u/_inchoate

During a blizzard in December 2O24 I activated the trial on the Stage Piano. Prior to this I'd been using a few Spitfire pianos, which sounded very good, but had 'artifacts' in them that became a little too monotonous in the mix. The Stage Piano was incredibly malleable, and it was great to be able to play it without latency, and thanks to someone on here I was directed to a good sale on the plugin. I love stacking instances of instruments to play into simultaneously, so I'll look forward to getting a Live III eventually, when I can REALLY mangle sounds.

I've played a few shows recently with my 2 seaboards, 3 Kaoss Pads and the Live II paired with a Tascam Model 12 (Kaoss Pads connected in series, receiving signal from the Sub Out, and returned to their own stereo channel)

It works, but it's bulky (I'll likely find a better fx/loop chain to replace my Kaoss Pads, and would love to find a comparable and more compact mixer/multi-track recorder)

This is one of many practice/sound-design sessions from the last few months

UPDATE

Due to unexpected travel delays,

Rotting Christ and Immolation are unable to perform. Doors are now at 6pm, Deicide at 7:45pm and Behemoth at 9:00pm

*all times are subject to change

In honour of David Attenborough's Centennial Birthday today, here's a conversation between him and Christopher Watson

Wish I could be there tonight

this is sitting between A List of Wishes and Tattooed Man, to me. I've always wished we got more from them like A List of Wishes

The Moon's Milk Bonus Disc has always been one of my favourites from them, but I'm wondering if there's any back story to each of the tracks. I know that 'The Coppice Meat' is originally from Angus MacLise, but not sure what brought them to cover it. etc..