r/ambient

This is my collection of bold and experimental electronic music by genre pioneers and outsiders. Hope you enjoy

I've been making ambient/experimental music for 7 years now — started at 14, I'm 21 today. This new track came together almost on its own, the idea just hit me out of nowhere and I followed it without overthinking the structure.

It sits in that dark, melancholic ambient space — slow, textured, atmospheric. This is also the first thing I'm releasing completely independently, no label this time, just me handling everything from the sound to getting it out into the world.

Drops July 3rd on all platforms. If this is your kind of sound, following on Spotify would genuinely mean a lot — I'm a young artist building an audience from scratch after 7 years of just making music quietly on my own, and every person who sticks around makes a real difference at this stage.

Pre-save link below if you want to catch it on release day. Would love to hear what you think once it's out.

https://show.co/8zjqK84

I wanted to share some good news which occurred recently. Like most struggling musicians (I imagine), I google myself from time to time to see if there is any activity for Unearth Noise. Last week, what turned up was mind-blowing to me. It seems my music was being played in an ambient set prior to the Nine Inch Nails Peel it back concerts. I've seen references which say that the song selection for this "ambient set" was determined either by Trent Reznor, or by his collaborator Alex Ridha who performs under the name Boys Noize. In either case, I'm ecstatic, and forever grateful. I've seen a little bit of a bump in interest as a result. Funny thing is, I went to see NIN on this tour with my sons in NJ. The crowd control was so bad that we didn't get in until after the show began. If we had gotten in earlier I would have heard my tune playing and my head would have gotten so big it wouldn't have fit through the exit doors! Anyway, thanks for listening to me ramble. If you are interested in hearing the piece, it's called "Like Meeting God" featuring the poetry of Lady Of Fire (Tanish Jackland), from this album: https://unearthnoise.bandcamp.com/album/prayer-and-resonance-2

Hi there,

I’m a harpist-pianist-composer/academic in the philosophical-esoteric milieu, about to finish my doctorate. I’ve written about Deleuze a lot in my doctorate and have some published papers on his ideas. So I created an organ-harp-piano music video that is also an experimental film that incorporates Deleuzian ideas. It’s an original philosophical manifesto, and if you are familiar with Deleuze’s ideas, particularly the Difference and Repetition stuff, you’ll notice how I both employ Deleuze’s ideas and transform them.

It's about an oneiric musical language of spiritual hieroglyphs.  And I also combine ideas from Novalis (I’m probably most known as a Novalis scholar in the academic world currently), Schelling, Giordano Bruno, Rudolf Steiner, Boehme, Walter Benjamin (and Kabbalah), also the work of Dianna Reed Slattery.

No AI was used in the making of this song, video, or philosophical text; it is 100% human-created art.

I also created a lot of hand-made animations for it, mainly ancient Egyptian and alchemical motifs.
Hope you enjoy!!!!

https://www.youtube.com/watch?v=bh_xwUMb0LY

I made a noisy, lush album about life, death, grief, and healing.

​

It was heavily inspired by Thomas Hardy's 'Hap' and Ted Hughes's 'Examination at the Womb-Door.' The idea behind 'Hap' influenced me deeply—the thought that a furious, punishing god is somehow better than life having no meaning at all. I actually went through this exact cycle myself while making the record, struggling with the concepts of existence and loss.

​

Similarly, 'Examination at the Womb-Door' is probably the best thing I've ever read about the raw, unforgiving nature of life and death. I wanted to capture a bit of that overwhelming feeling in these tracks.

​

To build this sonic atmosphere, I mostly used guitars and church organs. I felt that the immense, spiritual weight of the church organ contrasted perfectly with the harsh, noisy textures of the guitars. It felt like the right way to represent that tension between a vengeful divinity and human suffering.

​

The whole production process turned into a kind of meditation for me. It became a safe space to process everything. I really hope I managed to convey what I was feeling, and that the album finds people who understand and connect with it.

​

​

https://everysummeridieandamreborn.bandcamp.com/album/thou-suffering-thing

​