u/Sanetosane

The figures, rendered in ochre hues, dance across the sandstone canvas. Some are adorned with elaborate headdresses or skirts, hinting at ritual or ceremonial significance. The desert winds have gently eroded the rock face, blurring the edges of the figures, yet their presence remains vivid. The ancient artists captured a moment of life in the heart of the Sahara, a testament to human creativity and resilience. Their work whispers of stories untold, of a time when the desert teemed with life, and the human spirit soared against the backdrop of endless sands.

is a carved, circular Aztec stone, depicting the dismembered body of the Aztec moon goddess, Coyolxauhqui, who was vanquished by her brother, the sun god Huitzilopochtli. It was discovered by utility workers in 1978 while digging near the Zócalo. Originally, the stone was situated at the base of the stairs of the Templo Mayor, the main temple of the Aztec capital, Tenochtitlan.

It was a settlement which contained goddess figures, dwellings made of mammoth bones, and many flint tools and bone implements. Actually it is not a single site but really an area on the right bank of the Don River in the region of the villages of Kostenki and Borshevo, consisting of more than twenty site locations, all dating to the Paleolithic.

The remains were naturally preserved in the silt and chilling, oxygen-deprived waters. Divers recovered the skeleton alongside an iron sword, two wooden-handled knives. a leather belt with a buckle, and leather boots with spurs. Because of the location and context of his resting place, experts speculate he may have perished in the area—perhaps during a skirmish, retreat, or construction on an older, historic bridge—before the lakebed’s sediments safely encapsulated his remains as a natural time capsule.

The Wardamans have no written language and Yidumduma holds their history in his head, using the pictographs to recall the ancestral stories. Here are the Lightning Brothers–two spirits who make it rain. During the creation they were regular people walking around but when the rocks hardened they were fixed in place, and they’re still there today. Initiated elders sing at this site to bring the rain at the end of the dry season. The yellow spirit, Jabiringi, brings the tornado and cyclone and the red spirit, Yagiagbula, brings the thunderstorm. They are larger than life size, leaning forward, seemingly emerging from the cliffs, pulsing in space. They are thousands of years old, but the tribe repaints them when they fade Credits: Leon Yost

The carvings are visually striking and somewhat mysterious, they depict human-like faces with exaggerated or stylized expressions, animals, possibly representing local fauna or symbolic creatures, and geometric and natural motifs, likely tied to cosmology or environment.

The spiral inscription is in Linear A—a script that remains undeciphered to this day. The text may record a name, title, or ritual phrase, but its exact meaning is still unknown. The ring likely functioned as a signet, used to stamp seals and signify authority. Its presence in an elite grave suggests the owner held an important role within Minoan society. Housed in the Heraklion Archaeological Museum,

The urban plan consists of streets that extend outward from a central hub, highlighting its historical and strategic significance. This distinctive arrangement provides a fascinating glimpse into the city's development and planning, reflecting the seamless blend of Hamadan's rich past with its organized architectural design.