r/SacredGeometry

https://www.reddit.com/r/AliensRHere/s/bBQUE88ki6

https://www.reddit.com/r/ThroughTheVeil/s/OtENfGxO3W

https://www.reddit.com/r/ThroughTheVeil/s/Otsd9OJbIX

https://www.reddit.com/r/ThroughTheVeil/s/cvu3A7DHks

Sharing the video of the interactive artworks too. You can try it out at:
https://nurecas.com/nameless?rddmrl
https://nurecas.com/source?rddmrl

I got here from a strange direction, so bear with me.

These weren't random shapes. The geometry I saw was the same vocabulary this whole sub is built on: recursion, self-similarity, mandala structure, the sense that a single pattern contains itself infinitely. And the more I sat with it, the more it seemed like the mind wasn't inventing those forms. It looked like it was producing them, the visual system's own pattern-making machinery running without its usual brakes, pouring out structure it's always quietly generating, just below the threshold of what we normally see.

Here's how I got there.

The first time I took DMT, I had three hits and was under for about 20 minutes. The very first thing I saw was fractals, endlessly self-replicating, folding in on themselves into infinite depth. And it felt like a filter, a layer of pure geometry I had to pass through before anything else opened up. Only later did I reach the rest, what felt like entities, a different dimension. But the geometry always came first, like a threshold you cross.

Psychedelics are actually what pulled me toward mathematics. I wasn't interested in it at all before, now I can't stop thinking about it, and the geometry is a big part of why.

And what I later read lined up with my experience almost exactly: geometry is the backbone of the DMT visual world, and it tends to dominate the very first seconds before giving way to more complex imagery, the spaces, the beings. Exactly the "filter first" thing I felt. In one of the larger studies, thousands of reports analyzed, fractals and geometric patterns were the single most commonly reported visual, in about a third of all accounts: endlessly self-replicating fractals, kaleidoscopic imagery, mandala-like designs, chrysanthemum patterns, webs, grids, forms people spontaneously call "sacred geometry."

So here's what unsettles me. If the mind pours out these exact forms the moment its filters loosen, the same recursion, the same mandala structure we see in temples, in nature, in ancient art, then maybe these patterns aren't only out there in the world. Maybe they're also the native language of perception itself: the way the mind organizes reality before it hands us the finished, stable image we call "normal."

Which would explain why the same handful of forms keep appearing across cultures that never touched each other, and now, in the deepest altered states, with no contact at all. The pattern in the temple and the pattern behind your eyes might be the same pattern.

Is sacred geometry something we discover out in the world, or is it the shape of the mind itself, showing us its own architecture?

A while back I had a DMT experience that stayed with me in a way I couldn't really describe with words.

It wasn't the visuals that stuck with me. It was the feeling. The sense of moving through different emotional landscapes that somehow felt ancient, alive and deeply familiar.

For the last few months I've been trying to translate that experience into sound instead of language.

The piece became a 3 act soundscape.

The first act is built around a pre Hispanic ceramic jaguar whistle that belonged to my grandmother, who was a curandera in the mountains between Puebla and Veracruz, Mexico. I layered it with fire and deep percussion to evoke that raw feeling of crossing a threshold.

The second act moves into field recordings I captured in those same mountains, wind through the trees, goat bells, traditional flute textures, and a poem in Náhuatl that my grandmother used to speak. It became less about "music" and more about memory.

The final act strips almost everything away into a minimal neuroacoustic environment with slow isochronic pulses and subtle stereo movement. For me, it resembles that quiet space after the intensity, the moment where everything dissolves into stillness.

I'm not exactly saying this recreates DMT or that anyone else will experience what I did. It's simply my attempt to translate one particular journey into an immersive sonic landscape...

I'd honestly love feedback from people who have worked with DMT. Does any part of it resonate with your own experiences? Or did it take you somewhere completely different?

I'll leave the audio here if anyone wants to listen! Headphones are definitely recommended!

For anyone interested in the live, interactive art of my previous shares: "Source" and "Lattice", these are available for viewing at the top and bottom of this page on my website. Thanks for all the support.

Was wondering what would happen if we stack the Hopf fibres...tried the flower of life arrangement for each layer. a bit of a crude video, sped up.

Hey everyone,

I’ve been deeply fascinated by the intersection of ancient acoustic protocols and modern physics. We often hear about sound healing, but I wanted to look at the literal mechanical displacement behind it.

Based on Hans Cousto’s The Cosmic Octave, when you scale Earth’s tropical year down to the 32nd octave, you get an exact constant: 136.10 Hz.

I wanted to actually visualize this math, so I spent the last few weeks rendering high-contrast cinematic cymatic simulations. When you play this pure sine wave, chaos completely vanishes—particles are forced into nodal lines, instantly snapping into a hyper-complex geometric mandala. Since our biology is mostly fluid, this structural symmetry acts as a spatial anchor, neutralizing environmental noise and lowering cortisol.

English isn't my first language, but I poured my heart into this research and visual editing. This is Phase I of the project, focusing purely on the mathematical foundation.

If you love sacred geometry and the physics of sound, I'd really appreciate your thoughts on the visual breakdown:

https://youtu.be/2Y39x2zJVog

P.S. Once the mathematical architecture is clear, Phase II covers the Neurochemical Blueprint, and Phase III dives deep into Cymatics and Spatial Engineering!

Thank you so much.

In my head, this reads as a slightly gnostic or Christian read on what creation and a map of reality could look like through a Christian lens. I don’t want to explain myself too much as i don’t want to add too much bias to how people read this. But I want to know what people think, and if they’ve seen this before. And if they have, does it have a name? I didn’t construct it perfectly as i ran into pixel limitations, but the ratio is the radius is 1/2 the next order.

EDIT: each smaller circle is actually 51.5% the First circle’s size. I actually just used the normal placement of a flower of life and shrank the circles until their circumferences just touched, which amounted to them being around 52.5% of their original size. If anyone Knows any significance, lmk, or it might just be a random ratio that pops up when you do this