u/ISGamer156

It took me so long to notice. Look, they're the same textures, with the same divisions and sizes. That's normal, AV is the direct sequel to NTAE in the trilogy, but anyway, it's interesting to think about what this means.

The cover of AV is a panel, and these textures from NTAE continue on the cover of AV, which leads me to believe that the cover of NTAE is a "cleaner" and less grimy version of the same panel. Well, it's just interpretation. What do you think?

I've been listening to the album repeatedly and trying to understand it, but I still don't think I've reached the point of absolutely loving it. I'd like you to give me reasons why you think it's good; maybe I'll be able to appreciate it better after hearing your arguments.

(That cover is damn cool)

Atticus does excellent work, and I think this question is meant precisely to highlight his compositional ability.

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The most obvious answer would be that NIN’s “classic” albums would sound different, especially considering Atticus’s skill with audio engineering and sonic textures. But of course, Atticus would not be working alone, so he would have to deal with a young Trent and his compositional methods. In other words, how would this convergence between the two of them work, and what would the result be? Would entirely new releases have emerged? How would Atticus have adapted to Reznor, and how would Reznor have adapted to Atticus? It is worth noting that Reznor was quite “independent” in the studio, but perhaps a well-matched creative partnership would have been welcome, even taking into account Reznor’s mindset during that period. With that said, a creative and compositional blend between the two of them would form something unique.

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In short, it would be interesting to imagine how Atticus would adapt his compositional approach in these contexts, and how Reznor would influence that process. It might have produced a unique and compelling method, both in convergence with Reznor and in Atticus’s own right.

Eu AMO essa ost, ela é tão fria, mas ao mesmo tempo tão viva e pacífica. Uma das minhas ost's favoritas dos games.

Kaitlyn Aurelia Smith foi do krl pra mim. Mermão, a discografia dela é surreal, no nível MÁGICA mesmo. The Kid tá em outro patamar. E a sua?

As a die-hard fan of Broken and TDS, listening to this album after falling in love with those two was probably one of the most satisfying things ever. A while back, a friend told me Swans was the kind of band that’s hard to binge and all that crap… then I listened to Filth and thought, "fuck it, I’m listening to their entire discography and I do not care"

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It's an extremely brutal, grotesque, and heavy album. Probably not suitable for petting kittens