r/Composing

"Channeling Frequency"
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"Channeling Frequency"

This concept album was an opportunity to use almost at random 10 chosen soft synths in different combinations, no less than 2 at once, no more than 5.

"Musicalions" is another term for the unknown entities at work when in specific conditions, the power of 2 or more synthesizers are harnessed together.

Their presence is usually detected by sudden, rapid burts or pauses, sheer intensity, unusual beauty and experimental musical arrangments.

This late night musical "channelinning" procured the raw material for the album. Each track was performed, edited and produced by myself in FL Studio 20.

The soft synths used were:

Sugar Bytes Aparillo

Sugar Bytes Unique

Roland XV-5080

Roland Pro Mars

Roland System 100

Spectrasonics Omnisphere2

Spectrasonics Trilian

Traktion F'EM

Image Line Harmor

most tracks were tweaked extensively on the go during recordings to keep the sound unpredictable.

A big thumbs up to the developpers of these incredible instruments!!!

I hope this is but a start in the production of such tools, without you, there would be no "Musicalions" tonight:)

https://youtu.be/cakuN2yPWFg?feature=shared

u/783412 — 10 days ago
▲ 0 r/Composing+1 crossposts

String Quartet I composed.

In four movements of 32 minutes duration. Hope you enjoy. Started donkey’s years ago (the final clip after the finale is my first pencil sketching) and finally finished in Sibelius with NotePerformer audio.

youtu.be
u/OddBallJohn — 11 days ago
▲ 5 r/Composing+2 crossposts

To One In Paradise | September 2026 Monthly Challenge | Madrigal No. 1 in C Minor

In this composition I wrote in the key of C Minor. In this key center I was able to create the lushness of sound that both mimicked sorrow and heaven. Text painting examples that are my personal favorites are when I use the orchestration to simulate the changing tides of mood.

"A green isle in the sea of love" sung by the high voices followed by "A fountain and a shrine" with the lower voices uses the flow of water in a way that changes like a river.

"Ah, starry hope that didst arise" was formatted with the harmony slowly moving down and backup.

"A voice from out the future cries" was given some sense of 20th century chromaticism that also signifies a deep pain shrouded in harmony.

"The Stricken eagle soar" has a melody that lifts of from ground level and literally soars in the groups high register.

Harmonically I approached this work by truly utilizing the 3rds and 6ths motions. As I moved forward, I used shades of 2nds and 4ths to help create the feeling of grief. It moved next to the traditional harmonies as if to say that what once was will never be again. Melodically I kept the flow moving up and down in pitch to keep having the theme of constant change present. As is life it is similar yet different. Repeated melodic lines are colored with changing harmonies that have points of stability and confusion.

This Madrigal was my first and in it I gained an even deeper understanding of how to use text painting in a way that really creates a story line like in a through composed piece. It has a beginning, middle, and ending. The rhythmic motion I really made to follow as an ensemble to help solidify the harmonic weight.

youtu.be
u/Swimming-Umpire-8095 — 14 days ago