u/Brainhozinhoninho

Que delicinha de jogo, atirar em robos, violencia gráfica desnecessária, protagonista fodão inspirado nos filmes anos 90 e tudo pra matar um bilionário e salvar uma gostosa. Preciso dizer mais?

Diversão pura do começo ao fim, o loop de gameplay parece estranho mas só até voce começar, depois que começa flui tranquilamente, o foco é total na dopamina, os ambientes são ultra coloridos de cores saturadas, mas eu não me senti perdido nem confuso em momento nenhum; cada arma é bem satisfatória de usar e o combate no modo normal tem a dificulade exata que deve ter pra te manter no rítimo que o jogo quer, os chefes são bem legais e o jogo no geral não se estende mais do que deve, me senti jogando um game de fliperama dos anos 90, então dá pra dizer que o jogo atingiu o objetivo.

A dublagem é uma maravilha, dubladores clássicos de desenhos antigos, e falando nisso as animações são uma beleza, com aquele estilo único da época. Dá orgulho demais saber que esse jogo é br, claramente um projeto feito por pura paixão, ver um sonho realizado assim é muito inspirador, e dá mais confiança de que os criadores de jogos brasileiros podem conquistar grandes coisas

Tanto no sentido de como ele foi impactante, como o tempo que vocês dedicam ou fazem questão de dedicar pra eles. O quanto videogames são importante pra você como hobbie?

Im trying to learn about writing action, especially to write my short stories inspired in the John Wick series.

So i want sugestions of books with this type of action, specifically, scenes of a protagonist fighting against more than one enemy at the same time, using weapons and martial arts.

A única coisa que consigo falar após jogar esse jogo é: UAU! que experiência, esse jogo é o exemplo perfeito do que é um jogo feito como arte. Eu fico muito feliz de ver o orçamento de um AAA sendo gasto por alguém com real visão criativa e artística, quando paro pra pensar que esse jogo quase foi cancelado, e que os devs passaram anos tentando conseguir aprovação para que fosse lançado… cara eu fico muito feliz, esse jogo merece existir, merece muito.

Por onde eu começo? Acho que é justo começar falando pelo mais importante, a história sensacional, esse jogo tem um dos melhores roteiros que eu já vi na indústria, e conta esta hisótia de uma das melhores formas que eu já vi. Eu sempre penso em como jogos são a experiência audiovisual mais próxima de um livro que existe, e este jogo pega isso e eleva a enésima potência, eu me senti realmente dentro de um livro, e o sam lake é um baita de um escritor. A história não é confusa como a do 1, apesar de ser sim complexa - ela tem camadas sobre camadas, como é comentado no próprio jogo - os mistérios funcionam bem e a narrativa te prende do começo ao fim, e no final, todas as respostas são dadas, o que é muito satisfatório; mas não só isso, nem todas as respostas são guardadas só para a reta final, o que traz uma sensação constante de estar compreendendo o todo pouco a pouco.

Falando sobre o visual, é realmente de tirar o folego, me senti jogando um verdadeiro jogo de nova geração, do tipo que jamais poderia ser feito na geração passada, e que usa ao máximo o poder das tecnologias de desenvolvimento que existem hoje, como eu disse antes, é um verdadeiro AAA, que realmente sabe aproveitar cada centavo de um orçamento gigantesco para prover a melhor experiencia possível.

As mecânicas são incríveis, ele tira o básico de resident evil e silent hill, mas adiciona muito da própria personalidade deste universo: a investigação… as leituras de documentos… as trocas instantêneas de cenário… tudo funciona tão bem, eu fiquei fascinado do começo ao fim, nunca me acostumei com as mudanças de cenário, isso é realmente outro patamar.

Alan wake 2 é fenomenal, e posso dizer com tranquilidade que é um dos melhores jogos já feitos, merecia muito mais sucesso e reconhecimento do que teve, ele é uma daquelas obras que provam o poder que os jogos tem quando são vistos como arte, antes de produto.

The story did a great job balancing the development of all characters while also bringing another one back. I loved that Císsia is still hanging out with the Proxies; she’s so charismatic and takes such good care of Belle and Wise, plus she adds a lot to the fun factor.

​Silly is, in my opinion, one of the best characters Hoyo has ever created. They hit the perfect balance between his on-foot and motorcycle gameplay.

​And speaking of perfect balance, this chapter proved that the writers know exactly how to blend ZZZ's urban-futuristic side with its sci-fi fantasy elements.

​Belle awakening her powers and that final sequence were epic. It got me even more hyped for 3.0 than I already was—they really managed to sell me on the vision.

Also the soundtrack was FIRE

That game that is terrible or questionable, but you just can't help loving it.

Mine is Zenless Zone Zero; I despise gachas, but I fell in love with this one specifically.

PS: Btw, if anyone wants to talk about ZZZ, I'm here.

​I was making a list of predictions with a friend of mine that we plan to revisit 15 years from now to see what came true.

​What is your list of things you are certain will exist or have happened in 10 or 15 years? Ultra-negative things like world wars or the end of the world don't count.

​What if, all of a sudden, it became common for people to stop lying, wearing social masks, or following norms of etiquette and social conduct? What if everyone could openly say whatever they were thinking and feeling, at any moment, to anyone?

​How would society turn out?

E se de repente se tornasse comum pessoas pararem de mentir, usar máscaras sociais ou seguirem normas de etiqueta e conduta social. Se todos pudessem falar abertamente o que estiverem pensando e sentindo a qualquer momento para qualquer um?

Como a sociedade ficaria?

Trabalho como franquia de uma empresa de ERP, vendo e ofereço suporte para pequenos negócios. Recentemente também comecei a vender cardápios online para pequenos restaurantes, mas estou con dificuldade para conseguir cliente.

Como faço para contatar novas pessoas? Estou trabalhando com listas de números telefônicos, mas a maioria cai na caixa postal. Não sei como faço para oferecer meus serviços para novas empresas que abrirem

I've been a Jehovah's Witness since I was born, and I "woke up" recently—about 2 years ago. I realized how it was all a cult, and I also stopped believing in God and the Bible. This is making my life a living hell as I try to maintain my status as a PIMO (Physically In, Mentally Out).

I still live with my parents and I’m very young (22 years old); I’m just starting my life. I work from home in the family business, I have good friends, and a great relationship with my parents, and I don’t want to lose all of that—not right now.

Because of this, I live in fear. I have constant anxiety—fear of disappointing my parents, fear of not being able to find work, fear of never making new friends. My parents need me and my life is great; now really wasn't the time to turn everything upside down, but I’m starting to get so tired...

It’s been over 2 years that I’ve been keeping up the JW routine, pretending every single day: meetings, preaching, giving speeches, Bible studies... I can't stand it anymore. I can't stand hearing so much biased and manipulative nonsense daily. I was already tired of it even back when I still believed! Lol.

I know I need to prioritize myself and that I can recover even if I lose everything, but excluding the religion, my life is actually very good right now and I REALLY don't want to have to go through that at this moment.

The worst part is looking back at all these years and realizing how this religion is the cause of 90% of all the problems and anxieties I've ever had in my life—all for a big lie.

Sou testemunha de Jeová desde que nasci, e nos últimos anos finalmente acordei e percebi que passei a vida em uma seita, dspois de muito estudo e pesquisas aprofundadas em teologia e na história da própria organização das TJ eu deixei de acreditar tanto na organizacao em sí quanto na bíblia ou mesmo em Deus, e estou bem convencido das minhas novas crenças.

Porém tem um problema, eu não posso sair! Pelo menos não ainda, pra quem não sabe as Testemunhas de Jeová tem uma regra chamada "desassociação", uma punição para quem comete pecados gravíssimos, ou, saí da organização.

É basicamente ostracismo, a pessoa é expulsa e todos os membros da religião são proibídos de manter contato com ela, mesmo familiares não podem ser muito próximos. Eu ainda moro com meus pais e sou muito jovem (22 anos), estou começando minha vida agora, trabalho em casa na empresa da família, tenho bons amigos e uma ótima relação com meus pais, e eu não quero perder tudo isso, não agora.

Por causa disso eu vivo com medo, tenho ansiedade constante, medo de decepcionar meus pais, medo de não conseguir trabalho, medo de nunca fazer novas amizades. Meus pais precisam de mim e minha vida está ótima, agora realmente não era o momento de virar tudo de cabeça pro alto, mas eu já estou começando a me cansar demais...

Já vai fazer mais de 2 anos que estou mantendo a rotina como TJ, fingindo diáriamente: reuniões, pregação, discursos, estudos bíblicos... eu não aguento mais, não aguento mais ouvir tanta baboseira tendenciosa e manipuladora, diariamente, eu já estava cansado mesmo na época em que ainda acreditava! Kkkkkk

Sei que preciso me priorizar e que posso me recuperar mesmo que perca tudo, mas tirando a religião minha vida está realmente muito boa hoje e eu REALMENTE não quero ter que passar por isso agora.

O pior é olhar pra trás, pra todos esses anos e perceber como essa religião é a causa de 90% de todos os problemas e ansiedades que já tive na vida, tudo por uma grande mentira.

Last year, I finally watched One Piece, and I loved it—it definitely became one of my favorite anime. However, there are some obvious problems with the series that the fanbase simply ignores.

To start with the obvious: the anime is too long. Like, WAY too long. It’s long to the point where it actually hurts the story's quality because the pacing gets completely lost. The story never seems to know if it wants to focus on a specific island’s local problems or on a grand, world-shaping narrative. The plot drags on much longer than it should, and yet it still fails to use all that extra space to develop its world and characters in a truly deep way. And that leads me to the second problem...

Oda includes so much stuff that everything ends up feeling shallow. Every arc introduces about 20 new side characters, the Straw Hats are pushed to the sidelines, and all the attention goes to B and C-list characters who probably won't show up again for another five years. Even then, their development is basic and superficial, which prevents me from getting fully invested.

Characters who are initially presented as important are quickly tossed aside only to be replaced by \*new\* characters who are supposedly even more important.

We started out seeing the Shichibukai as the greatest threat, but they were soon forgotten once we learned about the Yonko. Then the Yonko were pushed back because now we have the Gorosei, who were also sidelined to focus on Imu, who was then put aside to focus on the Holy Knights. And where do the protagonists fit into all of this?

I started reading One Piece solely for the Straw Hats; they are my favorite characters above all others. That’s why it hurts so much to see how little they’ve evolved over the last 10 years. They’ve become side characters in their own story, or worse, caricatures of themselves. Each of them gets maybe 10 pages of spotlight for every 400 chapters focused on side characters—and that’s if they get any spotlight at all.

My poor Robin finally got a tiny bit of attention now in the Elbaph arc, and I was happy, but it was a melancholy kind of happiness. It’s like, "Wow! How cool to see my favorite girl getting a minimum amount of development, and it only took 238 chapters since the last time she was relevant! Robin fans are eating good." I can't even imagine how depressing it must be to be a Brook or Franky fan lol.

The fanbase always claims that the Straw Hats already had the development they needed in "their" respective arcs and that they'll get more toward the end, but even that development is very, very shallow. Are you telling me I should settle for a 20-chapter arc for my favorite character, only to have them treated like an NPC for the next 400?

The worst part isn't even that, but rather the lack of development in the relationships \*between\* the crew members. Shows like \*Kaguya-sama\* (my favorite anime) are built entirely on the different dynamics that emerge between characters. Since everyone has a unique and charismatic personality, we get curious to see how one will interact with the other. This would be perfect for One Piece, but Oda simply doesn't have time for it because he needs to focus on the 30 side characters of the week.

I really want to know what the relationship is like between Franky and Nami, Luffy and Chopper, or Sanji and Brook. I want to see the small, everyday interactions: Luffy stealing food from the fridge, Sanji doing leg day with Zoro, things like that.

Instead, we get 20 chapters of a sad flashback for a character we just met. Don't get me wrong, I still love One Piece and I like the side characters, but it could be a true masterpiece if it had better pacing and actually explored its truly relevant characters.

Last year, I finally watched One Piece, and I loved it—it definitely became one of my favorite anime. However, there are some obvious problems with the series that the fanbase simply ignores.

To start with the obvious: the anime is too long. Like, WAY too long. It’s long to the point where it actually hurts the story's quality because the pacing gets completely lost. The story never seems to know if it wants to focus on a specific island’s local problems or on a grand, world-shaping narrative. The plot drags on much longer than it should, and yet it still fails to use all that extra space to develop its world and characters in a truly deep way. And that leads me to the second problem...

Oda includes so much stuff that everything ends up feeling shallow. Every arc introduces about 20 new side characters, the Straw Hats are pushed to the sidelines, and all the attention goes to B and C-list characters who probably won't show up again for another five years. Even then, their development is basic and superficial, which prevents me from getting fully invested.

Characters who are initially presented as important are quickly tossed aside only to be replaced by *new* characters who are supposedly even more important.

We started out seeing the Shichibukai as the greatest threat, but they were soon forgotten once we learned about the Yonko. Then the Yonko were pushed back because now we have the Gorosei, who were also sidelined to focus on Imu, who was then put aside to focus on the Holy Knights. And where do the protagonists fit into all of this?

I started reading One Piece solely for the Straw Hats; they are my favorite characters above all others. That’s why it hurts so much to see how little they’ve evolved over the last 10 years. They’ve become side characters in their own story, or worse, caricatures of themselves. Each of them gets maybe 10 pages of spotlight for every 400 chapters focused on side characters—and that’s if they get any spotlight at all.

My poor Robin finally got a tiny bit of attention now in the Elbaph arc, and I was happy, but it was a melancholy kind of happiness. It’s like, "Wow! How cool to see my favorite girl getting a minimum amount of development, and it only took 238 chapters since the last time she was relevant! Robin fans are eating good." I can't even imagine how depressing it must be to be a Brook or Franky fan lol.

The fanbase always claims that the Straw Hats already had the development they needed in "their" respective arcs and that they'll get more toward the end, but even that development is very, very shallow. Are you telling me I should settle for a 20-chapter arc for my favorite character, only to have them treated like an NPC for the next 400?

The worst part isn't even that, but rather the lack of development in the relationships *between* the crew members. Shows like *Kaguya-sama* (my favorite anime) are built entirely on the different dynamics that emerge between characters. Since everyone has a unique and charismatic personality, we get curious to see how one will interact with the other. This would be perfect for One Piece, but Oda simply doesn't have time for it because he needs to focus on the 30 side characters of the week.

I really want to know what the relationship is like between Franky and Nami, Luffy and Chopper, or Sanji and Brook. I want to see the small, everyday interactions: Luffy stealing food from the fridge, Sanji doing leg day with Zoro, things like that.

Instead, we get 20 chapters of a sad flashback for a character we just met. Don't get me wrong, I still love One Piece and I like the side characters, but it could be a true masterpiece if it had better pacing and actually explored its truly relevant characters.