I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

I had been working as a law enforcement transcriptionist for a little over six years when the officer brought me the tape. I'd never seen him before, but that wasn't too unusual. There were a lot of new recruits and I didn't exactly have the best memory when it came to faces. He wore the customary uniform, which fit him rather well. Even as a straight man, I have to admit he was handsome, almost ridiculously so. Dark hair, a sharp jawline speckled with stubble, and an air of gravitas that was impossible to ignore.

He handed me a cassette tape.
“I need this transcribed immediately,” he said in a smooth, inviting tone. “Don't put it through the usual queue.”
With an eyebrow raised, I asked what the case was about. Instead of answering, he looked at the tape for a moment before looking back at me.
“Just prepare yourself,” he said with a grimace. "It's quite intense.”
I remember laughing a little because I assumed he was exaggerating. But he didn't laugh with me. Before I could ask for any more details, he disappeared back down the corridor.
I've always been quite a curious person. It's what led me to this line of work. So, naturally, I immediately popped the tape in, pulled up Mark43 and began logging.

What follows is my transcription of that recording. I've removed the names and identifying information where necessary, but otherwise I've left it exactly as it was spoken. Be that for better or for worse.
The transcript of this tape– or, more precisely, its contents– makes for difficult reading. The things I heard and witnessed that day remain beyond my understanding. It is for this reason that I decided to share the tape's contents. Perhaps one of you can make more sense of this disturbing tape than I.

###

Tape Recorded Interview
Patrick Morgan/Detective Baron Hauptman
7.23.26

BH This is Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. The time is at 11:23 A.M. This will be a taped conversation with the last name of Morgan, M-O-R-G-A-N, first of Patrick, P-A-T-R-I-C-K, middle of Joe, J-O-E. Date of birth 02-20-96.

BH So, Patrick, I've turned on a tape recorder so I can record our little conversation. I'm to understand you've been read your rights and– let me see here– you've declined to lawyer up. Is that correct?

PM Correct.

BH Okay. Well, let's get down to business then, eh?

PM Alright.

BH So, Patrick. I assume you know why you're here?

PM Mhm.

BH Why don't you go ahead and tell me?

PM Because you think I killed–

PM Can you speak up?

PM Because you think I killed people. 

BH The department suspects you, yes. But hey, don't shoot the messenger. (Chuckle)

BH Let's start with… Isabella Moreno. How well did you know her?

PM Quite well. 

BH How's that?

PM She lived down the street. We used to play when we were kids.

BH And when did you last speak with her?

PM Hm… December, January. Something like that.

BH What did you talk about?

PM Why would I remember that? It's been like seven months.

BH Well, I'd think your last conversation might stick around longer. Especially with all that talk of art.

PM What? 

BH Art. You're an artist, right?

PM Yeah– how did you–

BH You take pride in your art, then?

PM I– yeah, I guess I do.

BH Every artist does, I suppose. But most are too scared to put their art out in the open. You have no such reservations, right?

PM What do you mean?

BH You like displaying your work publicly. In all its glory.

PM I have no idea what you're–

BH Really? So you don't look up to a certain… mentor?

PM No. Look–

BH You don't have to explain it.

PM … What?

BH I know.

PM … The fuck're you– Know what?

BH Why you did it.

PM Then why am I here?

BH Because they want to know if you did it.

PM And?

BH And… you did. 

PM What– What's the point of this then?

BH I wanted to meet you. In the flesh.

PM I–

BH I've seen your work. Your real work. Not those flimsy portraits in your apartment.

PM What the hell're you talking about?

BH You know. And I must admit, you are an artist at heart. Just not a very good one.

PM Excuse me? What does that even mean?

BH Her body. I mean, the way you arranged it. Chest splayed open, guts hanging around her neck. And the little message you left beside her. Very theatrical, I must say.

PM I didn't—

BH You spent three hours arranging her. Isn't that so, Patrick?

PM No–

BH You spent the longest on the fingers.

PM Whatever you're doing won't—

BH You wanted it to look natural. But you don't understand hands very well. (Chuckle)
BH Even in your shitty little paintings. It takes a special kind of anti-talent to make them look like the aftermath of a car wreck.

PM Stop–

BH C'mon, Patrick. You made the thing and now you don't want to discuss the composition?

PM Shut up.

BH I suppose it's to be expected. You don't care about the art. You don't even care whether you get caught. You just want to be seen.

PM You're full of shit.

BH You copied someone else's work because you wanted people to look at yours.

PM I didn't copy anyone! (Something slams against the metal table)

BH It's no use lying, Patrick. You read everything you could find about the man. Every little detail on how he displayed his victims. Hell, you even fooled the cops into thinking you were the real deal.

PM You– You don't know anything about me.

BH I know exactly what you are. A copy. You imitate the man, but you've never met him. And yet you've spent the last two years trying to make him proud. That's rather pathetic, Patrick.

PM Stop–

BH Isn't that what mommy always used to say?

PM I said stop!

BH (Mocking tone) The exact same rotten soul as your father! 

PM What– How do you–

BH She threw your paintings away, didn't she? You'd find them in the trash, sometimes even torn in half.

PM Shut up! Shut the–

BH Do you remember the blue one?

BH Oh, c'mon patrick. How could you forget? The one you painted when you were seventeen. The woman standing in the field.

PM Stop– Stop talking about my paintings.

BH Ah, you prefer to talk about your real art after all? (Chuckle)
BH I know you, Patrick Joe Morgan. You started killing because painting wasn't enough anymore. You wanted to make something nobody could ignore.

PM Please just—

BH You wanted someone to look at it and understand you. But nobody did.

PM Stop talking!

BH Not your mother. Not your father. Not the police. Not even the man you copied. And now you're sitting here hoping I will.

PM I–

BH Well I do understand you. And I want you to feel how truly pathetic you are, Patrick.

PM Please– (whimper)

BH Patrick.

PM Please just stop!

BH Look at me.

PM No! I– I won't.

BH (Static crackles. Voice briefly distorts) Patrick, you slime. Look at me!

PM I'll– I'll confess! I'll tell you everything you wanna know, please just–

BH (Chuckle) Oh, Patty. You don't have to do that. I know what you did. 

PM (Unintelligible)

BH Chin up, champ. Smile, and look into my eyes.

(Pause)

PM (Screaming, unintelligible).
PM WHAT– WHAT THE FUCK IS–

(Something slams against the metal table)

BH (Voice warped) Come closer.

PM (Unintelligible whines)

(Something drags across the metal table.)

BH (Whispers something unintelligible)

PM No– no it can't–

BH (Slow, droning) Yes, Patty. You know she was.

PM (Strangled cry. Sobs)

(Something slams against the metal table)

BH There you go. Attaboy.

(Something slams against the metal table several times, with a small pause between each increment)

(The door whines open. The slamming continues.)

BH Ah, good day gentlemen! 

(Frantic yelling. The slamming continues.)

BH My eyes are up here, lads.

(Unintelligible cries. Thuds join the slamming.)

BH This has been Detective Hauptman, █████ Police Department. Today's date is Thursday, July 23, 2026. 

(The slamming stops. The thudding continues.)

BH I'm turning the tape recorder off again. The time is 11:30 A.M. This has been the confession and testimony of Patrick J. Morgan.

###

When the tape stopped, I sat in silence for a moment. The shock of it all had rooted me firmly in place. Eventually, I forced myself out of my chair and scrambled towards the interrogation room. 
I honestly wish I hadn't. 

Patrick Morgan was still sitting at the table. He'd smashed his face into the metal table so many times that there was almost nothing recognizable left. His nose was almost completely crushed into his skull, which itself had been pulverized by the repeated impacts. 
The two officers who'd been monitoring the interrogation lay in a puddle of blood on the floor. The first officer had strangled the second with his own tie, while the second had beaten him across the head with a chair. There was no apparent reason for any of it. It looked like three men had simply gone mad at the same time.

In the weeks and months following, the department searched for Detective Baron Hauptman. Of course, there was no officer by that name at our department. We still don't know how he forged or stole the badge and uniform. We've tried to identify him using the cameras he walked past, but these efforts yielded nothing. It seemed as though he'd wandered in, then walked off the face of the earth.
I still have a copy of the cassette. I made it in case the original was ever destroyed. Still, I haven't mustered up the courage to play it again. The most I've managed is to re-read the transcript I made. I can't wrap my head around what happened. I suspect I never will. 

That brought me here. Perhaps sharing this will yield more results. So please, if you have any information on Baron Hauptman, send it to me. I need to know who– or what– he was. More than that, I wish I knew how he knew so much about Patrick.

People tend to assume murder is messy. That's how the papers write about our work. Rage. Blood. Twenty-eight stab wounds. A deluded mind snapping. It makes for neat headlines. If the public believes every killer is an animal, or that they ‘snapped’, they never have to wonder whether they passed one in the supermarket this morning. Sometimes they’re right; murder can make quite the splattering mess, just as an amateur painter might. But not all of us are quite so animalistic. It is an art form of the purest kind, the taking of a life. And again, some of those artists do take the messy approach; hacking off limbs and slicing arteries. But I find a nice, quiet suffocation brings far more satisfaction. It is the purest way to take a life. To snuff out the soul without even so much as a blemish on the skin. 
Detectives argued for years over what it meant, experts invented an elaborate, farcical psychological profile, and internet forums filled with diagrams and theories that somehow managed to be both wildly imaginative and completely wrong.

The newspapers gave me a name some years ago.  They always do. It is the name those forums and experts call me by. The detectives pretend they hate it, but by the second press conference they were using it too. The name never mattered to me. It merely serves to save them the trouble of remembering the victims. It is a shame, truly, for they were the point. The finished artwork; a life cut short, yet nonetheless complete.

The police came close once. One receipt left in the wrong bin. Thankfully the footage merely showed a man in a baseball cap paying in cash. I disappeared soon after. An artist prepares for such things; not using one’s true name, not killing close to home. People think it requires genius, but it doesn't. It requires patience, something remarkably few people seem to possess anymore.
Years passed before I dared start my work again. In that time, documentaries were made and amateur sleuths drooled over the same exhausted receipt, though it wasn’t much different from a child gnawing on a piece of a puzzle they hadn’t the intellect to solve.
Eventually they began speaking about me in the past tense. That was an offense to the works I had so deliberately created. So I did what seemed only natural; planned to make a great comeback. 
Then, three nights ago, you beat me to the chase. 
Cold-Case Killer Strikes Again After a Decade of Silence, the papers read. 

I knew before I saw the photographs. The description alone was enough. The sickening familiarity of seeing something that belonged to me in the hands of someone else. The same careful placement, the same deliberate absence of a mess. 
You were good, I’ll give you that, but you lack understanding. Like someone had studied a painting in a museum, then gone home and recreated it from memory. The colours were the same, the shape was a match. But anyone with an eye for true craftsmanship can see the flaws. The police, naturally, cannot. But I see you for what you are. You may call me what you wish; killer, murderer, butcher, but what you can never call me is a thief. And that, my little copycat, is what you are. You took my signature and paraded it around for the world to see, hoping they would applaud your imitation. Tell me, did you smile when you read the headline? Did your pulse quicken when they gave you my name? Did you cut the article from the paper and pin it to your wall? 

And do you know what truly disgusts me? It isn't that you copied me. It's that somewhere, someone looked at your work and thought it was mine. So let me make myself clear. You are not my successor. You are not my equal. You are a thief. A pathetic little parasite who looked at something you could never come up with and decided the next best thing was to pretend you had. I spent years perfecting my craft. The selection of victims, the method, everything. You did none of that groundwork. You simply wished for attention. And if it is that which you crave, do not be surprised when your wish turns sour.

Sincerely,

• Your muse.

People tend to assume murder is messy. That's how the papers write about our work. Rage. Blood. Twenty-eight stab wounds. A deluded mind snapping. It makes for neat headlines. If the public believes every killer is an animal, or that they ‘snapped’, they never have to wonder whether they passed one in the supermarket this morning. Sometimes they’re right; murder can make quite the splattering mess, just as an amateur painter might. But not all of us are quite so animalistic. It is an art form of the purest kind, the taking of a life. And again, some of those artists do take the messy approach; hacking off limbs and slicing arteries. But I find a nice, quiet suffocation brings far more satisfaction. It is the purest way to take a life. To snuff out the soul without even so much as a blemish on the skin. 
Detectives argued for years over what it meant, experts invented an elaborate, farcical psychological profile, and internet forums filled with diagrams and theories that somehow managed to be both wildly imaginative and completely wrong.

The newspapers gave me a name some years ago.  They always do. It is the name those forums and experts call me by. The detectives pretend they hate it, but by the second press conference they were using it too. The name never mattered to me. It merely serves to save them the trouble of remembering the victims. It is a shame, truly, for they were the point. The finished artwork; a life cut short, yet nonetheless complete.

The police came close once. One receipt left in the wrong bin. Thankfully the footage merely showed a man in a baseball cap paying in cash. I disappeared soon after. An artist prepares for such things; not using one’s true name, not killing close to home. People think it requires genius, but it doesn't. It requires patience, something remarkably few people seem to possess anymore.
Years passed before I dared start my work again. In that time, documentaries were made and amateur sleuths drooled over the same exhausted receipt, though it wasn’t much different from a child gnawing on a piece of a puzzle they hadn’t the intellect to solve.
Eventually they began speaking about me in the past tense. That was an offense to the works I had so deliberately created. So I did what seemed only natural; planned to make a great comeback. 
Then, three nights ago, you beat me to the chase. 
Cold-Case Killer Strikes Again After a Decade of Silence, the papers read. 

I knew before I saw the photographs. The description alone was enough. The sickening familiarity of seeing something that belonged to me in the hands of someone else. The same careful placement, the same deliberate absence of a mess. 
You were good, I’ll give you that, but you lack understanding. Like someone had studied a painting in a museum, then gone home and recreated it from memory. The colours were the same, the shape was a match. But anyone with an eye for true craftsmanship can see the flaws. The police, naturally, cannot. But I see you for what you are. You may call me what you wish; killer, murderer, butcher, but what you can never call me is a thief. And that, my little copycat, is what you are. You took my signature and paraded it around for the world to see, hoping they would applaud your imitation. Tell me, did you smile when you read the headline? Did your pulse quicken when they gave you my name? Did you cut the article from the paper and pin it to your wall? 

And do you know what truly disgusts me? It isn't that you copied me. It's that somewhere, someone looked at your work and thought it was mine. So let me make myself clear. You are not my successor. You are not my equal. You are a thief. A pathetic little parasite who looked at something you could never come up with and decided the next best thing was to pretend you had. I spent years perfecting my craft. The selection of victims, the method, everything. You did none of that groundwork. You simply wished for attention. And if it is that which you crave, do not be surprised when your wish turns sour.

Sincerely,

• Your muse.

People tend to assume murder is messy. That's how the papers write about our work. Rage. Blood. Twenty-eight stab wounds. A deluded mind snapping. It makes for neat headlines. If the public believes every killer is an animal, or that they ‘snapped’, they never have to wonder whether they passed one in the supermarket this morning. Sometimes they’re right; murder can make quite the splattering mess, just as an amateur painter might. But not all of us are quite so animalistic. It is an art form of the purest kind, the taking of a life. And again, some of those artists do take the messy approach; hacking off limbs and slicing arteries. But I find a nice, quiet suffocation brings far more satisfaction. It is the purest way to take a life. To snuff out the soul without even so much as a blemish on the skin. 
Detectives argued for years over what it meant, experts invented an elaborate, farcical psychological profile, and internet forums filled with diagrams and theories that somehow managed to be both wildly imaginative and completely wrong.

The newspapers gave me a name some years ago.  They always do. It is the name those forums and experts call me by. The detectives pretend they hate it, but by the second press conference they were using it too. The name never mattered to me. It merely serves to save them the trouble of remembering the victims. It is a shame, truly, for they were the point. The finished artwork; a life cut short, yet nonetheless complete.

The police came close once. One receipt left in the wrong bin. Thankfully the footage merely showed a man in a baseball cap paying in cash. I disappeared soon after. An artist prepares for such things; not using one’s true name, not killing close to home. People think it requires genius, but it doesn't. It requires patience, something remarkably few people seem to possess anymore.
Years passed before I dared start my work again. In that time, documentaries were made and amateur sleuths drooled over the same exhausted receipt, though it wasn’t much different from a child gnawing on a piece of a puzzle they hadn’t the intellect to solve.
Eventually they began speaking about me in the past tense. That was an offense to the works I had so deliberately created. So I did what seemed only natural; planned to make a great comeback. 
Then, three nights ago, you beat me to the chase. 
Cold-Case Killer Strikes Again After a Decade of Silence, the papers read. 

I knew before I saw the photographs. The description alone was enough. The sickening familiarity of seeing something that belonged to me in the hands of someone else. The same careful placement, the same deliberate absence of a mess. 
You were good, I’ll give you that, but you lack understanding. Like someone had studied a painting in a museum, then gone home and recreated it from memory. The colours were the same, the shape was a match. But anyone with an eye for true craftsmanship can see the flaws. The police, naturally, cannot. But I see you for what you are. You may call me what you wish; killer, murderer, butcher, but what you can never call me is a thief. And that, my little copycat, is what you are. You took my signature and paraded it around for the world to see, hoping they would applaud your imitation. Tell me, did you smile when you read the headline? Did your pulse quicken when they gave you my name? Did you cut the article from the paper and pin it to your wall? 

And do you know what truly disgusts me? It isn't that you copied me. It's that somewhere, someone looked at your work and thought it was mine. So let me make myself clear. You are not my successor. You are not my equal. You are a thief. A pathetic little parasite who looked at something you could never come up with and decided the next best thing was to pretend you had. I spent years perfecting my craft. The selection of victims, the method, everything. You did none of that groundwork. You simply wished for attention. And if it is that which you crave, do not be surprised when your wish turns sour.

Sincerely,

• Your muse.

People tend to assume murder is messy. That's how the papers write about our work. Rage. Blood. Twenty-eight stab wounds. A deluded mind snapping. It makes for neat headlines. If the public believes every killer is an animal, or that they ‘snapped’, they never have to wonder whether they passed one in the supermarket this morning. Sometimes they’re right; murder can make quite the splattering mess, just as an amateur painter might. But not all of us are quite so animalistic. It is an art form of the purest kind, the taking of a life. And again, some of those artists do take the messy approach; hacking off limbs and slicing arteries. But I find a nice, quiet suffocation brings far more satisfaction. It is the purest way to take a life. To snuff out the soul without even so much as a blemish on the skin. 
Detectives argued for years over what it meant, experts invented an elaborate, farcical psychological profile, and internet forums filled with diagrams and theories that somehow managed to be both wildly imaginative and completely wrong.

The newspapers gave me a name some years ago.  They always do. It is the name those forums and experts call me by. The detectives pretend they hate it, but by the second press conference they were using it too. The name never mattered to me. It merely serves to save them the trouble of remembering the victims. It is a shame, truly, for they were the point. The finished artwork; a life cut short, yet nonetheless complete.

The police came close once. One receipt left in the wrong bin. Thankfully the footage merely showed a man in a baseball cap paying in cash. I disappeared soon after. An artist prepares for such things; not using one’s true name, not killing close to home. People think it requires genius, but it doesn't. It requires patience, something remarkably few people seem to possess anymore.
Years passed before I dared start my work again. In that time, documentaries were made and amateur sleuths drooled over the same exhausted receipt, though it wasn’t much different from a child gnawing on a piece of a puzzle they hadn’t the intellect to solve.
Eventually they began speaking about me in the past tense. That was an offense to the works I had so deliberately created. So I did what seemed only natural; planned to make a great comeback. 
Then, three nights ago, you beat me to the chase. 
Cold-Case Killer Strikes Again After a Decade of Silence, the papers read. 

I knew before I saw the photographs. The description alone was enough. The sickening familiarity of seeing something that belonged to me in the hands of someone else. The same careful placement, the same deliberate absence of a mess. 
You were good, I’ll give you that, but you lack understanding. Like someone had studied a painting in a museum, then gone home and recreated it from memory. The colours were the same, the shape was a match. But anyone with an eye for true craftsmanship can see the flaws. The police, naturally, cannot. But I see you for what you are. You may call me what you wish; killer, murderer, butcher, but what you can never call me is a thief. And that, my little copycat, is what you are. You took my signature and paraded it around for the world to see, hoping they would applaud your imitation. Tell me, did you smile when you read the headline? Did your pulse quicken when they gave you my name? Did you cut the article from the paper and pin it to your wall? 

And do you know what truly disgusts me? It isn't that you copied me. It's that somewhere, someone looked at your work and thought it was mine. So let me make myself clear. You are not my successor. You are not my equal. You are a thief. A pathetic little parasite who looked at something you could never come up with and decided the next best thing was to pretend you had. I spent years perfecting my craft. The selection of victims, the method, everything. You did none of that groundwork. You simply wished for attention. And if it is that which you crave, do not be surprised when your wish turns sour.

Sincerely,

• Your muse.

People tend to assume murder is messy. That's how the papers write about our work. Rage. Blood. Twenty-eight stab wounds. A deluded mind snapping. It makes for neat headlines. If the public believes every killer is an animal, or that they ‘snapped’, they never have to wonder whether they passed one in the supermarket this morning. Sometimes they’re right; murder can make quite the splattering mess, just as an amateur painter might. But not all of us are quite so animalistic. It is an art form of the purest kind, the taking of a life. And again, some of those artists do take the messy approach; hacking off limbs and slicing arteries. But I find a nice, quiet suffocation brings far more satisfaction. It is the purest way to take a life. To snuff out the soul without even so much as a blemish on the skin. 
Detectives argued for years over what it meant, experts invented an elaborate, farcical psychological profile, and internet forums filled with diagrams and theories that somehow managed to be both wildly imaginative and completely wrong.

The newspapers gave me a name some years ago.  They always do. It is the name those forums and experts call me by. The detectives pretend they hate it, but by the second press conference they were using it too. The name never mattered to me. It merely serves to save them the trouble of remembering the victims. It is a shame, truly, for they were the point. The finished artwork; a life cut short, yet nonetheless complete.

The police came close once. One receipt left in the wrong bin. Thankfully the footage merely showed a man in a baseball cap paying in cash. I disappeared soon after. An artist prepares for such things; not using one’s true name, not killing close to home. People think it requires genius, but it doesn't. It requires patience, something remarkably few people seem to possess anymore.
Years passed before I dared start my work again. In that time, documentaries were made and amateur sleuths drooled over the same exhausted receipt, though it wasn’t much different from a child gnawing on a piece of a puzzle they hadn’t the intellect to solve.
Eventually they began speaking about me in the past tense. That was an offense to the works I had so deliberately created. So I did what seemed only natural; planned to make a great comeback. 
Then, three nights ago, you beat me to the chase. 
Cold-Case Killer Strikes Again After a Decade of Silence, the papers read. 

I knew before I saw the photographs. The description alone was enough. The sickening familiarity of seeing something that belonged to me in the hands of someone else. The same careful placement, the same deliberate absence of a mess. 
You were good, I’ll give you that, but you lack understanding. Like someone had studied a painting in a museum, then gone home and recreated it from memory. The colours were the same, the shape was a match. But anyone with an eye for true craftsmanship can see the flaws. The police, naturally, cannot. But I see you for what you are. You may call me what you wish; killer, murderer, butcher, but what you can never call me is a thief. And that, my little copycat, is what you are. You took my signature and paraded it around for the world to see, hoping they would applaud your imitation. Tell me, did you smile when you read the headline? Did your pulse quicken when they gave you my name? Did you cut the article from the paper and pin it to your wall? 

And do you know what truly disgusts me? It isn't that you copied me. It's that somewhere, someone looked at your work and thought it was mine. So let me make myself clear. You are not my successor. You are not my equal. You are a thief. A pathetic little parasite who looked at something you could never come up with and decided the next best thing was to pretend you had. I spent years perfecting my craft. The selection of victims, the method, everything. You did none of that groundwork. You simply wished for attention. And if it is that which you crave, do not be surprised when your wish turns sour.

Sincerely,

• Your muse.

Preface:

This is the sixth and final story in the Dark Sun anthology. It can be read on its own, but to fully appreciate this story I highly recommend reading ‘Followers of the Flaming Hand’. 
You are, of course, free to read all other entries. 

1. Crucible

The sun beat down on me as I stood before a collapsed ancient marvel bearing the symbol of twilight. I ran my hand along its surface, once smooth, now brittle and crumbling. The voices of those long gone spoke in my mind. I didn’t understand their language, but there are some things that transcend the spoken word. A child’s giggle, someone muttering under their breath as they scurry away from something, a winced breath uttered in pain. Lives had been lived here, and this structure had seen it all.
And the sun had watched as it, too, fell into disrepair.

This forgotten relic had been given new breath one last time. A symbol carved at its base by my knife. An hourglass in a looming circle, with its last grain of sand falling down towards the base. The end was nigh. Oblivion. Kingdom Come. 

I turned away and started walking again, sand crunching under my boot. I had tried, at first, to remember when I first felt grains beneath my heel. There should have been a moment, I knew. A first step. But every time I reached for the memory, there was nothing there at all. Just sand behind me, and even more ahead. It felt dishonest to say it had started anywhere at all.
The sun was fixed above me, unmoving. Everything felt flattened under its tyrannical rule; shadows slinking away from its gaze along with the few creatures that lived here. When I looked too far ahead, things started to bend. Shapes formed where there weren’t any. Puddles of sweet, refreshing water disappeared when I drew close.
I kept my eyes glued to the ground below and walked. My boots dragged, leaving streaks in the sand where I passed. 

I hadn’t checked my water in a while, but I could feel how light it had become. The sloshing had slowly but surely started to become softer and softer. I was running out. 
“I’m still coming,” I said, dry and thin. I hadn’t heard His voice yet. Not more than once, like I’d come to believe Emmett had. Still, I waited. I always waited, like a soldier at attendance. 

I hadn’t thought about Casper and Emmett. It had been easier that way, because when I let myself think too clearly, I felt. And I couldn’t allow myself to feel.
But they still slipped in. A sound that wasn’t sand blowing in the wind, something moving that wasn’t a scorpion or spider, a scent that smelled like it must have drifted in from home. 
We had never been the quiet kind. Well, not until we arrived at the village. There, most days were spent in silence. And Casper had hated silence. 

I stopped walking. For a moment, the desert blew a merciful gust of cold wind at me. I closed my eyes and felt something shift. The air was cooler and sharp when inhaled. Instinctively, I reached for the ring on my left hand. Casper’s ring. I held it, just to know it was still there.

I opened my eyes and saw them.
They were sitting in the sand again, backs facing the sun, the camcorder in Emmett’s hands. He’d likely forgotten it was there. He used to do that a lot, before we burned it along with him. Well, the camera survived. I tossed it in a box of old electronics at some yard sale I’d passed by on my way here. 

Emmett was smiling at me.
“Gosh, ain’t this place something special?” he asked. I didn’t look at him, only at Casper, who refused to look at me. 
“Yeah,” I croaked.
“Fuck’s wrong with you, Jules?” Casper snapped, though his eyes still didn’t meet mine. “Why are you here?”
“I… I have to find Him–”
“Really?” he scoffed. “After everything? What you did to Emmett– to me?”
“That wasn’t– That’s not fair.”
Casper rolled his eyes. 
“You still haven’t heard Him yet?” Emmett asked.
“No. It’s been… I don’t remember.” It was strange. I knew Emmett had had a connection to Him, and had heard Him in his mind. He hadn’t been crazy. That much is obvious, knowing what I know now. Emmett was right.
It had been The Burning Man.

I blinked and they were gone. The desert returned all at once. The heat came upon me like a thick blanket. I took a deep breath, then kept walking. I let my thoughts settle into something safer, something that couldn’t be ripped away.
The Burning Man.

I didn't know where I was going exactly, but I knew the direction. I knew the path I walked as surely as I knew my own heartbeat, but if someone had asked me where it led, I could not have answered them. There were no roads. No signs. Even if there had once been, the desert swallowed such things greedily, grinding them down beneath shifting dunes until all that remained were the pillars and statues I now used as my guide. And through it all, I followed. He had asked it of me. He had commanded it. He had spoken to me only once, the night I abandoned the village to the dark. 

I remembered sitting before the smoldering remains of the pyre, watching embers flutter in the wind. By then, the others had already scattered into the night like frightened animals fleeing a forest fire. Some were dead. Some would soon wish they were. The leaders had held us together more than any of us realized. Settled disputes, directed our anger and fear, kept everyone in line. Null understood  this. After Null took our leaders from us, fear spread through our midst like rot through wet wood. Livestock began turning up mutilated outside the walls, their insides splayed out across the dirt. 

I remember waking one night to screaming outside my window and finding two brothers beating each other bloody in the mud while half the village watched in silence. They accused each other of being ‘of the enemy’.
People spoke of monsters. Dark shapes standing at the edge of their beds. Robotic voices. A man with a prosthetic they called ‘The White Hand’. 

Every night the fires burned hotter. We burned our own. A traitor, an agent of Null, a heretic. Most of us did not believe these brethren to be such, but none dared speak out either. The village turned inward on itself. I still remembered the smell near the end. Smoke. Blood.

One morning, somebody nailed a dead dog to the doors of one of the sleeping quarters with the word HOLLOW carved into its stomach. Three more were burned that day. That was the day before it all caved in on itself.

I remembered standing near the extinguished pyre as the lanterns overhead flickered weakly before dying altogether. The entire village fell silent. Then someone screamed. Others joined them immediately. Doors slammed open. Footsteps thundered through the streets. People ran blindly through the dark carrying lanterns and knives, convinced something had entered the village.
By sunrise, thirty people were dead. All had been killed by each other or themselves. I, along with the three other survivors, put their bodies in the final pyre. 
I remember sitting before those dying embers, staring into them until the world around me blurred into orange and black, when I had heard Him.

Walk the desert. The paths of old. Find me. Release me.

The voice had been soft. Warm. Calm in a way nothing else had been for a very long time. It did not claw at my mind like fear did. It did not shriek like the memories of Emmett’s burning. It soothed, and I obeyed.

The path revealed itself to me little by little. Ancient marvels emerged from the desert every few days, sticking up from the dunes like fingers clawing themselves out. Great granite temples carved by hands long since turned to dust. Colossal statues with their faces smoothed by centuries of wind. Towering pillars etched with heretical symbols I had to scrawl over. I carved over them with a small knife held in my reverent fingers whenever I found them, scratching over the grooves carved by people who had lived and died beneath this same merciless sun. 

I kept walking. The desert stretched onward in every direction, endless and unmoved by my presence within it. The wind dragged itself lazily across the dunes, reshaping them grain by grain like waves on a calm sea. Sometimes I thought I could see a figure standing far off in the haze, dark silhouette waiting atop distant dunes, a singular white hand pointed at me. Every time I blinked, it vanished back into the shimmer.

I walked for hours without seeing another monument. Then, as my hope dwindled, shapes rose on the horizon. 

At first, I mistook them for cliffs. Great masses rising from the desert floor, distorted by heat and distance like the imaginary pools of water. But as I drew closer, the shapes sharpened. There were towers, walls and pillars made of solid granite. A city. Well, the remnants of one anyhow.
It lay on the desert like the corpse of a fallen giant, half-buried beneath the sand. Colossal stone buildings leaned wearily against one another, their upper halves collapsed into the empty streets below. Massive statues stood watch over the ruins with featureless faces, their cracked bodies jutting out from the dunes. 

You are close, Jules.

The voice. It had returned. Finally.

1. Mary Had a Little Lamb

I froze where I stood. Sand hissed softly through abandoned alleyways and collapsed buildings. The great statues looming overhead almost seemed to lean inward ever so slightly, their featureless faces fixed upon me.
“How close?”
Nothing.

I swallowed hard, tongue scraping against my throat like sandpaper, and stepped forward into the ruins. 
The streets had long since disappeared beneath the sand, forcing me to climb over collapsed walls and heaps of sand that had once been homes, temples and marketplaces. I imagined thousands of people moving through these corridors once. Priests in robes, children running about, lovers hiding in shaded alleys from the watchful sun above. I fidgeted with Casper’s ring absent-mindedly. It calmed my racing heart somewhat, offering a much needed reprieve.
Every place I entered was hollowed out, scraped clean by time and wind. I searched desperately anyway, digging through crumbling shelves and shards of pottery with trembling hands, hoping to find something. A message or a sign, just something to show that I had not crossed this endless wasteland for nothing.

But there was nothing. The city had already surrendered everything it once was long ago, its fruits decayed to ashes and sand. 
I stumbled through a doorway into what must have once been some grand chamber. Colossal pillars reached high above, many cracked or otherwise broken across the floor like felled trees. Sand poured through cracks in the ceiling in slow trickles, golden mounds gathering beneath them. Hourglasses. Thousands of tiny hourglasses. It felt like I was being mocked. My efforts, my labour, all of it was being laughed at by–

Footsteps behind me.
I turned around sharply, knife held out in front of me. 

Emmett stood near the doorway, camcorder hanging loosely from one hand. Casper leaned against the wall beside him with his arms folded across his chest. 
“You look awful,” Casper muttered. “Arrogance never did suit you.”
“Don’t,” I snapped, my voice echoing through the chamber. Sand trickled down from the ceiling.
Emmett tilted his head. “You look tired. Have you been sleeping okay?”
“I’m close.”
“You don’t know that,” Casper said.
“I heard Him.”
“You heard something, just like–”
“It was him!”
Casper laughed bitterly and pushed himself from the wall. “You know what I think?”
I said nothing, my blood boiling in my veins.
“I think you just can’t stand being alone.”
“This isn’t about that.”
“Isn’t it?” he asked softly. “Everyone’s dead, Jules. The village is gone. Emmett’s gone. I’m gone. Because of you. And now you’re wandering through a graveyard because you can’t accept that maybe there’s nothing waiting for you at the end of all this.”
“There is.”
“Maybe,” Emmett whispered. “But… are you really all that special?”
They started walking towards me, their voices booming across the halls.
“Are you anything more than this… pathetic mess?” Casper started.
“Even I wasn’t this desperate,” Emmett chimed in.
“All you are is a murderer. A snivelling, pathetic boy with a head full of lies and hands–” I looked down through tears, seeing the crimson dripping from my hands, “–stained with our blood.”

I blinked hard and they were gone again. My breathing had become shallow and frantic. Sweat dripped from my brow and landed in the sand beneath my feet. My hands trembled violently now, though whether from exhaustion or anger, I could no longer tell.

I searched the city for what felt like hours afterward. I climbed broken staircases that led nowhere anymore. Wandered through roofless halls littered with statues of people long since dead. 
“There has to be something.” I dug my fingers into the sand until my nails split. The heat was unbearable, but it was something. 
“There has to be,” I whimpered, tears rolling down my cheeks. “I did what you asked. It can’t… It can’t have been for nothing. Please.” 

Nothing.

“Please,” I yelled up at the sky, nearly hysterical now, “Just… a sign! Anything! I’ll… I’ll do anything, please.” 

The wind whistled through the empty streets. Sand slid from rooftops in soft waves.
Then came another sound. Metal. 
My prayer had been answered.

A dull clanging noise echoed somewhere beyond the chamber walls, followed by the low murmur of a voice. I froze, tears rapidly drying in the scorching sun. For one horrible moment, I thought it was Casper again. Or worse, The White Hand.

I stumbled clumsily back toward the doorway, my knife trembling in my grip. My legs felt wobbly beneath me. Every step sent jolts of pain shooting through my feet and up my spine. I had walked too long beneath the sun. 
The sound came again, closer this time. Then I saw him.

A figure emerged slowly through the shimmering haze between the ruined buildings, distorted at first by heat. The sun framed him from behind like a halo of white fire. He carried a heavy pack slung over one shoulder and wore loose, thin clothing stained with sand and sweat. Something metallic hung from his belt alongside several tools I didn’t recognize.
He stopped the moment he saw me. For a while, neither of us moved.
“Oh my God,” he muttered beneath his breath. His voice sounded real, unlike those of Casper and Emmett. “You alright?” he called out carefully, taking a slow step closer. “Hey– easy. I’m not gonna hurt you.”
A croak emerged unwillingly from my mouth. The sun burned behind him so brightly it set his silhouette ablaze. It looked almost as though he stood inside the light itself. A flaming messenger.

“You’re hurt. Jesus… how long have you been out here?”
He reached for something at his side slowly, as though approaching a wounded animal. Instinctively, I raised the knife. He stopped immediately.
“Okay,” he said softly. “Alright. That’s fine.”
Then he held up a canteen. The sound of the sloshing liquid inside of it made my knees nearly buckle beneath me.
“You need this more than I do,” he said. I stared at the canteen for a very long time. Then at him. His face was weathered by the sun. Grey stubble crept along his almost non-existent jawline. 

Slowly, I lowered the knife. The man approached carefully and handed me the canteen. My hands shook so badly I nearly dropped it. Somehow, despite the blazing heat, the metal felt cool against my skin. With trembling fingers, I unscrewed the lid.
“There you go,” he murmured paternally. “Slow down.”
I looked up at him through blurred vision. “Why did he send you?”
“What?” he asked, frowning.
“The Burning Man.” My voice cracked around the words. “Why did he send you here? What must I do?”
“I… don’t know what that means.”
I looked at him wearily, frowning.
“Look, I’m with a survey team a few miles west of here. We’re setting up near the edge of the ruins. If you come with me, we could get you water, food, somewhere cool to sit down–”
“You don’t know him?”
“No,” he said gently. “I think you might be dehydrated, lad.”

I stared at him silently while my thoughts churned against one another in violent circles. The voice had returned.
You are close.
The final grain does not understand the falling until the moment it joins the rest at the bottom. 

I looked down at the canteen. Water. The opposite of fire.
Of course.
Of course.
I had begged for a sign. And now here stood a man offering salvation at the precise moment my faith began to fracture. A test. A test!
The man smiled weakly.
“C’mon,” he said softly. “Let’s get you out of this heat.”
My fingers tightened slowly around the canteen.
“What’s your name?” I asked.
“Daniel.”
I nodded absentmindedly. That made sense, tests were never obvious. I looked past him toward the burning horizon where the sun loomed vast and white above the ruined city. Backlit by a white sun. The opposite of our goal. The most beautiful of symbolisms. A little white lamb come for the slaughter.
I poured the water into the sand.

Emmett and Casper stood behind him.
“This is what you are, Jules,” Casper said, voice almost unrecognisable. “A murderer.”
“Do it,” Emmett said in a deep, commanding voice. 

I lifted my head groggily, taking a step towards Daniel. The lamb looked around, bewilderment evident in its blue eyes as I put a hand on its shoulder. 
“Thank you, Daniel,” I murmured, ruminating on what a peculiar name Daniel was for a lamb. 
“You– you’re welcome.”
I smiled, leaning in. “All Ashes for The Burning Man,” I whispered into its ear. 

Then I stabbed the lamb in the belly. It squealed delightfully in my ear as I yanked the blade back out.
“Mary had a little lamb,” I murmured, ramming my knife back down into its supple belly. “Its fleece was white as snow.” 
Bright red gushed from the wounds, coating its wool red. 

“You– you fucking stabbed me–” the lamb gasped, its voice cracking.
I grinned.
“And everywhere that Mary went,” I whispered, “the lamb was sure to go.”
“You fucking psycho–”
I drove the knife forward again, but this time Daniel caught my wrist. Pain exploded through my hand as its hoof slammed into my wrist with desperate strength. It let out a wet cry and slammed its forehead into my nose. White light burst across my vision. I reeled backwards, dropping the blade as blood poured warm over my lips.
“Jesus Christ!” it bleated, clutching its stomach. “Help! HELP!”

The lamb staggered away from me toward the doorway, one hoof pressed desperately against the wounds while the other fumbled at its belt for something, a radio perhaps, or a weapon. I lunged after it before it could grab whatever it was.

We collided violently. The impact sent both of us crashing sideways into the sand. For a moment we grappled in the sand like animals.
The lamb battered wildly at my face while I clawed for its throat. Its blood soaked through my sleeves hot and slick as motor oil. It smelled horribly human. 
“It followed her to school one day.” 
Its hoof cracked against my jaw. 
“Which was–” 
Again. 
“Against the–”
Again. 
“Rules.”
Stars swam in my vision, but behind them I saw fire.
“Do it,” that deep voice urged again. “Prove it.”
The lamb shoved me away hard enough to send me sprawling across the stone floor. I heard it stumble to its feet and begin running, hooves scraping frantically against the ancient granite. I scrambled after it on all fours.

The city blurred around me. The statues overhead stretched impossibly tall beneath the burning sky while the sun pulsed, coinciding with my thundering heartbeat.
It collapsed near the base of one of the broken pillars, bleating, weakened by the blood pouring from its stomach. The little lamb tried crawling away from me through the sand, leaving behind a thick crimson trail.

“Please,” it sobbed, the word slurring. “Please, man…”
I hesitated. Then I saw Casper standing behind him.
“You always were weak,” he said, arms crossed. He was looking down at me with that– that look on his face. The one that I saw all too much at the village. Judging me, condescending, not believing in me or my goals.

My face contorted in rage. I threw myself onto the lamb before it could move again. It screamed as we slammed into the ground together, its hooves shoving desperately against my chest while I grabbed for its throat with both hands, more determined this time.
“And so the teacher sent it out,” I snarled through gritted, bloody teeth. “But still it lingered near.”
Daniel gagged beneath me as I squeezed harder. Its nails clawed bloody lines across my arms and neck. One of its hooves found my face and he pressed it into my eye, pushing it deeper into the socket.
“It stood and waited round.”
The lamb’s eyes were bulging wider and wider as blood bubbled from its lips. 
“Till Mary did appear.”
Its esophagus crunched, and the little lamb sputtered one last time. Its hoof fell from my face, releasing my now bleeding eye. 

Stillness.

My entire body shook violently as I got up. Blood dripped from my nose and eye onto its face in thick red strands. The city was silent again. Casper and Emmett stared at me. Were they… expecting more?

“What does one do with a lamb after the slaughter, Jules?” Casper said in a voice that was too much like that of The Burning Man. 
They both grinned as they saw the realisation dawn on my face.

Slowly, I looked down at it. At the open wound in its stomach. At the blood soaking into the sand beneath it. A horrible sound escaped from me, something between a sob and barking laughter as I dropped to my knees again beside the carcass and shoved both hands into the wound. Heat spilled over my fingers, slick and wet. I pulled.
“Why does the lamb love Mary so,”
I yanked a long piece of intestine out.
“Mary so,”
I pulled more out. It reminded me of the spaghetti mom used to make.
“Mary so?”
Daniel’s body jerked as the slimy ropes of red slipped free from my trembling hands.
“Because Mary loves the lamb, you know.”
I took in a deep, shuddering breath, basking in the warmth of the gutted little lamb.
“All Ashes,” I whispered reverently, “for The Burning Man.”
I put my hand to my forehead, and drew a crude hourglass in red.

I smiled, then, as I let go of all my worldly inhibitions. A genuine smile. I let it all drift off with the wind and scatter elsewhere, for they had no place in the life I was destined for.

3. The Dark Sun

Casper knelt beside me. He didn’t seem angry or disappointed anymore. Instead, he seemed rather… proud. Strange. Still, the sight of that expression upon his face filled me with a warmth greater than the sun ever could.
“Finally,” he said softly. “You show who you really are.”
I looked down at my bloodstained hands. They were as steady as rock, no longer shaking.
“Yes,” I whispered.

Emmett crouched opposite him, camcorder dangling uselessly from melted, dripping fingers. I had not noticed the burns before. His skin had begun peeling and blackening, smoke rising from his skin like steam from boiling water.
“In a way, we were stepping stones,” he said gently, smoke curling from his mouth as he spoke.
“A necessary sacrifice for this,” Casper added, fire gently creeping up his arms and legs. I stared at it silently. Then at his eyes, which now glowed a steady white, flames curling upward into his burning hair. 
“You… my mind didn’t create you, did it?”
More of their forms faded, Casper’s into flame, Emmett’s into smoke. They simply grinned at me.
“You were Him.” 
“I always was, Jules.”
The wind whistled violently through the ruined city. Wisps of smoke peeled from their bodies, rising upward into the shimmering air above us. Flames took Casper’s body, burning his features and body away, while smoke took that of Emmett as if he’d puffed into the wind. Then they were gone. And only my God and his disciple remained. 

The Burning Man, who looked to be a man made of flame, stood towering before me beneath the white sun, almost seeming to merge with its brilliance. Beside Him stood a woman made of smoke. Her form flickered constantly, flowing and fluttering in slow, graceful motions. At times she appeared mostly human. At others, she seemed little more than a distorted waft of smoke. I did not know this woman, but it seemed I would join her in revering this glorious God. 

The Burning Man looked down upon me.
“You are ready now, Jules.” His beautifully deep voice filled every hollow space within me. I bowed my head. The sand beneath me burned hot enough to blister skin, yet I welcomed it gladly. 
“Yes.”
The Burning Man extended a hand of pure fire toward me, the flames curling gracefully. 
“The hourglass empties,” He said. Behind Him, the woman watched silently from her swirling smoke-form. “I required two disciples,” He continued, voice deep and soothing. “One born of smoke. One born of ash.” 
He paused. I could see something in the swirling smoke beside him. She seemed… hesitant. Perhaps I was imagining it, but there was some uncertain flicker in those fumes I could not quite equate to devotion.
“And now the final grain joins the others below.”

Ancient stone cracked beneath shifting sands while the sun overhead burned larger and larger, almost swallowing the heavens whole. The end of its tyrannical reign would soon come. The death of the sun. 
The Burning Man stepped closer.
“You carried guilt because you still believed yourself fully human,” He said softly, though He spat out the final word like an insult. “You clung to humanity like a child to a blanket.”
Images flashed through my mind. Of Casper laughing. Emmett holding his camcorder. The village burning. Daniel screaming beneath my hands. Each memory felt farther away than the last.
“But humanity has no place among a God,” The Burning Man continued. His hand remained extended patiently toward me. 
“Restore me, my most devoted subject. Let us look upon the rise of the Dark Sun,” He paused for a moment, then added: “Be my second disciple. Ascend.” 
I took His hand without hesitation.

My body exploded with heat. My eyeballs crumbled, their ashes caving in on themselves and collapsing into the sockets. I screamed for a second, then stopped as my vocal cords were incinerated. All of my organs blazed as they were liquified along with my skin and bones. Casper’s ring dropped to the ground as I disintegrated. The heat was so immense, so terrible and yet it was also beautiful, in a way. A metamorphosis.  
All I sensed by the end were the gasses and liquids in my body evaporating into steam. The impurities of my mind and soul had been cleansed with holy fire, and carried away by the smoke. All that remained were ashes. 

I tried to move, but nothing happened. There was no sound, no feeling, no taste or smell. I couldn’t even see. Nothing. Pure, terrifying, nothingness. 
Again, I tried to reach out, to do anything. Blissfully, I felt some of the ashes shift. Not much, but it was something. I heaved and pushed against the air above, my ashes rising slightly and forming a mound. 
I fell and collapsed into a thousand scattered pieces. 
Could Casper have been right? Was I… nothing?

Casper. The ring. It sat just outside my reach. I stretched and morphed, the pile of ashes slowly taking the vague shape of a man. A man I no longer recognized. Jules was gone, and I had risen from the ashes. My head was hollow, only projecting an ashen face. I formed a crude arm and planted it in the sand. I pulled hard, crawling towards the ring. 

My face collapsed, the ashes falling into the sand. 

I reformed again, pulling more ashes towards me this time. An entire head, with vague features, and a more detailed arm with a hand at the end. There were no fingers, but it had to be enough. I dug the blob of ash into the sand and felt it. The ring. With tremendous effort, I hoisted my hand up and out of the sand. 
The ring did not come with it.

I tried again, this time succeeding in holding the ring in the palm of my hand. As I moved it closer to my face, it slipped through the ashes and dropped into the sand. 
Sight and my other senses were coming back now, as I slowly rebuilt my body. My eyes roamed over this new form, grey and lumpy, and something deep inside of me screamed about how wrong it was. But I could not see what it meant. It was a glorious form.

I looked at the ring. Casper’s ring. 
Humanity has no place among a God.
I turned away, leaving it to be swallowed by the dunes. Let it be buried, so as never to see the gloom of the Dark Sun.

Slowly, I stumbled towards where The Burning Man and the first disciple stood atop a staircase overlooking the sun. My feet disintegrated into nothing, but I reforged them, stronger this time. When I reached them, I stood beside The Burning Man, and His first disciple stood on his other side. They were staring at the setting sun. 
The Burning Man’s form was flaring up, the fire becoming unstable. 
“Look upon the last vestige of this era,” He said, gesturing at the sun with an elegant motion. “How revolting it has been. Millenia upon millenia of your ilk besmirching this rock. Your sentimentality, your feeble little minds and easily broken spirits. It is a wonder the other miserable creatures on this planet are not all misanthropic. But, then again, you were all created by the same frail being. What could they know of greatness, when they themselves were so infirm?” 
He paused, then added: “But they are no more. I saw to that.”

I looked over at Him, shocked. He did not seem to notice, or if He did, He did not care.
“And now I am here, after the arduous undertaking of tearing your creator apart. And I have come for his most prized children.”
He glanced at me, seeing my befuddled expression. “Humanity,” He stated. “It disgusts me to have to take the form of your pathetic species. But such sacrifices must be made in the name of progress.”
He spoke of humanity with violent vitriol, His voice seething with the mere mention of them. But I understand now. They are far beneath us. Such feeble little things humans are. It is difficult to believe I was once such a lowly creature.
“Humanity stands in the way of true progress,” The Burning Man continued. “The slate must be wiped clean. It is a foregone conclusion. Complete annihilation. Oblivion. A fresh start for my chosen. My creations.” He sounded a lot more passionate than I had anticipated. Some part of me had foolishly assumed that the voice He had spoken to me in was representative of Him as a whole. But there was a drive in this God that I did not expect. This was no distant man in the sky.
“He got to create you. He got to have his fun,” He murmured. “Now it’s my turn.”
A low rumble emerged from the distant horizon. An amplified, baritone drone. The sound reverberated through my core, shaking loose clumps of ash. 
“Oh, glory,” The Burning Man said. 
I believe that, had He had lips to smile with, He would have been grinning from ear to ear at that moment. For the bliss in His voice was unmistakable. 

I stared, slack-jawed, as a dark, round shape overtook the sinking sun. It rose slowly, revealing its malevolent form temperately. Its revelation was backlit by the fleeting wisps of dying sunlight. It was gargantuan beyond measure, incomprehensible to even my ascended mind, and utterly horrifying. 
It was the most beautiful sight I had ever laid eyes on.

“At last,” The Burning Man spoke with a bliss in His voice I had never heard. The words sounded the world over as the heavens darkened. He extended his arms to either side to create a perfect horizontal line from hand to hand. 
His feet left the ground as He began to levitate.
“I AM FREE!”

Preface:

This is the sixth and final story in the Dark Sun anthology. It can be read on its own, but to fully appreciate this story I highly recommend reading ‘Followers of the Flaming Hand’. 
You are, of course, free to read all other entries. 

1. Crucible

The sun beat down on me as I stood before a collapsed ancient marvel bearing the symbol of twilight. I ran my hand along its surface, once smooth, now brittle and crumbling. The voices of those long gone spoke in my mind. I didn’t understand their language, but there are some things that transcend the spoken word. A child’s giggle, someone muttering under their breath as they scurry away from something, a winced breath uttered in pain. Lives had been lived here, and this structure had seen it all.
And the sun had watched as it, too, fell into disrepair.

This forgotten relic had been given new breath one last time. A symbol carved at its base by my knife. An hourglass in a looming circle, with its last grain of sand falling down towards the base. The end was nigh. Oblivion. Kingdom Come. 

I turned away and started walking again, sand crunching under my boot. I had tried, at first, to remember when I first felt grains beneath my heel. There should have been a moment, I knew. A first step. But every time I reached for the memory, there was nothing there at all. Just sand behind me, and even more ahead. It felt dishonest to say it had started anywhere at all.
The sun was fixed above me, unmoving. Everything felt flattened under its tyrannical rule; shadows slinking away from its gaze along with the few creatures that lived here. When I looked too far ahead, things started to bend. Shapes formed where there weren’t any. Puddles of sweet, refreshing water disappeared when I drew close.
I kept my eyes glued to the ground below and walked. My boots dragged, leaving streaks in the sand where I passed. 

I hadn’t checked my water in a while, but I could feel how light it had become. The sloshing had slowly but surely started to become softer and softer. I was running out. 
“I’m still coming,” I said, dry and thin. I hadn’t heard His voice yet. Not more than once, like I’d come to believe Emmett had. Still, I waited. I always waited, like a soldier at attendance. 

I hadn’t thought about Casper and Emmett. It had been easier that way, because when I let myself think too clearly, I felt. And I couldn’t allow myself to feel.
But they still slipped in. A sound that wasn’t sand blowing in the wind, something moving that wasn’t a scorpion or spider, a scent that smelled like it must have drifted in from home. 
We had never been the quiet kind. Well, not until we arrived at the village. There, most days were spent in silence. And Casper had hated silence. 

I stopped walking. For a moment, the desert blew a merciful gust of cold wind at me. I closed my eyes and felt something shift. The air was cooler and sharp when inhaled. Instinctively, I reached for the ring on my left hand. Casper’s ring. I held it, just to know it was still there.

I opened my eyes and saw them.
They were sitting in the sand again, backs facing the sun, the camcorder in Emmett’s hands. He’d likely forgotten it was there. He used to do that a lot, before we burned it along with him. Well, the camera survived. I tossed it in a box of old electronics at some yard sale I’d passed by on my way here. 

Emmett was smiling at me.
“Gosh, ain’t this place something special?” he asked. I didn’t look at him, only at Casper, who refused to look at me. 
“Yeah,” I croaked.
“Fuck’s wrong with you, Jules?” Casper snapped, though his eyes still didn’t meet mine. “Why are you here?”
“I… I have to find Him–”
“Really?” he scoffed. “After everything? What you did to Emmett– to me?”
“That wasn’t– That’s not fair.”
Casper rolled his eyes. 
“You still haven’t heard Him yet?” Emmett asked.
“No. It’s been… I don’t remember.” It was strange. I knew Emmett had had a connection to Him, and had heard Him in his mind. He hadn’t been crazy. That much is obvious, knowing what I know now. Emmett was right.
It had been The Burning Man.

I blinked and they were gone. The desert returned all at once. The heat came upon me like a thick blanket. I took a deep breath, then kept walking. I let my thoughts settle into something safer, something that couldn’t be ripped away.
The Burning Man.

I didn't know where I was going exactly, but I knew the direction. I knew the path I walked as surely as I knew my own heartbeat, but if someone had asked me where it led, I could not have answered them. There were no roads. No signs. Even if there had once been, the desert swallowed such things greedily, grinding them down beneath shifting dunes until all that remained were the pillars and statues I now used as my guide. And through it all, I followed. He had asked it of me. He had commanded it. He had spoken to me only once, the night I abandoned the village to the dark. 

I remembered sitting before the smoldering remains of the pyre, watching embers flutter in the wind. By then, the others had already scattered into the night like frightened animals fleeing a forest fire. Some were dead. Some would soon wish they were. The leaders had held us together more than any of us realized. Settled disputes, directed our anger and fear, kept everyone in line. Null understood  this. After Null took our leaders from us, fear spread through our midst like rot through wet wood. Livestock began turning up mutilated outside the walls, their insides splayed out across the dirt. 

I remember waking one night to screaming outside my window and finding two brothers beating each other bloody in the mud while half the village watched in silence. They accused each other of being ‘of the enemy’.
People spoke of monsters. Dark shapes standing at the edge of their beds. Robotic voices. A man with a prosthetic they called ‘The White Hand’. 

Every night the fires burned hotter. We burned our own. A traitor, an agent of Null, a heretic. Most of us did not believe these brethren to be such, but none dared speak out either. The village turned inward on itself. I still remembered the smell near the end. Smoke. Blood.

One morning, somebody nailed a dead dog to the doors of one of the sleeping quarters with the word HOLLOW carved into its stomach. Three more were burned that day. That was the day before it all caved in on itself.

I remembered standing near the extinguished pyre as the lanterns overhead flickered weakly before dying altogether. The entire village fell silent. Then someone screamed. Others joined them immediately. Doors slammed open. Footsteps thundered through the streets. People ran blindly through the dark carrying lanterns and knives, convinced something had entered the village.
By sunrise, thirty people were dead. All had been killed by each other or themselves. I, along with the three other survivors, put their bodies in the final pyre. 
I remember sitting before those dying embers, staring into them until the world around me blurred into orange and black, when I had heard Him.

Walk the desert. The paths of old. Find me. Release me.

The voice had been soft. Warm. Calm in a way nothing else had been for a very long time. It did not claw at my mind like fear did. It did not shriek like the memories of Emmett’s burning. It soothed, and I obeyed.

The path revealed itself to me little by little. Ancient marvels emerged from the desert every few days, sticking up from the dunes like fingers clawing themselves out. Great granite temples carved by hands long since turned to dust. Colossal statues with their faces smoothed by centuries of wind. Towering pillars etched with heretical symbols I had to scrawl over. I carved over them with a small knife held in my reverent fingers whenever I found them, scratching over the grooves carved by people who had lived and died beneath this same merciless sun. 

I kept walking. The desert stretched onward in every direction, endless and unmoved by my presence within it. The wind dragged itself lazily across the dunes, reshaping them grain by grain like waves on a calm sea. Sometimes I thought I could see a figure standing far off in the haze, dark silhouette waiting atop distant dunes, a singular white hand pointed at me. Every time I blinked, it vanished back into the shimmer.

I walked for hours without seeing another monument. Then, as my hope dwindled, shapes rose on the horizon. 

At first, I mistook them for cliffs. Great masses rising from the desert floor, distorted by heat and distance like the imaginary pools of water. But as I drew closer, the shapes sharpened. There were towers, walls and pillars made of solid granite. A city. Well, the remnants of one anyhow.
It lay on the desert like the corpse of a fallen giant, half-buried beneath the sand. Colossal stone buildings leaned wearily against one another, their upper halves collapsed into the empty streets below. Massive statues stood watch over the ruins with featureless faces, their cracked bodies jutting out from the dunes. 

You are close, Jules.

The voice. It had returned. Finally.

1. Mary Had a Little Lamb

I froze where I stood. Sand hissed softly through abandoned alleyways and collapsed buildings. The great statues looming overhead almost seemed to lean inward ever so slightly, their featureless faces fixed upon me.
“How close?”
Nothing.

I swallowed hard, tongue scraping against my throat like sandpaper, and stepped forward into the ruins. 
The streets had long since disappeared beneath the sand, forcing me to climb over collapsed walls and heaps of sand that had once been homes, temples and marketplaces. I imagined thousands of people moving through these corridors once. Priests in robes, children running about, lovers hiding in shaded alleys from the watchful sun above. I fidgeted with Casper’s ring absent-mindedly. It calmed my racing heart somewhat, offering a much needed reprieve.
Every place I entered was hollowed out, scraped clean by time and wind. I searched desperately anyway, digging through crumbling shelves and shards of pottery with trembling hands, hoping to find something. A message or a sign, just something to show that I had not crossed this endless wasteland for nothing.

But there was nothing. The city had already surrendered everything it once was long ago, its fruits decayed to ashes and sand. 
I stumbled through a doorway into what must have once been some grand chamber. Colossal pillars reached high above, many cracked or otherwise broken across the floor like felled trees. Sand poured through cracks in the ceiling in slow trickles, golden mounds gathering beneath them. Hourglasses. Thousands of tiny hourglasses. It felt like I was being mocked. My efforts, my labour, all of it was being laughed at by–

Footsteps behind me.
I turned around sharply, knife held out in front of me. 

Emmett stood near the doorway, camcorder hanging loosely from one hand. Casper leaned against the wall beside him with his arms folded across his chest. 
“You look awful,” Casper muttered. “Arrogance never did suit you.”
“Don’t,” I snapped, my voice echoing through the chamber. Sand trickled down from the ceiling.
Emmett tilted his head. “You look tired. Have you been sleeping okay?”
“I’m close.”
“You don’t know that,” Casper said.
“I heard Him.”
“You heard something, just like–”
“It was him!”
Casper laughed bitterly and pushed himself from the wall. “You know what I think?”
I said nothing, my blood boiling in my veins.
“I think you just can’t stand being alone.”
“This isn’t about that.”
“Isn’t it?” he asked softly. “Everyone’s dead, Jules. The village is gone. Emmett’s gone. I’m gone. Because of you. And now you’re wandering through a graveyard because you can’t accept that maybe there’s nothing waiting for you at the end of all this.”
“There is.”
“Maybe,” Emmett whispered. “But… are you really all that special?”
They started walking towards me, their voices booming across the halls.
“Are you anything more than this… pathetic mess?” Casper started.
“Even I wasn’t this desperate,” Emmett chimed in.
“All you are is a murderer. A snivelling, pathetic boy with a head full of lies and hands–” I looked down through tears, seeing the crimson dripping from my hands, “–stained with our blood.”

I blinked hard and they were gone again. My breathing had become shallow and frantic. Sweat dripped from my brow and landed in the sand beneath my feet. My hands trembled violently now, though whether from exhaustion or anger, I could no longer tell.

I searched the city for what felt like hours afterward. I climbed broken staircases that led nowhere anymore. Wandered through roofless halls littered with statues of people long since dead. 
“There has to be something.” I dug my fingers into the sand until my nails split. The heat was unbearable, but it was something. 
“There has to be,” I whimpered, tears rolling down my cheeks. “I did what you asked. It can’t… It can’t have been for nothing. Please.” 

Nothing.

“Please,” I yelled up at the sky, nearly hysterical now, “Just… a sign! Anything! I’ll… I’ll do anything, please.” 

The wind whistled through the empty streets. Sand slid from rooftops in soft waves.
Then came another sound. Metal. 
My prayer had been answered.

A dull clanging noise echoed somewhere beyond the chamber walls, followed by the low murmur of a voice. I froze, tears rapidly drying in the scorching sun. For one horrible moment, I thought it was Casper again. Or worse, The White Hand.

I stumbled clumsily back toward the doorway, my knife trembling in my grip. My legs felt wobbly beneath me. Every step sent jolts of pain shooting through my feet and up my spine. I had walked too long beneath the sun. 
The sound came again, closer this time. Then I saw him.

A figure emerged slowly through the shimmering haze between the ruined buildings, distorted at first by heat. The sun framed him from behind like a halo of white fire. He carried a heavy pack slung over one shoulder and wore loose, thin clothing stained with sand and sweat. Something metallic hung from his belt alongside several tools I didn’t recognize.
He stopped the moment he saw me. For a while, neither of us moved.
“Oh my God,” he muttered beneath his breath. His voice sounded real, unlike those of Casper and Emmett. “You alright?” he called out carefully, taking a slow step closer. “Hey– easy. I’m not gonna hurt you.”
A croak emerged unwillingly from my mouth. The sun burned behind him so brightly it set his silhouette ablaze. It looked almost as though he stood inside the light itself. A flaming messenger.

“You’re hurt. Jesus… how long have you been out here?”
He reached for something at his side slowly, as though approaching a wounded animal. Instinctively, I raised the knife. He stopped immediately.
“Okay,” he said softly. “Alright. That’s fine.”
Then he held up a canteen. The sound of the sloshing liquid inside of it made my knees nearly buckle beneath me.
“You need this more than I do,” he said. I stared at the canteen for a very long time. Then at him. His face was weathered by the sun. Grey stubble crept along his almost non-existent jawline. 

Slowly, I lowered the knife. The man approached carefully and handed me the canteen. My hands shook so badly I nearly dropped it. Somehow, despite the blazing heat, the metal felt cool against my skin. With trembling fingers, I unscrewed the lid.
“There you go,” he murmured paternally. “Slow down.”
I looked up at him through blurred vision. “Why did he send you?”
“What?” he asked, frowning.
“The Burning Man.” My voice cracked around the words. “Why did he send you here? What must I do?”
“I… don’t know what that means.”
I looked at him wearily, frowning.
“Look, I’m with a survey team a few miles west of here. We’re setting up near the edge of the ruins. If you come with me, we could get you water, food, somewhere cool to sit down–”
“You don’t know him?”
“No,” he said gently. “I think you might be dehydrated, lad.”

I stared at him silently while my thoughts churned against one another in violent circles. The voice had returned.
You are close.
The final grain does not understand the falling until the moment it joins the rest at the bottom. 

I looked down at the canteen. Water. The opposite of fire.
Of course.
Of course.
I had begged for a sign. And now here stood a man offering salvation at the precise moment my faith began to fracture. A test. A test!
The man smiled weakly.
“C’mon,” he said softly. “Let’s get you out of this heat.”
My fingers tightened slowly around the canteen.
“What’s your name?” I asked.
“Daniel.”
I nodded absentmindedly. That made sense, tests were never obvious. I looked past him toward the burning horizon where the sun loomed vast and white above the ruined city. Backlit by a white sun. The opposite of our goal. The most beautiful of symbolisms. A little white lamb come for the slaughter.
I poured the water into the sand.

Emmett and Casper stood behind him.
“This is what you are, Jules,” Casper said, voice almost unrecognisable. “A murderer.”
“Do it,” Emmett said in a deep, commanding voice. 

I lifted my head groggily, taking a step towards Daniel. The lamb looked around, bewilderment evident in its blue eyes as I put a hand on its shoulder. 
“Thank you, Daniel,” I murmured, ruminating on what a peculiar name Daniel was for a lamb. 
“You– you’re welcome.”
I smiled, leaning in. “All Ashes for The Burning Man,” I whispered into its ear. 

Then I stabbed the lamb in the belly. It squealed delightfully in my ear as I yanked the blade back out.
“Mary had a little lamb,” I murmured, ramming my knife back down into its supple belly. “Its fleece was white as snow.” 
Bright red gushed from the wounds, coating its wool red. 

“You– you fucking stabbed me–” the lamb gasped, its voice cracking.
I grinned.
“And everywhere that Mary went,” I whispered, “the lamb was sure to go.”
“You fucking psycho–”
I drove the knife forward again, but this time Daniel caught my wrist. Pain exploded through my hand as its hoof slammed into my wrist with desperate strength. It let out a wet cry and slammed its forehead into my nose. White light burst across my vision. I reeled backwards, dropping the blade as blood poured warm over my lips.
“Jesus Christ!” it bleated, clutching its stomach. “Help! HELP!”

The lamb staggered away from me toward the doorway, one hoof pressed desperately against the wounds while the other fumbled at its belt for something, a radio perhaps, or a weapon. I lunged after it before it could grab whatever it was.

We collided violently. The impact sent both of us crashing sideways into the sand. For a moment we grappled in the sand like animals.
The lamb battered wildly at my face while I clawed for its throat. Its blood soaked through my sleeves hot and slick as motor oil. It smelled horribly human. 
“It followed her to school one day.” 
Its hoof cracked against my jaw. 
“Which was–” 
Again. 
“Against the–”
Again. 
“Rules.”
Stars swam in my vision, but behind them I saw fire.
“Do it,” that deep voice urged again. “Prove it.”
The lamb shoved me away hard enough to send me sprawling across the stone floor. I heard it stumble to its feet and begin running, hooves scraping frantically against the ancient granite. I scrambled after it on all fours.

The city blurred around me. The statues overhead stretched impossibly tall beneath the burning sky while the sun pulsed, coinciding with my thundering heartbeat.
It collapsed near the base of one of the broken pillars, bleating, weakened by the blood pouring from its stomach. The little lamb tried crawling away from me through the sand, leaving behind a thick crimson trail.

“Please,” it sobbed, the word slurring. “Please, man…”
I hesitated. Then I saw Casper standing behind him.
“You always were weak,” he said, arms crossed. He was looking down at me with that– that look on his face. The one that I saw all too much at the village. Judging me, condescending, not believing in me or my goals.

My face contorted in rage. I threw myself onto the lamb before it could move again. It screamed as we slammed into the ground together, its hooves shoving desperately against my chest while I grabbed for its throat with both hands, more determined this time.
“And so the teacher sent it out,” I snarled through gritted, bloody teeth. “But still it lingered near.”
Daniel gagged beneath me as I squeezed harder. Its nails clawed bloody lines across my arms and neck. One of its hooves found my face and he pressed it into my eye, pushing it deeper into the socket.
“It stood and waited round.”
The lamb’s eyes were bulging wider and wider as blood bubbled from its lips. 
“Till Mary did appear.”
Its esophagus crunched, and the little lamb sputtered one last time. Its hoof fell from my face, releasing my now bleeding eye. 

Stillness.

My entire body shook violently as I got up. Blood dripped from my nose and eye onto its face in thick red strands. The city was silent again. Casper and Emmett stared at me. Were they… expecting more?

“What does one do with a lamb after the slaughter, Jules?” Casper said in a voice that was too much like that of The Burning Man. 
They both grinned as they saw the realisation dawn on my face.

Slowly, I looked down at it. At the open wound in its stomach. At the blood soaking into the sand beneath it. A horrible sound escaped from me, something between a sob and barking laughter as I dropped to my knees again beside the carcass and shoved both hands into the wound. Heat spilled over my fingers, slick and wet. I pulled.
“Why does the lamb love Mary so,”
I yanked a long piece of intestine out.
“Mary so,”
I pulled more out. It reminded me of the spaghetti mom used to make.
“Mary so?”
Daniel’s body jerked as the slimy ropes of red slipped free from my trembling hands.
“Because Mary loves the lamb, you know.”
I took in a deep, shuddering breath, basking in the warmth of the gutted little lamb.
“All Ashes,” I whispered reverently, “for The Burning Man.”
I put my hand to my forehead, and drew a crude hourglass in red.

I smiled, then, as I let go of all my worldly inhibitions. A genuine smile. I let it all drift off with the wind and scatter elsewhere, for they had no place in the life I was destined for.

3. The Dark Sun

Casper knelt beside me. He didn’t seem angry or disappointed anymore. Instead, he seemed rather… proud. Strange. Still, the sight of that expression upon his face filled me with a warmth greater than the sun ever could.
“Finally,” he said softly. “You show who you really are.”
I looked down at my bloodstained hands. They were as steady as rock, no longer shaking.
“Yes,” I whispered.

Emmett crouched opposite him, camcorder dangling uselessly from melted, dripping fingers. I had not noticed the burns before. His skin had begun peeling and blackening, smoke rising from his skin like steam from boiling water.
“In a way, we were stepping stones,” he said gently, smoke curling from his mouth as he spoke.
“A necessary sacrifice for this,” Casper added, fire gently creeping up his arms and legs. I stared at it silently. Then at his eyes, which now glowed a steady white, flames curling upward into his burning hair. 
“You… my mind didn’t create you, did it?”
More of their forms faded, Casper’s into flame, Emmett’s into smoke. They simply grinned at me.
“You were Him.” 
“I always was, Jules.”
The wind whistled violently through the ruined city. Wisps of smoke peeled from their bodies, rising upward into the shimmering air above us. Flames took Casper’s body, burning his features and body away, while smoke took that of Emmett as if he’d puffed into the wind. Then they were gone. And only my God and his disciple remained. 

The Burning Man, who looked to be a man made of flame, stood towering before me beneath the white sun, almost seeming to merge with its brilliance. Beside Him stood a woman made of smoke. Her form flickered constantly, flowing and fluttering in slow, graceful motions. At times she appeared mostly human. At others, she seemed little more than a distorted waft of smoke. I did not know this woman, but it seemed I would join her in revering this glorious God. 

The Burning Man looked down upon me.
“You are ready now, Jules.” His beautifully deep voice filled every hollow space within me. I bowed my head. The sand beneath me burned hot enough to blister skin, yet I welcomed it gladly. 
“Yes.”
The Burning Man extended a hand of pure fire toward me, the flames curling gracefully. 
“The hourglass empties,” He said. Behind Him, the woman watched silently from her swirling smoke-form. “I required two disciples,” He continued, voice deep and soothing. “One born of smoke. One born of ash.” 
He paused. I could see something in the swirling smoke beside him. She seemed… hesitant. Perhaps I was imagining it, but there was some uncertain flicker in those fumes I could not quite equate to devotion.
“And now the final grain joins the others below.”

Ancient stone cracked beneath shifting sands while the sun overhead burned larger and larger, almost swallowing the heavens whole. The end of its tyrannical reign would soon come. The death of the sun. 
The Burning Man stepped closer.
“You carried guilt because you still believed yourself fully human,” He said softly, though He spat out the final word like an insult. “You clung to humanity like a child to a blanket.”
Images flashed through my mind. Of Casper laughing. Emmett holding his camcorder. The village burning. Daniel screaming beneath my hands. Each memory felt farther away than the last.
“But humanity has no place among a God,” The Burning Man continued. His hand remained extended patiently toward me. 
“Restore me, my most devoted subject. Let us look upon the rise of the Dark Sun,” He paused for a moment, then added: “Be my second disciple. Ascend.” 
I took His hand without hesitation.

My body exploded with heat. My eyeballs crumbled, their ashes caving in on themselves and collapsing into the sockets. I screamed for a second, then stopped as my vocal cords were incinerated. All of my organs blazed as they were liquified along with my skin and bones. Casper’s ring dropped to the ground as I disintegrated. The heat was so immense, so terrible and yet it was also beautiful, in a way. A metamorphosis.  
All I sensed by the end were the gasses and liquids in my body evaporating into steam. The impurities of my mind and soul had been cleansed with holy fire, and carried away by the smoke. All that remained were ashes. 

I tried to move, but nothing happened. There was no sound, no feeling, no taste or smell. I couldn’t even see. Nothing. Pure, terrifying, nothingness. 
Again, I tried to reach out, to do anything. Blissfully, I felt some of the ashes shift. Not much, but it was something. I heaved and pushed against the air above, my ashes rising slightly and forming a mound. 
I fell and collapsed into a thousand scattered pieces. 
Could Casper have been right? Was I… nothing?

Casper. The ring. It sat just outside my reach. I stretched and morphed, the pile of ashes slowly taking the vague shape of a man. A man I no longer recognized. Jules was gone, and I had risen from the ashes. My head was hollow, only projecting an ashen face. I formed a crude arm and planted it in the sand. I pulled hard, crawling towards the ring. 

My face collapsed, the ashes falling into the sand. 

I reformed again, pulling more ashes towards me this time. An entire head, with vague features, and a more detailed arm with a hand at the end. There were no fingers, but it had to be enough. I dug the blob of ash into the sand and felt it. The ring. With tremendous effort, I hoisted my hand up and out of the sand. 
The ring did not come with it.

I tried again, this time succeeding in holding the ring in the palm of my hand. As I moved it closer to my face, it slipped through the ashes and dropped into the sand. 
Sight and my other senses were coming back now, as I slowly rebuilt my body. My eyes roamed over this new form, grey and lumpy, and something deep inside of me screamed about how wrong it was. But I could not see what it meant. It was a glorious form.

I looked at the ring. Casper’s ring. 
Humanity has no place among a God.
I turned away, leaving it to be swallowed by the dunes. Let it be buried, so as never to see the gloom of the Dark Sun.

Slowly, I stumbled towards where The Burning Man and the first disciple stood atop a staircase overlooking the sun. My feet disintegrated into nothing, but I reforged them, stronger this time. When I reached them, I stood beside The Burning Man, and His first disciple stood on his other side. They were staring at the setting sun. 
The Burning Man’s form was flaring up, the fire becoming unstable. 
“Look upon the last vestige of this era,” He said, gesturing at the sun with an elegant motion. “How revolting it has been. Millenia upon millenia of your ilk besmirching this rock. Your sentimentality, your feeble little minds and easily broken spirits. It is a wonder the other miserable creatures on this planet are not all misanthropic. But, then again, you were all created by the same frail being. What could they know of greatness, when they themselves were so infirm?” 
He paused, then added: “But they are no more. I saw to that.”

I looked over at Him, shocked. He did not seem to notice, or if He did, He did not care.
“And now I am here, after the arduous undertaking of tearing your creator apart. And I have come for his most prized children.”
He glanced at me, seeing my befuddled expression. “Humanity,” He stated. “It disgusts me to have to take the form of your pathetic species. But such sacrifices must be made in the name of progress.”
He spoke of humanity with violent vitriol, His voice seething with the mere mention of them. But I understand now. They are far beneath us. Such feeble little things humans are. It is difficult to believe I was once such a lowly creature.
“Humanity stands in the way of true progress,” The Burning Man continued. “The slate must be wiped clean. It is a foregone conclusion. Complete annihilation. Oblivion. A fresh start for my chosen. My creations.” He sounded a lot more passionate than I had anticipated. Some part of me had foolishly assumed that the voice He had spoken to me in was representative of Him as a whole. But there was a drive in this God that I did not expect. This was no distant man in the sky.
“He got to create you. He got to have his fun,” He murmured. “Now it’s my turn.”
A low rumble emerged from the distant horizon. An amplified, baritone drone. The sound reverberated through my core, shaking loose clumps of ash. 
“Oh, glory,” The Burning Man said. 
I believe that, had He had lips to smile with, He would have been grinning from ear to ear at that moment. For the bliss in His voice was unmistakable. 

I stared, slack-jawed, as a dark, round shape overtook the sinking sun. It rose slowly, revealing its malevolent form temperately. Its revelation was backlit by the fleeting wisps of dying sunlight. It was gargantuan beyond measure, incomprehensible to even my ascended mind, and utterly horrifying. 
It was the most beautiful sight I had ever laid eyes on.

“At last,” The Burning Man spoke with a bliss in His voice I had never heard. The words sounded the world over as the heavens darkened. He extended his arms to either side to create a perfect horizontal line from hand to hand. 
His feet left the ground as He began to levitate.
“I AM FREE!”

Preface:

This is the sixth and final story in the Dark Sun anthology. It can be read on its own, but to fully appreciate this story I highly recommend reading ‘Followers of the Flaming Hand’. 
You are, of course, free to read all other entries. 

1. Crucible

The sun beat down on me as I stood before a collapsed ancient marvel bearing the symbol of twilight. I ran my hand along its surface, once smooth, now brittle and crumbling. The voices of those long gone spoke in my mind. I didn’t understand their language, but there are some things that transcend the spoken word. A child’s giggle, someone muttering under their breath as they scurry away from something, a winced breath uttered in pain. Lives had been lived here, and this structure had seen it all.
And the sun had watched as it, too, fell into disrepair.

This forgotten relic had been given new breath one last time. A symbol carved at its base by my knife. An hourglass in a looming circle, with its last grain of sand falling down towards the base. The end was nigh. Oblivion. Kingdom Come. 

I turned away and started walking again, sand crunching under my boot. I had tried, at first, to remember when I first felt grains beneath my heel. There should have been a moment, I knew. A first step. But every time I reached for the memory, there was nothing there at all. Just sand behind me, and even more ahead. It felt dishonest to say it had started anywhere at all.
The sun was fixed above me, unmoving. Everything felt flattened under its tyrannical rule; shadows slinking away from its gaze along with the few creatures that lived here. When I looked too far ahead, things started to bend. Shapes formed where there weren’t any. Puddles of sweet, refreshing water disappeared when I drew close.
I kept my eyes glued to the ground below and walked. My boots dragged, leaving streaks in the sand where I passed. 

I hadn’t checked my water in a while, but I could feel how light it had become. The sloshing had slowly but surely started to become softer and softer. I was running out. 
“I’m still coming,” I said, dry and thin. I hadn’t heard His voice yet. Not more than once, like I’d come to believe Emmett had. Still, I waited. I always waited, like a soldier at attendance. 

I hadn’t thought about Casper and Emmett. It had been easier that way, because when I let myself think too clearly, I felt. And I couldn’t allow myself to feel.
But they still slipped in. A sound that wasn’t sand blowing in the wind, something moving that wasn’t a scorpion or spider, a scent that smelled like it must have drifted in from home. 
We had never been the quiet kind. Well, not until we arrived at the village. There, most days were spent in silence. And Casper had hated silence. 

I stopped walking. For a moment, the desert blew a merciful gust of cold wind at me. I closed my eyes and felt something shift. The air was cooler and sharp when inhaled. Instinctively, I reached for the ring on my left hand. Casper’s ring. I held it, just to know it was still there.

I opened my eyes and saw them.
They were sitting in the sand again, backs facing the sun, the camcorder in Emmett’s hands. He’d likely forgotten it was there. He used to do that a lot, before we burned it along with him. Well, the camera survived. I tossed it in a box of old electronics at some yard sale I’d passed by on my way here. 

Emmett was smiling at me.
“Gosh, ain’t this place something special?” he asked. I didn’t look at him, only at Casper, who refused to look at me. 
“Yeah,” I croaked.
“Fuck’s wrong with you, Jules?” Casper snapped, though his eyes still didn’t meet mine. “Why are you here?”
“I… I have to find Him–”
“Really?” he scoffed. “After everything? What you did to Emmett– to me?”
“That wasn’t– That’s not fair.”
Casper rolled his eyes. 
“You still haven’t heard Him yet?” Emmett asked.
“No. It’s been… I don’t remember.” It was strange. I knew Emmett had had a connection to Him, and had heard Him in his mind. He hadn’t been crazy. That much is obvious, knowing what I know now. Emmett was right.
It had been The Burning Man.

I blinked and they were gone. The desert returned all at once. The heat came upon me like a thick blanket. I took a deep breath, then kept walking. I let my thoughts settle into something safer, something that couldn’t be ripped away.
The Burning Man.

I didn't know where I was going exactly, but I knew the direction. I knew the path I walked as surely as I knew my own heartbeat, but if someone had asked me where it led, I could not have answered them. There were no roads. No signs. Even if there had once been, the desert swallowed such things greedily, grinding them down beneath shifting dunes until all that remained were the pillars and statues I now used as my guide. And through it all, I followed. He had asked it of me. He had commanded it. He had spoken to me only once, the night I abandoned the village to the dark. 

I remembered sitting before the smoldering remains of the pyre, watching embers flutter in the wind. By then, the others had already scattered into the night like frightened animals fleeing a forest fire. Some were dead. Some would soon wish they were. The leaders had held us together more than any of us realized. Settled disputes, directed our anger and fear, kept everyone in line. Null understood  this. After Null took our leaders from us, fear spread through our midst like rot through wet wood. Livestock began turning up mutilated outside the walls, their insides splayed out across the dirt. 

I remember waking one night to screaming outside my window and finding two brothers beating each other bloody in the mud while half the village watched in silence. They accused each other of being ‘of the enemy’.
People spoke of monsters. Dark shapes standing at the edge of their beds. Robotic voices. A man with a prosthetic they called ‘The White Hand’. 

Every night the fires burned hotter. We burned our own. A traitor, an agent of Null, a heretic. Most of us did not believe these brethren to be such, but none dared speak out either. The village turned inward on itself. I still remembered the smell near the end. Smoke. Blood.

One morning, somebody nailed a dead dog to the doors of one of the sleeping quarters with the word HOLLOW carved into its stomach. Three more were burned that day. That was the day before it all caved in on itself.

I remembered standing near the extinguished pyre as the lanterns overhead flickered weakly before dying altogether. The entire village fell silent. Then someone screamed. Others joined them immediately. Doors slammed open. Footsteps thundered through the streets. People ran blindly through the dark carrying lanterns and knives, convinced something had entered the village.
By sunrise, thirty people were dead. All had been killed by each other or themselves. I, along with the three other survivors, put their bodies in the final pyre. 
I remember sitting before those dying embers, staring into them until the world around me blurred into orange and black, when I had heard Him.

Walk the desert. The paths of old. Find me. Release me.

The voice had been soft. Warm. Calm in a way nothing else had been for a very long time. It did not claw at my mind like fear did. It did not shriek like the memories of Emmett’s burning. It soothed, and I obeyed.

The path revealed itself to me little by little. Ancient marvels emerged from the desert every few days, sticking up from the dunes like fingers clawing themselves out. Great granite temples carved by hands long since turned to dust. Colossal statues with their faces smoothed by centuries of wind. Towering pillars etched with heretical symbols I had to scrawl over. I carved over them with a small knife held in my reverent fingers whenever I found them, scratching over the grooves carved by people who had lived and died beneath this same merciless sun. 

I kept walking. The desert stretched onward in every direction, endless and unmoved by my presence within it. The wind dragged itself lazily across the dunes, reshaping them grain by grain like waves on a calm sea. Sometimes I thought I could see a figure standing far off in the haze, dark silhouette waiting atop distant dunes, a singular white hand pointed at me. Every time I blinked, it vanished back into the shimmer.

I walked for hours without seeing another monument. Then, as my hope dwindled, shapes rose on the horizon. 

At first, I mistook them for cliffs. Great masses rising from the desert floor, distorted by heat and distance like the imaginary pools of water. But as I drew closer, the shapes sharpened. There were towers, walls and pillars made of solid granite. A city. Well, the remnants of one anyhow.
It lay on the desert like the corpse of a fallen giant, half-buried beneath the sand. Colossal stone buildings leaned wearily against one another, their upper halves collapsed into the empty streets below. Massive statues stood watch over the ruins with featureless faces, their cracked bodies jutting out from the dunes. 

You are close, Jules.

The voice. It had returned. Finally.

1. Mary Had a Little Lamb

I froze where I stood. Sand hissed softly through abandoned alleyways and collapsed buildings. The great statues looming overhead almost seemed to lean inward ever so slightly, their featureless faces fixed upon me.
“How close?”
Nothing.

I swallowed hard, tongue scraping against my throat like sandpaper, and stepped forward into the ruins. 
The streets had long since disappeared beneath the sand, forcing me to climb over collapsed walls and heaps of sand that had once been homes, temples and marketplaces. I imagined thousands of people moving through these corridors once. Priests in robes, children running about, lovers hiding in shaded alleys from the watchful sun above. I fidgeted with Casper’s ring absent-mindedly. It calmed my racing heart somewhat, offering a much needed reprieve.
Every place I entered was hollowed out, scraped clean by time and wind. I searched desperately anyway, digging through crumbling shelves and shards of pottery with trembling hands, hoping to find something. A message or a sign, just something to show that I had not crossed this endless wasteland for nothing.

But there was nothing. The city had already surrendered everything it once was long ago, its fruits decayed to ashes and sand. 
I stumbled through a doorway into what must have once been some grand chamber. Colossal pillars reached high above, many cracked or otherwise broken across the floor like felled trees. Sand poured through cracks in the ceiling in slow trickles, golden mounds gathering beneath them. Hourglasses. Thousands of tiny hourglasses. It felt like I was being mocked. My efforts, my labour, all of it was being laughed at by–

Footsteps behind me.
I turned around sharply, knife held out in front of me. 

Emmett stood near the doorway, camcorder hanging loosely from one hand. Casper leaned against the wall beside him with his arms folded across his chest. 
“You look awful,” Casper muttered. “Arrogance never did suit you.”
“Don’t,” I snapped, my voice echoing through the chamber. Sand trickled down from the ceiling.
Emmett tilted his head. “You look tired. Have you been sleeping okay?”
“I’m close.”
“You don’t know that,” Casper said.
“I heard Him.”
“You heard something, just like–”
“It was him!”
Casper laughed bitterly and pushed himself from the wall. “You know what I think?”
I said nothing, my blood boiling in my veins.
“I think you just can’t stand being alone.”
“This isn’t about that.”
“Isn’t it?” he asked softly. “Everyone’s dead, Jules. The village is gone. Emmett’s gone. I’m gone. Because of you. And now you’re wandering through a graveyard because you can’t accept that maybe there’s nothing waiting for you at the end of all this.”
“There is.”
“Maybe,” Emmett whispered. “But… are you really all that special?”
They started walking towards me, their voices booming across the halls.
“Are you anything more than this… pathetic mess?” Casper started.
“Even I wasn’t this desperate,” Emmett chimed in.
“All you are is a murderer. A snivelling, pathetic boy with a head full of lies and hands–” I looked down through tears, seeing the crimson dripping from my hands, “–stained with our blood.”

I blinked hard and they were gone again. My breathing had become shallow and frantic. Sweat dripped from my brow and landed in the sand beneath my feet. My hands trembled violently now, though whether from exhaustion or anger, I could no longer tell.

I searched the city for what felt like hours afterward. I climbed broken staircases that led nowhere anymore. Wandered through roofless halls littered with statues of people long since dead. 
“There has to be something.” I dug my fingers into the sand until my nails split. The heat was unbearable, but it was something. 
“There has to be,” I whimpered, tears rolling down my cheeks. “I did what you asked. It can’t… It can’t have been for nothing. Please.” 

Nothing.

“Please,” I yelled up at the sky, nearly hysterical now, “Just… a sign! Anything! I’ll… I’ll do anything, please.” 

The wind whistled through the empty streets. Sand slid from rooftops in soft waves.
Then came another sound. Metal. 
My prayer had been answered.

A dull clanging noise echoed somewhere beyond the chamber walls, followed by the low murmur of a voice. I froze, tears rapidly drying in the scorching sun. For one horrible moment, I thought it was Casper again. Or worse, The White Hand.

I stumbled clumsily back toward the doorway, my knife trembling in my grip. My legs felt wobbly beneath me. Every step sent jolts of pain shooting through my feet and up my spine. I had walked too long beneath the sun. 
The sound came again, closer this time. Then I saw him.

A figure emerged slowly through the shimmering haze between the ruined buildings, distorted at first by heat. The sun framed him from behind like a halo of white fire. He carried a heavy pack slung over one shoulder and wore loose, thin clothing stained with sand and sweat. Something metallic hung from his belt alongside several tools I didn’t recognize.
He stopped the moment he saw me. For a while, neither of us moved.
“Oh my God,” he muttered beneath his breath. His voice sounded real, unlike those of Casper and Emmett. “You alright?” he called out carefully, taking a slow step closer. “Hey– easy. I’m not gonna hurt you.”
A croak emerged unwillingly from my mouth. The sun burned behind him so brightly it set his silhouette ablaze. It looked almost as though he stood inside the light itself. A flaming messenger.

“You’re hurt. Jesus… how long have you been out here?”
He reached for something at his side slowly, as though approaching a wounded animal. Instinctively, I raised the knife. He stopped immediately.
“Okay,” he said softly. “Alright. That’s fine.”
Then he held up a canteen. The sound of the sloshing liquid inside of it made my knees nearly buckle beneath me.
“You need this more than I do,” he said. I stared at the canteen for a very long time. Then at him. His face was weathered by the sun. Grey stubble crept along his almost non-existent jawline. 

Slowly, I lowered the knife. The man approached carefully and handed me the canteen. My hands shook so badly I nearly dropped it. Somehow, despite the blazing heat, the metal felt cool against my skin. With trembling fingers, I unscrewed the lid.
“There you go,” he murmured paternally. “Slow down.”
I looked up at him through blurred vision. “Why did he send you?”
“What?” he asked, frowning.
“The Burning Man.” My voice cracked around the words. “Why did he send you here? What must I do?”
“I… don’t know what that means.”
I looked at him wearily, frowning.
“Look, I’m with a survey team a few miles west of here. We’re setting up near the edge of the ruins. If you come with me, we could get you water, food, somewhere cool to sit down–”
“You don’t know him?”
“No,” he said gently. “I think you might be dehydrated, lad.”

I stared at him silently while my thoughts churned against one another in violent circles. The voice had returned.
You are close.
The final grain does not understand the falling until the moment it joins the rest at the bottom. 

I looked down at the canteen. Water. The opposite of fire.
Of course.
Of course.
I had begged for a sign. And now here stood a man offering salvation at the precise moment my faith began to fracture. A test. A test!
The man smiled weakly.
“C’mon,” he said softly. “Let’s get you out of this heat.”
My fingers tightened slowly around the canteen.
“What’s your name?” I asked.
“Daniel.”
I nodded absentmindedly. That made sense, tests were never obvious. I looked past him toward the burning horizon where the sun loomed vast and white above the ruined city. Backlit by a white sun. The opposite of our goal. The most beautiful of symbolisms. A little white lamb come for the slaughter.
I poured the water into the sand.

Emmett and Casper stood behind him.
“This is what you are, Jules,” Casper said, voice almost unrecognisable. “A murderer.”
“Do it,” Emmett said in a deep, commanding voice. 

I lifted my head groggily, taking a step towards Daniel. The lamb looked around, bewilderment evident in its blue eyes as I put a hand on its shoulder. 
“Thank you, Daniel,” I murmured, ruminating on what a peculiar name Daniel was for a lamb. 
“You– you’re welcome.”
I smiled, leaning in. “All Ashes for The Burning Man,” I whispered into its ear. 

Then I stabbed the lamb in the belly. It squealed delightfully in my ear as I yanked the blade back out.
“Mary had a little lamb,” I murmured, ramming my knife back down into its supple belly. “Its fleece was white as snow.” 
Bright red gushed from the wounds, coating its wool red. 

“You– you fucking stabbed me–” the lamb gasped, its voice cracking.
I grinned.
“And everywhere that Mary went,” I whispered, “the lamb was sure to go.”
“You fucking psycho–”
I drove the knife forward again, but this time Daniel caught my wrist. Pain exploded through my hand as its hoof slammed into my wrist with desperate strength. It let out a wet cry and slammed its forehead into my nose. White light burst across my vision. I reeled backwards, dropping the blade as blood poured warm over my lips.
“Jesus Christ!” it bleated, clutching its stomach. “Help! HELP!”

The lamb staggered away from me toward the doorway, one hoof pressed desperately against the wounds while the other fumbled at its belt for something, a radio perhaps, or a weapon. I lunged after it before it could grab whatever it was.

We collided violently. The impact sent both of us crashing sideways into the sand. For a moment we grappled in the sand like animals.
The lamb battered wildly at my face while I clawed for its throat. Its blood soaked through my sleeves hot and slick as motor oil. It smelled horribly human. 
“It followed her to school one day.” 
Its hoof cracked against my jaw. 
“Which was–” 
Again. 
“Against the–”
Again. 
“Rules.”
Stars swam in my vision, but behind them I saw fire.
“Do it,” that deep voice urged again. “Prove it.”
The lamb shoved me away hard enough to send me sprawling across the stone floor. I heard it stumble to its feet and begin running, hooves scraping frantically against the ancient granite. I scrambled after it on all fours.

The city blurred around me. The statues overhead stretched impossibly tall beneath the burning sky while the sun pulsed, coinciding with my thundering heartbeat.
It collapsed near the base of one of the broken pillars, bleating, weakened by the blood pouring from its stomach. The little lamb tried crawling away from me through the sand, leaving behind a thick crimson trail.

“Please,” it sobbed, the word slurring. “Please, man…”
I hesitated. Then I saw Casper standing behind him.
“You always were weak,” he said, arms crossed. He was looking down at me with that– that look on his face. The one that I saw all too much at the village. Judging me, condescending, not believing in me or my goals.

My face contorted in rage. I threw myself onto the lamb before it could move again. It screamed as we slammed into the ground together, its hooves shoving desperately against my chest while I grabbed for its throat with both hands, more determined this time.
“And so the teacher sent it out,” I snarled through gritted, bloody teeth. “But still it lingered near.”
Daniel gagged beneath me as I squeezed harder. Its nails clawed bloody lines across my arms and neck. One of its hooves found my face and he pressed it into my eye, pushing it deeper into the socket.
“It stood and waited round.”
The lamb’s eyes were bulging wider and wider as blood bubbled from its lips. 
“Till Mary did appear.”
Its esophagus crunched, and the little lamb sputtered one last time. Its hoof fell from my face, releasing my now bleeding eye. 

Stillness.

My entire body shook violently as I got up. Blood dripped from my nose and eye onto its face in thick red strands. The city was silent again. Casper and Emmett stared at me. Were they… expecting more?

“What does one do with a lamb after the slaughter, Jules?” Casper said in a voice that was too much like that of The Burning Man. 
They both grinned as they saw the realisation dawn on my face.

Slowly, I looked down at it. At the open wound in its stomach. At the blood soaking into the sand beneath it. A horrible sound escaped from me, something between a sob and barking laughter as I dropped to my knees again beside the carcass and shoved both hands into the wound. Heat spilled over my fingers, slick and wet. I pulled.
“Why does the lamb love Mary so,”
I yanked a long piece of intestine out.
“Mary so,”
I pulled more out. It reminded me of the spaghetti mom used to make.
“Mary so?”
Daniel’s body jerked as the slimy ropes of red slipped free from my trembling hands.
“Because Mary loves the lamb, you know.”
I took in a deep, shuddering breath, basking in the warmth of the gutted little lamb.
“All Ashes,” I whispered reverently, “for The Burning Man.”
I put my hand to my forehead, and drew a crude hourglass in red.

I smiled, then, as I let go of all my worldly inhibitions. A genuine smile. I let it all drift off with the wind and scatter elsewhere, for they had no place in the life I was destined for.

3. The Dark Sun

Casper knelt beside me. He didn’t seem angry or disappointed anymore. Instead, he seemed rather… proud. Strange. Still, the sight of that expression upon his face filled me with a warmth greater than the sun ever could.
“Finally,” he said softly. “You show who you really are.”
I looked down at my bloodstained hands. They were as steady as rock, no longer shaking.
“Yes,” I whispered.

Emmett crouched opposite him, camcorder dangling uselessly from melted, dripping fingers. I had not noticed the burns before. His skin had begun peeling and blackening, smoke rising from his skin like steam from boiling water.
“In a way, we were stepping stones,” he said gently, smoke curling from his mouth as he spoke.
“A necessary sacrifice for this,” Casper added, fire gently creeping up his arms and legs. I stared at it silently. Then at his eyes, which now glowed a steady white, flames curling upward into his burning hair. 
“You… my mind didn’t create you, did it?”
More of their forms faded, Casper’s into flame, Emmett’s into smoke. They simply grinned at me.
“You were Him.” 
“I always was, Jules.”
The wind whistled violently through the ruined city. Wisps of smoke peeled from their bodies, rising upward into the shimmering air above us. Flames took Casper’s body, burning his features and body away, while smoke took that of Emmett as if he’d puffed into the wind. Then they were gone. And only my God and his disciple remained. 

The Burning Man, who looked to be a man made of flame, stood towering before me beneath the white sun, almost seeming to merge with its brilliance. Beside Him stood a woman made of smoke. Her form flickered constantly, flowing and fluttering in slow, graceful motions. At times she appeared mostly human. At others, she seemed little more than a distorted waft of smoke. I did not know this woman, but it seemed I would join her in revering this glorious God. 

The Burning Man looked down upon me.
“You are ready now, Jules.” His beautifully deep voice filled every hollow space within me. I bowed my head. The sand beneath me burned hot enough to blister skin, yet I welcomed it gladly. 
“Yes.”
The Burning Man extended a hand of pure fire toward me, the flames curling gracefully. 
“The hourglass empties,” He said. Behind Him, the woman watched silently from her swirling smoke-form. “I required two disciples,” He continued, voice deep and soothing. “One born of smoke. One born of ash.” 
He paused. I could see something in the swirling smoke beside him. She seemed… hesitant. Perhaps I was imagining it, but there was some uncertain flicker in those fumes I could not quite equate to devotion.
“And now the final grain joins the others below.”

Ancient stone cracked beneath shifting sands while the sun overhead burned larger and larger, almost swallowing the heavens whole. The end of its tyrannical reign would soon come. The death of the sun. 
The Burning Man stepped closer.
“You carried guilt because you still believed yourself fully human,” He said softly, though He spat out the final word like an insult. “You clung to humanity like a child to a blanket.”
Images flashed through my mind. Of Casper laughing. Emmett holding his camcorder. The village burning. Daniel screaming beneath my hands. Each memory felt farther away than the last.
“But humanity has no place among a God,” The Burning Man continued. His hand remained extended patiently toward me. 
“Restore me, my most devoted subject. Let us look upon the rise of the Dark Sun,” He paused for a moment, then added: “Be my second disciple. Ascend.” 
I took His hand without hesitation.

My body exploded with heat. My eyeballs crumbled, their ashes caving in on themselves and collapsing into the sockets. I screamed for a second, then stopped as my vocal cords were incinerated. All of my organs blazed as they were liquified along with my skin and bones. Casper’s ring dropped to the ground as I disintegrated. The heat was so immense, so terrible and yet it was also beautiful, in a way. A metamorphosis.  
All I sensed by the end were the gasses and liquids in my body evaporating into steam. The impurities of my mind and soul had been cleansed with holy fire, and carried away by the smoke. All that remained were ashes. 

I tried to move, but nothing happened. There was no sound, no feeling, no taste or smell. I couldn’t even see. Nothing. Pure, terrifying, nothingness. 
Again, I tried to reach out, to do anything. Blissfully, I felt some of the ashes shift. Not much, but it was something. I heaved and pushed against the air above, my ashes rising slightly and forming a mound. 
I fell and collapsed into a thousand scattered pieces. 
Could Casper have been right? Was I… nothing?

Casper. The ring. It sat just outside my reach. I stretched and morphed, the pile of ashes slowly taking the vague shape of a man. A man I no longer recognized. Jules was gone, and I had risen from the ashes. My head was hollow, only projecting an ashen face. I formed a crude arm and planted it in the sand. I pulled hard, crawling towards the ring. 

My face collapsed, the ashes falling into the sand. 

I reformed again, pulling more ashes towards me this time. An entire head, with vague features, and a more detailed arm with a hand at the end. There were no fingers, but it had to be enough. I dug the blob of ash into the sand and felt it. The ring. With tremendous effort, I hoisted my hand up and out of the sand. 
The ring did not come with it.

I tried again, this time succeeding in holding the ring in the palm of my hand. As I moved it closer to my face, it slipped through the ashes and dropped into the sand. 
Sight and my other senses were coming back now, as I slowly rebuilt my body. My eyes roamed over this new form, grey and lumpy, and something deep inside of me screamed about how wrong it was. But I could not see what it meant. It was a glorious form.

I looked at the ring. Casper’s ring. 
Humanity has no place among a God.
I turned away, leaving it to be swallowed by the dunes. Let it be buried, so as never to see the gloom of the Dark Sun.

Slowly, I stumbled towards where The Burning Man and the first disciple stood atop a staircase overlooking the sun. My feet disintegrated into nothing, but I reforged them, stronger this time. When I reached them, I stood beside The Burning Man, and His first disciple stood on his other side. They were staring at the setting sun. 
The Burning Man’s form was flaring up, the fire becoming unstable. 
“Look upon the last vestige of this era,” He said, gesturing at the sun with an elegant motion. “How revolting it has been. Millenia upon millenia of your ilk besmirching this rock. Your sentimentality, your feeble little minds and easily broken spirits. It is a wonder the other miserable creatures on this planet are not all misanthropic. But, then again, you were all created by the same frail being. What could they know of greatness, when they themselves were so infirm?” 
He paused, then added: “But they are no more. I saw to that.”

I looked over at Him, shocked. He did not seem to notice, or if He did, He did not care.
“And now I am here, after the arduous undertaking of tearing your creator apart. And I have come for his most prized children.”
He glanced at me, seeing my befuddled expression. “Humanity,” He stated. “It disgusts me to have to take the form of your pathetic species. But such sacrifices must be made in the name of progress.”
He spoke of humanity with violent vitriol, His voice seething with the mere mention of them. But I understand now. They are far beneath us. Such feeble little things humans are. It is difficult to believe I was once such a lowly creature.
“Humanity stands in the way of true progress,” The Burning Man continued. “The slate must be wiped clean. It is a foregone conclusion. Complete annihilation. Oblivion. A fresh start for my chosen. My creations.” He sounded a lot more passionate than I had anticipated. Some part of me had foolishly assumed that the voice He had spoken to me in was representative of Him as a whole. But there was a drive in this God that I did not expect. This was no distant man in the sky.
“He got to create you. He got to have his fun,” He murmured. “Now it’s my turn.”
A low rumble emerged from the distant horizon. An amplified, baritone drone. The sound reverberated through my core, shaking loose clumps of ash. 
“Oh, glory,” The Burning Man said. 
I believe that, had He had lips to smile with, He would have been grinning from ear to ear at that moment. For the bliss in His voice was unmistakable. 

I stared, slack-jawed, as a dark, round shape overtook the sinking sun. It rose slowly, revealing its malevolent form temperately. Its revelation was backlit by the fleeting wisps of dying sunlight. It was gargantuan beyond measure, incomprehensible to even my ascended mind, and utterly horrifying. 
It was the most beautiful sight I had ever laid eyes on.

“At last,” The Burning Man spoke with a bliss in His voice I had never heard. The words sounded the world over as the heavens darkened. He extended his arms to either side to create a perfect horizontal line from hand to hand. 
His feet left the ground as He began to levitate.
“I AM FREE!”