

Am I stupid or is this a grammatical error?
I have reread this panel mutiple times to try to understand why it's written that way but I can't figure it out.


I have reread this panel mutiple times to try to understand why it's written that way but I can't figure it out.
Just finished the Prophet series and I'm not sure how I feel. Because I've just read something with the most remarkably realised world-building I've ever seen in a graphic novel. Ever.
The detail is such that although I was thoroughly confused most of the time, I have absolute confidence that it makes sense and despite the way the fourth TP indexes and explains, I'd probably have to go back and study it a chapter at a time to fully absorb all of its grotesque and beautiful delights.
It is an absolutely crazy piece of work and I'm kinda glad I can't see into the minds of its creators.
How do others feel about it??
read it once, years and years ago. i remember it being in color, quite a modern artstyle. pretty sure it was single issue if this is ringing a bell at all i'd really appreciate help tracking it down
Hi everyone,
I’m the producer (and proud dad) of my 9-year-old son’s podcast, Join the Fray. We recently sat down with Dr. Ted Gervan, and I thought this community might appreciate his unique perspective on how the industry has shifted over the last two decades.
Before he became an educational leader at institutions like Sheridan, Capilano, and the Centre for Digital Media in BC, Ted worked as a prosthetic makeup artist in Hollywood. He was part of the talented team that brought the original X-Men (2000) to life. [Ted got the chance to support the super talented team of Evan Penny or Ann McLaren who designed the look for Mystique and Sabretooth!]
He contributed to the character designs (including the drawings for Sabretooth) and helped building specific costumes, pouring and coloring the silicone, painting nails, and applying the makeup once the initial sculpts were molded.
Fraser and Ted had a great discussion about:
It’s a non-monetized, fun interview and thanks to the Mods here to enable me to share it.
Spotify Link - https://open.spotify.com/episode/53jpLDHotOh8mE8Vo6jgc8?si=Koxoja8jTwWTW0bBUTpLoA
Enjoy folks and thanks for the opportunity to share this fun chat!
I purchased the L&K in IDW Classic format. It was a great book that combined 2 volumes for $14 but left me hanging at the end of vol 2. I knew I had to find the whole series sooner or later. Props to IDW's marketing dept.
One of the greatest comics of all time, and mighty fine collected editions.
I am looking up European cartoonists in order to expose myself to anything beyond Asterix and Tintin. I came across Guido Crepax on the Fantagraphics website.
I did some research and sampled some pages online, and while I can appreciate he's a master of the craft, I feel a bit ashamed that I don't think I could convince anyone, be it my wife, family, or friends, that it's high art or worthy of deep study/introspection, which I associate more with Fantagraphics than say Marvel or DC. Though I'm aware of the Fantagraphics "Underground" line and that they've published Johnny Ryan, lol.
I guess I'm just rambling a bit here but I'm curious what your take on it it. Nudity in a museum as fine art, or lower on the artistic expression totem pole?
Just got this book from a friend, excited to dive in. I've read the killing joke, and really.enjoyed it. Other than Batman im not really into superheroes, but im excited to see what Frank Miller does with this.
Just finished this beautiful book about the life of Joseph Joanovici.
It follow the story of Joseph Joanovici, a romanian Jew who immigrated to France in the 1920s. He starts working for a relative at scrap dealers, and slows builds a business empire becoming one of the richest men in the Europe. When the Nazis occupied France, he has a choice to make, to emigrate, to end in prison/concentration camp or to play them. Joseph Joanovici chooses to work with Nazis and move among their circles, but also chooses to future proof his safety by financing the French resistance. What follows made him "Criminal to some, hero to others'.
What a beautiful book. It felt like a roller coaster ride with twists and turns. The tension is well built. The complexity of the story and character are well captured moving between what made him a hero, what made him a criminal, what made him a human, and the price Joanovici paid for being all these. The jumps between different timeframes added a good tension. The art was beautiful with captivating facial expressions showing the turmoil Joanovici goes through at various points in the book.
Highly recommend. 5/5 for me.
I was reading Stages of Rot last night, and I realised that I have a real love of sci fi and fantasy that delves into ecological systems that are strange, otherworldly, and perhaps unknowable, where people are subsumed by the ecology. I am looking for other books in this vein.
Here’s a list of books (and some animation) give you an idea what interests me:
Stages of Rot - Linnea Serte
Nausicaa of the Valley of the Wind - Hayao Miyazaki
Aama - Frederik Peeters
Edena - Moebius
The Extraordinary Part - Ruppert & Mulot
Ant Colony - Michael Deforge
Scavengers Reign (TV)
Princess Mononoke - Miyazaki again
EDIT: a few more that I like:
Flood (film)
Safari Honeymoon - Jesse Jacobs (honestly, anything by Jesse Jacobs)
Big Questions - Anders Nilsen
This is meant to be a "new" purchase from retailer I never used before.. Never again
Look at how gorgeous it is.
Gay comics worth reading during pride month across a bunch of formats, I tried to cover the genre well for people who arent deep in any one publisher's continuity. Five categories: literary indie graphic novels, accessible single volume picks, mainstream superhero runs with queer leads, BL/GL manga, and where to actually read all of it
Literary indie graphic novels for pride month
Fun home by alison bechdel is the canonical literary pick, memoir that won multiple awards including the eisner and got adapted into a tony winning broadway musical. Sets the bar for autobiographical lgbt graphic novels. Stuck rubber baby by howard cruse is the foundational gay graphic novel that proved the genre could carry literary weight a full decade before fun home. Blue is the warmest color by julie maroh is the canonical translated french entry, beautiful art and emotionally devastating
Accessible single volume gay graphic novels
The prince and the dressmaker by jen wang is the gentlest entry point for casual readers, self contained with gorgeous art, no prior knowledge needed. Bingo love by tee franklin follows two black women reconnecting decades after being separated as teens, really sweet and moving. Heartstopper by alice oseman is probably the one most casual readers already know from the netflix adaptation, five volumes covering the full webcomic run
Mainstream superhero runs with queer leads
Iceman solo run by sina grace at marvel, two volumes following bobby drake after coming out, self contained without needing deep x-men continuity. Young avengers 2013 by kieron gillen and jamie mckelvie is the 15 issue wiccan and hulkling run most people mean when they recommend the title for queer focus. Midnighter and apollo at dc is the canonical openly gay superhero couple, the 2016 steve orlando run is the accessible entry point
BL and GL manga for pride month
Given by natsuki kizu is the most recommended BL entry point, nine volumes that cover grief and queer adolescence with way more depth than the genre's reputation suggests. Twittering birds never fly by kou yoneda is the heavier yakuza BL pick. 10 dance by inouesatoh is the ballroom dancing BL, eight volumes. For GL/yuri the canonical recent pick is bloom into you by nakatani nio, eight volumes
Where to read all of this
GlobalComix is the best one right now bc their catalog is huge. They have a dedicated lgbtq+ tag with hundreds of titles (romance, BL, GL, etc). And they also cover indie graphic novels, western comics, and manga. They have a lot on their free tier and if you want the sub it's only like 7 bucks.
Webtoon is similar like that, solid second best, has a massive audience and lgbtq+ stories, they have free stuff with optional paid early access, its good for romance and slice of life stuff tho they do censor some explicit content.
Tapas is similar vibes but a bit more indie and it also has a lot of lgbtq+ focused stories in my experience, good mix of free and paid series on there
SuBLime is fine if you want the official licensed BL translations specifically, given and twittering birds are both on there, you buy per volume tho so costs add up if you read a lot.
I just bought Geiger Deluxe 1 and 2 and while I did not even open the thing, I'm already considering buying other "unnamed universe" books.
Junkyard Joe caught my attention, I sampled some issues and the art seems solid. The writing, being Johns, is undoubtedly great I'm sure.
I know the premises of each book, Geiger being in a apocalyptic post-nuclear war future and Junkyard Joe about a present time military robot, but I wonder if these two books connect somehow? I doubt there is any crossover?
I also read about the Redcoat, but this one interested me less, and I'm starting to explore Rook:Exodus.
What are your opinions about these books? I know the books are still ongoing and Johns is still sort of modelling the unnamed universe, but how are you liking it so far? Do you recommend them?
Since I read the first Corto Maltese graphic novel last year, I've really liked Hugo Pratt as a writer and artist, but man, this third volume of Corto Maltese stories (which I guess would be called "Always a Bit Further Away") really made me realize how good he was as a writer.
This volume is comprised of 5 short tales that take place around the northern region of South America and in the Caribbean. In these pages, it became more clear to me how important the search for freedon is to the author, be it through armed rebellion against oppressors or in the mobility that a boat affords an adventurous man. Corto Maltese remains a lovable rogue, although he is often a vehicle for stories focused on other characters, which are often tragic, strange, oniric and lyrical. This comic really succeeds at transporting the reader to the locales it portrays, which is aided by Pratt's straightforward storytelling that doesn't hold your hand, he just takes you into these romantic historical dramas and makes you learn about the characters and world through actions rather than through exposition.
Something that I realized as I was finishing this book was that the appearamce, disappearance and reappearance of some plotlines reminded me of seawaves, receding, rising and crashing, then receding again. This plot structure, besides being very appropiate for a swashbuckling maritime comic, enriches the world and makes the character seem more real, how some people will take on some task, but their mind will still be focused on the real object of their interest.
A real stand-out for me in this volume was "The Lagoon of Beautiful Dreams", an extremely well-crafted tale in which a character is characterized entirely by showing the opposites of his current situation. The whole book is full of great moments and I'd recommend it to anyone interested in comics that trabsport you into their worlds and that are deeper than they first appear.
Just finished reading the collected edition of THE BAT-MAN: SECOND KNIGHT. Even though it’s a sequel to the previous miniseries THE BAT-MAN: FIRST KNIGHT (which I read and enjoyed as it was coming out), it’s not entirely necessary to have read it prior to reading this (though I recommend doing so).
Just know this is a story of “Golden Age Batman”: Batman when he first started out—no Alfred, no Batmobile, no Robin, and the gadgets weren’t that fancy yet. And he’s more of a masked detective than a superhero.
It’s 1940, and he’s a bit more experienced. Only his girlfriend, Julie Madison, knows his identity and, though she’s not particularly thrilled at him risking his life like this, she realizes that he is who he is.
Anyway, long story short, in an America that’s not quite entering World War II yet (but getting close to not having any real choice), Gotham is overrun by fear. This is due to a rising fascist cult spreading violence and paranoia among its citizens, led by the malevolent Scarecrow.
However, Batman is not fighting this alone. He ends up getting assistance from a next-door neighbor from Metropolis: Superman.
As somebody who has a special love for both Golden Age Batman & Superman, this story was an incredible read. It was dark and suspenseful (Scarecrow in this story is one of the most unsettling portrayals we’ve seen in a while, a real menace) and the dynamic between Batman & Superman here was great to see.
Will there be a third part to this story? Who knows? But I wouldn’t be opposed to it.
For those who read this story (and its predecessor), what did you think?