u/Live_Pomegranate_26

Rightful criticism is one thing. Blatant bullying and hatred is completely different. A video was circulated on the sub about Panihati MLA and the mother of the RG Kar rape victim, Ratna Debnath in which she was shown to question the due progress of the case. Much like the title of the post, the level of vitriol and spamming carried out in the comment section is just disgusting.

It's a shame for us Bengalis to project ourselves like this in the public sphere.

Rightful criticism is one thing. Blatant bullying and hatred is completely different. A video was circulated on the sub about Panihati MLA and the mother of the RG Kar rape victim, Ratna Debnath in which she was shown to question the due progress of the case. Much like the title of the post, the level of vitriol and spamming carried out in the comment section is just disgusting.

It's a shame for us Bengalis to project ourselves like this in the public sphere.

The s4 finale is many things. A filler is not one of them. For all, we as the audience for the first time, get to see the interaction between the BiW and the MiY, which but confirms the popular theory of the place being a game of chess between two God-like Entities.

However, there's no way they are going to let it be that simple and straightforward, especially when something like that has been used before (Lost). There's no way they would willingly recycle the same idea. Instead, for all purposes, like all things in Fromsville, this one would have a twist as well. We have been shown that the BiW as a positive entity helping the ones trapped get out as compared to the MiY being the malevolent entity responsible for keeping them in. This very premise requires an inversion.

We know that the place is built on ritual (Sophia outright says it), and have been fed the story that the original settlers sacrificed their children to an entity (popularly assumed to be the MiY) to attain immortality. What If it's just the reverse? What If, instead of immortality, the original townsfolk sacrificed their children to keep an inconceivable evil at bay? The Red Entity of the cave paintings is that evil, Fromsville is it's prison, and the Man in Yellow is the being to which the original townspeople sacrificed their children to, to keep the Red Entity at bay. The Boy in White, is the avatar of that Red Entity, putting up the guise of human innocence (a boy) to lure people of the outside world into Fromsville (through whatever capacity it can) to free it.

The people trapped, like the Entity in Red, would like to find means to free themselves, because of which it guides people like Victor, Ethan, and Tabitha into uncovering the ritual. The uncovering of the bones of the children is the only way to break the cycle. The process is the right one. The latest episode confirms that.

There's a twist however. The more the Entity in Red/Boy in White tries to break Fromsville, the more difficult it becomes. To keep things as it is, the prison that is From introduces many layers. Cut short the people's discoveries? Summon monsters that come out at night. That doesn't help? Summon more types of monsters like the Music Box, scarecrows, spiders (?), to curfew knowledge as much as possible.

All of this works in cycles. The Boy in White/Red Entity can bring about only people into Fromsville in particular cycles, hence the long durations between newcomers into the place. Sometimes, during momentary gaps, the entity can manage to lure in some more people like the bus in season 2.

Jade and Tabitha are important because, they are the ones in every cycle to discover the ritual (children's sacrifice) yet fail in their attempts to break it, everytime. That's the reason they are summoned in every cycle.** This current cycle however has an outlier because of which the ritual will finally be broken.

Boyd. His presence in this cycle has stretched the limits of the prison to it's extreme. The Talismans. Killing Smiley. Discovering victuals in his various night quests, etc. He's the reason this cycle is both too different, and too extreme, with so many things happening at once. The prison is loose, it's trying to push back. Hence the abrupt phone calls, the inner stationery of the houses moving on it's own, the radio and the music playing itself, etc.

Tldr; Fromsville is a prison created through sacrificial ritual by the original townspeople to lock away an eldritch horror (Red Entity/Boy in White). The sacrifice was done to the Man in Yellow who keeps everything in check. The Boy in White brings in people in town in attempts to free itself. The monsters, music box, other monsters are all anti virus, keeping people from letting that happen. Jade and Tabitha are important because them discovering the children's sacrifice as the root cause of everything is a sort of Canon Event. Boyd is the difference in this cycle and he'll be the one responsible to freeing everyone and the Boy in White/Entity in Red.

Before that during HWR's era, traditional forms of time travel such as seen in Endgame were the only ones possible, which did not allow one to directly change the timeline.

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After Loki S2, time-slipping was introduced into the timelines as a means of directly altering the course of events (without the creation of branches) as seen with Logan in Days of Future Past.

In Endgame and She-Hulk, Banner managed to control the Hulk without the savagery, and before that in Infinity War he flat out refused to come out after the beating Thanos gave him.

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Then, how does the Savage Hulk suddenly re-manifest himself this time?