What I think Ennard's mask was for

What I think Ennard's mask was for

I'd recommend to read these posts first:
Jackie To Circus Baby Pipeline
Ennard is a Baby prototype

A thing that has bugged me for a while is Ennard's similarities ro the Puppet.

Both are slender humanoid figures wearing a white mask stuck in a smile whilst having a button on their chest.
Those similarities are too convinient to be a coincidence.
And with ffps confirming CharliePuppet, the 2 are now even more similar. They're poessessed by the neglected daughters of the two fazent co-owners.

However, the Puppet and Ennard share designs similarities to another character, Jackie.
Jackie and Ennard are both clowns with a red button bow tie and a party hat.
Whilst Jackie and the Puppet both share a music box and have long noodly limbs [Security Puppet's hat arguably resembles Jackie's]

Anyways here's my theory.
The Puppet was designed to resemble Jackie.
Whilst Ennard's mask was designed to resemble the Puppet, hence Jackie by proxy.

It'd explain why Ennard and The Puppet are so similar look wise, Ennard's mask was inspiried by the Puppet.

I also think I should clarify that in the novels, TFC Circus Baby was built to be an adult Charlie. Charlie is the Puppet's soul and Ennard is Baby.
A variation of Ennard/Baby is meant to resemble a variation of Charlie/Puppet

Anyways in summary.
The Marionette was made to resemble Jackie.
Ennard's mask was made to resemble both.
However over time Afton strayed away from "Funtime JackieNette" [Original character do not steal] and Circus Baby was made.

u/Short-Procedure1853 — 18 hours ago

Under FuntimeAftons - Ennard would be Vannessa

1] Ennard wears a white mask , Vannessa is white

2] Both wear a hat

3] Ennard has a button, Vannessa wears a button shirt

4] Ennard is a liar, and movie Vannessa hides a lot of this from the Schmidts. Both are not honest.

5] Ennard has yellow stripes on her hat - Vannessa is blond

6] Both have 2 'N's in their name - Vannessa and Ennard

7] Ennard's chest resembles a bow tie - Vannessa as Vanny wears a bow tie too

8] Vannessa likes baking cupcakes - Ennard is Baby - Baby threw cupcakes at kids

9] Both are out of place in their respective groups. Vannessa is an Afton, but her place in the timeline makes her association with them odd. Ennard is technically a funtime. But theyre not invitied to group photos because that is literally physically impossible to happen.

10] Both are the last and 'youngest' of their groups chronologically speaking

11] Vanny uses a knife, and in tlt's I Cant Fix You song, Ennard kills Micheal with a knife

12] Ennard and Vanny are both potential men

13] Vannessa , as Vanny , wears a mask. Ennard also has a mask.

u/Short-Procedure1853 — 2 days ago

Elizabeth 'Also Here' Afton

Idk if many people know this but scrap baby isnt controlled by Liz in fb3 either

Elizabeth is just

gone

Shes only mentionned in one note and then never again

u/Short-Procedure1853 — 5 days ago

Jackie to Circus Baby pipeline

I think it is safe to assume
That Circus Baby is based off of Jackie.
I also think it's safe to assume that Ennard is ALSO based off of Jackie in some way.
Hence I made this chart.

Afton, taking inspiration from Jackie, design Ennard's mask and button-bowtie for his own clown animatronic. However he eventually strayed away from Jackie, and ended up making Circus Baby.

NOTABLE SIMILARITIES BETWEEN ALL 4
Jackie/Ennard
-Hat
-Red button
-Ennard has a bow-tie like chest, resembling Jackie's a bit
-Clown

Jackie/Scrap Baby
-Green Eyes
-Red orange blue colour pallete
-Twin braids and pigtails respectively

Jackie/CircusBaby
-Clown
-Redheads
-Twin braids and pigtails respectively

CircusBaby/ScrapBaby
-Guess

ScrapBaby/Ennard
-Ennards hat is green, yellow, and orange. The colour scrap baby wears
-Clown

Ennard/CircusBaby
-Circus Baby initally had blue eyes like Ennard
-Clown

u/Short-Procedure1853 — 6 days ago

Something about Elizabeth and Mrs Afton

It is commonly accepted that Ballora is a Mrs Afton repersentee

However a thing most people dont bring up about her, is that Circus Baby doesn't like her.

In night 4, Baby says Ballora never learns
In night 5, Baby calls Ennard [who,,, is both Ballora AND Baby] Ballora, making Ballora the threat instead of herself

So with that said
What does this say about Mrs Afton?

Circus Baby plans on scooping us because she thinks we're William,
So what if Elizabeth dislikes Ballora because she feels abandoned by both her parents?

u/Short-Procedure1853 — 7 days ago

something about Elizabeth, Toygirl, and Pigtail girl

A lot of people point out the similarities between pigtail girl and liz
both have orange hair and green eyes
But thats ALL they have in common

Elizabeth is also similar to toy girl
They both have red bows
A pink shirt with something dark on it [blue line and buttons respectively]
And wears a blue skirt/pants respectively
Furthermore, they both have TOY animatronics with them

Basically
Elizabeth resembles both toygirl and pigtail girl.

You heard of miketosis in the movies. Now get ready for Elizafusion.

u/Short-Procedure1853 — 8 days ago

Putting Elizabeth back together in fnafsl did nothing actually

Saying Circus Baby is mainly controlled by the AI makes sense because Liz hasnt been put together yet.

That reasoning can not apply to Ennard.

"Yeaaaaaaaaaaaa Elizabeth IS put back together by the end of FNAFSL but she has no control over Ennard because Ennard [character built off of lies] referred to her in third person"

u/Short-Procedure1853 — 9 days ago

They will listen - they will care

“How much longer?”

Pat lies in his bed, the single question floating around in his head. He stares at the clock, it’s too dark to see the hands tick, but not dark enough to see the pictures surrounding it. There’s picture of him, pictures of him with his mom, pictures of him with his dad, and only one with all of them together. It hangs right below the clock with both hands intact, and right above his desk.

He can still hear his parents from downstairs. It’s hard not to. They're blaming each other, yelling at each other, hurting each other. And they think he's stupid enough to not notice it.

The kid stares up at the ceiling, tired. He spent every night before trying to drown out the noise. Whether he tried locking his door or covering his ears with pillows, nothing he did worked. They were loud. Too loud.

Groggy, Pat turns to his sides, still staring at the door. It’s shut close. He can still hear his parents from downstairs, but he’d like to pretend it does something.

Through the gap between the door and the wall, a tiny bit of line seeps through. Shining on his guitar. Something that was once his pride and joy before losing his right arm.

Back then, they’d all sit together as a family and listen to him play. For once, everyone smiled. But now those days are long gone ever since that trip. He was left unwatched for way too long and got himself into trouble.

His mom says it’s because his father is never present.

His father says it’s because his mother is always stuck inside her own head.

He saw old photos of them together, they always looked so happy. What went wrong?

They make excuses for his mistake and never listen to his apologies. He’s the reason he lost his arm, and he’s the reason for their fights. And yet they’re only blaming each other.

Pat sits up straight at the edge of his bed, still staring at the door.

Do they have just as much trouble sleeping as him when they have to go to bed?

Do they toss and turn and talk to themselves about the things the other has said? Keeping themselves awake?

Thinking to himself, Pat finally stands up and steps towards his door, hovering the hand he has left over the doorknob. Maybe, just maybe, he can fix things. He’ll confront them! He’ll be honest! They might be mad at him, but they’ll finally ignore each other. And the nights can be quiet again.

He watches the doorknob, his hand shaking.

He can solve it all.

Can he solve it all?

He can’t.

Pat raises his hand away from the door and steps back, looking down at the floor. He can’t do it. He knows they won’t listen. And he knows it wouldn’t help him sleep.

Defeated, Pat steps back, turning back to his bed. He slouches, sitting on the very edge, holding his head in his hand, knowing there is nothing to say or do. Why couldn’t they speak? Why wouldn’t they listen?

“Because they don’t want too.”

Alerted, Pat darts back up, looking around his room. Someone heard him. Looking at his bedside table, there lies his old baseball bat. He grabs it, pointing it ahead of him. He can’t see anyone in the closet, he can’t see anyone near his desk, and he can’t find the light switch.

What he does see, is the dark.

Right behind his guitar, lies a shadow, a patch of darkness too dark, an area perfectly pitch black. And that area, has started to crawl. A hand emerges, pushing the shadow up, forming a figure.

It was amorphous, yet familiar. It was just a silhouette of a person. It was the silhouette of two, stitched as one. The shadow of both his mother and father together as one.

“Do you want someone to listen?” She spoke, her voice as soft as his mother’s, and as slow as his father’s, almost like they are overlapping. She should have been horrifying him, causing him to run away, but for some reason, Pat does not.

The boy looks back down at the floor, almost completely still, thinking to himself. Does he really want to speak? How long can he stay quiet for? Will they hear them talk? Pat looks at his door. “… I want to talk to them,” He says softly “they talk to each other a lot. And they say a lot of...” Pat hesitates for a moment. “A lot of bad things. I don’t think they’re going to listen to me though.” He sighs, already given up.

The figure does not move, she keeps her distance, watching from afar. “Do you know why?” She breaks her silence, doing nothing else but stare. Pat shakes his head. “I do. Do you want me to tell you?” She seemingly clasps her hands together, tilting her head to the side.

Whenever Pat’s father had to ask him a question, he’d clasp his own hands together, also tilting his head to the side. The only difference here, is that his father would have stepped closer. The shadow did not. It’s a small thing, but Pat always noticed it.

For a while, it was comforting. Pat looks back at the ‘Parent’ and nods.

She takes a moment to reply, but when she does, she says it clearly. “They are stuck in their own mind, their own wants.” She looks, and then down, and then back at Pat. “They care about you Pat, but they care more about themselves. They always did.” The figure says flatly, completely straightforward. She steps forward. “And they always will.” Her eyes finally open. Almond shaped, like his father’s.

Pat backs away on his bed, almost scurrying into a corner. “You’re scared. I understand.” She closes her eyes again. “I understand... All you want is someone to listen. But they never do, your mom and dad.” She turns to stare at the door. “But maybe... I could make them care.” Pat eyes widen, surprised.

He keeps his distance, but his curiosity gets to him. Pat tilts his head, taking a moment to respond. “How?” He says, his voice still quiet.

The Shadow walks to the other side of the room. “Well, I’ll need you to do something.” She says, opening the door. “They don’t know me. They won’t listen to me alone. Let’s go down and talk to them. Okay?” She offers.

The hallway is eclipsed by the door itself. Pat can’t see what’s beyond it, so he stays still, pondering. “Take your time. Maybe now is not right.” The shadow interrupts his thinking. “We will talk to your parents some other time. I’m sure you can wait as well. Can you?” She asks again.

Pat leaves his bed. Still hesitant, he walks to the door, standing beside the Shadow. To his surprise, she does nothing. Her only response is to point outside the door.

Pat looks forward, what’s in front of him is nothing but the dark. No pictures of his parents being forced to be with him, none of his mother’s vases or his father’s old medals. Just the dark. “I know it looks scary,” The Shadow speaks. “But they will care again. All you have to do, is step outside, and find them. Do you want me to help you?” She asks, her tone almost forcibly soft.

The boy steps away.

She grabs onto his wrist.

“I will help you.”

Pat tries to struggle out of it, but she doesn’t let go. She drags him into the dark. None could hear him scream, not his mother, or father.

 

 

 

A week past by.

A man stands beside a lamppost; a paper hung on it. He holds onto it, and cries. None is around to hear him, yet he still tries to remain quiet. “I’m so sorry.” He says, whispering to himself. “I’m so, so so sorry.” His phone starts to ring, he ignores it. “Pat…” He says, “My boy…” He can hardly finish a sentence without crying.

He lets go of the paper, still in tears.

On the paper are bold red posters. 8 year old Pat has gone missing.

reddit.com
u/Short-Procedure1853 — 11 days ago

They will listen - They will care

“How much longer?”

Pat lies in his bed, the single question floating around in his head. He stares at the clock, it’s too dark to see the hands tick, but not dark enough to see the pictures surrounding it. There’s picture of him, pictures of him with his mom, pictures of him with his dad, and only one with all of them together. It hangs right below the clock with both hands intact, and right above his desk.

He can still hear his parents from downstairs. It’s hard not to. They're blaming each other, yelling at each other, hurting each other. And they think he's stupid enough to not notice it.

The kid stares up at the ceiling, tired. He spent every night before trying to drown out the noise. Whether he tried locking his door or covering his ears with pillows, nothing he did worked. They were loud. Too loud.

Groggy, Pat turns to his sides, still staring at the door. It’s shut close. He can still hear his parents from downstairs, but he’d like to pretend it does something.

Through the gap between the door and the wall, a tiny bit of line seeps through. Shining on his guitar. Something that was once his pride and joy before losing his right arm.

Back then, they’d all sit together as a family and listen to him play. For once, everyone smiled. But now those days are long gone ever since that trip. He was left unwatched for way too long and got himself into trouble.

His mom says it’s because his father is never present.

His father says it’s because his mother is always stuck inside her own head.

He saw old photos of them together, they always looked so happy. What went wrong?

They make excuses for his mistake and never listen to his apologies. He’s the reason he lost his arm, and he’s the reason for their fights. And yet they’re only blaming each other.

Pat sits up straight at the edge of his bed, still staring at the door.

Do they have just as much trouble sleeping as him when they have to go to bed?

Do they toss and turn and talk to themselves about the things the other has said? Keeping themselves awake?

Thinking to himself, Pat finally stands up and steps towards his door, hovering the hand he has left over the doorknob. Maybe, just maybe, he can fix things. He’ll confront them! He’ll be honest! They might be mad at him, but they’ll finally ignore each other. And the nights can be quiet again.

He watches the doorknob, his hand shaking.

He can solve it all.

Can he solve it all?

He can’t.

Pat raises his hand away from the door and steps back, looking down at the floor. He can’t do it. He knows they won’t listen. And he knows it wouldn’t help him sleep.

Defeated, Pat steps back, turning back to his bed. He slouches, sitting on the very edge, holding his head in his hand, knowing there is nothing to say or do. Why couldn’t they speak? Why wouldn’t they listen?

“Because they don’t want too.”

Alerted, Pat darts back up, looking around his room. Someone heard him. Looking at his bedside table, there lies his old baseball bat. He grabs it, pointing it ahead of him. He can’t see anyone in the closet, he can’t see anyone near his desk, and he can’t find the light switch.

What he does see, is the dark.

Right behind his guitar, lies a shadow, a patch of darkness too dark, an area perfectly pitch black. And that area, has started to crawl. A hand emerges, pushing the shadow up, forming a figure.

It was amorphous, yet familiar. It was just a silhouette of a person. It was the silhouette of two, stitched as one. The shadow of both his mother and father together as one.

“Do you want someone to listen?” She spoke, her voice as soft as his mother’s, and as slow as his father’s, almost like they are overlapping. She should have been horrifying him, causing him to run away, but for some reason, Pat does not.

The boy looks back down at the floor, almost completely still, thinking to himself. Does he really want to speak? How long can he stay quiet for? Will they hear them talk? Pat looks at his door. “… I want to talk to them,” He says softly “they talk to each other a lot. And they say a lot of...” Pat hesitates for a moment. “A lot of bad things. I don’t think they’re going to listen to me though.” He sighs, already given up.

The figure does not move, she keeps her distance, watching from afar. “Do you know why?” She breaks her silence, doing nothing else but stare. Pat shakes his head. “I do. Do you want me to tell you?” She seemingly clasps her hands together, tilting her head to the side.

Whenever Pat’s father had to ask him a question, he’d clasp his own hands together, also tilting his head to the side. The only difference here, is that his father would have stepped closer. The shadow did not. It’s a small thing, but Pat always noticed it.

For a while, it was comforting. Pat looks back at the ‘Parent’ and nods.

She takes a moment to reply, but when she does, she says it clearly. “They are stuck in their own mind, their own wants.” She looks, and then down, and then back at Pat. “They care about you Pat, but they care more about themselves. They always did.” The figure says flatly, completely straightforward. She steps forward. “And they always will.” Her eyes finally open. Almond shaped, like his father’s.

Pat backs away on his bed, almost scurrying into a corner. “You’re scared. I understand.” She closes her eyes again. “I understand... All you want is someone to listen. But they never do, your mom and dad.” She turns to stare at the door. “But maybe... I could make them care.” Pat eyes widen, surprised.

He keeps his distance, but his curiosity gets to him. Pat tilts his head, taking a moment to respond. “How?” He says, his voice still quiet.

The Shadow walks to the other side of the room. “Well, I’ll need you to do something.” She says, opening the door. “They don’t know me. They won’t listen to me alone. Let’s go down and talk to them. Okay?” She offers.

The hallway is eclipsed by the door itself. Pat can’t see what’s beyond it, so he stays still, pondering. “Take your time. Maybe now is not right.” The shadow interrupts his thinking. “We will talk to your parents some other time. I’m sure you can wait as well. Can you?” She asks again.

Pat leaves his bed. Still hesitant, he walks to the door, standing beside the Shadow. To his surprise, she does nothing. Her only response is to point outside the door.

Pat looks forward, what’s in front of him is nothing but the dark. No pictures of his parents being forced to be with him, none of his mother’s vases or his father’s old medals. Just the dark. “I know it looks scary,” The Shadow speaks. “But they will care again. All you have to do, is step outside, and find them. Do you want me to help you?” She asks, her tone almost forcibly soft.

The boy steps away.

She grabs onto his wrist.

“I will help you.”

Pat tries to struggle out of it, but she doesn’t let go. She drags him into the dark. None could hear him scream, not his mother, or father.

 

 

 

A week past by.

A man stands beside a lamppost; a paper hung on it. He holds onto it, and cries. None is around to hear him, yet he still tries to remain quiet. “I’m so sorry.” He says, whispering to himself. “I’m so, so so sorry.” His phone starts to ring, he ignores it. “Pat…” He says, “My boy…” He can hardly finish a sentence without crying.

He lets go of the paper, still in tears.

On the paper are bold red posters. 8 year old Pat has gone missing.

 

reddit.com
u/Short-Procedure1853 — 12 days ago

How would you rank TLT fnaf songs?

Well, as we all know, the official animation for it doesnt matter released yesterday. And once again blidnspot outdone themself for the animation, And of course, TLT made an amazing song.

If I had to rank the TLT fnaf songs, it'd goes as:

1] I Can't Fix You
I love the lyrics and I think the amv for it feels very distinct too. Also I love the singing.

2] It Doesn't Matter
Might be recency bias but the song is just very catchy and fun. The lyrics are also very good in my opinion too and the amv, like I said, is amazing. I think it captures M2's character very well.

3] This Comes From Inside
I like how the song comments on the fnaf fandom/franchise more than the game itself

at this point everything can be shuffled around

4] Die In A Fire
I think it's pretty underrated however I think it works better for UcN in a way

5] It's Been So Long
I used to be a puppetmother believer because of this song. But I think the song could work for Henry maybe.

6] Step On Up
It's just very fun but it feels strange to have a monty song before a ffps song

7] Fnaf 1 song
It IS very iconic I just like the others more

8] I Got No Time
I do like the lyrics but at this point I don't really like the robot filter for the song. It's still good! It's just my least favourite of the 8. CG5 does make his own covers of TLT songs, and this is the only one where I prefer the CG5 version.

u/Short-Procedure1853 — 19 days ago

Coppelia fb3 guard

So

In FB3, it's pretty well known the main 4 guards are meant to resemble animatronics.
Mike is Freddy.
Jeremy is Withered Bonnie.
Vanessa Is Toy Chica.
Fritz is Nightmare Foxy.

Since there's no offical golden freddy counterpart, I thought Coppelia would be good match! For those who don't know, Coppelia is Phone Guy's daughter in canon.

Phone guy [Ralph] is theorised to be killed my Golden Fredddy, so that already connects Coppelia with Goldie.

Furthermore, a character named Mrs Andrews looks over Coppelia on Ralph's behalf.
Mrs Andrews daughter is one of the kids in the MCI. Some may argue Mrs Andrews is Susie's mom, but I'd argue she's Cassidy's.
Susie has a sister. there is no indication Mrs Andrew had 2 daughters. Instead it seems more likely she only had one.

So Coppelia
Had her father possibly killed by golden freddy
And has her babysitter be golden freddy's mom.

Anyways Coppelia golden freddy guard

u/Short-Procedure1853 — 22 days ago

Isn't the box technically Scott's "One Retcon" ?

So I didn't watch Tdread's video about the one retcon yet - will do eventually.
But that got me thinking.

Scott says he only made one retcon.
And that got me thinking, was it actually just one?

And then I thought about the Box.

Scott has said he changed the box's content throughout the years.
Doesn't that technically count as retconning?

I don't think it's the retcon Scott WAS referring to.

But he said it himself. He changed the box's content multiple times. By all technicalities what was in the box was retconned.

u/Short-Procedure1853 — 23 days ago

Elizabeth the vengeful spirit (TM) and Jake (best frights character) argue about what mask the Stitchwraith should wear

it’s an ongoing joke in the subreddit

so I decided to draw it

u/Short-Procedure1853 — 27 days ago
▲ 579 r/Undertale

The most IMPORTANT undertale rank ever - goner aura ranking

1] NormalNPC / Goner 3
Only Goner with confirmed feats [killing Onionsan probably]
Whilst the 'normal' versions of each goner can act normal.
Normalnpc's doesn't. Weirdly enough the GONER version of NormalNPC acts more normal.
Anyways, if any goner is going to be lore relevant it'd probably be them.

2] Goner Kid
" Have you ever thought about a world where everything is exactly the same... Except you don't exist?"
I would argue this is one of undertale's most memorable quotes in my personal opinion. Unlike the other goners, Goner kid isn't threatenning, but moreso sorrowful, which makes them stand out more.
Even more weird, Frisk can arguably 'befriend' them in a way. They are the only goner we have an actual effect on.
They feel more important compared to the others, despite their whole gimic being that theyre unimportant. Remove them, and nothing changes.
The one with the most to analyze, Goner3 might have the most aura but Goner Kid is probably my favourite of the bunch.

3] Clam Goner
Foreshadows deltarune - first character to have on screen 'Goner Transformation' too. If deltarune didn't exist she'd probably be first.
Clam Goner, assuming she and Clam Girl are the EXACT same person, seems to know Suzy. Implying that the goners are able to interact with other undertale characters.

4] Goner 2
I just think his design is cooler than 1 and that his 'normal' version is funnier too.

5] Goner 1

u/Short-Procedure1853 — 27 days ago