u/Funny_Ad6043

Wrote this up because I kept bouncing off interval-drill apps and wanted to collect the exercises that actually work. Six in total.

The one I'd flag for this sub specifically is exercise #2, predict-then-check. Sing the interval BEFORE any reference plays, then check. It trains production from internal memory, not just recognition, and it is the most underused drill I have come across.

Also covered: the standard reference-song list, what to do about the tritone and the sevenths specifically, and a two-week starter routine.

Disclosure: the post is on my own blog. I built a singing/ear-training app called Pitch Pilot, and it does come up at exercise #6, so worth flagging upfront in case that matters to anyone here.

Curious what other people in this sub use. Any interval drill you'd add to a list like this?

My primary school teacher told me point-blank that I just "wasn't a singer." I actually believed her until last year. It is wild how a single comment like that can shut down a hobby for twenty years, but it turns out most of what we think is "talent" is just a mechanical disconnect.

If you have been told the same thing, you should know that you are probably not tone-deaf. Real congenital amusia only affects about 4 percent of the population. If you can hear when someone else hits a sour note, your ears are fine. The problem isn't your hearing; it is the coordination between your ears and your vocal cords.

Think of it like a feedback loop that just got rusty. You hear a note, you produce a sound, you listen to yourself, and then you adjust. Kids build this naturally because they make noise constantly, but adults often stop singing for decades and the loop atrophies. It also doesn't help that your voice sounds totally different inside your own head because of your skull resonating. You are basically trying to drive a car while looking through a distorted mirror.

The most useful thing I did to fix this was something called drone matching. I would find a steady note on a piano app or YouTube and sing an "ah" to match it. The trick is to listen for a "wobble" in the sound. When that wobble disappears into silence, you know you are perfectly in tune. Doing that for five minutes a day for two weeks closed the gap for me more than any music theory could.

Beyond that, I found it helps to stop trying to mimic singers who have a totally different range than your own. You have to find where your voice actually lives first. I also started recording myself and listening back the next day because fresh ears are way more objective than "in the moment" ears. Finally, stick to songs you know so well you could sing them in your sleep. If you are struggling to remember the words, you cannot focus on the pitch. It is all about solving one problem at a time.

My primary school choir teacher told me point-blank that I just "wasn't a singer." I actually believed her until last year. It is wild how a single comment like that can shut down a hobby for twenty years, but it turns out most of what we think is "talent" is just a mechanical disconnect.

If you have been told the same thing, you should know that you are probably not tone-deaf. Real congenital amusia only affects about 4 percent of the population. If you can hear when someone else hits a sour note, your ears are fine. The problem isn't your hearing; it is the coordination between your ears and your vocal cords.

Think of it like a feedback loop that just got rusty. You hear a note, you produce a sound, you listen to yourself, and then you adjust. Kids build this naturally because they make noise constantly, but adults often stop singing for decades and the loop atrophies. It also doesn't help that your voice sounds totally different inside your own head because of your skull resonating. You are basically trying to drive a car while looking through a distorted mirror.

The most useful thing I did to fix this was something called drone matching. I would find a steady note on a piano app or YouTube and sing an "ah" to match it. The trick is to listen for a "wobble" in the sound. When that wobble disappears into silence, you know you are perfectly in tune. Doing that for five minutes a day for two weeks closed the gap for me more than any music theory could.

Beyond that, I found it helps to stop trying to mimic singers who have a totally different range than your own. You have to find where your voice actually lives first. I also started recording myself and listening back the next day because fresh ears are way more objective than "in the moment" ears. Finally, stick to songs you know so well you could sing them in your sleep. If you are struggling to remember the words, you cannot focus on the pitch. It is all about solving one problem at a time.

I'm working on creating a voice controlled mobile game where the users pitch controls a flying ball in game; you guide it through various obstacles and hazards, there's also some ear training exercises and a memory game ... but I never fully considered disabled gamers.

I reckon my game is playable (in the game screens) but my menu screens and settings etc would still require touch to navigate.

How would I go about solving this and making it fully accessible? Are there known solutions, or typical approaches I should be aware of?