▲ 16 r/centralillinois+1 crossposts

Champaign-Urbana Area Film Events: October 2026

I've been trying to get things a little more organized, so I actually made a page to explain how people can submit their own screening info, to make these a little easier, and I have my first submissions this month.

As always you can also bookmark the CU Independent Film Calendar, or C-U Blogfidential, and follow The Chambana Film Society on Facebook or Instagram, sign up for the Chambana Film Society newsletter.

While DoctoberFest started last night, there's still 14 screenings still to go, so most of these listings are for that, but there are 6 screenings from Film Fanatic Nights, and 2 Ebert Center screenings, as well as the Rocky Horror Picture Show.

This is an insane month for movies, and I used longer synopsis' than I have been, so be prepared for a long read!

📅 Thursday, October 8: The Last Movie Critic @ DoctoberFest
📍 Savoy 16 + IMAX - 7pm - $12

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Fresh from this year's EbertFest, The Last Movie Critic is a documentary portrait of Roger Ebert, not just the critic, but the idea he became. Told through Roger's own words, the film follows his voice as it guides us through his life's work and the philosophies that shaped it, anchored at Ebertfest, the festival he created to share the movies he loved directly with audiences. Through the filmmakers he championed and the community he built around the belief that cinema could make us more human, the film becomes a celebration of empathy, of sitting together in the dark, and of one man's gift to everyone who ever felt something there.

With post-film Q&A with the filmmakers.

📅 Thursday, October 8: The Black Cat @ Shocktober
📍 The Scratching Post - 6:30pm - $12

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A delirious pre-Code horror classic, this 1930s nightmare is less a traditional monster movie than a collision of German Expressionism, Art Deco modernism, and pure cinematic weirdness. Its bold imagery, sinister eroticism, and gleefully macabre tone make it one of the strangest and most visually distinctive horror films of the classical Hollywood era. For fans of cult cinema, pre-Code Hollywood, and movies that seem to have escaped from another dimension, this is an essential big-screen discovery. The real attraction of this rarely seen gem is the legendary pairing of Boris Karloff and Bela Lugosi, reunited after The Mummy and given characters that allow their contrasting screen personas to collide spectacularly. But the film belongs just as much to Edgar G. Ulmer, whose strikingly economical direction wastes no time plunging audiences into an atmosphere of ominous architecture, occult obsession, sexual tension, and escalating madness.

📅 Friday, October 9: All Skate @ DoctoberFest
📍 Savoy 16 + IMAX - 7pm - $12

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ALL SKATE is the full history of roller rinks and roller skating as told by a diverse group of people who are currently involved with roller skating and rinks, and through my point of view having grown up in a roller rink built by my grandfather.​

We cover everything from the early inline skating inventions, the patented Plimpton four-wheel design which prevailed, and then go though multiple phases of popularity including 1920s skaters including vaudeville performers and silent films, professional roller sports, the Skating Vanities, the 40s/50s during and post WWII when we expanded to over 5000 mostly family-owned roller rinks in the US, to the huge 1970s roller disco era, the return of roller blades in the 80s.​

We also visit the times of decline over the years, especially since the 2000s, and the reasons many rinks couldn’t survive, visiting many former roller rinks to see what the buildings hold today, including retail stores, homeless shelters, and a sad return to my family’s rink which is now an indoor shooting range. But we end on a high note, with the amazing roller skating resurgence brought on by Covid, including skating in the Super Bowl for the first time ever in 2024.

With post-film Q&A with director April Wright.

📅 Saturday, October 10: Cookie Queens @ DoctoberFest
📍 Savoy 16 + IMAX - 1:30pm - $12

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A celebration of girlhood and the complexities that come with it, Cookie Queens is a coming-of-age story about the joys, pressures, and tensions woven into one of America’s most cherished rituals: Girl Scout Cookie season.

Selection of the 2026 Sundance Film Festival, and Audience Award Winner at South By Southwest Film Festival. 89% on Rotten Tomatoes.

📅 Saturday, October 10: Joybubbles @ DoctoberFest
📍 Savoy 16 + IMAX - 3:30pm - $1! (This screening sponsored by The Alliance For Inclusion & Respect)

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A boy discovers he can control the global telephone system by whistling a magic tone. Born blind and yearning for connection, his early obsession with the telephone sparks a subculture that shapes the future of hacking and technology.

📅 Saturday, October 10: The Last Picture Shows @ DoctoberFest
📍 Savoy 16 + IMAX - 6pm - $12

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Filmmaker Rustin Thompson journeys into the American West on a search for traces of what was once a center of small-town life: the movie theater. On the trip, he finds long abandoned and forgotten cinemas; movie houses that have fallen into disrepair; theaters recently closed, theaters struggling to hold on, and theaters that—thanks to their thoughtful caretakers—are not only surviving but thriving.

100% on Rotten Tomatoes.

📅 Saturday, October 10: Pinball: Beyond The Bumpers @ DoctoberFest
📍 Savoy 16 + IMAX - 6pm - $12

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Pinball: Beyond The Bumpers is the most complete and visually dynamic documentary ever made about Pinball. From its origins in the 1600s, through its wartime survival, cultural reinventions, up to its current-day resurgence, Pinball: Beyond The Bumpers takes you on an amazing journey.

This show explores the modern-day business of pinball and dives into its unique connection with Hollywood, Rock Music Icons, and American pop culture. This documentary also confronts the game’s public image problems and its decades-long battle with sexism, gambling, and the rise of the almighty video game.

More than just a history of Pinball, this is a cultural mirror, revealing how each era of the American landscape has changed this game. Over fifteen years in the making, this is the definitive, high-energy story of an Iconic American Game.

📅 Sunday, October 11: Silver Screamers @ DoctoberFest
📍 Savoy 16 + IMAX - Noon - $12

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Faced with budget limitations for traditional documentary financing, filmmaker Sean Cisterna taps into a government funding subsidy aimed at keeping senior citizens active. He visits various retirement homes to recruit a spirited, largely inexperienced cast and crew of older adults—many of whom do not even like or watch horror movies.

91% on Rotten Tomatoes.

📅 Sunday, October 11: A Brief History Of Chasing Storms @ DoctoberFest
📍 Savoy 16 + IMAX - 2pm - $12

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From The Wizard of Oz to the Twister movies, the tornado has become an iconic American symbol. In A Brief History of Chasing Storms, Chicago filmmaker Curtis Miller takes us on a road-trip through “tornado alley”—an ever-widening region that extends from Texas and Oklahoma across the Great Plains and up into Wisconsin and Minnesota. Along the way, he reflects on the multifaceted myths and histories around the famously destructive weather events, recounted by those who have been impacted as well as by opportunists looking to profit.

From a guide at the Twister Museum to the owner of a company that builds tornado shelters and a team of intrepid storm chasers, tornado-philes of all stripes are featured as the film traverses the U.S., capturing the landscape in carefully staged tableaux. Through an evocative series of vignettes, quirky yet swirling with meaning in a world increasingly reshaped by environmental catastrophe, this thoughtful cinematic essay maps out the ways in which history, inequality, climate, colonization, and capitalism are entwined with these natural disasters.

📅 Sunday, October 11: CatVideoFest 2026 @ DoctoberFest
📍 Savoy 16 + IMAX - 4:30 - $12

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Our fuzzy overlords return to the big screen! Each year, CatVideoFest curates a compilation reel of the latest, best cat videos culled from countless hours of unique submissions and sourced animations, music videos, and, of course, classic internet powerhouses (Keyboard Cat, we’re looking at you).

📅 Monday, October 12: The History Of Concrete @ DoctoberFest
📍 Savoy 16 + IMAX - 7pm - $12

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Following the finale of his acclaimed HBO series “How To with John Wilson”, NYC documentarian John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete, the world's most widely used building material, appears as an ever-present life force, and John sets out to make the definitive documentary on the matter. After attending a workshop on how to write and sell a Hallmark movie, he decides to use the industry-approved Hallmark formula to tell this seemingly drab story and increase his movie’s appeal. But his foundation soon begins to crumble—literally and figuratively—as he struggles to balance artistic freedom with the realities of the modern film industry.

2026 Sundance Film Festival. 97% on Rotten Tomatoes.

📅 Saturday, October 17: If Hafez Wrote A Haiku For Cowboys
📍 Spurlock Museum - 1pm - FREE

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Filmed in a cinéma vérité style across 8 cities in Iran, Japan and the U.S. and edited with the pulse of a haiku poet, this feature depicts 18 fictional mundane scenarios on regret, longing and love that play across a split-screen tapestry. The slice-of-life plots incorporate a Japanese father who awkwardly reconnects with his estranged daughter, a young Iranian woman who desperately desires a red car to impress her blind date, and a black American cowboy who searches the city on a bicycle. More personalities emerge from a yellow dress, black chadors, and fake Indigenous regalia set against a visual panorama of red shrines in Kyoto, blue muqarnas of Tehran mosques and orange boulders of Colorado. Characters walk, drive, juggle, laugh, mourn, eat, love and regret amidst distinct landscapes of busy subways, arid deserts, quiet cemeteries, and lively festivals. Each story starts in one city and ends in another never fully resolved as everyone struggles on a search for something or someone. Sometimes people speak at the same time overlapping in multiple languages as settings jump between countries—all work to depict a commonly shared ordinariness often forgotten in a divisive world.

With post film Q&A with producer Anida Yoeu.

📅 Saturday, October 17: The Lorraine @ DoctoberFest
📍 Savoy 16 + IMAX - 4pm - $12

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In the heart of Memphis, Walter and Loree Bailey’s Lorraine Motel was both a thriving hub of Black entrepreneurship and a destination for the greatest musicians of the 20th century—a place where Civil Rights demonstrations were planned, musical hits were written, and Black and white artists created history together. A rare, black-owned establishment, The Lorraine served as a safe haven and sanctuary for Black travelers during the Jim Crow era. Then, on April 4, 1968, the assassination of Martin Luther King Jr. outside Room 306 cleaved that history in two, and the world forgot everything else.

Urgent yet deeply joyful, THE LORRAINE is both a reckoning with the Civil Rights Movement’s unfinished legacy and a celebration of Black excellence and resilience. Renowned documentarian Sam Pollard uses archival footage and music along with the voices of those who lived it to vividly revive what was lost. The film ultimately becomes a story of reclamation: of people, space, history, and identity. Of transforming trauma into light.

THE LORRAINE reminds us that history is never as neatly resolved as we’re taught to believe, and that the fight for justice is still very much evolving.

📅 Saturday, October 17: Once Upon A Time In Harlem @ DoctoberFest
📍 Savoy 16 + IMAX - 6:30pm - $12

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A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance.

2026 Sundance, Cannes, Telluride, Toronto & New York Festivals. 100% on Rotten Tomatoes.

📅 Saturday, October 17: Santa Sangre @ Shocktober
📍 Cloud Mountain Kombucha - 8pm - $12

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A hallucinatory descent into madness and memory, this masterwork stands as one of Alejandro Jodorowsky’s most ferocious and personal visions—equal parts surrealist nightmare, operatic melodrama, and cult initiation rite. Emerging after years of myth-making around the director’s unrealized projects, the film marked a triumphant return that reaffirmed Jodorowsky’s status as cinema’s high priest of the subconscious. Drenched in ritual, symbolism, and Grand Guignol intensity, it plays less like a conventional narrative than a waking dream engineered to unnerve and mesmerize a roomful of viewers at once. Decades later, its power remains undiminished: shocking, hypnotic, and unmistakably the work of a singular auteur whose influence continues to ripple through cult and midnight cinema.

 Content Warnings: Graphic violence and gore, murder, disturbing imagery, sexual content, nudity, religious imagery, psychological trauma, body horror, and themes of abuse and incest.

📅 Sunday, October 18: NAZA @ DoctoberFest
📍 Savoy 16 + IMAX - 7pm - $12

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Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza.

Directors’s Statement: We made this film out of a sense of obligation to use our position as Israelis to examine the systems behind the mass killing of Palestinian civilians for which our country is responsible. While filming over the past three years, we found ourselves asking the very questions that were asked by our grandparents’ generation and throughout the 20th century: how does one group of people allow the total dehumanisation of another? What do the inner workings of such a system look like?

Many of the revelations in the film were published almost immediately as we learned of them, in the months following the October 7th attacks, by The Guardian (one of NAZA‘s producers), in collaboration with reporting partners +972 Magazine and Local Call. The film lets us explore something deeper than we could in our investigative journalism alone: not only the words being said but also those that are not said, the silence. It is up to all of us to break that silence.

5 Awards & the longest standing ovation in history at the Venice Film Festival. 100% on Rotten Tomatoes.

📅 Tuesday, October 20: The Hunger @ Shocktober
📍 Amy's Place - 6pm - $12

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A landmark of stylish 1980s horror, this sensual, decadent vampire film transformed the genre into something closer to an art object. At its center is a centuries-old lesbian couple whose glamorous existence begins to unravel when mortality intrudes, giving the film an erotic and emotionally charged dimension that was strikingly unconventional for mainstream cinema of its era. Long before becoming one of Hollywood's most commercially successful visual stylists, Tony Scott announced himself with a debut of extraordinary confidence. His music-video sensibility—fluid camerawork, saturated imagery, slow motion, and hypnotic editing—collides with gothic romanticism to create a world of beauty, desire, decay, and eternal loneliness. Catherine Deneuve radiates icy elegance, David Bowie brings unforgettable rock-star charisma, and Susan Sarandon delivers a fierce, sensual performance as the woman drawn into their immortal world. Set to an unforgettable post-punk soundtrack, it remains one of the most visually intoxicating, erotically charged, and genuinely distinctive vampire films ever made.

Content Warnings: Graphic blood and violence, sexual content, nudity, vampirism, death, body horror, disturbing imagery, and mature themes.

📅 Thursday, October 22: 2026 Roger Ebert Lecture
📍 Spurlock Museum - 4pm - FREE

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Join the College of Media's Ebert Center for the annual Roger Ebert Lecture. Allyson Nadia Field, professor and chair of the Department of Cinema and Media Studies at the University of Chicago, will focus on her book Acts of Love: Black Performance and the Kiss That Changed Film History (2026). Her research spans early silent film, with a particular focus on Black performers. Her book traces the rediscovery, identification, and significance of an 1898 film that represents the earliest portrayal of Black affection on screen. Rare film clips will be featured throughout the presentation. 

Attendees can join this free event in person or register to join via Zoom.

📅 Saturday, October 24: The Fly @ Shocktober
📍 Analog Wine Library - 8pm - $12

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A landmark of modern horror and one of the defining achievements of David Cronenberg's career, this astonishing fusion of science fiction, romance, and body horror turns a classic monster premise into something profoundly human. Cronenberg, one of cinema's great chroniclers of physical transformation and psychological obsession, uses grotesque imagery not simply to shock but to explore aging, illness, sexuality, mortality, and the terror of losing control of one's own body. At the center is a career-defining performance from Jeff Goldblum, who transforms from eccentric scientist to increasingly horrifying creature with extraordinary physical and emotional commitment. Geena Davis gives the film its emotional center, making the increasingly gruesome transformation genuinely heartbreaking. Winner of the Academy Award for Best Makeup, the film remains a triumph of practical effects — and an experience that demands to be seen on the big screen. Visceral, tragic, strangely beautiful, and deeply disturbing, it is Cronenberg's science-fiction nightmare at its most powerful. 

Content Warnings: Graphic body horror, gore, vomiting, bodily transformation, violence, sexual content, disturbing imagery, death, and psychological distress.

📅 Tuesday, October 27: Night Of The Living Dead @ Shocktober
📍 The Virginia Theatre - 7pm - $10

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George A. Romero’s 1968 horror masterpiece, Night of the Living Dead, follows a group of panicked survivors trapped in a rural Pennsylvania farmhouse as flesh-eating ghouls lay siege to the house. The movie is celebrated for revolutionizing the modern zombie genre.

Featuring:
Daniel Kraus, Pulitzer Prize-winning novelist and author of Partially Devoured: How Night of the Living Dead Saved My Life and Changed the World

📅 Thursday, October 29: Suspiria
📍 Spurlock Museum - 7pm - FREE

The Knight Auditorium at the Spurlock Museum on campus upgraded its projector to a DCP (digital cinema package) system this summer, thanks to joint funding from the Spurlock and the Ebert Center for Film Studies. This makes the Knight Auditorium the first venue on campus capable of providing film industry-level resolution standards for the optical enjoyment of the whole Illinois community. 

Please join us as we inaugurate the Spurlock’s new projector with a colorfully spectacular screening of Dario Argento’s horror film Suspiria (Italy, 1977, English dub). An American ballet student (Jessica Harper) enrolls in a prestigious German dance academy as ancient supernatural forces impose their will on the students in increasingly gruesome ways. Director of photography Lucian Tovoli supervised the film’s recent 4K restoration.

This event is free and open to the public and presented by the Roger Ebert Center for Film Studies.

📅 Saturday, October 31: The Rocky Horror Picture Show
📍 The Virginia Theatre - 7:30pm Doors - 8:30pm Show - $10

Rocky Horror is back at the Virginia. Get your tickets early, it sold out last year.

We'll be back with a handful of free tickets for Time Warp (see below)

📅 Saturday, October 31: The Witch @ Shocktober
📍 The Literary - 10:30pm - $10

A landmark of modern horror and the astonishing feature debut of Robert Eggers (The Lighthouse, The Northman, Nosferatu), this chilling tale of superstition, isolation, and religious paranoia helped usher in a new era of intelligent, atmospheric horror. Drawing extensively from period diaries, folklore, and historical records, Eggers creates a world of astonishing authenticity, immersing audiences in the fears and anxieties of colonial New England. Rather than relying on conventional jump scares, the film builds dread through meticulous craftsmanship: candlelit interiors, haunting sound design, stark natural landscapes, and an overwhelming sense that something is profoundly wrong. Every detail contributes to an atmosphere of mounting paranoia as faith, family, and identity begin to unravel. Featuring a breakout performance by Anya Taylor-Joy, this modern folk-horror classic is a remarkably assured debut — hypnotic, disturbing, and utterly immersive. It's the kind of film that demands to be experienced in a dark theater, where its creeping dread can take full effect.

Content Warnings: Horror violence, disturbing imagery, child death, animal violence, religious extremism, psychological distress, nudity, and occult themes.

📅 Sunday, November 1: Time Warp @ DoctoberFest
📍 Savoy 16 + IMAX - 4pm - $12

Fifty years ago, The Rocky Horror Picture Show burst onto the scene and blew everyone's minds — a glorious, campy, sexy, utterly bizarre midnight ritual that turned movie-going into something you did rather than just watched.

For misfits, dreamers and the delightfully weird, Rocky Horror became their sanctuary. And for the queer community especially, it was something even more powerful: the one place you could feel completely, gloriously free.

Today, that freedom has never felt more precious — or more fragile.

Lights up on Rock Springs, Wyoming — a dusty boomtown in one of the country's most conservative states — where 25-year-old Kenny Starling has done something audacious: opened the first drag and queer theater company in town. Their debut show? A shadow cast of The Rocky Horror Picture Show. Kenny's mission: to bring queer visibility, joy, and acceptance to the high desert plains of Wyoming.

TIME WARP follows Kenny and his extraordinary cast as they rehearse, discover, and transform — lacing up corsets, stepping into heels, and finding that every performance is equal parts joy and defiance.

Wyoming calls itself the "Equality State," but Kenny believes his fearless cast — and the audiences who show up — might finally make that true, at least inside the Broadway Theater on a Friday night.

TIME WARP is a celebration of joyful self-expression, found family, and the radical, timeless act of being yourself.

That's everything! See you next month.

reddit.com
u/ChambanaFilm — 12 days ago
▲ 3 r/Chambana+1 crossposts

FREE MOVIE! Wednesday @ 7pm at the Savoy 16 + IMAX

Hi again! This is Nat from the Chambana Film Society. I mentioned this in my monthly roundup, but I wanted to give this another boost.

The Chambana Film Society started at the end of March, 2024. At the end of this month it will be 2.5 years since we had our first screening. This Wednesday we are holding out 100th screening. I knew I wanted to do something special for our 100th screening, so I've put together a FREE screening of a film I think is severely overlooked, and we're going to follow it with a Q&A with the Writer/Director.

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Starring Craig Robinson from The Office (Curtis), and newcomer Markees Christmas (Morris), as a single father & son that relocated to Heidelberg, Germany.

Morris, who fancies himself the next Notorious B.I.G., is a complete fish-out-of-water—a budding hip-hop star in an EDM world. To complicate matters further, Morris quickly falls hard for his cool, rebellious, 15-year-old classmate Katrin. Morris sets out against all odds to take the hip-hop world by storm and win the girl of his dreams.

Morris From America premiered at the 2016 Sundance Film Festival, where it won the Waldo Salt Screenwriting Award, and a Special Jury Award for Individual Performance for Craig Robinson. It has an 87% rating on Rotten Tomatoes.  

Trailer: https://www.youtube.com/watch?v=AKhFNgFdbDk

Please reserve a seat by buying a $0 ticket.

Don't forget, we're also showing films at Pygmalion next week, Friday-Sunday, and on Friday, October 2nd we begin DoctoberFest, which will have 14 screenings throughout the month.

Thanks for reading, and please share this with a friend. I'm paying a bunch of money for Wednesday's screening, I'd love to have it packed!

reddit.com
u/ChambanaFilm — 27 days ago
▲ 31 r/centralillinois+3 crossposts

Champaign-Urbana Area Film Events: September 2026

Well, I just noticed that I never actually made a post for August 2026! As always, you can follow us on Facebook or Instagram, sign up for the ChambanaFilm newsletter, or bookmark the CU Independent Film Calendar, or C-U Blogfidential.

I've changed things up a little bit for this one. Film Title links will bring you to a trailer, or other information. Location links will take you to the ticket page.

TODAY, Saturday, August 29: Office Space
📍 Watson's Chicken - 9:30pm - $12

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Obviously, this is a film that shouldn't need any introduction. One of the best comedies of all time. If you haven't seen this yet, rush over to Watson's tonight, for the last film screening there. (They have announced they are closing that location soon.)

Tuesday, September 8: Winter Hymns
📍 Savoy 16 + IMAX - 6:30pm - $5

I ended up writing a lot about this film at the top of this month's newsletter, so I'd suggest reading that, or my letterboxd review of this film. Long story short, I love this film, and it turns out the writer/director will be in town for a few days, on the way to showing his movie in St. Louis, and I'm VERY excited to get a chance to have him here on short notice. The screening is $5 because it's Bargain Tuesday at Savoy 16 + IMAX

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This film will start as close to 6:30 as possible, and end around 9pm.

The screening will be followed by an in-person Q&A with writer/director Nathan Deming.

Saturday, August 29: Donnie Darko
📍 The Literary - 10:30pm - $10 in advance - $12 at the door.

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2001's cult classic comes to a late night Literary screening.

Saturday, September 19: Dark Soul River
📍 The Virginia Theater - 6:45 Doors - 7:30pm Show - $16 / $20 (Plus a per-ticket fee of $3)

It feels like I've been hearing about this locally produced film since I came to town, so it's thrilling that it's finally done, and having a public screening!

The notorious Kaw Valley Killer claims he will finally tell where his as-yet-undiscovered victims are buried -- but there's a catch. He will confess only to the brother of his last victim. Now, Saarathi, a devout Indian Hindu who came to America only to settle his sister's affairs, finds himself in an intimate and horrifying confrontation with evil. Over five days of an intense cat-and-mouse game, devastating secrets are unearthed. Twisty, multicultural, and psychologically haunting, Dark Soul River is an unforgettable emotional ride.

Wednesday, September 23: Morris From America
📍 Savoy 16 + IMAX - 7pm - FREE

This screening marks two major milestones for The Chambana Film Society. First, It marks 2-and-a-half years, to the week, or our first screening. Second, it marks our 100th screening in town! Before we mark a new chapter in our history two days later, (see below), we thought it would be great to have a bit of a celebration.

So, we're having a FREE movie screening! Morris From America is one of my films, and SEVERELY overlooked. Starring Craig Robinson from The Office (Curtis), and newcomer Markees Christmas (Morris), as a single father & son that relocated to Heidelberg, Germany.

Morris, who fancies himself the next Notorious B.I.G., is a complete fish-out-of-water—a budding hip-hop star in an EDM world. To complicate matters further, Morris quickly falls hard for his cool, rebellious, 15-year-old classmate Katrin. Morris sets out against all odds to take the hip-hop world by storm and win the girl of his dreams.

Morris From America premiered at the 2016 Sundance Film Festival, where it won the Waldo Salt Screenwriting Award, and a Special Jury Award for Individual Performance for Craig Robinson. It has an 87% rating on Rotten Tomatoes.  

https://preview.redd.it/3i9swat34cmh1.jpg?width=455&format=pjpg&auto=webp&s=d80e9725633327045907e6e31c39dc26648bc750

To make this milestone even more exciting, we'll be following the screening with a Zoom Q&A with writer/director Chad Hartigan! Please reserve a seat by buying a $0 ticket.

Friday, September 25: Iron Giant
📍 Anita Purves Nature Center - 7pm - FREE

The Iron Giant is one of my all-time favorite films, which I saw EIGHT times in theaters the summer it came out. If you've got kids, you should absolutely take them to this screening.

If you're an adult, you should probably be here instead:

https://preview.redd.it/hury77ia5cmh1.jpg?width=5977&format=pjpg&auto=webp&s=fce2dd4bd6d1c79026b5acdc3caad24102aae1c4

That's right, The Chambana Film Society is THRILLED to be presenting film at Pygmalion! It's their first time showing films, and it's our first time presenting films at another event, much less one of them so much bigger, and more established than us. It's an amazing way to start a new chapter with our 100th screening in town!

Friday, September 25: Steal This Story, Please
📍 Spurlock Museum- 7pm - $15

Amy Goodman is an investigative reporter, host, and executive producer of Democracy Now!, and global news program, which is broadcast daily, and syndicated nationally on radio, television, and the web. She is known for elevating voices not covered by corporate radio.

Steal This Story, Please is the new documentary covering Amy, and her thirty year history chasing stories, and giving them more exposure. It has had astounding success since opening theatrically in April, with a huge opening in New York, and the biggest opening weekend of any documentary at The Music Box In Chicago in their recorded history. It's played a ton of festival dates, and taken home two handfuls of audience awards.

To make this screening even more special, we'll be following the screening with a Zoom Q&A with co-director Carl Deal. Carl is an Academy-Award nominated director for 2009's Trouble The Water, and has been a frequent collaborator with Michael Moore.

If you're interested in this screening, I suggest getting tickets early. I have a strong suspicion it will sell out.

THE REST OF FILM AT PYGMALION

All other film screenings at Pygmalion, three on Saturday & three on Sunday are FREE. Screenings are at Tiernan's Hall, which is on the third floor above Encanto, at 115 W. Main St, Urbana.

Saturday, September 26

Doors: 5:00pm | Show 6:00pm

The Green Mill A Real Chicago Joint
[trailer]
Documentary • USA • 2025 • 56 Minutes

The Green Mill is known as an old hangout for Al Capone and where Billie Holiday sang, and as a swinging jazz joint for generations of Chicagoans. For more than a century, this legendary nightclub was a melting pot of humanity and the music never stopped.

In 2024, owner Dave Jemilo and five longtime employees gathered to talk about working till dawn, about playing the music, pouring the drinks, and living the nightlife.

After the film the audience will be joined by director & participant Paul L. Carr for an in-person Q&A.

Doors 7:30 PM | Show 8:00 PM
Shorts: Animation After Dark

Spike & Mike. Adult Swim. Don Hertzfeldt. While usually considered a form for children’s films, there is some great animation that explores adult themes, situations, and content. Join us for some recent great examples.

Doors 9:30 PM | Show 10:00 PM
Röckët Stähr's Death of a Rockstar
[trailer]
Narrative • USA • 2020 • 92 Minutes

In the year 2164, when rock n roll is banned, a group of underground rebels, lead by a mad scientist, attempt to start a non-violent revolution by waking up the docile masses via a cloned rockstar sent on a guerrilla tour to “rock n roll them free from their misery”.

But they soon find out, the best laid plans of mice and men often go awry.

Death Of A Rockstar is a science-fiction, animated, retro-rock opera. Its creator, Röckët Stähr spent eight years animating the entire film, which he also wrote all of the music for, entirely on his own. Additionally, he sang and performed almost all of the music. The entire project took thirteen years to complete. Death Of A Rockstar is a fun rock n’ roll trip to the future that has its feet firmly planted in the glory days of rock.

Sunday, September 27

Doors 3:30 PM | Show 4:00 PM
Shorts: Jewish-American

Originally shown during the 2026 Savoy Lumière, this program explores the quiet push and pull between heritage and everyday American life, revealing the contradictions and intimacy of ordinary moments through personal, character-driven stories that feel human rather than political. And food. Lots of delicious food.

Doors 5:30 PM | Show 6:00 PM
Shorts: HomeGrown

All these short films were grown organically and locally sourced, and brought fresh to the table for you.

After the screenings, we're expecting to have a live Q&A with a representative from every film.

Doors 8:00 PM | Show 8:30 PM
Slouching Towards Branson

In his new comedy special “Slouching Towards Branson,” singer-songwriter and alt-comic Will Wood performs for audiences across the U.S., intertwining songs from his discography with a drug-addled, rat-filled, spiritually confused “about as true as a true story can be while still being a story” story about accidentally going viral, timeshare presentations, and the end of the world.

The special has received glowing reviews from independent outlets and critics as well as from both fans and newcomers to his work alike, and has been winning a variety of awards and nominations on the independent film festival circuit.

October looks like it will have at least TWENTY independent film screenings, with two ongoing film festivals:

First, Film Fanatics is having a horror-themed film festival with six screenings that they've called Shocktober Horror Film Festival.

You can find all the details about different locations and times, but here's a brief rundown:

October 8: 6:30pm - The Scratching Post - The Black Cat
October 17: 8:00pm - Cloud Mountain Kombucha - Santa Sangre
October 20: 6:00pm - Amy's Place - The Hunger
October 24: 8:00pm - Analog Wine Library - The Fly
October 27: 7:00pm - The Virginia Theater - Night Of The Living Dead
October 31: 10:30pm - The Literary - The Witch

Secondly, The Chambana Film Festival will be holding DoctoberFest, with as many as 15 documentary screenings throughout the month. As of this writing, the site above is VERY barebones, with only the films booked 100%. We expect to have everything else booked within a week or two. A brief rundown:

All films at the Savoy 16 + IMAX, $12 tickets, purchase of any mixture of 10 tickets discounts tickets for all of them.

October 2: 7:00pm - Hanging By A Wire [trailer]

- This long weekend was programmed with the idea of "Nothing Depressing".

October 8: 7:00pm - The Last Movie Critic
- New Roger Ebert documentary, premiered at Ebertfest
October 9: 7:00pm - All Skate
- Documentary about the history of roller-skating and roller rinks.

Saturday, October 10
1:30pm - Cookie Queens [trailer]
3:30pm - Joybubbles
- tells the story of a blind man who was one of the first telephone hackers—called a phone phreak. Sponsored by the Alliance For Inclusion & Respect.
6:00pm - The Last Picture Shows [trailer]
8:00pm - Pinball: Beyond The Bumpers
- documentary on the nearly 300-year evolution of pinball.

Sunday, October 11
Noon: Silver Screamers [trailer]
2:00pm: A Brief History Of Chasing Storms [trailer]
4:00pm: ??

October 12: 7:00pm - ??

Saturday, October 17

2ish: ??
4ish: ??
6ish: ??

Sunday, November 1 (Yes, it's technically not October).
4pm: Potentially a RHPS related documentary.

Which actually brings us to the last item:

Saturday, October 31: Rocky Horror Picture Show
📍 The Virginia Theater - 7:30 Doors - 8:30pm Show - $10

This sold out last year, and this year is bound to be even MORE packed, with the recent passing of Tim Curry. They've got a shadow cast, goodie bags, raffle prizes, and a costume contest!

That's it for September and October, I count over THIRTY independent film events in that period! I hope you get out to some of them.

reddit.com
u/ChambanaFilm — 2 months ago
▲ 96 r/centralillinois+2 crossposts

FREE MOVIE! Sunday @2pm at the Savoy 16 + IMAX

For those that don't know me, I'm new in town. I moved here three years ago, and started showing movies here two years ago.

I didn't realize how dead this town in is the summer, and I booked an 8-week screening series of music films.

https://preview.redd.it/vp7dsrt75mgh1.png?width=1683&format=png&auto=webp&s=61180ec755f2cd167d5b6db5eb0e4d2a9bf414bd

Attendance has been very poor, so I've cancelled Sundays screening of The Last Critic, and replaced it with a FREE, SECRET screening.

Here's what I can tell you:

  • It's about my all-time favorite band, whose music spans a wide variety of styles.
  • It has a perfect 100% on Rotten Tomatoes and is included on their list of the 100 greatest documentaries of all time. I've also heard it was Rotten Tomatoes' highest-rated film of the year it was released, though I haven't been able to verify that.
  • It's one of my 50 favorite documentaries of all time.
  • Even if you aren't familiar with the band, you'll recognize many of the people interviewed, and it's narrated by a famous actor.

The screening is still Sunday at 2:00 p.m. at the Savoy 16 + IMAX.

I hope you'll come join us—and maybe enjoy discovering a great film you otherwise might never have seen.

(My normal monthly post of all the upcoming film events around town is coming next week.)

reddit.com
u/ChambanaFilm — 2 months ago

Lake County Film Festival / Savoy Lumière open for submissions.

The Lake County Film Festival and The Savoy Lumière are now open for submissions!

As with last year, I don't see a strong reason for filmmakers to submit to both festivals. This year, we have a strong, active screening committee with members from both communities reviewing submissions for both events. If you submit your film to either festival by around November, the programming team will be considering it for both festivals. Feel free to reach out if you want to make sure you're considered for both after that time.

We're excited to see submissions continue to grow, and we're hoping to finally break the 500-submission mark this year!

While the two festivals share a programming team, they each have their own identity. Our audiences tend to respond to different kinds of films, and each festival's programs come together in unique ways. In general, the lineups end up being about 50% different, giving each festival its own distinct experience.

The 17th Lake County Film Festival: https://filmfreeway.com/TheLakeCountyFilmFestival
Discount Code: lakecountyreddit
25% off through November 1

The 3rd Savoy Lumière: https://filmfreeway.com/SavoyLumiere
Discount Code: SLreddit
25% off through October 1

While I've said that it doesn't really matter which festival you submit to, I can tell you a bit about the differences between them. In almost every way, they're complete opposites.

Founded in 2004 and located about an hour north of Chicago, the Lake County Film Festival is a long-running event with a surprisingly strong reputation among industry professionals. I'm often reminded of its name recognition when I meet filmmakers and other industry people at events around the country. Over the years, we've also been fortunate to have relatively well-known industry judges.

That said, local attendance has never quite matched the festival's stature. Audience sizes can be unpredictable, with filmmakers who have strong ties to communities from Chicago to Milwaukee often drawing larger crowds than even Sundance Grand Jury Prize winners.

The Savoy Lumière, on the other hand, is the exact opposite. Held in the Champaign-Urbana region of Central Illinois, and organized by the Chambana Film Society, it's a brand-new festival, having launched in 2024. Outside of people who know me or are familiar with my work, we have very little industry recognition. However, attendance has been remarkably strong for such a young festival, and we've been thrilled by the community's support. We have not yet assembled a jury for awards, but hope to next year.

The venues reflect those differences as well.

At Lake County, most screenings are held at the College of Lake County, a sprawling campus where we utilize auditoriums, lecture halls, and even a choir room. We do not have DCP capabilities, and the festival is generally concentrated over two weekends, using three to five screening rooms on Saturdays and Sundays. We've also regularly present screenings in other communities throughout the county. The festival typically features around 80 screenings across the two weekends, and last year alone we screened well over 100 short films.

The Savoy Lumière, meanwhile, is honored to present films at our local multiplex, where DCP is our primary exhibition format. At the moment, we're limited to a single screen, although we're hopeful of expanding into additional venues in the future. Last year's festival consisted of 25 programs—a mix of feature films and shorts blocks—and we expect a similar number next year, though some programs may receive repeat screenings.

Unlike Lake County, however, the Savoy Lumière isn't limited to one annual event. Through the Chambana Film Society, we host programming throughout the year, including mini-festivals like CineSonic, our music film festival, with documentary and Pride-themed festivals currently in development. These smaller events typically consist of six to eight screenings over a long weekend.

Even the media landscape couldn't be more different. Lake County has virtually no dedicated local media presence. Most newspapers have been absorbed by large media companies, resulting in coverage that often amounts to little more than reprinted press releases. The Savoy Lumière, by contrast, has received excellent local media support, including television coverage and regular press attention.

I'm sure there are other differences I'm forgetting, but those are the big ones that come to mind. If you have any questions about either festival, feel free to ask below!

reddit.com
u/ChambanaFilm — 3 months ago

Lake County Film Festival / Savoy Lumière open for submissions.

The Lake County Film Festival and The Savoy Lumière are now open for submissions!

As with last year, I don't see a strong reason for filmmakers to submit to both festivals. This year, we have a strong, active screening committee with members from both communities reviewing submissions for both events. If you submit your film to either festival by around November, the programming team will be considering it for both festivals. Feel free to reach out if you want to make sure you're considered for both after that time.

We're excited to see submissions continue to grow, and we're hoping to finally break the 500-submission mark this year!

While the two festivals share a programming team, they each have their own identity. Our audiences tend to respond to different kinds of films, and each festival's programs come together in unique ways. In general, the lineups end up being about 50% different, giving each festival its own distinct experience.

The 17th Lake County Film Festival: https://filmfreeway.com/TheLakeCountyFilmFestival
Discount Code: lakecountyreddit
25% off through November 1

The 3rd Savoy Lumière: https://filmfreeway.com/SavoyLumiere
Discount Code: SLreddit
25% off through October 1

While I've said that it doesn't really matter which festival you submit to, I can tell you a bit about the differences between them. In almost every way, they're complete opposites.

Founded in 2004 and located about an hour north of Chicago, the Lake County Film Festival is a long-running event with a surprisingly strong reputation among industry professionals. I'm often reminded of its name recognition when I meet filmmakers and other industry people at events around the country. Over the years, we've also been fortunate to have relatively well-known industry judges.

That said, local attendance has never quite matched the festival's stature. Audience sizes can be unpredictable, with filmmakers who have strong ties to communities from Chicago to Milwaukee often drawing larger crowds than even Sundance Grand Jury Prize winners.

The Savoy Lumière, on the other hand, is the exact opposite. Held in the Champaign-Urbana region of Central Illinois, and organized by the Chambana Film Society, it's a brand-new festival, having launched in 2024. Outside of people who know me or are familiar with my work, we have very little industry recognition. However, attendance has been remarkably strong for such a young festival, and we've been thrilled by the community's support. We have not yet assembled a jury for awards, but hope to next year.

The venues reflect those differences as well.

At Lake County, most screenings are held at the College of Lake County, a sprawling campus where we utilize auditoriums, lecture halls, and even a choir room. We do not have DCP capabilities, and the festival is generally concentrated over two weekends, using three to five screening rooms on Saturdays and Sundays. We've also regularly present screenings in other communities throughout the county. The festival typically features around 80 screenings across the two weekends, and last year alone we screened well over 100 short films.

The Savoy Lumière, meanwhile, is honored to present films at our local multiplex, where DCP is our primary exhibition format. At the moment, we're limited to a single screen, although we're hopeful of expanding into additional venues in the future. Last year's festival consisted of 25 programs—a mix of feature films and shorts blocks—and we expect a similar number next year, though some programs may receive repeat screenings.

Unlike Lake County, however, the Savoy Lumière isn't limited to one annual event. Through the Chambana Film Society, we host programming throughout the year, including mini-festivals like CineSonic, our music film festival, with documentary and Pride-themed festivals currently in development. These smaller events typically consist of six to eight screenings over a long weekend.

Even the media landscape couldn't be more different. Lake County has virtually no dedicated local media presence. Most newspapers have been absorbed by large media companies, resulting in coverage that often amounts to little more than reprinted press releases. The Savoy Lumière, by contrast, has received excellent local media support, including television coverage and regular press attention.

I'm sure there are other differences I'm forgetting, but those are the big ones that come to mind. If you have any questions about either festival, feel free to ask below!

reddit.com
u/ChambanaFilm — 3 months ago

Lake County Film Festival / Savoy Lumière open for submissions.

The Lake County Film Festival and The Savoy Lumière are now open for submissions!

As with last year, I don't see a strong reason for filmmakers to submit to both festivals. This year, we have a strong, active screening committee with members from both communities reviewing submissions for both events. If you submit your film to either festival by around November, the programming team will be considering it for both festivals. Feel free to reach out if you want to make sure you're considered for both after that time.

We're excited to see submissions continue to grow, and we're hoping to finally break the 500-submission mark this year!

While the two festivals share a programming team, they each have their own identity. Our audiences tend to respond to different kinds of films, and each festival's programs come together in unique ways. In general, the lineups end up being about 50% different, giving each festival its own distinct experience.

The 17th Lake County Film Festival: https://filmfreeway.com/TheLakeCountyFilmFestival
Discount Code: lakecountyreddit
25% off through November 1

The 3rd Savoy Lumière: https://filmfreeway.com/SavoyLumiere
Discount Code: SLreddit
25% off through October 1

While I've said that it doesn't really matter which festival you submit to, I can tell you a bit about the differences between them. In almost every way, they're complete opposites.

Founded in 2004 and located about an hour north of Chicago, the Lake County Film Festival is a long-running event with a surprisingly strong reputation among industry professionals. I'm often reminded of its name recognition when I meet filmmakers and other industry people at events around the country. Over the years, we've also been fortunate to have relatively well-known industry judges.

That said, local attendance has never quite matched the festival's stature. Audience sizes can be unpredictable, with filmmakers who have strong ties to communities from Chicago to Milwaukee often drawing larger crowds than even Sundance Grand Jury Prize winners.

The Savoy Lumière, on the other hand, is the exact opposite. Held in the Champaign-Urbana region of Central Illinois, and organized by the Chambana Film Society, it's a brand-new festival, having launched in 2024. Outside of people who know me or are familiar with my work, we have very little industry recognition. However, attendance has been remarkably strong for such a young festival, and we've been thrilled by the community's support. We have not yet assembled a jury for awards, but hope to next year.

The venues reflect those differences as well.

At Lake County, most screenings are held at the College of Lake County, a sprawling campus where we utilize auditoriums, lecture halls, and even a choir room. We do not have DCP capabilities, and the festival is generally concentrated over two weekends, using three to five screening rooms on Saturdays and Sundays. We've also regularly present screenings in other communities throughout the county. The festival typically features around 80 screenings across the two weekends, and last year alone we screened well over 100 short films.

The Savoy Lumière, meanwhile, is honored to present films at our local multiplex, where DCP is our primary exhibition format. At the moment, we're limited to a single screen, although we're hopeful of expanding into additional venues in the future. Last year's festival consisted of 25 programs—a mix of feature films and shorts blocks—and we expect a similar number next year, though some programs may receive repeat screenings.

Unlike Lake County, however, the Savoy Lumière isn't limited to one annual event. Through the Chambana Film Society, we host programming throughout the year, including mini-festivals like CineSonic, our music film festival, with documentary and Pride-themed festivals currently in development. These smaller events typically consist of six to eight screenings over a long weekend.

Even the media landscape couldn't be more different. Lake County has virtually no dedicated local media presence. Most newspapers have been absorbed by large media companies, resulting in coverage that often amounts to little more than reprinted press releases. The Savoy Lumière, by contrast, has received excellent local media support, including television coverage and regular press attention.

I'm sure there are other differences I'm forgetting, but those are the big ones that come to mind. If you have any questions about either festival, feel free to ask below!

reddit.com
u/ChambanaFilm — 3 months ago

Lake County Film Festival / Savoy Lumière open for submissions.

The Lake County Film Festival and The Savoy Lumière are now open for submissions!

As with last year, I don't see a strong reason for filmmakers to submit to both festivals. This year, we have a strong, active screening committee with members from both communities reviewing submissions for both events. If you submit your film to either festival by around November, the programming team will be considering it for both festivals. Feel free to reach out if you want to make sure you're considered for both after that time.

We're excited to see submissions continue to grow, and we're hoping to finally break the 500-submission mark this year!

While the two festivals share a programming team, they each have their own identity. Our audiences tend to respond to different kinds of films, and each festival's programs come together in unique ways. In general, the lineups end up being about 50% different, giving each festival its own distinct experience.

The 17th Lake County Film Festival: https://filmfreeway.com/TheLakeCountyFilmFestival
Discount Code: lakecountyreddit
25% off through November 1

The 3rd Savoy Lumière: https://filmfreeway.com/SavoyLumiere
Discount Code: SLreddit
25% off through October 1

While I've said that it doesn't really matter which festival you submit to, I can tell you a bit about the differences between them. In almost every way, they're complete opposites.

Founded in 2004 and located about an hour north of Chicago, the Lake County Film Festival is a long-running event with a surprisingly strong reputation among industry professionals. I'm often reminded of its name recognition when I meet filmmakers and other industry people at events around the country. Over the years, we've also been fortunate to have relatively well-known industry judges.

That said, local attendance has never quite matched the festival's stature. Audience sizes can be unpredictable, with filmmakers who have strong ties to communities from Chicago to Milwaukee often drawing larger crowds than even Sundance Grand Jury Prize winners.

The Savoy Lumière, on the other hand, is the exact opposite. Held in the Champaign-Urbana region of Central Illinois, and organized by the Chambana Film Society, it's a brand-new festival, having launched in 2024. Outside of people who know me or are familiar with my work, we have very little industry recognition. However, attendance has been remarkably strong for such a young festival, and we've been thrilled by the community's support. We have not yet assembled a jury for awards, but hope to next year.

The venues reflect those differences as well.

At Lake County, most screenings are held at the College of Lake County, a sprawling campus where we utilize auditoriums, lecture halls, and even a choir room. We do not have DCP capabilities, and the festival is generally concentrated over two weekends, using three to five screening rooms on Saturdays and Sundays. We've also regularly present screenings in other communities throughout the county. The festival typically features around 80 screenings across the two weekends, and last year alone we screened well over 100 short films.

The Savoy Lumière, meanwhile, is honored to present films at our local multiplex, where DCP is our primary exhibition format. At the moment, we're limited to a single screen, although we're hopeful of expanding into additional venues in the future. Last year's festival consisted of 25 programs—a mix of feature films and shorts blocks—and we expect a similar number next year, though some programs may receive repeat screenings.

Unlike Lake County, however, the Savoy Lumière isn't limited to one annual event. Through the Chambana Film Society, we host programming throughout the year, including mini-festivals like CineSonic, our music film festival, with documentary and Pride-themed festivals currently in development. These smaller events typically consist of six to eight screenings over a long weekend.

Even the media landscape couldn't be more different. Lake County has virtually no dedicated local media presence. Most newspapers have been absorbed by large media companies, resulting in coverage that often amounts to little more than reprinted press releases. The Savoy Lumière, by contrast, has received excellent local media support, including television coverage and regular press attention.

I'm sure there are other differences I'm forgetting, but those are the big ones that come to mind. If you have any questions about either festival, feel free to ask below!

reddit.com
u/ChambanaFilm — 3 months ago

Lake County Film Festival / Savoy Lumière open for submissions.

The Lake County Film Festival and The Savoy Lumière are now open for submissions!

As with last year, I don't see a strong reason for filmmakers to submit to both festivals. This year, we have a strong, active screening committee with members from both communities reviewing submissions for both events. If you submit your film to either festival by around November, the programming team will be considering it for both festivals. Feel free to reach out if you want to make sure you're considered for both after that time.

We're excited to see submissions continue to grow, and we're hoping to finally break the 500-submission mark this year!

While the two festivals share a programming team, they each have their own identity. Our audiences tend to respond to different kinds of films, and each festival's programs come together in unique ways. In general, the lineups end up being about 50% different, giving each festival its own distinct experience.

The 17th Lake County Film Festival: https://filmfreeway.com/TheLakeCountyFilmFestival
Discount Code: lakecountyreddit
25% off through November 1

The 3rd Savoy Lumière: https://filmfreeway.com/SavoyLumiere
Discount Code: SLreddit
25% off through October 1

While I've said that it doesn't really matter which festival you submit to, I can tell you a bit about the differences between them. In almost every way, they're complete opposites.

Founded in 2004 and located about an hour north of Chicago, the Lake County Film Festival is a long-running event with a surprisingly strong reputation among industry professionals. I'm often reminded of its name recognition when I meet filmmakers and other industry people at events around the country. Over the years, we've also been fortunate to have relatively well-known industry judges.

That said, local attendance has never quite matched the festival's stature. Audience sizes can be unpredictable, with filmmakers who have strong ties to communities from Chicago to Milwaukee often drawing larger crowds than even Sundance Grand Jury Prize winners.

The Savoy Lumière, on the other hand, is the exact opposite. Held in the Champaign-Urbana region of Central Illinois, and organized by the Chambana Film Society, it's a brand-new festival, having launched in 2024. Outside of people who know me or are familiar with my work, we have very little industry recognition. However, attendance has been remarkably strong for such a young festival, and we've been thrilled by the community's support. We have not yet assembled a jury for awards, but hope to next year.

The venues reflect those differences as well.

At Lake County, most screenings are held at the College of Lake County, a sprawling campus where we utilize auditoriums, lecture halls, and even a choir room. We do not have DCP capabilities, and the festival is generally concentrated over two weekends, using three to five screening rooms on Saturdays and Sundays. We've also regularly present screenings in other communities throughout the county. The festival typically features around 80 screenings across the two weekends, and last year alone we screened well over 100 short films.

The Savoy Lumière, meanwhile, is honored to present films at our local multiplex, where DCP is our primary exhibition format. At the moment, we're limited to a single screen, although we're hopeful of expanding into additional venues in the future. Last year's festival consisted of 25 programs—a mix of feature films and shorts blocks—and we expect a similar number next year, though some programs may receive repeat screenings.

Unlike Lake County, however, the Savoy Lumière isn't limited to one annual event. Through the Chambana Film Society, we host programming throughout the year, including mini-festivals like CineSonic, our music film festival, with documentary and Pride-themed festivals currently in development. These smaller events typically consist of six to eight screenings over a long weekend.

Even the media landscape couldn't be more different. Lake County has virtually no dedicated local media presence. Most newspapers have been absorbed by large media companies, resulting in coverage that often amounts to little more than reprinted press releases. The Savoy Lumière, by contrast, has received excellent local media support, including television coverage and regular press attention.

I'm sure there are other differences I'm forgetting, but those are the big ones that come to mind. If you have any questions about either festival, feel free to ask below!

reddit.com
u/ChambanaFilm — 3 months ago

Lake County Film Festival / Savoy Lumière open for submissions.

The Lake County Film Festival and The Savoy Lumière are now open for submissions!

As with last year, I don't see a strong reason for filmmakers to submit to both festivals. This year, we have a strong, active screening committee with members from both communities reviewing submissions for both events. If you submit your film to either festival by around November, the programming team will be considering it for both festivals. Feel free to reach out if you want to make sure you're considered for both after that time.

We're excited to see submissions continue to grow, and we're hoping to finally break the 500-submission mark this year!

While the two festivals share a programming team, they each have their own identity. Our audiences tend to respond to different kinds of films, and each festival's programs come together in unique ways. In general, the lineups end up being about 50% different, giving each festival its own distinct experience.

The 17th Lake County Film Festival: https://filmfreeway.com/TheLakeCountyFilmFestival
Discount Code: lakecountyreddit
25% off through November 1

The 3rd Savoy Lumière: https://filmfreeway.com/SavoyLumiere
Discount Code: SLreddit
25% off through October 1

While I've said that it doesn't really matter which festival you submit to, I can tell you a bit about the differences between them. In almost every way, they're complete opposites.

Founded in 2004 and located about an hour north of Chicago, the Lake County Film Festival is a long-running event with a surprisingly strong reputation among industry professionals. I'm often reminded of its name recognition when I meet filmmakers and other industry people at events around the country. Over the years, we've also been fortunate to have relatively well-known industry judges.

That said, local attendance has never quite matched the festival's stature. Audience sizes can be unpredictable, with filmmakers who have strong ties to communities from Chicago to Milwaukee often drawing larger crowds than even Sundance Grand Jury Prize winners.

The Savoy Lumière, on the other hand, is the exact opposite. Held in the Champaign-Urbana region of Central Illinois, and organized by the Chambana Film Society, it's a brand-new festival, having launched in 2024. Outside of people who know me or are familiar with my work, we have very little industry recognition. However, attendance has been remarkably strong for such a young festival, and we've been thrilled by the community's support. We have not yet assembled a jury for awards, but hope to next year.

The venues reflect those differences as well.

At Lake County, most screenings are held at the College of Lake County, a sprawling campus where we utilize auditoriums, lecture halls, and even a choir room. We do not have DCP capabilities, and the festival is generally concentrated over two weekends, using three to five screening rooms on Saturdays and Sundays. We've also regularly present screenings in other communities throughout the county. The festival typically features around 80 screenings across the two weekends, and last year alone we screened well over 100 short films.

The Savoy Lumière, meanwhile, is honored to present films at our local multiplex, where DCP is our primary exhibition format. At the moment, we're limited to a single screen, although we're hopeful of expanding into additional venues in the future. Last year's festival consisted of 25 programs—a mix of feature films and shorts blocks—and we expect a similar number next year, though some programs may receive repeat screenings.

Unlike Lake County, however, the Savoy Lumière isn't limited to one annual event. Through the Chambana Film Society, we host programming throughout the year, including mini-festivals like CineSonic, our music film festival, with documentary and Pride-themed festivals currently in development. These smaller events typically consist of six to eight screenings over a long weekend.

Even the media landscape couldn't be more different. Lake County has virtually no dedicated local media presence. Most newspapers have been absorbed by large media companies, resulting in coverage that often amounts to little more than reprinted press releases. The Savoy Lumière, by contrast, has received excellent local media support, including television coverage and regular press attention.

I'm sure there are other differences I'm forgetting, but those are the big ones that come to mind. If you have any questions about either festival, feel free to ask below!

reddit.com
u/ChambanaFilm — 3 months ago
▲ 5 r/FilmFestivals+1 crossposts

Lake County Film Festival / Savoy Lumière open for submissions.

The Lake County Film Festival and The Savoy Lumière are now open for submissions!

As with last year, I don't see a strong reason for filmmakers to submit to both festivals. This year, we have a strong, active screening committee with members from both communities reviewing submissions for both events. If you submit your film to either festival by around November, the programming team will be considering it for both festivals. Feel free to reach out if you want to make sure you're considered for both after that time.

We're excited to see submissions continue to grow, and we're hoping to finally break the 500-submission mark this year!

While the two festivals share a programming team, they each have their own identity. Our audiences tend to respond to different kinds of films, and each festival's programs come together in unique ways. In general, the lineups end up being about 50% different, giving each festival its own distinct experience.

The 17th Lake County Film Festival: https://filmfreeway.com/TheLakeCountyFilmFestival
Discount Code: lakecountyreddit
25% off through November 1

The 3rd Savoy Lumière: https://filmfreeway.com/SavoyLumiere
Discount Code: SLreddit
25% off through October 1

While I've said that it doesn't really matter which festival you submit to, I can tell you a bit about the differences between them. In almost every way, they're complete opposites.

Founded in 2004 and located about an hour north of Chicago, the Lake County Film Festival is a long-running event with a surprisingly strong reputation among industry professionals. I'm often reminded of its name recognition when I meet filmmakers and other industry people at events around the country. Over the years, we've also been fortunate to have relatively well-known industry judges.

That said, local attendance has never quite matched the festival's stature. Audience sizes can be unpredictable, with filmmakers who have strong ties to communities from Chicago to Milwaukee often drawing larger crowds than even Sundance Grand Jury Prize winners.

The Savoy Lumière, on the other hand, is the exact opposite. Held in the Champaign-Urbana region of Central Illinois, and organized by the Chambana Film Society, it's a brand-new festival, having launched in 2024. Outside of people who know me or are familiar with my work, we have very little industry recognition. However, attendance has been remarkably strong for such a young festival, and we've been thrilled by the community's support. We have not yet assembled a jury for awards, but hope to next year.

The venues reflect those differences as well.

At Lake County, most screenings are held at the College of Lake County, a sprawling campus where we utilize auditoriums, lecture halls, and even a choir room. We do not have DCP capabilities, and the festival is generally concentrated over two weekends, using three to five screening rooms on Saturdays and Sundays. We've also regularly present screenings in other communities throughout the county. The festival typically features around 80 screenings across the two weekends, and last year alone we screened well over 100 short films.

The Savoy Lumière, meanwhile, is honored to present films at our local multiplex, where DCP is our primary exhibition format. At the moment, we're limited to a single screen, although we're hopeful of expanding into additional venues in the future. Last year's festival consisted of 25 programs—a mix of feature films and shorts blocks—and we expect a similar number next year, though some programs may receive repeat screenings.

Unlike Lake County, however, the Savoy Lumière isn't limited to one annual event. Through the Chambana Film Society, we host programming throughout the year, including mini-festivals like CineSonic, our music film festival, with documentary and Pride-themed festivals currently in development. These smaller events typically consist of six to eight screenings over a long weekend.

Even the media landscape couldn't be more different. Lake County has virtually no dedicated local media presence. Most newspapers have been absorbed by large media companies, resulting in coverage that often amounts to little more than reprinted press releases. The Savoy Lumière, by contrast, has received excellent local media support, including television coverage and regular press attention.

I'm sure there are other differences I'm forgetting, but those are the big ones that come to mind. If you have any questions about either festival, feel free to ask below!

reddit.com
u/ChambanaFilm — 3 months ago

Strange DCP problems.

I've been having some problems with DCPs at my local theater. This might be a bit of an esoteric problem, but I'm hoping someone might have an answer.

I didn't know this, but my local multiplex actually has one giant server where they store everything, and then the workers at the theater have to transfer it to one of the separate servers for that particular screen.

I've been showing DCPs there for two years with minimal problems, but since April or so, the main system has been ingesting them fine, but when they go to transfer it to one of the individual theaters, it doesn't work. Crashes, or some other problem. Maybe 20% of the time.

I've been doing research, and the only thing that is a potential cause (but doesn't make any sense), is that this might be because the original hard drive is not formatted in EXT or NTFS.

When we started showing films there, we had linux EXT drives, but then we accidentally brought a windows formatted drive, and it worked fine. And, like I said, it worked fine until April. After two drives failed, I brought them home and realized they were formatted to exFAT. I reformatted it to NTFS, and it still failed.

So, I am reformatting to EXT2, putting the DCP back on, but I was just wondering if anyone had any thoughts or advice on other reasons this wouldn't work.

Thanks!

reddit.com
u/ChambanaFilm — 3 months ago
▲ 28 r/centralillinois+3 crossposts

Champaign-Urbana Area Film Events: July 2026

Well, I definitely wasn't wrong when I said this town gets sleepy in the summer. This is really my first summer being active around here—I spent the last couple of years pretty busy with things outside of town.

I took June off, and looking ahead through October, there's only one (1) film screening that's been announced so far that I'm not involved with. Given that, I'm going to do things a little differently this time around and include a few events that aren't fully locked in yet. That means you'll see some movies without showtimes and some dates without confirmed titles—for now. Everything should be finalized by next month's post.

First up is the 2nd Annual CineSonic, the Music Film Festival:

https://preview.redd.it/jwsfzwmd8oah1.png?width=2141&format=png&auto=webp&s=076b458a50640c80e76355b1e849bf8d4ebecade

This year, CineSonic is an 8-week screening series, running on Sundays at 2pm at the Savoy 16 + IMAX. Starting on July 12th, and ending on August 30th, the CineSonic Film Festival will be bringing you the best in music-related films. Tickets are $10.

https://preview.redd.it/e6u5dyes8oah1.png?width=1683&format=png&auto=webp&s=c64870ba891cb6850a22fcc3c887177f8b4e38f5

The schedule is:

July 12 – LIFERS: A Local H Movie
July 19 – Resynator
July 26 – Jack Johnson: SURFILMUSIC
August 2 – The Last Critic
August 9 – Brother Verses Brother
August 16 – Shorts: Music Documentary
August 23 – We Are Fugazi From Washington D.C.
August 30 – RADIOHEART: The Drive & Times Of DJ Kevin Cole

You can find more info about the films, as well as YouTube trailers where available at these links. We are still working on final confirmation about which of these films will have people involved with a Q&A, either in-person or via Zoom.

Next, is Film Fanatic Club. After showing their first movie at The Lit last month, they return this month for a film fittingly based on a book.

Thursday, July 25: American Psycho
📍 The Literary Book Bar - 10:30pm - $8 (for members) $10 - $12 (at the door)

USA 2000 • 102 min (2.39:1) • Rated R
Directed by: Mary Harron
Starring: Christian Bale, Willem Dafoe, Jared Leto, Reese Witherspoon, Chloë Sevigny
Based on the novel by: Bret Easton Ellis

A rare adaptation that sharpens rather than softens its source, American Psycho distills Bret Easton Ellis’s infamous novel into a sleek, darkly funny study of surface, status, and self-invention at the tail end of the Reagan era. Ellis’s fixation on brand names, empty ritual, and interchangeable identities finds a perfect cinematic analogue here, where violence feels less like shock than a logical extension of a culture built on appearance and consumption. The film’s cool, controlled aesthetic—echoing the clinical precision of Stanley Kubrick—turns glassy surfaces and pristine spaces into part of the joke. At the center, Christian Bale makes control itself the punchline, embodying and quietly ridiculing the hyper-managed world Ellis created. Once controversial, now firmly canonized, it plays like a time capsule that somehow feels more relevant with each passing decade.

https://www.youtube.com/watch?v=5YnGhW4UEhc

Content Warning: Graphic violence, drug use, adult themes, disturbing content. Viewer discretion advised.

Thursday, July 30: Sorry To Bother You
📍 Savoy 16 + IMAX • 7pm • $10

I feel like what I'm doing with my programming in town is somewhere in between a Film Festival and an arthouse cinema. I often tell people that I don't want to replace Ebertfest, I want to replace The Art Theater.

So, when Art House Convergence announced this year's Art House Theater Day, I knew I wanted to be involved. That they chose Sorry To Bother You, the absurdist comedy from Boots Reilly as their main film, and Boots Reilly as their ambassador this year, I KNEW I need in.

Here's Boots telling you to come out and see Sorry To Bother You:
https://www.youtube.com/watch?v=MuR6ldewUMI

https://preview.redd.it/zprhzdvfdoah1.jpg?width=1920&format=pjpg&auto=webp&s=b929aceab91fcb7ac24f8d7120493a4f5eb0ef49

And here's the film trailer, although I have to tell you, nothing can prepare you for the weirdness of this film:
https://www.youtube.com/watch?v=XthLQZWIshQ

Friday, September 4, 11 & 18: Savoy Arthouse Repertory Titles

The Chambana Film Society usually only shows newer films, that you can't see at home, but there's been a lot of press about how people are really excited to see older films in a communal setting. I wanted to show some of my favorite older films, but I really wanted to do something special, so I've chosen 3 titles whose directors I know, that will talk to us about their films afterwards. I'm almost ready to announce them, but save the date!

September 24 - 27: Pygmalion

So, Chambana Film Society is presenting FILM at Pygmalion this year! We've been planning this for a while, and it was just announced yesterday. I can't tell you the time and place for this screenings yet, but 6 programs have been announced, three features and three short film programs:

Feature Films:

The Green Mill: A Real Chicago Joint
Slouching Towards Branson
Röckët Stähr’s Death of a Rockstar

Short Film Programs:

Homegrown Shorts (featuring some of the same films we screened at the Lumière)
Jewish-American Shorts (possibly the exact same program we presented at the Lumière)
Animation After Dark (after programming a family-friendly animation showcase for the Lumière, we're excited to present a collection of animated shorts intended for adult audiences)

It looks like features will be on Saturday the 26th, and Shorts will be on Sunday the 27th. Assumedly they will be done by 5 or 6pm, when concerts start.

October 1-5: Doctober Fest

I've been deep in the planning (and watching!) stages for a mini documentary film festival this October. I'm aiming for the first weekend of October and hoping to screen 6–8 feature documentaries over the course of the festival.

I'm still toying with the idea of saving documentary shorts for the final screening of the year. In a way, I'm still reeling from the bleakness of this year's Oscar-nominated documentary shorts—and, honestly, from the bleakness of life in general. So if I do end up programming a shorts collection later this year, it's going to lean in the opposite direction: fun, joyful, and maybe even a little frivolous.

For now, mark your calendars for the first weekend in October. I can't wait to share more soon!

And that's it! We might be filling in some other titles here and there, probably studio films, and they might have some short lead times, so if you are interested, make sure you follow us on Social Media.

You can see our Newsletter Archive, and sign up for our newsletter there, follow us on Facebook, or see our Facebook Events. We also have a somewhat neglected Instagram Page, and an extremely neglected BlueSky Page.

You can find more information about area screenings at the CU Independent Film Calendar and at C-U Blogfidential.

Thanks! And I'll see you next month!

reddit.com
u/ChambanaFilm — 4 months ago

The 3rd Annual Savoy Lumière (Central Illinois) open for submissions.

Hi r/filmfestivals!

We just opened for submissions for our third year. We are already the biggest film festival in Illinois that isn't in Chicagoland, with 26 screenings planned for next year (March 18-29). (The next largest festivals I can find all had 4 screenings). On top of that, we have on-and-off-again weekly screenings, and are planning some "mini-festivals" or 5-8 screenings throughout the year. One for documentaries, a 24-hour horror marathon, and hopefully a queer festival in June 2027. Audiences have been coming out for our screenings in a pretty strong way, and we want to give them more independent film!

Because I love this sub so much, I have 10 50% off coupons for anyone interested:

https://filmfreeway.com/SavoyLumiere
Code: reddit5050

If you miss out, maybe follow me, I'll probably post one of these per week in some other subs as well.

reddit.com
u/ChambanaFilm — 4 months ago
▲ 10 r/centralillinois+2 crossposts

Champaign-Urbana Area Film Events: June 2026

School is out for the summer, and this town is already sleepy as hell. The Chambana Film Society is taking June off, and we're expected to return in July & August with a screening series of music-related films. They'll run Sundays at 2pm at the Savoy 16 + IMAX.

In the meantime, there's only TWO independent film screenings that I am aware of this month.

Thursday, June 4: The French Dispatch
📍 The Literary Book Bar - 10:30pm - $8 (for members) $10 - $12 (at the door)

https://preview.redd.it/m55adxhafy4h1.png?width=800&format=png&auto=webp&s=4380bfd1a8593381550b8d772a1615179fc526ea

A meticulously constructed anthology that plays like a love letter to mid-century magazine journalism, The French Dispatch finds Wes Anderson pushing his formalism into ever more intricate territory. Structured as a series of articles from a fictional publication, the film blends literary homage (echoes of The New Yorker are unmistakable) with a dense collage of visual and narrative styles — deadpan reportage, absurdist comedy, political pastiche. Beneath the hyper-controlled compositions and rapid-fire storytelling is a sincere elegy for a certain kind of writing culture: obsessive, idiosyncratic, and fiercely human. More fragmented than his earlier work but no less deliberate, it rewards close attention, functioning as both a showcase of Anderson’s craft and a reflection on the act of storytelling itself.

Friday, June 26: Homage To Cinema
📍 Old Tiernan's Hall • Downtown Urbana - FREE

Join us for an evening of film, music, and conversation at the historic Old Tiernan’s Hall, a former 19th-century theater in downtown Urbana. Homage to Cinema features a screening of three Georges Méliès silent short films, accompanied by a live, improvised score by the Nu Orbit Ensemble.

The evening begins with a reception from 5:30–7pm, featuring visual art, complimentary hors d’oeuvres, and an opportunity to connect with fellow film, art, and music enthusiasts. The screening and live performance begin at 7pm, following brief remarks. This program offers a chance to experience silent cinema in a contemporary context, where live music and moving image come together in a shared, one-of-a-kind performance.

The Astronomer’s Dream (France 1898 • 3 min • 1.37:1)
Le Voyage à travers l’impossible (France 1904 • 24 min • 1.37:1)
Le Compositeur toqué (France 1905 • 5 min • 1.37:1)
Directed by: Georges Méliès
Presented by: Rachel Storm and Arthouse 217

Content note: Contains silent-era fantasy imagery and slapstick violence.

reddit.com
u/ChambanaFilm — 4 months ago
▲ 35 r/Chambana+1 crossposts

Hi!

The Savoy Lumière had a fantastic weekend, and it looks like the rest of the week is going to be great at well (info below), but tonight's screenings sales are what the call in the industry "soft".

Mondays are traditionally horrible days at the movie theater, so last year I made the Monday movie $1, so we're going to repeat that this year.

YES, tonight's screening of Just One Man, about an Indianapolis man who has erased over $20 million in medical debt by riding his wheelchair across the state is now $1. Director Andie Redwine will also be there to talk about the film afterwards.

https://preview.redd.it/wblnzozlo6zg1.png?width=1920&format=png&auto=webp&s=f8c6bf18ced312e21be79aff88267e1d7aab7761

More info: https://2026lumiere.chambanafilmsociety.org/the-tenderness-tour/

Tickets: https://checkout.square.site/merchant/MLEXH26MXNKWM/checkout/WLU4XUTU6P4GAWWI4HTGOXEO?src=embed

It's a dollar, come on out and take a chance on something!

Also, if you didn't see our update on other social media late last week, we have added films on Wednesday & Thursday. Both of these films were released Nationally on April 10th, and had no intention of playing in the Champaign area, so I booked them both to fill out the week.

Wednesday: The Christophers (YouTube Trailer)
Tickets: https://checkout.square.site/merchant/MLEXH26MXNKWM/checkout/FNMSPCUWVADZW75LAXWA2OXM?src=embed

The Christophers is a recent black comedy directed by Steven Soderbergh (Ocean’s 11, Out of Sight, Erin Brockovich, Traffic, Magic Mike, and many more). The film stars legendary stage and screen actor Ian McKellen alongside Michaela Coel, best known for creating and starring in HBO’s I May Destroy You.

McKellen plays Julian Sklar, an aging painter whose family hires a new assistant to care for him. Unbeknownst to Julian, she is actually a skilled art restorer. Fearing that Julian will pass away without producing new work to sell, his family secretly tasks her with locating his unfinished paintings and completing them—effectively forging new pieces to secure their inheritance.

The Christophers premiered at last year’s Toronto International Film Festival and was released in April by Neon, but it never screened in Champaign County. The film currently holds a 97% rating on Rotten Tomatoes and a 3.5 average on Letterboxd.

Don’t miss this rare opportunity to see The Christophers on the big screen—and to support bringing more mid-budget, artist-driven films to the CU community.

Thursday: Exit 8 (YouTube Trailer)
Tickets: https://checkout.square.site/merchant/MLEXH26MXNKWM/checkout/MGMKPNL6DV47ZZJTVSSXC4RC?src=embed

In Japanese with English subtitles.

A quick glance at the history of films based on video games shows a pretty consistent pattern: most of them are… not great. But Exit 8 is anything but typical. In fact, it may be the strongest video game adaptation ever made—and it’s possibly the only one to screen at the Cannes Film Festival.

The original game is built on a deceptively simple idea: you walk through a subway corridor, carefully observing every detail. In the next corridor, something might be off—a flickering light, a shifted door, a poster whose eyes seem to follow you. If everything looks normal, you keep moving forward. If something feels wrong, you turn back… only to find yourself progressing anyway. Reach Corridor 8, and you escape. Miss something, and the loop continues.

The film expands this minimalist concept into something far more layered and cinematic. It stays true to the eerie, observational tension of the game while building out a richer narrative filled with psychological twists and mounting dread. The result is a gripping, PG-13 thriller that manages to feel both faithful and entirely fresh.

With a 92% rating on Rotten Tomatoes, Exit 8 proves that video game adaptations don’t have to be hollow spectacle—they can be thoughtful, unsettling, and genuinely compelling.

I hope to see you at the movies this week!

reddit.com
u/ChambanaFilm — 5 months ago
▲ 23 r/centralillinois+3 crossposts

I'm not sure if things are slow this month because its the end of the semester, or because I've been so preoccupied with  The Savoy Lumière that I've missed things. Either way, there are only two events that I know about that AREN'T related to the Savoy Lumière. I'll list those first, and then put all of the Lumière events after. Lumière events are all the same as last time, but with some new additions on May 22nd.

Saturday, May 2: UIUC Student Film Festival
📍 Spurlock Museum - 7:00pm - Free

We never get any info about these films before the festival, but these are all films made by UIUC students.

Thursday, May 7: Chungking Express
📍 Analog Wine Bar - 7:30pm - $8 - $10
Film Fanatic Movie Nights

I don’t have time to write something compelling, but this is a fantastic movie that you should definitely come out for.

A defining work of 1990s world cinema, this restless, intoxicating romance captures Wong Kar-wai at the moment his style fully ignites. Shot with kinetic immediacy by Christopher Doyle, the film transforms late-night Hong Kong into a neon-lit dreamscape of chance encounters, missed connections, and emotional drift. Its fragmented storytelling, pop-music obsessions, and offhand intimacy redefined modern screen romance, influencing everything from indie cinema to fashion, music videos, and global arthouse aesthetics. A time-stamped mood piece that somehow feels eternal, it remains one of the most beloved and endlessly rewatchable films of its era.

The 2nd Annual Savoy Lumière!

All screenings are at the Savoy 16 + IMAX, all tickets are $12. a 10-ticket pack is $100, and fully shareable. (Actually, the $10 price works for every ticket over 10.)

Festival week begins on April 29, (tonight!), with an opening night dedicated to local filmmaking, featuring a collection of locally produced short films, now titled HomeGrown Shorts. The program both begins and ends with films featuring local standout actor Matthew Green, and also includes work from Brim writer Trude Namara, a documentary from alum Jason Lindsey, and several additional regional filmmakers.

On Thursday, April 30, we present a fascinating documentary about the pioneers who inspired this festival: the Lumière Brothers. Lumière! Le Cinéma! showcases newly restored versions of their films alongside a rich narrated exploration of their work and legacy.

Friday, May 1 features a comedy shorts program that I’ve whimsically titled Comedic Shorts, alongside Hekla, the fourth film from Michael Glover Smith. A loose follow-up to Relative, the film follows an aspiring actress navigating auditions, breakups, and self-doubt over the course of a single day.

Saturday, May 2 is a full day of programming, beginning at 10:30am with family-friendly animated shorts, followed by the teen drama Under the Lights. The day also includes a thriller and horror shorts block, the conversation-driven shorts program Is This Therapy?, and two feature thrillers: the comedic-thriller Anywhere and the creature feature When the Night Falls, filmed in Clifton, IL, which closes out the night.

Sunday, May 3 offers another full slate. We start at 10:30am with the crowd-favorite 25 Cats From Qatar. Additional features include American Dendrite (whose setup is impossible to summarize briefly—please, check out the synopsis) and Video Dreams: A VHS Massacre Story, which chronicles 30 years in independent filmmaking. Also screening is $POSITIONS, a fast-paced comedic thriller about a well-meaning screw-up who invests his family’s savings in cryptocurrency.

Sunday also introduces our Identities shorts series, beginning with Identities: Asian-American. These programs explore the subtle interplay between heritage and everyday life across different communities, with additional entries—Identities: Jewish-American and Identities: The Souls of Black Folk—screening during the post-festival period.

On Monday, May 4, we spotlight an inspiring story out of Indianapolis, The Tenderness Tour. Richard Propes has spent years traveling across Indiana in his wheelchair—sometimes over 1,000 miles each summer—raising money for families in need. After discovering that medical debt can be purchased for pennies on the dollar, he sets out to eliminate $155 million in debt across the state—despite never having raised more than $20,000 before.

Festival week concludes on Tuesday, May 5 with Nuisance Bear, winner of the Grand Jury Prize for Best Documentary Feature at this year’s Sundance Film Festival. Expanding on the award-winning short of the same name, the film explores life in Churchill, Manitoba—known as the “Polar Bear Capital of the World”—and features stunning cinematography that demands to be seen on the big screen.

Post-festival screenings continue with Identities: Jewish-American on May 8 and Identities: The Souls of Black Folk on May 15. The series concludes on May 22 with the documentary Tight & Nerdy, following a traveling burlesque troupe performing a show set to the music of “Weird Al” Yankovic. This film is preceded by a short local documentary, Maybe It’s This, about Defy Gravity CU.

And finally, we close everything out with one last event: Lumière After Dark: The Weird Revue, a live burlesque performance featuring local talent.

So, overall the schedule for Friday, May 22nd will be:

1 Ticket for:
6:00pm - Maybe It’s This - 30 minute short film
6:30pm - Q&A with filmmakers and subjects of Maybe It’s This
7:00pm - Tight & Nerdy
8:30pm - Zoom Q&A with Tight & Nerdy Filmmakers

1 Ticket for:
9:30pm - Lumière After Dark: The Weird Revue

It’s hard to imagine a more exciting ending to the festival. Hope to see you there!

u/ChambanaFilm — 6 months ago