r/KinginYellow

I paint once a year, and I had a revelation and sketched out (presumably in oils) an invocation. It was really for personal use, but maybe someone will like it. I was trying to achieve the color palette of Carcosa. I deliberately don't draw silhouettes. I don't know how, I don't want to, I'm looking for symbolism. As for the weak points, the yellow mark is too odd for me. I'd appreciate any comments, especially criticism.

What could possibly reflect the king in yellow if you think about it?

Left to right...

Architect (Saros)

Stack (Saros)

Tessie reardon oc (Chambers, the yellow sign)

Arthur Lester (Malevolent)

Sam (White hair dude at the top) (oc/persona)

TKIY (Chambers + His Saros crown)

Arjun (Saros)

Kayla (Saros)

Scott oc (Chambers, The yellow sign)

The Composer/The Mad neighbour (Chorus of Carcosa)

That's all I have right now 🥹!

Any resident ideas... I need them

Barely anything changed bc I’m being a big fat bum. And I’m not filling my wall with JUST the King in Yellow, I would ACTUALLY go insane.

Been working on this for about 6 months, (World made then) but haven't been playing allot. I'm only about 20% done. Also any tips PLEASE as I'm struggling a lil.

I've still got the whole back to frame out and fill in.

So kawaii🥺🥺🥺🥺💛💛💛💛maybe he sees himself as an anime girl🤔🤔🤔

The first time I’m sharing my take on The King.

With the amount of work that Obsidian Codex Press were putting into this entire project, I went in expecting a certain standard and by god did they deliver.

I would have been more than happy if this was just a well written, slightly eerie, play script. But I truly was not prepared for just how impressed I was going to be with this book.
Act 1 which takes up the first 30 pages or so, is beautifully written, sets a perfect tone and sucks you into this mysterious world.

But as with its fictional counter-part, it is with Act 2 that this play truly reveals itself, and i became so very excited to see where it was going. It felt like the perfect way to adapt the eldritch, madness enduing properties of the 'original.'

My only regret now is that only a few hundred people will really be able to have the same experience that i did reading this play. Though my mind is already racing with ideas of readings, or even a full cast audio performance of this would be incredible.

I don't know how feasible that is, and I would never want to stand on OCPs toes, but it truly would be such a crying shame for this incredible work to go unenjoyed by people who were not able to join the Kickstarter, or kick up the few remaining copies when this goes to retail.

LEAVE. MEMORY. PROMISE.

For Christmas, a relative got me my first KiY book! But everything is AI. The pictures for every chapter is AI and even the back description is AI! ITS SO LOW EFFORT I HATE IT.

I cannot wait to dive into the play script and see what they have done with it, but every part of this is absolutely beautiful and I am so glad i was able to back it. This along with Kennith Heights Annotated KIY seems like the absolute must haves for big fans of these stories.

Chilling at a local ren faire market handing out yellow signs.

Just been experimenting a lil bit with the design

Geschichte des Satan - History of Satan by l'abbé Auguste François Lecanu (A. Lecanu) is an interesting and historically valuable 19th-century work written from a Catholic perspective.

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It deals with Satan, demonology, magic, witchcraft, and various esoteric currents, though often critically.

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I must say, It is not an occult manual or a modern scholarly study, but rather a fascinating document showing how a learned Catholic theologian of the time understood and interpreted these subjects.

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For historical and cultural context, it is definitely worth reading.