
'Brass Eye' Decline Music Video in the style of Pulp's 'Common People' | 1997
From the "Decline" episode (Episode 6). Me Oh Myra 😂 Sutcliffe the Musical!

From the "Decline" episode (Episode 6). Me Oh Myra 😂 Sutcliffe the Musical!
Diedrich Bader (who played Peter's mulleted neighbor, Lawrence) jokes about how great it is to see the movie with an active crowd, contrasting it with his experience watching it during its opening weekend.
Stephen Root (the unforgettable, stapler-obsessed Milton Waddams) mentions how much he loves being a part of this "little movie" and attempts to give the crowd his famous mumbled radio line.
Gary Cole (the legendary, passive-aggressive boss Bill Lumbergh) recalls the original LA screenings where people "chuckled" but didn't quite know what to make of the unique humor at the time.
Mike Judge (Writer and Director) shares that it was the first time he had seen the film in full in 10 years and describes watching it with that specific Austin audience as "pretty wonderful."
They shared the stage on a night that featured performances from massive 90s acts like Take That, Kylie Minogue, Boyzone, M People, East 17, D-Ream and more.
An up-close and personal look at Ozzy Osbourne's then-23 year career. Revealing all his personal struggles with drugs, alcohol, lawsuits, but most of all, being a family man.
Behind the scenes interviews with the cast and crew on working with the Coen brothers.
Focussing on the adaptation of Cormac McCarthy’s novel. The Coen brothers admit they didn't initially see it as a "Coen project," but were drawn to how the book subverts typical crime-thriller formulas. They also discuss the logistical challenges of shooting the bleak, vast landscapes of West Texas (much of it actually shot around Marfa, Texas, and New Mexico) to capture that intense feeling of isolation.
Behind the scenes and interviews with the cast and crew from the Academy Award winning masterpiece.
During the early production phases, the CGI was so experimental that Sam Raimi shot several scenes using a stuntman on wires. However, when he compared the practical footage to the CGI tests, the CGI actually looked more realistic because it allowed for the extreme, crouched-over-bone-breaking poses that define Spider-Man’s anatomy; poses a human stuntman simply couldn't achieve without looking awkward.