the interference + collage setting is insane [idmish]
the main element of this piece was inspired by 2000's raster noton records, trying to get that old timey yet futuristic/sci-fi interface sounds that i really like. it was made with mutable instruments plaits, sequenced by digitakt 2 with the help of maths function generator for those sharp transients.
every other sound came from the sample pack i've been working on for the last couple of months, which i think we'll be ready for early next month!
everything is fitted within one pattern with lots of conditionals and parameter locks, audio is routed via overbridge to ableton but it's mixed completely inside the digitakt aside from a saturator and a limiter. chroma console is being run affecting everything besides kick and bass with ableton's external audio effect.