure, and drop foot all converging on my body. I left went to the diamond and was bestowed a diamond body within the diamond geometry, came back and survived metabolic collapse. All manner of weird (gnosis and extreme synchronicity) things happened to me afterwards. But I am here to tell the tale. AMA.

Do I still need him on the bookshelf?

Buonasera, sono nuova in questa community, e soprattutto nuova nel mondo dell’Alchimia.
Volevo sapere, se qualcuno puó indicarmi un metodo per ridare energia alla vista.
Sono ipovedente e non riesco proprio ad accettare questa situazione. Sono convinta che tutto accade per un motivo, ma non riesco a pensare che non ci sia soluzione se non uella di aspettare i medici tradizionali. Per caritá, li stimo, ma sono consapevole anche che il nostro corpo è super intelligente e sa come ripararsi. Il problema è che non riesco a trovare la “chiave”. Chiedo dunque a voi, potete darmi qualche consiglio? :) grazie!
Se non c’è nessun modo, mi arrendo, ma fino ad allora, vorrei provare e riprovare. 🙈❤️

What Molybdos is (in my framing) Molybdos is not a being, not a role, and not an identity.

It is a process-condition. Historically, molybdos refers to lead (Blei)—a pre-Greek, pre-classical alchemical substance associated with weight, toxicity, inertia, and contamination.

Long before Greek metaphysics, it symbolized what binds, slows, and poisons transformation if left unworked.

In alchemy, lead is not evil. It is raw potential under maximum constraint. Why suffering belongs to Molybdos (and not to persona) Molybdos represents structural suffering, not psychological suffering.

It is pressure, not pain-as-identity Resistance, not trauma-as-self Constraint, not moral failure Suffering here is a byproduct of density, not a character trait.

That’s the key distinction. Suffering is something that occurs within a system under constraint — not something that defines the agent inside the system.

Gnostic view Contrast with the Demiurg (very important) The Demiurg becomes problematic when suffering

is: personified moralized externalized into an agent Molybdos does the opposite. No intention No will No malice Just weight + friction + time.

Where the Demiurg frames suffering as imposed, Molybdos frames suffering as emergent.

Why this matters (systemically) If suffering is treated as a persona:

People identify with it Power structures exploit it Redemption becomes hierarchical If suffering is treated as Molybdos: It becomes workable It can be transformed It does not define worth or destiny

Alchemy never asked: “Who caused the lead?”

It asked: “What conditions allow lead to change?”

I want multiple orgasms with zero refractory period and 50x the lust and arousal and to get whoever I want
How can I achieve this?

I'm currently doing some research out of personal curiosity about alchemy. It's always fascinated and impressed me as a topic, but unfortunately I haven't been able to find any verified sources. I'd like to see if anyone knows more about it and can contribute to my research. For now, I only know that it's the first form of medicine that directly derives from modern medicine, even though the practices weren't medical at all, and that it originated from arabs somehow. Thank you in advance.

I wanted to share a dream experience from last year that has become the foundation of a project I’m working on. It is very interesting to me, and connected to some things from my real life and other dreams.

The Setting:

The dream is set in my hometown, Tuzla (Bosnia and Herzegovina). Specifically, it takes place inside a real location called "Oaza" (The Oasis), which is a local Islamic educational association. It’s located in a part of the city (Sjenjak/Slavinovici) that is very significant to me—it's near where my father lived when he first moved to the city during the 1990s war. The buildings are old communist buildings which I'm very nostalgic about. At first I'm with my two friends and I'm explaining to them that this is Oaza. But then I am alone (they aren't in dream anymore).

The Dream:

21.5.2025

I enter the new building or the same building in which is Oaza association located but separated with haustor. Inside, it feels like a bookstore or a library filled with massive, heavy encyclopedias. On a table, I find a small, black "catch-all" notebook. I open it and see it was written by a girl, but the date at the top is 2031.

As I move through the building, I see a some mother explaining something to her child, and then I find myself in a room with a specific book about the composition of the Earth's crust. As I start reading it, an older man approaches me. He’s bald, with a few days of stubble, but very well-dressed. (Strangely, standing behind him was a well-known, controversial Balkan (from Serbia) public figure, Miroljub Petrovic, who is famous for challenging mainstream science from a "creationist" perspective).

The older man tells me directly: "Everything in that book is incorrect. The data must be corrected and new information has surfaced."

He pulls out a list of chemical elements with percentages. Looking at it, I instinctively say: "Oh, I see, like salt."

On that paper, I see a very clear symbol: A circle with a dot in the center (the Circumpunct) with a vertical line passing through it. In alchemical terms, this is a hybrid of the symbol for the Sun/Gold and the ancient symbol for Niter (Saltpeter/Potassium Nitrate).

The moment I processed this symbol, I was hit with an incredibly sharp, painful cramp in my leg that jolted me awake instantly.

After some research, I realized I was looking at a "Vertical Monad." While I said "Salt," the symbol was for Saltpeter KNO3. In alchemy, salt is stability, but Saltpeter is the "active salt," the carrier of fire and spirit. I named that symbol Nitrum Solis. Also, John Dalton used to show hydrogen with circled dot and nitrogen with circled upright line.

​

Okay, to sum it up, I want to do some cosplays and i just like potions and stuff and wanted to do some decor with it. What i need is: i need a couple of liquids(the more yhe better) that i can color/dye and when put together wont mix the colors up, even if i shake it(important to the visual effect i want)

I know that if it's still j could do this with honey, water, oil and alcohol, but how can i do it so it can be shaken?

Any help in the subject is appreciated

The Medici were not bankers who became patrons of knowledge. They were a hereditary family of physician-alchemists who used banking as a laundering mechanism for wealth generated through alchemical gold production. The banking tables, the lending networks, the financial empire — all of it was infrastructure for distributing wealth whose true source was the Philosopher's Stone. The recipe for that process is on the first page of the Voynich Manuscript.

The Stone

Folio 1r of the Voynich Manuscript encodes a 178-day process for producing the Philosopher's Stone. The primary ingredient is the blood of the bitter orange tree (Citrus aurantium) — the gum-resin the tree exudes when wounded. The process requires no laboratory apparatus, no furnaces, no chemical reagents. It uses heat, air, solar exposure, and time. Nature is the alchemist. The practitioner guides the conditions.

The astronomical trigger for the protocol is the rarest in the manuscript: Mercury visible between sunset and midnight, followed within two days by Mars visible after midnight. Mercury in its evening apparition occurs several times per year, though visibility varies with the ecliptic angle and season. Mars after midnight places it near opposition, which occurs approximately once every twenty-six months. The two conditions coinciding within a two-day window narrows the opportunities significantly. The rarest recipe gets the most selective sky configuration. It sits on page one because everything else in the manuscript flows from it.

This is not furnace alchemy. It is not metallurgical transmutation. It is a slow organic process governed by cyclical timing and sustained exposure to natural forces. The entire Western alchemical tradition — the furnaces, the crucibles, the mineral obsessions — was chasing the wrong kingdom. The Stone comes from the plant kingdom. It always did.

Experimental Verification

The process has been tested. Bitter orange gum was unavailable, so gum-resin from cherry and plum trees was collected as a substitute — a "Lesser Stone" using the same method with a different species. The principle is not species-specific. It is a natural transformation process that tree gum undergoes when exposed to sunlight, air, and time.

When collected, the gum was jelly-like. After approximately one month of solar exposure in a window, it turned to glass — brittle enough to shatter when dropped. The fragments were returned to the window. Over the following months they progressed through a sequence of colour changes: dark, then white, then yellow, then dark orange. At four to five months in, the material has hardened into proper little stones — stable, transformed, unrecognisable from the jelly that started the process.

That colour progression — black, white, yellow, red-orange — is precisely the sequence described in alchemical literature as nigredo, albedo, citrinitas, and rubedo. For centuries these were treated as mystical stages of spiritual transformation or as allegory. They are not. They are an accurate observational description of what happens to tree resin under sustained solar exposure over months. The alchemical texts were recording chemistry and wrapping it in philosophical language.

No laboratory equipment was used. No furnaces, no alembics, no reagents. A window. Sunlight. Air. Time. The "philosophical mercury" of the alchemical tradition was never elemental mercury — it was the planet. The manuscript uses Mercury as an astronomical timing marker, not a chemical ingredient. Every reference to Mercury in the F1r protocol is observational: Mercury visible at a specific solar gate, in a specific position relative to the Sun. The entire tradition of alchemical misdirection — generations of seekers poisoning themselves with liquid mercury, heating cinnabar, building elaborate distillation apparatus — was built on a catastrophic misreading. They mistook a planet for a substance. The manuscript never made that mistake.

The manuscript specifies 178 days for the full bitter orange process. The cherry and plum gum test remains ongoing. What the final product does — and what the Medici used it for — is a question the completed stone will answer for itself.

The Family Name

"Medici" means "doctors." The family name declares a medical and pharmaceutical origin. In the fifteenth century, medicine was not separable from alchemy, astrology, pharmacy, and natural philosophy. They were the same discipline. A hereditary family of physician-alchemists who understood botanical transformation and metallurgical processes would have possessed knowledge that translated directly into economic power.

The Medici identity was pharmaceutical before it was financial.

The Anomalous Rise

The Medici rise is genuinely difficult to explain through conventional commerce alone. The standard historical narrative — shrewd lending, papal banking contracts — accounts for the growth of the empire but not for the seed capital. Giovanni di Bicci de' Medici appears in the late 1300s already wealthy enough to take over Vieri di Cambio de' Medici's banking operation. The family's origins before that are murky. Where did the initial wealth come from? Historians gesture vaguely at trade and minor money-changing, but documentation for the pre-Giovanni generations is thin.

The wealth predated Giovanni. It was generational. The alchemical knowledge and the gold production it enabled passed down through the family line. Giovanni did not create the fortune. He inherited both the production capability and the financial infrastructure built by earlier generations to move that wealth into circulation. His role was to expand and protect what already existed.

The Laundering Mechanism

If you are producing gold through alchemical processes, you need a way to introduce it into the economy without raising questions. A tavola — a money-changing table where coins of different purities, origins, and denominations flow through constantly — is the perfect front. Nobody questions where the gold came from because the entire business model is gold moving through your hands. The banking system is not the source of wealth. It is the distribution mechanism. The source is on F1r.

Florence became the centre of European gold coinage from 1252 with the introduction of the florin. A family with alchemical knowledge operating in the exact city that was standardising gold currency is either a remarkable coincidence or it is not a coincidence at all.

The Orangeries

The Medici did not invent the practice of keeping citrus trees indoors. The bitter orange originated in China, spread westward through Persia, and reached the Mediterranean via Arab cultivation. At every stage of that journey, the trees were kept in controlled, enclosed environments. The Chinese cultivated twenty-seven documented varieties by the twelfth century in managed gardens. The Persians grew citrus in walled paradise gardens — the word "paradise" itself comes from the Persian pairidaeza, meaning "circular enclosure." Jewish tradition carried the citron from Babylonian captivity westward, planting protected orchards wherever they settled after the fall of Jerusalem in 70 CE, across Spain, Greece, Italy, and North Africa. On the island of Pantelleria, individual walled stone enclosures — giardini panteschi — were built with months of labour to protect a single citrus tree. In every culture that possessed these trees, they were kept enclosed, protected, and controlled.

The Medici inherited this tradition and industrialised it. They were the first to put citrus in large terracotta pots — scalable, movable, and private. Their glass houses provided controlled light and temperature. Hundreds of bitter orange trees provided large-scale access to the raw material central to the F1r process. The gum harvesting and processing could not be done publicly — you cannot wound trees and collect resin in an open garden without attracting attention. The enclosed orangery solves this. Privacy, climate control, and scale in a single facility, disguised as aristocratic horticulture.

The question is not why the Medici built orangeries. Everyone who possessed these trees kept them enclosed. The question is what they were doing inside them that required that level of privacy.

The Manuscript as Insurance

The Voynich Manuscript is not a scholarly curiosity. It is an operational manual. F1r opens with the Stone recipe. The remaining folios encode fertility treatment protocols — medical procedures for ensuring reproductive success, targeting specific pathological causes of infertility through planetary timing, anatomical pathway mapping, elemental applications, and harmonic dosing.

This is a family's survival kit: unlimited wealth through the Stone and dynastic continuity through the medicine. Both are encoded because oral transmission fails — people die, forget, betray. Unencoded text can be stolen. But the knowledge is too complex to memorise. The solution is a notational system that requires a key to decode, uses visual glyphs that appear decorative, integrates astronomical timing that cannot be used without observational skill, and embeds harmonic procedures requiring a musical instrument. The manuscript is useless to anyone outside the teaching tradition.

The Knowledge Release

The Medici did not hoard all their knowledge permanently. They released it strategically over three centuries through a front man system. Scholars connected to the Medici circle published pieces of the framework — never the complete system, never the Stone — building cultural prestige while protecting the core secret.

The anatomical knowledge encoded in the manuscript predates its official "discovery" by over a century. Across twenty-eight decoded folios, every anatomical structure matches details first published by Vesalius (1543), Falloppio (1561), and Eustachi (1552) — all Medici-connected scholars, 123 to 141 years after the manuscript's estimated creation date of approximately 1420. Ficino's De Vita (1489) shows sixteen points of convergence with the manuscript's system, published sixty-nine years later. Each scholar received one piece. Nobody received the complete system. And F1r was never published.

The timeline: banking infrastructure operational by the late 1300s. Cosimo secures political power in 1434. Philosophical cover begins in the 1460s when Cosimo gives Ficino the Platonic and Hermetic texts to translate. Ficino publishes through the 1470s–1490s, normalising the harmonic and planetary framework. Anatomical "discoveries" cluster around Medici-affiliated scholars from the 1490s through the 1560s. Physiological mechanisms are "discovered" through the 1560s–1700s. At no point does the Stone recipe enter the public record. Ever.

The System

The Medici achieved several things simultaneously over roughly three hundred years: maintained wealth through alchemical production, ensured dynastic continuity through fertility medicine, built cultural prestige through patronage of "discoveries," controlled the narrative by having front men publish while the family stayed hidden, and avoided persecution because the knowledge appeared to come from independent scholars working in different fields at different times.

The Voynich Manuscript is the key to the entire operation. Page one is the engine. Everything after it is the maintenance manual for the family that ran the engine.

Working theory — subject to revision as further folios are decoded, experimental testing continues, and historical cross-referencing develops.