https://reddit.com/link/1vszd0n/video/9ucmahg7dekh1/player
Hey all, the right side speaker of my dt 900 pro x started cutting out after I accidentally yanked the speaker all the way down with a bit of force. I tried disassembling it and everything seems to check out, so I am not sure where the failure point could be here. Any help would be highly appreciated!
770 Pro X Limited Edition sliders broke on both sides and done replace with 3d printed sliders. I was wondering why my headphone is producing "cracking sound" every time I put them on and the cracks slowly appeared after some time. No more beyerdynamic unless they fix this shit.
MMX 300 PRO incoming, but planning my exit strategy if the mic arm annoys me. Is the DT 770 PRO X the move?
Hey everyone,
I just pulled the trigger on a pair of Beyerdynamic MMX 300 PROs. I love the idea of having the STELLAR.45 drivers for a mix of immersive single-player games, competitive shooters, music, movies and youtube on PC/PS5.
However, my main concern is the fixed microphone boom. If having a permanent mic in my face when I'm just relaxing or listening to music gets annoying, I'm considering returning them for the DT 770 PRO X Limited Edition as my Plan B.
Before they arrive, I'm trying to double-check a few things from anyone who has tried both:
Would love to hear from anyone who has hands-on experience with either! (would also like to hear if theres anything that would work better as a backup)
>
Budget: ~$200–$250 USD (~1,800 DKK)
Hello guys. To get this straight, I’m not some audio guru or expert, however my ears can at least recognise great audio. I’m gamer and also music enjoyer, so for many years I used gaming headsets from Logitech, which was not great, but not terrible due to their quite good EQ. But recently I bought Logitech G pro x 2 Lightspeed and I was shocked they didn’t have advanced EQ, which disappointed me and EQs made from their community also disappointed me with it’s audio quality. So I returned them and bought beyerdynamic mmx 330 pro which I heard a lot of praise especially on sound quality. But once I tried them I was really disappointed with it’s sound quality. I saw on another thread that a lot of people is buying DAC, because apparently their MB can’t process the ohm that those headphones has (48) and I have this one - TUF GAMING B760-PLUS WIFI. I’m not sure if this is the reason for the mediocre sound, but I expected much more from quite expensive headset and especially brand like Beyerdynamic. I tried to use third party EQs as Peace and APO, but as I said I tried it but I’m not expert and don’t really know what to do to make it sound good. Also when I tried to play for example counter strike 2, I was shocked that it was SO quiet, so I tried to amplified it with those EQs, but it decreased the sound quality further. Can someone advise me on this. I’m lost and really disappointed with the headphones.
Hey, I’m using my DT 1770 PRO MK2 (30 Ω) mainly for music and gaming on PC.
They’re plugged directly into my MSI MAG B650 Tomahawk WiFi, which has the Realtek ALC4080.
I’m thinking about getting a FiiO K7, but I honestly have no idea if I would actually hear a difference.
Would the K7 make the 1770 MK2 sound noticeably better, or is the ALC4080 already good enough for them?
If there is a difference, what would I actually notice? Better bass, detail, separation, soundstage, cleaner sound?
I’m not really an audio expert, so I’m just trying to figure out if spending the money on the K7 makes sense or if I should just keep using the motherboard audio.
Thanks!
I recently received the Beyerdynamic DT 990 Pro (80 Ohm) as a gift. I really love how they sound, but I only truly enjoy them when the volume is cranked up to 100%.
They sound significantly better on my MacBook than on my PC, which was expected: I've already read about the MacBook's upgraded high-impedance headphone jack and that it should be more than enough for these headphones. However, on both devices, I find myself maxing out the volume slider just to get that "wow" factor. On the MacBook, 100% is actually a bit too loud and not very comfortable for long sessions, but it’s the only way the sound feels punchy, rich, and spacious. At lower volumes, it doesn't feel like I'm lacking loudness itself, but the sound just becomes completely flat and loses its life.
My question is: is this just the natural sound signature of these headphones that I need to accept, or could a dedicated amp/DAC actually change the situation? Google tells me that an amp doesn't just add raw volume, but can also bring out richer bass and better highs even at lower listening levels.
It just feels weird having to keep the volume at 100% to enjoy my music, especially when the entire internet claims that the M4 Pro audio output is completely sufficient.
fyi: translated my own text for this post via llm so it feels a bit strange, sry my english is not that good
I don’t know much about sound, but I’d like to use my PC and get high-quality sound.
I decided to buy DT 770 pro 80 ohm and according to some recommendations I chose JM20 MAX. Is such an adaptor enough to “open” my headphones?
As the title says I am between beyerdynamics amiron wireless headphones ore sennheisers hdb 630s.
I need headphones for the everyday use, that includes going for walks and driving by train but for me also videoediting and gaming.
As far as I have seen the sound of the amiron wireless should be a fair bit better but sennheisers are better foregoing outside, now my question is if the amiron are so bad to wear outside that it outweighs the con of having better sound? I heard that they have quite poor grip strength and as a result of that don’t block sound from coming naturally through as good. I usually don’t use anc because it meddles with the sound too much in my opinion.
An important thing to mention is that I am currently able to get the amirons around 50€ cheaper in my country at the moment.
I'm shopping around in order to be ready for a new pair of headset.
A bit about my use. I'm a 40+ gamer with 3 kids, little time so I play a bit at a time. A game on consoles, sitting around 8-10 feet from the TV. I own all 3 consoles (PS5, Xbox, Switch)
Currently on Sennheiser GSP 500. Connected into the controller of the consoles (Switch Pro controller too). I'm currently satisfied with this setup.
Full wireless tempt me, but having an Xbox limit some models, and heard many brands are prone to white noise, hiss, etc.
I don't play much online, so having a mic is fine but probably won't be using it.
While searching found BD 330 that are advertised as 3.5 mm direct connect.
Some claim you need a DAC, other don't.
I like open back as having kids, I'm always alert.
Thanks for sharing feedback.
I have a pair of DT770 Pro 80 ohm headphones that have had a good run, probably 15+ years old at this point. Pads need to be replaced again (this would be the 3rd time), the headband is falling apart, and the cable is starting to have issues.
I really like these headphones, I like their sound signature, and they seem to have great synergy with my Schiit Vali 3.
Would it make more sense to just get another pair of DT 770 Pro 80 ohm headphones (safe but boring choice?), or should I use this as an opportunity to get a pair of newer DT 770 Pro X cans?
I know that variations on this question have been asked before, but in my case, already having a pair of DT770 Pro 80 ohm headphones that I've been happy with, I'm not concerned about whether I will like the overall sound or not, assuming that the 770 Pro X is actually similar.
Possible tie breaker? I do push my DT770 Pro 80 ohm cans pretty hard, pretty much as close to the physical limits as possible with regards to bass. Are the new drivers in the Pro X actually capable of more deep bass at loud volumes?
Electro Audio World's Take :
The legendary 770 series, which I admired so much in its early installments, is back! This time, it's finally here in our review, much better tuned.
The DT 770 PRO became legendary because it did its job great and was so affordable. For over forty years, it has been known as one of the most recognizable closed back headphones in recording studios around the world. I smile now thinking about what I did to buy it back then, but it was worth it. Because thanks to the engineers who first produced the DT770 series, musicians relied on it.
Content creators embraced it. Audio enthusiasts discovered it. I think very few headphones on the market have had this level of importance for so long almost 41 years. Replacing such an icon is never easy. Instead of reinventing the formula, Beyerdynamic's engineers have chosen a much smarter approach in the new model. The DT 770 PRO X retains everything that made the original famous, while offering meaningful improvements in key areas.
Throughout this review, I primarily paired the DT 770 PRO X with the Sony NW ZX507 and FiiO M33 R2R audio players. These two high quality digital audio players complement the headset perfectly, highlighting its different facets. The M33 R2R emphasizes its organic character and note density, while the ZX507 highlights its effortless musicality and smooth tonal balance.
Build Quality
The moment you hold the DT 770 PRO X in your hand, you immediately recognize its legacy. Everything felt reassuringly familiar. The steel headband remains extremely robust. The aluminum fittings inspire confidence. I love the iconic grey velvet ear cushions; they remain among the most comfortable available at any price point.
This is still undoubtedly a Beyerdynamic. The biggest practical improvement is the detachable mini XLR cable. Owners of older DT770 models have been requesting this for years, and Beyerdynamic finally listened. However, I still think it's a little difficult to remove.
Comfort remains one of the strongest reasons I choose these headphones. Even after hours of uninterrupted listening, I haven't experienced any excessive pressure or heat buildup. The compression feels secure enough for studio work without being tiring.
As expected, passive isolation is excellent. Whether you're recording vocals, editing video, or listening in a noisy environment, the DT770 PRO X effectively isolates external distractions without the need for active noise cancellation. Perhaps that's why this series has become legendary..
Sound Performance
I think the easiest way to describe the DT770 PRO X is balance. It's not a character with reference neutrality. It's not overly exciting either.
Compared to the classic DT770 PRO, the new model's sound is noticeably more refined. The bass feels tighter. The mid frequencies become more prominent. The treble remains detailed but is significantly softer than previous generations. In the old series, the 8kHz region was a bit sharp, but now it's better. Most importantly, the overall presentation feels more consistent.
The new STELLAR.45 driver has managed to deliver faster transient response, lower distortion, and improved tonal consistency across the frequency spectrum. These improvements are immediately noticeable regardless of the source.
Bass
Bass performance is one of the DT770 PRO X's greatest strengths.
It extends remarkably deep while remaining disciplined and clear. The sub-bass effortlessly reaches the lowest octaves without becoming dominant. Kick drums feel physical. Bass guitars exhibit excellent texture. Electronic music benefits from a satisfying effect without sacrificing control. You know, many closed headphones create excitement with an overemphasis on mid bass, but not with the DT770 PRO X. The bass remains clean, layered, and extremely high resolution.
With the FiiO M33 R2R, the low frequencies gain an added fullness and natural warmth, making the presentation even more engaging. The Sony ZX507 offers a slightly softer approach, prioritizing musical flow over absolute authority. Both pairings were extremely enjoyable.
Midrange
Historically, the DT770 was often criticized for its somewhat subdued mid frequencies. The DT770 PRO X addresses this criticism perfectly, correcting the shortcomings.
Vocals now sound fuller and more natural. Male voices carry a convincing weight. Female vocals exhibit excellent clarity without being overly prominent. Acoustic instruments particularly benefit from the improved mid frequency balance. Pianos have a realistic harmonic structure. Electric guitars stand out in dense mixes without becoming aggressive. Strings sound smooth and believable.
The M33 R2R further enhances this area by offering added note density and harmonic richness. Taken together, the presentation becomes wonderfully organic while maintaining impressive resolution.
Treble
Treble has always defined Beyerdynamic, and its engineers have never shied away from delivering exceptional detail.
Fortunately, the DT770 PRO X delivers significantly better treble frequencies than several previous Beyerdynamic generations. There's still plenty of sparkle. There's still exceptional extension. Micro details are extremely easy to identify. Yet, the upper frequencies rarely become tiresome even after 4-5 hours of listening.
Cymbals exhibit a realistic glow. Ambient information comes through naturally. The air between instruments contributes significantly to the expansive presentation. Listeners who previously found older Beyerdynamic models a little too bright will likely appreciate the more mature tuning found here.
Soundstage and Imaging
Closed back headphones rarely excel in terms of soundscape. I think the DT770 PRO X is one of the exceptions in its class.
The soundstage extends far beyond the headphones themselves, providing a surprisingly open presentation for a closed design. The sense of depth is particularly impressive. Layering remains excellent. Instrument placement is remarkably accurate. Games, soundtracks, and live recordings all benefit from the headphones' exceptional imaging capabilities.
The FiiO M33 R2R creates a larger and more holographic presentation from the two sources. The Sony ZX507 offers a slightly more intimate but wonderfully integrated soundstage. Both combinations demonstrate the capabilities of the DT770 PRO X when paired with quality source equipment.
Comparisons
1- Sony MDR MV1 vs DT 770 PRO X
While both headphones target professionals, their design philosophies are fundamentally different.
The Sony MDR MV1 is an open back headphone primarily developed for immersive audio production, spatial mixing, and critical monitoring. Its presentation instantly creates a more spacious feel, producing a wider and airier soundstage compared to the DT 770 PRO X.
However, Beyerdynamic reminds us why closed back headphones hold a significant place in professional audio.
The bass is noticeably stronger. The sub bass extends deeper, creating more physical impact while maintaining excellent control. Electronic music, modern rock, and cinematic film soundtracks sound fuller and more engaging on the DT 770 PRO X.
The mid frequencies are also different.
The MDR MV1 delivers vocals with exceptional neutrality and transparency, making it an excellent choice for mixing and mastering, while the DT 770 PRO X offers a bit more warmth and fullness, creating a more enjoyable presentation during long listening sessions.
The treble also presents an interesting contrast. While Sony, as always, aims for smoothness and balance, Beyerdynamic retains its characteristic clarity and breadth. Fortunately, the DT 770 PRO X avoids the sharper treble peaks found in some previous Beyerdynamic models, which significantly improves listening.
If your primary goal is studio mixing in a quiet environment, the MDR MV1 remains an outstanding tool.
If you need isolation, stronger dynamics, and a headset that performs equally well for both professional work and everyday music enjoyment, I would choose the DT 770 PRO X without hesitation.
2- Sennheiser HD 620S vs DT 770 PRO X
The HD 620S might be one of the most interesting competitors to the DT 770 PRO X, as both aim to deliver an open sounding presentation from a closed back design.
The Sennheiser makes an immediate impression with its natural mid frequencies and extremely realistic vocal reproduction. Acoustic instruments have a beautiful tonal accuracy, making classical music and jazz particularly enjoyable. The DT 770 PRO X responds with more energy and stronger dynamics.
The bass goes deeper and has noticeably more impact. The presentation feels faster, livelier, and more engaging in modern genres.
The treble extension, as you might expect, is again slightly in favor of Beyerdynamic.
There's more sparkle, more air, and a bit more perceived detail capture. At the same time, the HD 620S sounds a bit softer and more comfortable, especially in bright recordings.
The soundstage performance is surprisingly close. The HD 620S creates an impressively open presentation for a closed headphone, but the DT 770 PRO X matches this quite well by adding superior imaging sensitivity and stronger instrument placement.
When paired with the FiiO M33 R2R, the DT 770 PRO X gains added warmth and note density, becoming even more competitive against Sennheiser's natural organic presentation.
Choosing between these two ultimately comes down to personal taste.
Listeners seeking neutrality and vocal realism might gravitate towards the HD 620S. Those wanting more versatility, stronger bass performance, and a more dynamic presentation will most likely opt for the DT 770 PRO X. I really liked both of them as closed headphones.
Pros
Better overall tuning than its predecessor with excellent tonal balance
Powerful, deep and highly controlled bass response
Significantly improved mid frequencies compared to the previous DT 770 series
More detailed but softer treble than many previous Beyerdynamic models
Excellent passive isolation for studio and portable use
Extremely comfortable velvet ear cushions suitable for long listening sessions
New detachable mini XLR cable greatly increases practicality
STELLAR.45 driver offers excellent resolution and low distortion
Wide soundstage for a closed back headset
Impressive imaging and instrument separation
Easily driven from both portable players and desktop equipment
Build quality designed for years of professional use
Cons
Still larger than many modern portable headphones
Trebles remain somewhat energetic for listeners who prefer a darker sound signature
Fixed earcup design may not fit every head shape
Carrying case not included, comes only with a cloth pouch. Analytical listeners may still prefer the fully open design.
The new mini XLR cable should have had an easier detachable socket.
Final Verdict
Few headphones have managed to reach the level of respect the original DT 770 PRO earned in the last forty years. This legacy also created enormous expectations.
Fortunately, the DT 770 PRO X lives up to those expectations, in my opinion.
Instead of trying to reinvent an icon, Beyerdynamic has focused on improving every area that matters most. The bass is tighter and more controlled. The midfrequencies are more natural and expressive. The treble remains detailed but significantly more mature. Add in the detachable cable, the excellent STELLAR.45 driver, and the same legendary build quality, and you have a headphone that feels truly modern while respecting its legacy.
Throughout my review, the DT 770 PRO X never felt limited to a single purpose. It was equally convincing in situations such as audio editing, enjoying live recordings, exploring complex orchestral works, or simply relaxing with your favorite album.
It remains an excellent monitor headphone for professionals.It offers a mature and engaging listening experience for audiophiles.
For everyday music lovers, it provides comfort, reliability, and sound quality that will satisfy them for many years. I would definitely recommend that friends who have never listened to or bought Beyerdynamic before try it somewhere. That's what oldschool was all about…
*
Technical Specifications :
Type: Closed, dynamic studio headphones
Transducer/Driver: STELLAR.45 (low impedance)
Impedance: 48 Ω
Frequency response: 5 – 40,000 Hz
Nominal sound pressure: 98 dB @ 1 mW / 500 Hz and 112 dB @ 1 V / 500 Hz
T.H.D. (@ 500 Hz): < 0.05 %
Maximum short term power handling: 210 mW
Ambient noise isolation: 16 dBA
Nominal headband pressure: ≈ 5.5 N
Weight (excluding cable): 298 g
Cable & connection: 3 m flat, single sided, detachable cable; 3 pin mini XLR (lockable) → mini stereo jack (3.5 mm) (gold plated) + screw on 1/4" (6.35 mm) adapter.
Made in Germany
Because of some (temporary) changes to my studio setup, I’m in urgent need of a more isolating set of cans (passive isolation):
— Used primarily for music production/mixing/mastering.
— Genre is electronic and film soundtrack.
— Budget is $300-500.
— Not using DAC currently.
The Senn HD490 Pro have served me well. I’m looking for a set that would not sound radically different, but open to suggestions keeping in mind RC should be close to flat.
Contenders from my research are Senn HD620S, Beyer DT700 Pro X, Neumann NDH 20.
Priority is passive noise mitigation/isolation, typically from AC/fans/street, while being a good monitor for production.
I bought a DT 1770 Pro MK II on May 9 2026 for music enjoyment ($720). Today, when I was removing my headphones from my head, I saw a detail from the headphones falling down. It was a piece of a headband clip.
Beyerdynamic, the headband clip from the external side is thick and reliable. But from the internal side it’s way too thin to handle that pressure and it’s breaking after a couple of months even when you use them carefully.
As you can see, from another side (Left side) of the headband clip, I already see a slight convexity in the same place where the right headband clip broke, which means that soon my left side headband clip will break too.
This somewhat can be acceptable with cheap models like DT 770 Pro for $150 where you put all the money into sound quality and engineering. But DT 1770 Pro MK II is way, way higher tier – these are true high-end headphones. Having these headphones crumble apart only in 3 months of careful usage is completely unacceptable.
Make the internal side of headband clips thicker, and analyze how you can improve your build quality at least for future models.
The other day I wanted to post a very deep review about sound on these headphones. But it seems like I can’t do that anymore because they started to crumble apart even less than in 3 months, and this is considered the fact that I didn’t drop them even once and used carefully.
You produce headphones with very good sound quality. But you definitely need to do something with your build quality. Otherwise I’m not sure if I and a good portion of other people will stick to you anymore, especially when you’re paying $599.99+.
Hey everyone,
I’m looking to upgrade to a serious closed-back setup for my daily train commute and office use. I need good passive isolation (I don't want my colleagues or fellow passengers enjoying my blastbeats from 10m away).
I’ll be tossing them into a backpack, but physical dimensions or foldability don’t matter to me at all—what I care about is rugged build quality and a detachable, easily replaceable cable.
Since I'm torn between the flagship closed-backs of two of the absolute greatest names in head-fi (with a Focal wildcard in the mix), I wanted to post here to get some real-world feedback from the experts in both camps.
My Setup & EQ Plan: I’m planning to run these portably off a phone using a portable DAC/amp and parametric EQ (PEQ) to squeeze out the best performance. I originally looked at the FiiO KA17, but the known PEQ bugs (mistranslating Q-factors and forcing an unwanted -12dB preamp cut) pushed me toward looking at the Qudelix-5K. That said, I'm also open to other affordable, battery-efficient DAC/amp alternatives with solid EQ capability.
My Library (80% Extreme Metal, 20% Tool, Prog, Blues & Rock): My music profile is pretty brutal on drivers and demands completely opposite acoustic traits depending on the subgenre:
The Contenders I’m Weighing:
My Questions for Both Subreddits:
Really appreciate any thoughts, insights, or comparison experiences you guys can share!
I used to own a Beyerdynamic DT 770 Pro, but the treble was a little fatiguing to my ears, and I ended up selling them. Fast forward 5 years, and I now once again own a Beyerdynamic headphone, the DT 700 Pro X.
I think they sound wonderful, but I really miss the build of the 770s. I've also seen photos of the plastic parts on the inside of the headband cracking, which made me a little worried about what will happen to mine as months and years pass.
I saw a comment somewhere suggesting that it's possible to Frankenstein together a few headphones, avoiding any reliability issue, and using only official Beyerdynamic parts. Unfortunately, they didn't go into detail, but after 30 minutes of searching their part catalog, I found what I needed. Here are the exact parts I used:
"Slider repair kit" for the plastic blocks / hardware that holds yokes in place. (This is meant for the DT 770 pro)
https://north-america.beyerdynamic.com/p/slider-repair-kit-1000
"Metal head bow", spring steel headband which is attached to the slider blocks above (also meant for the DT 770 pro)
https://north-america.beyerdynamic.com/p/metal-head-bow
"Headband" is the padding that snaps around the metal head bow. (This is meant for the DT 770 pro X)
https://north-america.beyerdynamic.com/p/headband-770-300-330
If the headband isn't available for purchase above, I found it on amazon:
https://www.amazon.com/dp/B0D9857YCV
I hope this makes things a little easier for the next guy to attempt this.
Anyways, the headphones are definitely more comfortable now. The clamping force in noticeably reduced. Note that you may get less complete noise isolation (still good, but the stock 700 pro X is even quieter than most closed backs).
Hi, earlier today i recieved my new replacement earpads and headband for my beyerdynamic dt 770 pro 80 ohm, after removing the old earpads and putting on the new ones i tried them on and realized i had no sound on my right ear. What could be the cause of this? Has anyone here experienced the same thing? Hope i haven’t broken it. I am going to open it up later today and check if i can see if something is broken.
Thanks in advance for any help. Much appreciated.
I'm sending a bottle because Beyerdynamic has decided to delete everything on their support platform about the TG 1000 wireless system 🙄
I'm looking for the latest firmware and the software as we had another set for a project but they don't have the same firmware.
Technically not much of a problem but some did update the handheld mic while connecting it on the other Rx unit and now I have a nice message on the screen with a VersError on the first Rx.
If anyone has those files sleeping somewhere and is willing to share them, it would be a blast!
Thanks!
I wanna buy the DT770 Pro's but I'm worried their cable will get broken because it can not be unplugged from the headphones. And im planning to carry them occasionally with my backpack and luggage. Has anybody experienced something like this and should I switch to another model?
I recently bought a used dt 990 pro, when I tested it the sound is very quiet and there is almost no bass, the seller gave it to me for free because of this so now I’m trying to see if I can fix this. I used a multi meter to check the resistance over the coils and the right one shows 250 ohm but the left one gives 500 ohms. Quick search online says that it’s a busted ground wire but I have no clue how it is supposed to be soldered anyway. I’ll add some pictures for clarity. I do have the tools to try and repair this (soldering iron, desolder, enough small cables and some tin) but I don’t know what I should replace and where I can buy a new cable (if that is busted)
