r/percussion

help composing

help composing

https://preview.redd.it/5yp0cfqa4hbh1.png?width=992&format=png&auto=webp&s=ba1e18cb8b0dfe19d0c24be8b58f14cb1aaf41fe

hey everyone! im a begginer composer and i want to add a snare and cymbal, both operated by the same player. in musescore, it created me this staff that i haven't seen on popular scores. how does an orchestra know what drums they need and how does the player know which note is which drum? in my case it would be easy but im talking in general. do i need to specify that somewhere?

https://preview.redd.it/7ox887xp5hbh1.png?width=998&format=png&auto=webp&s=8223df1bcbc14099c819648a0acc978f23026e06

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u/Andreidx2 — 21 hours ago

Music

Hey guys, I was wondering if anyone had any tips on getting beginner bongos & congas. What would you recommend.

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u/unsure_01 — 19 hours ago

How many 4 mallet grip exist?

I was snooping around and found like 5 different grips and I was curious to know if there were more

Cross grips: Burton, traditional, séjourné

Others: Steven’s, Musser

Those are the ones I found. Are there any other?

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▲ 1.4k r/percussion+197 crossposts

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u/GaryNOVA — 3 days ago

Any recommendations for custom bags for marimba bars?

I have a 5 octave Korogi marimba and the 2 bar bags are getting torn. Naturally they only sell the entire set so I'm curious if anybody had custom bags made for their bars from any instrument? Thanks!

u/patssle — 1 day ago
▲ 4 r/percussion+2 crossposts

Xylophone ensemble pieces

I've recently got access to quite a few xylophone and want to try and learn some music with friends who are mostly beginners - any suggestions for pieces to try would be appreciated thanks!

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u/nonnumberr — 2 days ago

Is this counting correctly

I am trying to figure out how to show the correct counting pattern / tempo with a metronome app. My music is in 6/8 with allegretto and a dotted quarter note= 76. I have been using this, is it wrong?

u/mmg_cray124 — 2 days ago

How to Dismantle a Marimba

Background
This Reddit post is dedicated to all of the new percussionists who have no clue where to start when it comes to dismantling a marimba. I will do my best to explain the standard steps for dismantling a marimba and walk you through some of the best tips and tricks I've come across!

My Experience
Marimba is an extremely intimate and beautiful-sounding instrument. I learned from Hope Street Marimba that two of the main innovators of the marimba were Leigh Howard Stevens and the under-recognized Herman Winterhoff. I have played this beautiful instrument for 5 years. I always appreciated how intricate the marimba was and how versatile a player could sound on it with experience. I started in middle school and will continue this hobby/skill throughout the rest of my life. In middle school, the responsibility of marimba assembly fell onto the band directors. Middle school students are typically immature, and trusting them with a $20,000 instrument is not always the wisest choice. In high school, marimba maintenance became a responsibility of the front ensemble and upperclassmen. I was in the drumline, so I never had to break down and rebuild the marimba for every football game. This year, I decided to learn how to break down the marimba because the responsibility will now fall on me.

I learned how to dismantle the marimba online using multiple resources. These sources each had slightly different approaches to breaking down the marimba. I followed each source loosely, hoping to find the strategy that would work best for me and my marimba. I have now learned the best way to dismember the instrument and compiled the best information from each source. My goal is to compile all the best information in one place so it's easy for beginners to tackle this intense challenge. 

Step 1: Taking off the keys
I found the first few steps to be pretty self-explanatory, but I thought it would still be good to go over them. The marimba keys should always come off before tackling any other problems because they are one of the most valuable parts of the keyboard. Typically, there is a metal portion at the end of the marimba that holds the string between the keys in place. Unclatch the string and make sure you carefully lift up the keys. A YouTube video from Marimba Music showed me that the string latches onto the frame using small hooks. These hooks are very delicate and need to be handled with care. You should always clean the marimba keys after removing them. I used a damp washcloth, but I almost left moisture on the keys of the marimba for an extended period of time. I learned from Yamaha that moisture is the nemesis of wooden keys! This means that they should be cleaned using a dry cloth and kept in a room temperature and ventilated space.

Step 2: Remove the Resonators
Removing the resonators was actually quite easy. The hardest part about removing them was the sheer force that had to be applied in order to pull them out of their slots. The slots are made to perfectly fit them, so it makes sense that I struggled with that part of the removal. Usually, you will find that the middle of each resonator piece has a latch that bends. You should bend the latch slightly and then pull the resonators vertically. Once competed you should place them together somewhere safe. I learned from Heartland Marimba that the frame holds the resonators and bars in place, so do not be afraid to push hard!

Step 3: Taking down the frame
Taking apart the frame was the most challenging part. It would be easier to take on this step with two people, but I made it work with one person to make sure this tutorial is as easy and accessible as possible. In the same manner you took off the resonators, you should be able to take apart the piece that holds the keys. They are connected to the main frame through tiny slots that fit them perfectly. Disconnect the piece that holds them together and pull vertically. On my keyboard, there is a middle bar that spreads horizontally, connecting the two end pieces of the frame. It is important to disconnect this piece from the end pieces and also gently set both pieces down. Marimba One demonstrated this step using multiple people. In order to complete this task independently, I found it easiest to keep one end of the frame positioned up against the wall for support. Some marimbas have the frame made from wood with very few metal pieces holding it together. When reading a blog post from Thor, he showed the frame dismantled in a very similar way, but when handling wooden parts, use a very delicate touch. 

Step 4: Storage
The marimba pieces should be stored in a room that is at room temperature, well ventilated, and clean. Some marimbas have storage devices meant to hold the marimba for transport but most beginner instruments do not. The marimba can be separated into two different portions: metal and wood. The metal pieces can damage the wooden keys, so it is best not to keep them on top of each other. The string is also delicate. Make sure the string is not in a active high tension position. AMI Marimbas has brought to my attention that strings can easily break if not properly taken care of. 

Good luck and Happy Practicing
Hopefully, this tutorial will treat you well! The goal was to help beginners feel comfortable managing an instrument of this caliber while also providing them with tips from experienced perspectives. Thank you for viewing!

Sources:
Thor Bremmer Marimba Refinishing
Hope Street Marimba - Making and repairing tuned percussion
How to Restring a Marimba
How to Disassemble a Marimba One
Care and Maintnence of a Marimba
Heartland Marimba
AMI Marimbas

u/Designer_Currency244 — 3 days ago

Mallet bags

So expensive, and not too many options in NZ. I currently have a Mike Balter Mallet Bag Barrel (MBMB) which is fine until it fills up with mallets and it's hard to locate specific pairs in a hurry.

My largest mallet is a Balter BGB4 Gong Beater, followed by a pair of Chime Mallets and pair of CBD5 Balter Rollers, with 9 or 10 other pairs of sticks or mallets.

I did see the Tama MBS07 backpack which could work.

Any suggestions for a mallet bag which will hold the gong and bass drum that I'm overlooking?

Thanks!

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u/Rekpol — 3 days ago
▲ 19 r/percussion+2 crossposts

3d Printed Marching Tenor and Snare Pads

Here are some pictures of Practice Pads I designed and 3d printed.

Materials are PLA for the base and TPU for the pad.

Here is a video with a playing example.

Playing Example

Here is a link to the files on Printables.

Printables Page

u/Billdo1138 — 4 days ago
▲ 8 r/percussion+1 crossposts

Looking for contemporary repertoire for 5-octave marimba & vibraphone (graduate recital)

Hi everyone!

I'm looking for repertoire suggestions for my graduate recital (Master's Degree in Percussion Performance at an Italian Conservatory).

The ideal instrumentation is:

  • 5 octave marimba + vibraphone

We could also perform:

  • 5 octave marimba + 4.3 octave marimba

I'm looking for an original concert work (no transcriptions), written in a contemporary/classical language, with a medium to advanced level of difficulty. I'm not looking for pop arrangements, crossover pieces, movie music, or anything in that direction.

For reference, I've already performed:

  • Emmanuel Séjourné – Losa
  • Ivan Trevino – Catching Shadows
  • Michael Taylor – Rhapsody
  • Peter Klatzow – Ambient Resonances (1st movement)

Among these, Ambient Resonances was probably our favorite because of its musical depth, atmosphere, and color. I'd love to discover something with a similarly engaging artistic approach, although it doesn't necessarily have to sound the same.

I've been searching for quite a while, but repertoire for this instrumentation seems surprisingly limited. I'd really appreciate any recommendations, including lesser-known composers, hidden gems, university repertoire, recently published works, or pieces that deserve to be performed more often.

Thanks in advance for any suggestions!
-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-
Ciao a tutti!

Sto cercando consigli per un duetto da eseguire per la mia laurea del Diploma Accademico di II livello in Strumenti a Percussione (Conservatorio).

L'organico ideale è:

  • Marimba 5.0 ottave + Vibrafono

In alternativa possiamo utilizzare:

  • Marimba 5.0 + Marimba 4.3

Cerco un brano originale (non trascrizioni), di linguaggio contemporaneo, con difficoltà medio/alta. Non sto cercando arrangiamenti pop, colonne sonore o crossover: mi interessa repertorio da concerto.

Per darvi un'idea del tipo di musica che apprezziamo, abbiamo già eseguito:

  • Emmanuel Séjourné – Losa
  • Ivan Trevino – Catching Shadows
  • Michael Taylor – Rhapsody
  • Peter Klatzow – Ambient Resonances (I movimento)

Tra questi, Ambient Resonances è probabilmente il brano che ci ha convinti di più per scrittura, atmosfera e profondità musicale. Mi piacerebbe trovare qualcosa con una ricerca timbrica e un linguaggio simili, anche se non necessariamente nello stesso stile.

Sto facendo davvero fatica a trovare repertorio per questa formazione, quindi qualsiasi suggerimento è ben accetto, anche se si tratta di compositori poco conosciuti, brani raramente eseguiti o pubblicazioni difficili da trovare.

Grazie mille a chiunque possa darmi una mano!

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u/Healthy_Low3880 — 5 days ago

Advice for Timpani Tuning during a piece

I just started playing Timpani in a community band and can tune fairly effectively before we start playing using a reference and intervals, but I kinda fall apart for retuning during a piece and not getting lost. I get to my rests, go and tune then and then am completely lost. I'm trying to not use the gauges and develop an ear, but am struggling.

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u/wisteriaclarinet — 5 days ago

Is this written properly?

https://preview.redd.it/6vljnkuj2oah1.png?width=489&format=png&auto=webp&s=55c7f62f2cca713b48a41555186b60e121861c90

Musescore playback isn't giving me an accurate reading here. My thought process is:

- No tie, unnecessary because tremolos are constant rearticulations anyway.

- The minim needs a lesser tremolo division to maintain the same speed across the two bars.

As percussionists, is this how it would be interpreted?

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u/UltraBlueMadness — 5 days ago

Special Needs Student

At my current job I do private lessons on Drumset/Percussion for 30 min lessons. I have a student who is on the spectrum and is around the mid level of function on the spectrum. but at times learning is halted due to the students focus and lack of interest. I wanted to ask what is the best way to progress this student? The student is required by their parents to do the lessons, but I’m not sure the student is in love with drums. I tried teaching the same ways as my other students, but I was met with push back, and not wanting to hone in on fundamentals (holding stick correctly etc….). However, I’ve noticed this student really enjoys the idea of the rhythmic pyramid (whole note->2 half’s-> 4 quarters etc…), and he loves to mess with the accel and decel on my tonal energy app. I have tried having the student work for a few minutes on drums, then we switch to an activity they love like the accel for an equal amount of time, then switch back and forth for the entire lesson. But when I try to get the student to progress with small steps like holding the stick correctly and only focusing on 1 part at a time, they can at times have an outburst due to not liking the drums at that very moment, and this halts the progress on the lesson.
Any help is appreciated from experience or ideas. I am just unsure on how to provide this student with the best experience.

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u/blackopsman97 — 6 days ago
▲ 27 r/percussion+2 crossposts

More pedals for rhe Wavedrum came in.

A Hotone Xtomp multi-effect pedal, a FC-6 footswitch, and a second XVP-10 pedal to be used as expression pedal.

I finally made a proper rack side stand for the heavy beast tool.

u/DrummerFromAmsterdam — 7 days ago
▲ 26 r/percussion+1 crossposts

BMH's drumline from COBAEP p.17 Tlatlauquitepec, Puebla, Mexico

Band presentation in Huauchinango.

u/Black-BunnyBTS — 7 days ago

Home Alone for Percussion Ensemble Arrangement

I arranged some of the songs from Home Alone into percussion ensemble. It’s targeted at average high school level. I just want any and all feedback

Ex: would you want to play this or are any of the parts to hard/easy.

Score Order:

Glockenspiel

Xylo 1 & (opt.) Xylo 2

Vibraphone

Marimba 1 & Marimba 2 (supposed to share a 4 octave marimba)

Chimes

(opt.) Synth

(opt.) Bass Guitar

Timpani

Snare / Bass Drum

2 Concert Toms

Aux 1 (Sus cym. & Hi-Hat), Aux 2 (Sleigh Bells) Aux 3 (Tambourine) Aux 4 (Triangle & Mark Tree)

u/Odd_Rise_539 — 6 days ago

King Conga congas

[This isn't a selling post, just want to research these congas to find out their value, and any info on what exact model they are].

Hi folks,

UK based - I bought these old congas for £20(!) over 7 years ago, and they've been nice to have but I'm moving, so I was thinking about selling.

I asked chatgpt about the brand - it said that king conga is a very rare brand of congas, the company only produced around 2000, but they're still highly sought after - chatgpt reckoned they were worth between £500-£700 GBP even with the outsides being very scuffy (though no cracks in the shell itself)!

I was surprised considering I only paid £20, but the sound from them is very nice and I can tell that they're not just any old cheap pair.

Can anybody confirm if these congas are genuinely the king conga brand and would they really be worth that much? Any more info on these particular congas would be much appreciated.

u/Cork-150 — 6 days ago