Questions about invisible doubles(and whether I’m thinking of this right)
Hello, so I’m thinking the best way to do this for panned doubles is a low pass on the doubles so the most audible frequencies don’t clash and create a chorus effect, and to more aggressively manually cut out sibilance/consonants for the same reason
I’m wondering if this is common and if this is the correct way to do it
Basically wanting a way to be able to have a detailed scalable energy control, so say a section of the beat is super empty, I could automate said doubles to lower in volume so the energy feel matches the previous sections etc
Any advice is appreciated! Sorry if this post is a bit scrambled lol my head is very hollow feeling today
I’m thinking this is how wraith9 did LV Sandals, it also sounds like the main vocals on that track are panned to the left but you can hear a double on the right that that sounds like a ton of the frequencies are cut or heavily reduced
Thanks again