I took this image with my Hasselblad 2000fc and the Carl Zeiss Planar T* 2.8/80 lens. The film used was Rollei Retro 400s, and I developed it using Adox HC-110 Pro developer.
#photography #filmisnotdead #keepfilmalive #analogphotography
9-Minute Exposure – I took this photo with a Canon EOS 30; the lens used was a Canon EF 50mm f/1.8. The film was ADOX CMS 20 II. I developed the film using Adox Rodinal.
I took this image with my Hasselblad 2000fc and the Carl Zeiss Planar T* 2.8/80 lens. The film used was Rollei Retro 400s, and I developed it using Adox HC-110 Pro developer.
I took this picture with a Fujica 645Wide with Foma Ortho film.
The image was created from various negatives—that is, from four exposures of the paper.
Printed on Fomaspeed 24x30cm, Enlarger: Omega/Jobo LPL 7451, Lens: Rodenstock Rodagon 5,6/150, Exposure time with F8 4x 16 Sekonds, Paper Developer: ADOX NEUTOL liquid NE 1 Minute, Stop Bath: Adox acetic acid 20 Sekonds, Fixing Bath: ADOX ADOFIX Plus Rapid Fixer 2 Minutes, Subsequently soaked for 2 minutes
I took this picture with a Fujica 645Wide with Ilford HP5+ film.
I took this image with my Hasselblad 2000fc and the Carl Zeiss Planar T* 2.8/80 lens. The film used was Rollei Retro 400s, and I developed it using Adox HC-110 Pro developer.
11-Minute Exposure – I took this photo with a Canon EOS 30; the lens used was a Canon EF 50mm f/1.8. The film was ADOX CMS 20 II. I developed the film using Adox Rodinal.
On the one hand, I think the light meter on the Fujica GS645w was completely off yesterday; and on top of that, something went wrong with the development time during film processing.
Up until now, I have always been able to rely on the camera 100 percent.
The film was Fomapan 400 Ortho, which remains valid until 2027 and had been stored in the refrigerator.
I developed the film using Adox HC-110, at 20 degrees with a development time of 7 minutes. The stop bath was 20 seconds—as always—and the fixer was an Adox mixture of 1:7 for 7 minutes; so, everything exactly as usual.
Other rolls from yesterday turned out a little better, but they are also overdeveloped; I have never achieved such a poor result with this film—or with any film, for that matter.
Some of the images on the film are the exact opposite—they are completely underexposed. I suspect that the light meter batteries need to be replaced.
I also can't imagine that the developer is bad, since just two days ago they were still producing excellent work.
Printed on Fomaspeed Variant 311 Glossy 24x24cm, Enlarger: Omega/Jobo LPL 7451, Lens: Rodenstock Rodagon 5,6/150, Exposure time with F8 26 Sekonds, Paper Developer: ADOX NEUTOL liquid NE 1 Minute, Stop Bath: Adox acetic acid 20 Sekonds, Fixing Bath: ADOX ADOFIX Plus Rapid Fixer 2 Minutes, Subsequently soaked for 2 minutes
I took this picture with a Fujica 645Wide with Ilford HP5+ film.
8 Minuten Belichtungszeit - Das Foto habe ich mit einer Canon EOS 30 aufgenommen, das verwendete Objektiv war ein Canon EF 50mm f/1.8. Der Film war ein ADOX CMS 20 II. Ich habe den Film mit Adox Rodinal entwickelt.
I took this image with my Hasselblad 2000fc and the Carl Zeiss Planar T* 2.8/80 lens. The film used was Rollei Retro 400s, and I developed it using Adox HC-110 Pro developer.
I took this image with my Hasselblad 2000fc and the Carl Zeiss Planar T* 2.8/80 lens. The film used was Rollei Retro 400s, and I developed it using Adox HC-110 Pro developer.
Printed on Fomaspeed Variant 311 Glossy 50x50cm, Enlarger: Omega/Jobo LPL 7451, Lens: Schneider Kreuznach Componon S 5,6/80, Exposure time with F8 45 Sekonds, Paper Developer: ADOX NEUTOL liquid NE 1 Minute, Stop Bath: Adox acetic acid 20 Sekonds, Fixing Bath: ADOX ADOFIX Plus Rapid Fixer 2 Minutes, Subsequently soaked for 2 minutes
I know—many people say it's too dark, but it is the "Dark Hamburg" series.
Printed on Fomaspeed Variant 311 Glossy 50x50cm, Enlarger: Omega/Jobo LPL 7451, Lens: Schneider Kreuznach Componon S 5,6/80, Exposure time with F8 40 Sekonds, Paper Developer: ADOX NEUTOL liquid NE 1 Minute, Stop Bath: Adox acetic acid 20 Sekonds, Fixing Bath: ADOX ADOFIX Plus Rapid Fixer 2 Minutes, Subsequently soaked for 2 minutes
Zwischen den Fahrspuren mit Stativ gestanden, zum Glück bin ich recht schmal, denn da war nicht viel Platz, und es ist auch nicht für Fußgänger gedacht.
Yashica Mat 124g + Ilford PanF Plus
Da ich nur einen Lee Big Filter mit einem Verlängerungsfaktor von 1000 bei hatte, musste ich 56 Minuten belichten - Das Foto habe ich mit einer Canon EOS 30 aufgenommen, das verwendete Objektiv war ein Canon EF 50mm f/1.8. Der Film war ein ADOX CMS 20 II. Ich habe den Film mit Adox Rodinal entwickelt.
Shot with my Chamonix C45F-2 Camera and a Tominon 4,5/105 lens.
I took this picture on Fomapan 100 Sheet Film and developed it with Adox Rodinal 1+49.
Here, after the forest fire, almost all the trees were felled so that they would rot more quickly.
The second image is the digitized version of the negative.
Printed on Fomaspeed Variant 311 Glossy 24x24cm, Enlarger: Omega/Jobo LPL 7451, Lens: Rodenstock Rodagon 5,6/150, Exposure time with F8 14 Sekonds, Paper Developer: ADOX NEUTOL liquid NE 1 Minute, Stop Bath: Adox acetic acid 20 Sekonds, Fixing Bath: ADOX ADOFIX Plus Rapid Fixer 2 Minutes, Subsequently soaked for 2 minutes