Filmed this interview with Mick Jones in 2010.
He talks about what Joe meant to him, their
friendship and what The Clash was really about.
Mick doesn't do many interviews. This one was off the cuff in a local Notting hill venue.
Not sure horror is quite the right word for
1911 but nothing else comes close.
Three Italian filmmakers adapted Dante's
Inferno and put Hell on screen for the
first time. The Gates of Hell, Charon
ferrying the damned, the circles of
torment — all of its practical effects
filmed over two years.
It's genuinely unsettling in places.
The kind of unsettling that comes from
craft and imagination rather than budget.
Before Nosferatu.
Before everything we think of as horror cinema really
This silent feature came first. 1911.
Full film on YouTube:
Before Bollywood. Before everything.
Dadasaheb Phalke was so determined to make this film that he sold his wife's jewellery
to fund it. He travelled to London to learn
filmmaking from scratch. He built his own
camera. He grew his own film stock.
Because no Indian woman would act in a film
at the time, all female roles were played by men.
Released 3 May 1913 at the Coronation
Cinematograph, Bombay.
The Dadasaheb Phalke Award — India's highest film honour — is named after this man.
This is where Indian cinema began.
Full film here:
I hadn’t seen this version in a while and forgot how intense it is.
What starts as patriotic excitement turns into something much darker once they reach the front. The trench scenes and the slow loss of innocence still feel incredibly real, even compared to modern war films.
Definitely worth watching if you’re into realistic war movies or classic cinema.
This clip is from En Cas de Malheur, starring Brigitte Bardot.
What stood out to me is how much of the impact comes from suggestion rather than anything explicit. The scene relies almost entirely on posture, timing, and the reactions of the people in the room, which makes it feel surprisingly modern. Watching it now, it’s hard not to think of later films like Basic Instinct, where similar dynamics are made far more overt and stylised.
What’s interesting is that in this 1958 context, the effect feels more psychological than sensational. There’s a kind of tension built through restraint, and the camera doesn’t push the moment in an obvious way—it just allows it to unfold. That makes it feel less like a “shock scene” in the modern sense and more like an early example of filmmakers experimenting with how body language and presence can shift power within a scene.
It also says a lot about Bardot’s screen presence at the time. She doesn’t need dialogue to control the moment—everything is conveyed through movement and attitude, which is probably why the scene still holds attention decades later.
I’m curious whether moments like this were consciously influential on later films, or if this is more of a recurring cinematic idea that different directors arrived at independently. Either way, it feels like an interesting early example of something that would become much more explicit in later decades.
​
Just clipped the legendary dream sequence from Awaara (1951).
Raj Kapoor descended into Hell and ascended into Heaven for the woman he loved. In 1951.
This single sequence cost more than most entire Bollywood productions of the era. Nothing in Indian cinema had ever looked like this.
Full film also on the channel if you want to watch the whole thing.
There has never been anyone like her.
Vittorio De Sica directed this scene knowing exactly what he had. Sophia Loren and Marcello Mastroianni at their absolute peak.
This single scene was so iconic it was recreated 30 years later by Robert Altman in Pret a Porter (1994) — a direct homage to this moment.
Academy Award — Best Foreign Language Film 1964.
[your stocking clip link]
Full film also on the channel if anyone wants to go deeper.
Just uploaded The General (1926) with full chapters.
Buster Keaton performed every stunt himself with no safety equipment. The bridge collapse alone cost $42,000 — the most expensive single shot in silent film history.
He nearly died multiple times making this film.
Roger Ebert called it one of the greatest films ever made. It's also genuinely hilarious.
Full film with chapters so you can navigate easily: https://youtu.be/O5zejRifDYE
Nine minutes that changed Indian cinema forever.
What do you think — does anything from that era come close to this visually?