r/sportsandclassiccars

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In 1964 Jack Sears ditched his Ferrari GTO and partnered with Peter Bolton in this one of a kind AC Cobra Coupe that AC Cars Ltd owner Derek Hurlock and his team built to take on the ‘works’ Shelby Daytona Coupes in the famous 1964 LeMans 24 Hour classic. It ran as high as 2nd before crashing.

u/Maynard078 — 7 hours ago

A one-off custom-built creation by Steve Briscoe, the Briscoe Novetta serves as a “greatest hits” homage to the small-bore independent sports racing cars of the late 1960s. Powered by a 2.0L Capri engine built to mild FF specs it has a bespoke chassis with all period correct accessories. It's a gem.

u/Maynard078 — 8 hours ago
▲ 4 r/sportsandclassiccars+1 crossposts

Your favourite British V-8 engine?

For a nation best for In-line 4s and 6s, postwar Britain made several V8 engines. Which ones do you like or find the most interesting?

  • Rolls-Royce / Bentley: L-Series (1959–2020 | 5.2L, 6.25L, 6.75L)
  • Rover / Land Rover: Rover V8 (1967–2006 | 3.5L, 3.9L, 4.0L, 4.2L, 4.6L, 5.0L)
  • Daimler: Daimler V8 (1959–1969 | 2.5L, 4.5L)
  • Aston Martin: Quad-Cam V8 / Tadek Marek V8 (1969–2000 | 5.3L, 6.3L) Wikipedia
  • Triumph: Triumph V8 (1970–1977 | 3.0L)
  • Jaguar: AJ-V8 (1996–Present | 3.2L, 3.5L, 4.0L, 4.2L, 5.0L) Wikipedia
  • TVR: Speed Eight / AJP8 (1996–2003 | 4.2L, 4.5L)
  • Lotus: Type 918 (1996–2004 | 3.5L)
  • McLaren: M838T / M840T (2011–Present | 3.8L, 4.0L)

The Rover V8 is definitely the most famous, but I think the Daimler is interesting. Had BL acquired Jaguar earlier i wonder if BL might have put the Daimler V8 into its Rovers and maybe Triumphs.

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u/Canadair_Sabre — 6 hours ago

The 1966 Maserati Mistral 3.7 Spyder was one of Pietro Frua's finest efforts, and was a pure two-seater in the best Italian tradition. The Mistral used Maserati's race-proven 3,694 cc DOHC inline six, five-speed ZF manual transmission, IFS, and four wheel disc brakes to their best possible effect.

u/Maynard078 — 10 hours ago

Just a quick note of remembrance and appreciation for the life of Grand Prix and sports car great Jo Siffert on what would have been his 90th birthday.

u/Maynard078 — 17 hours ago

Nearly 60 years ago, the Opel GT began populating Buick showrooms as an affordable GM alternative to the aging British and Italian sports car offerings of the day. It initially sold well but Datsun's landmark 240Z ultimately crushed its potential underfoot. By 1973 its day was done.

u/Maynard078 — 1 day ago
▲ 66 r/sportsandclassiccars+1 crossposts

The OVER P001 GBF is a one-off designed by Giotto Bizzarrini and first presented at Valenza Gioielli 2009. The body is made of copper sheeting, while the floor is transparent. The steering wheel, gearshift knob, switches, fuel and oil filler caps, wheel nuts, and logo are all made of platinum.

u/onbewoondeiland — 22 hours ago

The 1930 Bugatti Type 46 Coupe SuperProfilée coachwork is at once both delicate and aggressive. It is considered by many to be among Jean Bugatti's finest work. It reflects the talent of an exceptional young designer who received no formal training but instead one apprenticed by his father, Ettore.

u/Maynard078 — 1 day ago

Patrick Burk helped rebuild Molsheim and Bugatti. As retirement looms, a memorable chapter closes in Molsheim as a new begins.

As development of the Tourbillon continues and Bugatti moves into a new era of ownership, the first Molsheim employee, the man who was there when Bugatti returned to Molsheim, has left.

Patrick Burk was there at the very start and he has remained ever since: through the rebuilding of the Molsheim premises, long in decay, through the construction of the Atelier, the birth of the Veyron, the Chiron years, and the stewardship of a Château that became, in every sense, his home. Now, on the threshold of a new chapter in his life, Burk looks back.

When Bugatti returned to Alsace at the turn of the millennium, it came back to a blank page. Ettore's prized Château stood unrestored, bearing the marks of time, while beyond its walls lay open fields. It was as Ettore Bugatti had left it. With no team to speak of, there was only the weight of a legendary brand and the task of building something worthy of it.

Patrick Burk was the only person on site. A Facility Manager from Saverne, he had responded to a job advertisement so deliberately vague and discreet it carried no company name and no location. When he arrived for his interview and walked through the doors of the Château, he knew instantly that this was unlike anything he had encountered before.

Burk lived on site, behind the Château and the Remise Nord, watching over the 57 acre site seven days a week. He became Bugatti’s sole point of contact with the outside world, its representative in Molsheim, the human link between a cherished marque reborn and its parent company – the Volkswagen Group – in Wolfsburg, Germany.

When something needed doing, it was Burk who answered the call.

Karl-Heinz Neumann was – in Burk’s words – his first president and his mentor.

Under Neumann, the Veyron was conceived, its prototypes built and its first road tests conducted.

The trust between the two men was direct and personal, expressed most memorably in a single gesture: Neumann placed the very first miniature model of the Veyron directly into Burk’s hands – a unique piece, given in recognition of everything he had done to help make it possible. It is a trust that people immediately placed in him, and one Burk will never forget.

“Bugatti was the priority,” says Burk, Facility Manager at Bugatti.

“Twenty-four hours a day, weekends included. Work never stopped.”

His children grew up at Bugatti, their family life shaped around a place that was as much his home as it was his career.

“I sacrificed time with my family, for the brand,” he reflects. “But I was willing to do so. I was extremely proud to work for Bugatti, to be the first and only one on site, entrusted with the care of the Château and the task of rebuilding a legend.”

Over 25 years, Patrick wore many hats: from Chief of Construction to Guest Relations Manager and Concierge. When asked for his most vivid memories, one immediately comes to mind: the official ceremony marking the laying of the Atelier’s first stone.

At that time, there was little to show, yet Burk was given the difficult task of orchestrating a ceremony for more than 300 guests to mark the beginning of a new era for Bugatti. Acting simultaneously as event organizer, host and project coordinator, he oversaw every detail of the occasion.

When Karl-Heinz Neumann arrived alongside local officials including the mayor of Dorlisheim, everything was in place. What had once been an empty field had become the stage on which Bugatti’s rebirth was officially set in motion.

Behind the scenes, Burk became the person ensuring every event, visit and celebration unfolded seamlessly. Drawing on his own network of local contacts and suppliers, he worked to create experiences worthy of the Bugatti name.

That instinct revealed itself perfectly during Bugatti’s centenary celebrations. Nearly 300 people had gathered outside the Château: employees from Molsheim and Wolfsburg surrounded by an incredible display of cars arranged across the grounds. What nobody knew was that Burk had secretly organised a fireworks display entirely on his own initiative. At 11 o’clock, the sky above Alsace suddenly lit up. When it was over, the applause was immediate and sustained.

Guests made their way through the crowd to find the man responsible.

“I was a little moved,” he comments. “It was an unforgettable evening, and people still mention it when I run into them.” It was a precise expression of everything Burk had always brought to the role: carefully prepared, done for others, and all for the marque.

Beyond construction sites, ceremonies and celebrations, Burk also became one of the faces of Bugatti in Molsheim. He welcomed owners and guests much as a luxury hotel concierge, ensuring they experienced not only the cars, but also the spirit of the place itself.

When visitors arrived, their attention naturally went first to the cars.

Everything else, as Burk recalls, “faded into the background.” Yet behind the scenes, he helped shape the atmosphere surrounding every visit.

Over the years he personally collected clients from the airport, guided them around the domain and the city of Molsheim, and shared the history and anecdotes he had gathered over a decade with the marque. Bonds were formed through those encounters.

“I lived several lives at Bugatti,” he says. “I met incredible people. Bugatti customers are human beings who enjoy sharing simple moments. I tried my best to always make sure they felt at home in Molsheim.”

As the Tourbillon moves towards production and Bugatti enters its next chapter, Burk leaves behind more than two decades of memories woven into the life of the Château and the story of the brand itself. He was there when Bugatti returned to Molsheim, when the Atelier rose from empty fields, and when a new era began to take shape.

“I had a wonderful time,” he adds. “I witnessed beautiful things, met so many people, and gave a lot of time and energy to Bugatti. In return, I always felt at home at the Château.”

Now, Patrick Burk has entered a new chapter of his life in Corsica, where he will enjoy spending time with his wife, children and grandchildren.

Kudos to you, good sir.

u/Maynard078 — 19 hours ago

Chrysler Corporation's 1969 Dodge Charger could easily be recognized from its 1968 B-body predecessor by its prominent front license plate which clearly read "1969 Charger".

u/Maynard078 — 1 day ago

The magnesium-chassis Martini 917K (917-053) leads the John Wyer 917K of Richard Attwood and Herbert Müller at Le Mans 1971. Helmut Marko and Gijs van Lennep would go on to win the race in the car’s first and only competitive outing, setting a new distance record by covering 5,335 km (3,315 miles).

Chassis 053 was one of three 917s built with an experimental magnesium chassis in 1971. This trio were the last Group 5 917s of any kind; all subsequent derivatives would be to Group 7 trim (for the likes of Can-Am and Interserie racing).

The three magnesium chassis cars were numbered 051, 052 and 053. They followed the 917 Langheck (040 to 045) and the 36 original 917 chassis (001 to 036).

051 was used to determine fatigue rates. After 740km on Porsche’s rough road track at Weissach it underwent the Long Distance Life Test and was subsequently scrapped.

052 appeared at the 1971 Le Mans Test weekend in April. The plain white car ran with factory personnel under a John Wyer Automotive Engineering entry. Alongside the Martini International squad, Wyer’s Gulf-backed crew were managing Porsche’s racing effort for 1970 and ‘71. After the Le Mans Test, chassis 052 was scrapped with 1020km on the clock.

The last car, chassis 053, was the all bells-and-whistles example saved for the 1971 Le Mans 24 Hours. It appeared at la Sarthe brand new and largely un-tested. The colour scheme was a stunning white Martini livery.

Once again, factory personnel were on-hand to oversee the operation, on this occasion alongside the Martini International Racing Team crew headed by Hans-Dieter Dechent.

053 was allocated to Helmut Marko and Gijs van Lennep. They qualified fastest of the Kurzheck 917s in fifth. In first through third were a trio of 917 Langhecks (two from Gulf and one from Martini). Ahead of Marko / van Lennep was the Penske Ferrari 512 M in fourth.

After the first three hours, the top six cars were all on the same lap and Marko was fifth in 053. Shortly before 10pm though, the car was delayed for ten minutes by a thrown alternator belt. Nine hours in, Marko / van Lennep had recovered to fifth. During the darkness of Sunday morning, a rash of trouble for the lead cars (three 917 Langhecks and a Matra), saw 053 moved up the leaderboard.

Shortly after mid-distance, Marko / van Lannep swept into lead, a position made more comfortable when one of the Langheck 917s moved into second at 7am. When the much-delayed chasing Matra went out shortly before 10am, the Porsche drivers were told to not push. Helmut Marko and Gijs van Lennep secured Porsche’s second Le Mans win on the bounce.

053 was immediately retired to the Porsche factory collection. On March 5th 1973 it appeared alongside the new 911 Carrera RSR at the annual Martini Racing press conference held at the Pavilion d’Armenonville in the Bois de Boulogne.

u/RealPorkChops — 1 day ago

Killer Kermit: The Life, Death and Rebirth of Porsche 928

The Porsche 928 has always fascinated me, not because it failed to replace the 911, but because it almost succeeded.

I wrote a long-form piece tracing its entire journey: from Ernst Fuhrmann's plan to retire the 911, through the rise of Porsche's transaxle era, to Thierry Nardone's stunning modern reinterpretation.

I'd love to hear what fellow Porsche enthusiasts think, especially if you own or have driven a 928.

open.substack.com
u/rhapsodyinrivets — 1 day ago

Trained in the fine art of crafting stained glass windows, Karla Maxwell discovered enameling, where crushed colored glass is fused to metal using the cloisonné process. She has since turned her talent to restoring automotive badges, and has been in demand for years. Her work is fascinating.

u/Maynard078 — 2 days ago

Attractive and capable, the 1993 Alpine A610 Haute Couture was created as a one-off prototype to showcase the Regie's potential for customization for its hoped-for upscale clientele. The rather pedestrian PRV V6 that powered over 1M other cars was pushed to more than 250 turbocharged bhp here.

u/Maynard078 — 2 days ago

Moretti was among a handful of boutique carrozzeria that flourished in the Italian motorsports scene during the 1950s, and this 1955 1200 Sport Spider is but one of two examples designed by the ever-prolific Giovanni Michelotti. Power is by Moretti's own 1.2-liter DOHC four paired with a 4-speed.

u/Maynard078 — 2 days ago

1959 Lancia Appia GTE Series II by Zagato. Fewer than 200 were made from 1958 to 1963 for Lancia's sportiest clientele, who would privately race their cars. By this time Zagato had become an official Lancia supplier whose cars were sold by Lancia dealers. The 1089cc V4 engine produced 53 to 60 hp.

u/onbewoondeiland — 2 days ago

Before he became an actor, Sebastian Cabot worked as a mechanic and chauffeur, which fueled his lifelong passion for classic cars. He later owned a 1939 Lagonda V12 that underwent a full decade of meticulous restoration by its new owners. The final photo shows the car before it was restored.

u/Maynard078 — 3 days ago