Should I keep playing trumpet?
I have three trumpets, but it’s been five years since I last picked one up and really played it. I figured that since I know trumpet, I could participate in a local band that needs more of them, and so I pulled out my plastic trumpet a few days ago to start practicing. Right off the bat, I was able to play kind of like I used to (although I’ve only ever really played my metal trumpets, and I’ve never played with aligners on my teeth like I have now). However, everything started going downhill from there, and it started bringing up some bad memories and anger issues I used to have.
My tone is inconsistent, my embouchure is unreliable and fuzzy, and I can’t even really hold a buzz with or without the trumpet. As I continued practicing on my plastic trumpet, I was only able to hit a high E and a few times made it to a high G, and many of my notes sounded out of tune or jumped registers at the onset, which is when I realized that I couldn’t adjust the slides on my plastic trumpet like I can on my metal ones. This was mostly concerning because unlike many of my peers in the past, I had always adjusted the tune of my notes through my playing rather than the trumpet, and I found that I struggled to do that.
I started playing trumpet when I was nine years old, but I never really seemed to improve that much, even if I outperformed some people, and practicing only seemed to make my playing worse. I’ve felt like there was a problem with my embouchure for quite a while, but I struggled to find a solid instruction on how that should be arranged, because the facial tension displayed by examples of correct embouchure online as well as historical trumpet players doesn’t seem to always be consistent with what is described as most correct. Some sources seemed to provide contradictory information about how tense or relaxed different muscles should be, and just like with my phonation in speech, my air would get cut off at the strangest times. I used to turn bright red whenever I played, and people would tease me by calling me a strawberry.
I remember one of my teachers later on teaching that the lower lip should be more engaged than the upper one, and it made me feel very unsure about the way I had always played, because my upper lip seems to do almost all the work. Even when making facial expressions outside of playing music, my peers at the time seemed to have a level of flexibility with their lower lips that I didn’t, because their lower lips could fold down almost completely away from their teeth and toward the chin without them having to engage the upper lips and cheeks. My lips have always felt very limp. Back then, I couldn’t move my lower lip like that at all, and even now, my whole face has to contort for that sort of position. Those same friends had only started playing and were able to move to a more advanced band without me, while I had never even been in the same band as them because I wasn’t a beginner, so it was somewhat demotivating, and it makes me remember the other ways in which I didn’t quite align with them or their interests.
I can also play percussive instruments, which I did for marching band once because I wasn’t confident in my breath control for trumpet. Even then, I would sometimes get heat stress, so when I became lead snare, I had to alternate with others. Now, I am wondering if I should just stick to percussion and not go back, even if trumpets are more portable and I would have to borrow percussive instruments which aren’t mine. Right now, it feels like I’m playing trumpet to simply hear the notes, like pressing my fingers on a keyboard without actually knowing how to play. I can easily remember the fingerings and how to read the sheet music, but I’m starting to wonder if my execution was ever really worth it when I can play many other instruments I have nearly just as well on a beginner level.