
A photo of the south tower roof I took in 1997
I already posted the other picture of me but this one I took because I thought the guy had a massive drum he was gonna play on the roof 🤣 I was only 10 I guess

I already posted the other picture of me but this one I took because I thought the guy had a massive drum he was gonna play on the roof 🤣 I was only 10 I guess
Apartment 11
The Lower East Side of Manhattan didn’t sleep so much as exhale. It spat its breath through rusted sidewalk grates and gutter drains in low, pale plumes of steam that smelled of diesel, stale pretzels, and burnt animal fat. Down on the street, traffic moved in a sluggish, angry tide — an endless ribbon of yellow cabs blaring their horns against the suffocating damp of early evening.
Up on the third floor of an aging brick tenement, Jacob sat at his drafting table, his neck stiff and his eyes burning behind wire-rimmed glasses.
Apartment 11 was two hundred and ninety square feet of claustrophobia. It cost him three thousand dollars a month — a staggering sum that devoured almost every cent he earned, leaving him to measure his existence in cheap instant coffee, boxed noodles, and the dwindling balance of his checking account. The apartment was a relic of a century prior: creaking oak floorboards that bowed under his weight, thin plaster walls painted an oppressive, utilitarian grey, and a single double-hung window that offered an even greyer view. Out that window lay the narrow airshaft and the zigzagging iron of the back fire escape, where soot collected in thick, oily flakes.
Yet despite the outrageous rent and the cramped quarters, Jacob considered himself fortunate to have it. His landlord was Mrs. Betty Warner, an elderly woman who occupied the sprawling, cluttered apartment on the first floor. Betty was a relic of the neighborhood’s bygone era — frail, sweet-tempered, with a cloud of hair like white cotton candy, and a habit Jacob found both comforting and faintly absurd.
Whenever he passed her door to check the rusted bank of mailboxes in the vestibule, he’d hear her. Rain or shine, morning or night, Betty Warner was singing Elvis songs. She sang them softly, off-key, her warbling voice carrying through the heavy mahogany of her door like a transmission from a distant radio station. Can’t Help Falling in Love. Love Me Tender. Hound Dog. It was a harmless eccentricity — a small beacon of warmth in a city that felt increasingly cold and indifferent.
Jacob’s life had shrunk down to a rigid, agonizingly predictable track: home to work, work to home. Day after day, week after week. He was a graphic designer and letterer for a small independent publisher tucked into an industrial loft in Soho, spending eight hours a day ink-staining his fingertips, laying out panel borders, and carefully hand-drawing sound effects — KRASH, THWACK, BOOM — for low-budget superhero comics and obscure indie titles.
Because of the work, he occasionally allowed himself a detour to The Batcave, a tiny, subterranean comic shop three steps below street level on St. Marks Place. It was a dusty sanctuary that smelled of decaying newsprint and cardboard backing boards, and reading a few back issues in its quiet corner was the only luxury he permitted himself — a rare, precious pause button on a life that otherwise felt like a slow, exhausting march.
Lately, though, the march had been getting harder.
It started three weeks ago: a flickering at the edge of his vision. A movement in a mirror when he knew he was alone. A dark shape at the end of the hallway that dissolved into shadow the moment he turned to look at it directly. He called them his “visions.”
It’s just fatigue, he told himself every night, staring at his grey ceiling. It’s just stress. Your eyes play tricks when you stare at a lightbox for nine hours.
Deep down, he knew it wasn’t just fatigue. It was guilt, festering inside him like a dormant infection.
It had been eighteen months since the night of his mother’s murder. It was Thanksgiving. He’d visited her at her modest home in Queens, eaten the dry turkey she’d prepared, and listened to her talk about her garden. He left at eight o’clock, eager to get back to the city to finish a deadline.
Thirty minutes later, an intruder kicked in her back door.
The police report was cold and clinical: a robbery gone bad. A startled burglar, a heavy iron poker from the fireplace, blunt trauma to the skull. If Jacob had just stayed another thirty minutes. If he hadn’t been so anxious to get back to his drafting board. If he’d been there to answer the door.
Ever since that night, the same nightmare hunted him. He was running down a long, narrow alley lined with fire escapes. Up ahead, a dark, featureless figure dragged something heavy across the wet pavement, something that left a thick streak behind it. Jacob would scream, sprinting until his lungs burned, throwing everything he had into each stride. But no matter how fast he ran, the distance between them never closed by a single inch. He never caught the figure. He never saw its face.
Jacob drew a deep breath and rubbed his eyelids until blue sparks danced across his retinas. He checked his desk clock. 8:15 PM.
“Enough,” he muttered to the empty room. “Get out of the apartment.”
He wanted to catch The Batcave before it closed at nine. He needed to touch paper, smell the ink, pretend for twenty minutes that the world was orderly and heroes always caught the monsters in the final panel.
He grabbed his heavy canvas parka, wrapped a dark scarf around his neck, and ducked out of Apartment 11.
At the bottom of the stairs he paused near the mailboxes. From behind Door 1A, Betty Warner’s voice wavered through the woodwork: “Wise men say… only fools rush in…”
Jacob smiled weakly, pulled his hood up, and stepped out into the freezing Manhattan drip.
He walked fast, head down, navigating the slippery sidewalk. The air felt thick with the threat of a winter downpour that hadn’t quite committed to falling. He cut down 8th Street, boots splashing through shallow oily puddles, and turned onto St. Marks Place.
When he reached the narrow concrete steps leading down to The Batcave, his heart sank.
The iron gate was pulled shut. The interior lights, usually glowing warmly against the street, were dark. Taped to the inside of the glass door was a handwritten sign on bright yellow poster board.
Jacob took a step down and leaned close to read the scrawled black marker:
Time for a change, maybe we open too much for you.
Jacob frowned, his eyebrows knitting together. He read it again. And a third time.
“What?” he whispered.
The phrasing was bizarre. Unnatural. Too much for you? Who was “you”? A joke? A jab at delinquent customers? Or was it directed at him?
A chill that had nothing to do with the night air crept down his spine. He set his hand against the cold iron grate, staring at the words until they seemed to wobble on the page. That doesn’t make sense. It’s only eight-forty. They never close early on a Thursday.
Shaking his head, trying to clear the fog of anxiety settling over his brain, Jacob backed up the stairs. “You’re losing it, Jacob,” he muttered under his breath. “It’s a note for everyone. It’s not about you. Don’t be insane.”
He wandered aimlessly toward First Avenue, the bitter cold beginning to bite through his gloves. He hadn’t eaten since noon, and the gnawing in his stomach had turned into a sharp, painful cramp. At least he’d saved fifteen dollars by not buying comics tonight.
On the corner, parked beside a flickering streetlamp, sat a steel food cart. Plumes of scented steam billowed into the night — crisp pork, griddled onions, hot grease.
“Screw it,” Jacob said to himself. “A treat.”
He walked up to the cart. The vendor was a stocky man in a stained white apron over a heavy leather jacket, a dirty knit cap pulled low over his forehead, his face turned slightly toward the sizzling grill.
“Hey, man,” Jacob said, pulling a damp ten-dollar bill from his pocket. “Can I get a hot dog? Everything on it. Mustard, sauerkraut, onions.”
The vendor didn’t turn to the grill right away. Instead he slowly rotated his upper body. His face was weathered, mapped with deep, grime-lined wrinkles, but his eyes were wide, glassy, and completely unblinking.
“How’s your evening been, Jacob?” the vendor asked. His voice was flat and dry, like two pieces of sandpaper rubbing together.
Jacob froze. His outstretched hand, still holding the ten-dollar bill, trembled slightly.
“I — what?” he stammered, his heart giving a hard, sickening thud against his ribs. “How do you know my name?”
The vendor offered no explanation. He didn’t smile. He didn’t blink. Without breaking eye contact, his thick, gloved hand reached down, grabbed a warm hot dog wrapped in foil, and held it out across the metal counter.
“How do you know who I am?” Jacob repeated, his voice sharpening with sudden panic. “Do I know you?”
The man said nothing. He only stared into Jacob’s eyes — a hollow, penetrating gaze that felt like a physical weight against his chest. A silent, terrifying dare to see who would break first.
“Keep the money,” Jacob whispered, backing away a step.
The vendor leaned slowly forward over his cart, resting his heavy forearms on the counter, his neck extending like a turtle’s as his eyes tracked Jacob’s retreat.
“What the fuck,” Jacob breathed. “This guy is crazy.”
Panic won out. Jacob turned and started to jog, his boots clattering against the concrete, the wrapped hot dog still clenched in his fist — an unconscious reflex. He darted around a pair of tourists. After half a block he risked a glance back.
The vendor was still there, leaning motionless over his cart, a dark silhouette framed by white steam, watching him retreat into the night.
Jacob stopped at the corner of 5th Street, breathing hard, pulse hammering in his ears. He leaned against the brick facade of a closed dry cleaner to catch his breath.
He must have seen my name on a package. Or maybe I dropped mail near the building. Yeah. That’s it. A neighborhood guy. He’s just being weird. Just a weird New York freak.
He looked down at his hand, still clutching the warm foil wrapper. Despite the encounter, the smell of cooked meat was intoxicating. He hadn’t eaten real food all day.
“Just eat,” he told himself, fingers trembling as he peeled back the foil. “Get your blood sugar up. You’re losing your mind over nothing.”
He pulled the foil open, exposing the bun under the yellow glare of a streetlamp.
Jacob dropped the food with a strangled scream.
“Christ! What the hell!”
The hot dog wasn’t slathered in sauerkraut or mustard. The sausage was pale, split open, and squirming. Dozens of fat, translucent maggots writhed over the cold meat, tumbling over one another in a frantic, wriggling mass, spilling off the bread and onto the dirty sidewalk.
Jacob stumbled backward, gagging, a hand clamped over his mouth.
“That guy is disgusting. That’s — that’s poisonous. I’m reporting him tomorrow. I’m calling the health department.”
His hands shook so violently he could barely work his phone. He pulled it out, opened the camera, and aimed the lens at the sidewalk where the hot dog lay in a puddle. The screen flickered with green static for a second before focusing. He snapped a picture, breathing shallow and ragged.
“Disgusting,” he muttered, shoving the phone back into his coat. “Rude. Weird. Serving — serving rot.”
Thoughts raced in a chaotic, tangled loop. Who was that guy? Why did he say my name? Why was he looking at me like that?
He didn’t want comics anymore. He didn’t want food. He just wanted to be behind his heavy wooden door, locked inside Apartment 11, deadbolts thrown, the world shut out.
He turned and broke into a heavy, desperate run toward his building.
By the time Jacob reached the front steps of his building, the sky had finally given way. A cold, needle-like rain drove down hard, turning the streets slick and black.
He reached for the brass handle and found the heavy exterior door resting a few inches open, swaying slightly in the freezing wind.
Miss Warner would go crazy if she knew someone left it open, Jacob thought frantically, his mind grasping for mundane worries to anchor itself. She’s a stickler for security. Always talking about the neighborhood going to hell.
He pushed the door open to step into the vestibule —
GRAB.
A hand shot out from the shadow beneath the stairwell.
Hard, filth-caked fingers closed like an iron vise around Jacob’s ankle. He shrieked, slamming his back against the tiled wall.
Huddled in the corner, wrapped in a filthy, rain-soaked army blanket, was a homeless man who frequented the block. His hair was a matted tangle, his face smeared with soot, but his eyes — wide, bloodshot, gleaming — were locked onto Jacob with terrifying precision.
“Any spare change, Jacob?” the man rasped, his breath sour with copper and wine.
Jacob’s blood went ice-cold.
“Get off me!” He kicked out wildly, striking the man’s wrist. The grip loosened just enough for Jacob to wrench his leg free and stumble into the main hallway.
“How did he know my name too?” Jacob gasped, his voice cracking in the empty foyer. “How does everyone know my name?”
Dazed, dripping, sweating, gripped by a soaring, primal panic, Jacob bolted for the central staircase.
As he passed Door 1A, a sound filtered through the wood. Miss Warner. Singing again.
“Return to sender… address unknown… no such number… no such zone…”
Her voice was terribly out of tune, cracked with age, rising and falling in an eerie, melodic warble. Under normal circumstances it was faintly annoying; tonight it felt like the soundtrack to a nightmare. As long as she’s happy, Jacob thought hysterically. As long as she’s okay in there.
He took the stairs two at a time, boots slapping the wooden risers. First floor. Second floor.
He reached the third-floor landing. The corridor was long and narrow, lit by a single, low-wattage bulb that cast a sickly yellow glow over peeling crimson wallpaper. They called it the Red Corridor.
Jacob stepped off the stairs, breath coming in ragged gasps.
Then, right at the shell of his ear, so close he felt the faint, icy movement of air against his skin, a voice whispered:
“Time isn’t on your side.”
Jacob’s head snapped around so hard his neck popped. He threw his arms up defensively, spinning on his heel.
“Who’s there?”
Nothing.
The Red Corridor stretched out before him, empty and still. The yellow bulb hummed quietly overhead. The doors to Apartment 9 and Apartment 10 stayed firmly shut. No one on the stairs. No one in the shadows. Just emptiness.
Jacob didn’t wait. He scrambled down the hall to Door 11, hands shaking so badly he dropped his keys. “Dammit, dammit, dammit,” he sobbed, scooping them up. He shoved the brass key into the lock, turned it, threw the door open, threw himself inside, and kicked it shut behind him.
Both deadbolts. The chain, into its track.
He stood in his dark living room, back pressed hard against the door, heart hammering like a trapped bird inside his ribs, breathing so fast he felt lightheaded.
Slowly, methodically, he stripped off his dripping parka and dropped it to the floor. He set his laptop bag by the small dining table, walked into the middle of the room, and collapsed onto the worn fabric of his sofa, burying his face in his hands.
What is happening to me? he thought, chest heaving. The vendor. The guy on the stairs. The whisper. How do they know me? Am I being followed? Is this some kind of joke? A sick game?
He needed a distraction. Something normal. Something mundane to ground him before his heart burst.
He grabbed the remote and clicked the power button. The screen flickered to life, bathing the dim room in harsh blue light — the History Channel, a dry, low-budget documentary about World War II. Archival black-and-white footage of tanks rolling through mud played silently under a monotonous narrator.
Jacob didn’t mind it. He slumped deeper into the cushions, letting the low hum of the television wash over him, closing his eyes, forcing his breathing to slow. In for four seconds. Hold for four. Out for four.
The exhaustion of the night, combined with the terror that had flooded his nervous system, began to pull him under. His eyelids grew impossibly heavy. The black-and-white tanks blurred into soft grey shapes. Jacob started to drift off right there on the sofa, sinking into a restless, uneasy twilight sleep.
SWOOSH.
Faint, crisp, sharp — the sound cut straight through the drone of the television.
Jacob bolted upright, eyes flying open, pulse leaping back into his throat. He looked around the dark room, wide-eyed and confused.
“What — what was that?” he whispered.
He looked down at his watch. 2:30 AM.
Two-thirty? he thought, a cold horror settling over him. How did I sleep that long? How did three hours just vanish?
Then he saw it.
Near the front entrance, flat against the dark wood of the floorboards, lay a square of white paper. Slid under the door from the outer hallway.
Who puts a note under someone’s door at two-thirty in the morning?
Jacob stood up on unsteady legs. The apartment was freezing; the old radiator clunked weakly in the corner. He walked slowly to the door, toes curling against the cold floor, reached down, picked up the paper, and turned it over.
Written in crude, thick black marker:
I have seen you watching me. Now I’m watching you.
Jacob’s breath hitched. Visibly shaking, he dropped the paper as if it had burned him.
“What —” He whirled around, staring into the dark corners of his small apartment. “Who is that? Where are you?”
He lunged for his phone on the coffee table, jabbing the power button to dial 911.
The screen stayed black.
“No, no, no,” he muttered, panic rising. “Come on.” He held the button down. Nothing. The battery icon didn’t even flicker. Completely dead.
“Maybe it needs to charge,” he stammered, voice high and shrill.
He ran to the wall outlet near his drafting desk, plugged in the cable, and jammed it into the phone. He waited five seconds. Ten. The screen stayed dark.
“Why won’t you turn on?” he screamed, slamming his palm against the desk. “What’s going on?”
Outside, the rain intensified, slamming the glass in heavy, chaotic sheets. Apart from the furious pitter-patter against the iron fire escape, an eerie, suffocating quiet settled over the apartment.
SWOOSH.
Jacob’s head snapped around with such violent force he felt a sharp strain in his neck.
Another piece of white paper lay on the floor near the entrance.
Petrified, hands shaking so violently he could barely form a fist, Jacob moved toward it, snatched it up, and dragged it to his eyes.
Your bedroom is nice this time of night.
A whimpering sound escaped Jacob’s throat. Someone was in the building. Someone was right outside his door. Or worse — had someone been inside?
He turned toward the narrow hallway leading to his bedroom. The door hung half-shut, a dark crescent of shadow yawning from within.
“Is someone there?” Jacob cried out, voice trembling. “I’m calling the cops! I have a knife!”
He had no knife.
Tentatively, step by agonizing step, he approached the bedroom door, reached out a trembling hand, pushed the panel slowly, and peered around the frame into the pitch-black space.
Before his hand could even reach for the wall plate, the ceiling light flickered and slammed on by itself.
Jacob gasped, throwing an arm up against the sudden glare.
When his eyes adjusted, his stomach dropped.
Spread across his white bedsheet, written in broad, thick, crimson smears that smelled faintly of copper and decay, was a single word:
HIDE
“No… no… no…” Jacob backed out of the bedroom, heels tripping over each other.
He rushed back to the front entrance, frantically checking the deadbolts. Still locked. The chain, still engaged. How was this happening?
Driven by pure, unadulterated terror, he sprinted to the hallway closet, threw the door open, shoved himself in among the hanging coats, and slammed it shut behind him.
In the pitch blackness, surrounded by the smell of wool and old dust, Jacob wrapped his arms around his knees and sobbed silently, trying to console his shattering mind.
As he clasped his forearms, his fingertips brushed against something rough on his left wrist.
He froze, his sobbing breath catching in his throat.
He ran his thumb over the skin. It felt raised, thick, and jagged — like a rigid line of hard twine running across his flesh.
What is that? I don’t have a scar there.
He held his wrist close to his face, but the closet was too dark. He needed light.
Driven by a new, creeping horror, Jacob burst out of the closet, frantic now, and ran into the small bathroom, slapping the light switch. The harsh fluorescent tube above the medicine cabinet buzzed to life.
Jacob held his hands out over the porcelain sink and looked down at his wrists.
Running horizontally across the pale skin of both were two thick, dark red scars — jagged, uneven, horrifyingly fresh, surrounded by inflamed pink tissue, held together with coarse black surgical thread. As though his wrists had been severed and crudely sewn back together.
“No…” Jacob wailed softly, tears streaming down his face and dropping into the sink. “No, please, God, no.”
He began to cry, shoulders shaking, vision blurring. Slowly he raised his head to face his own broken reflection.
Standing directly behind him in the mirror — a tall, shadowy figure draped in a dark, wet coat — was a man.
The figure leaned forward over Jacob’s shoulder. An icy, decaying breath brushed his ear.
“I TOLD YOU I’M WATCHING,” it whispered.
Jacob’s eyes rolled back. His knees gave out, and he hit the cold tile floor with a sickening thud, plunging into darkness.
Dazed and floating in a heavy, suffocating fog, Jacob slowly clawed his way back toward consciousness.
His head throbbed with a dull, rhythmic ache. His vision swam with soft, out-of-focus shapes. He was lying on his side, his face pressed against cold wood.
Through the haze in his ears, a faint, tinny sound drifted toward him. Music.
“I gave a letter to the postman… he put it in his sack…”
What is that? Jacob thought, his mind struggling to assemble the basics. Where am I?
“Bright and early next morning… he brought it right back…”
Wait. Isn’t that Elvis? Am I… outside Miss Warner’s?
He blinked hard, trying to clear his blurred vision. Lying on the floor, side-on, he looked down the long corridor.
At the far end, a figure was approaching — through his distorted sight, the silhouette of a woman in a floral house dress, short curly white hair.
“Miss… Miss Warner?” Jacob rasped, barely a whisper.
The figure stopped. Then, with terrifying, unnatural speed, it began to run straight at him down the corridor, its feet making no sound against the floor.
Panic fired through his veins like high-voltage current.
Pure survival instinct pulled him backward, scrambling on hands and knees through an open doorway, slamming the heavy wooden door shut and throwing his weight against it.
He sat pressed against the wood, breathing so fast he thought his chest would burst. I’m safe in the bathroom, he thought frantically. I locked myself in the bathroom.
He looked around.
He wasn’t in the bathroom.
He was sitting on the floor of his own living room, and the door he was pressed against was the front door of Apartment 11.
How did I get here? I was in the bathroom. I passed out on the tile. How did I end up in the hallway?
SWOOSH.
The sound came from directly beneath him.
A piece of white paper slid under the door, brushing his thigh.
Trembling, teeth chattering, Jacob reached down and picked up the note.
I dragged you here from the bathroom just like I dragged your mother after you left.
A high, terrified sob tore from his throat. The blood drained from his face.
The notes. The stalker. It wasn’t a random lunatic. It was him. The man from the alley. The man from his nightmares. The man who had killed his mother eighteen months ago. He was here. He had followed him.
“No more,” Jacob whimpered. “No more.”
Summoning every ounce of strength left in his trembling body, he pushed himself up and ran for the living room window.
He threw the sash upward. Cold, freezing rain blasted into his face, soaking his shirt in seconds. Below, lit by the sickly yellow glow of a single streetlamp, the iron fire escape stretched down into the dark alley.
Jacob climbed out onto the wet, slippery grating, grabbed the freezing iron railings, and descended, boots slipping on the wet steps, heart hammering against his ribs.
He reached the bottom ladder, dropped into the alley, and burst out onto the street. He ran around to the front of the building, shoved the entrance door open, and ran down the ground-floor corridor.
He slammed his fists against Door 1A.
“Miss Warner! Miss Warner, open up! Please! Help me!”
After an agonizing moment, the lock clicked. The door opened a few inches, held by the chain, revealing Betty Warner’s face — pale, half-asleep, wrapped in a pink bathrobe.
“What’s the matter, Jacob?” she asked, her voice trembling slightly. “Are you okay?”
“Why did you chase me?” he screamed, eyes wild, rain and tears pouring down his cheeks.
Miss Warner blinked, looking genuinely stunned. “What are you talking about? I’ve been asleep, Jacob. What do you mean?”
“Someone has been putting notes under my door!” He grabbed the edge of the door frame. “I thought — I thought I saw you running at me down the hall!”
Her brow furrowed with confusion and gentle pity. “Running?” A soft, nervous chuckle. “Running, with my knees? Jacob, I can barely walk to the corner store.”
Jacob stood frozen, jaw slack. The terrifying image of the short, curly-haired figure sprinting toward him clashed violently with the frail old woman in front of him.
“I need to see,” he stammered, grabbing his hair. “You have the CCTV cameras in the hallway. You set them up last year. Please, Miss Warner. Someone is stalking me. The man who killed my mother is in the building.”
Miss Warner stared at him for a long, silent moment. Seeing the absolute terror in his eyes, she nodded slowly. “Alright. Come inside.”
She unhooked the chain and opened the door.
Jacob stepped into her apartment. It smelled of dust, mothballs, and old tea. In the corner, a small vintage television flickered with grey static, casting eerie shadows across walls covered in framed photos of Elvis Presley.
Miss Warner led him to a small desk where a digital monitor showed four grainy security feeds.
“Let me check the third floor,” she murmured, tapping the mouse.
She pulled up the footage from the Red Corridor outside Apartment 11, cycling the timestamp back through the night, keeping the screen turned slightly out of Jacob’s direct line of sight.
Jacob stood over her, breathing loud and shallow in the quiet room. “Is someone there? Do you see him?”
Miss Warner stopped cycling. Her eyes went wide. She stared at the screen, lips parting in a silent gasp.
“What do you see?” Jacob demanded, leaning in. “Who is it?”
She slowly pulled her hands away from the keyboard and turned in her chair, taking a step back, her frail frame trembling. She looked up at him — not with pity, but with profound, terrifying fear.
“You,” she whispered.
Jacob stared at her in total disbelief. “What — what do you mean, me?”
“I only see you, Jacob,” Miss Warner said, her voice cracking. “The camera — it shows you coming out of your apartment. It shows you writing on pieces of paper, dropping them on the floor, sliding them back under your own door. Then — then you start running along the corridor by yourself.”
“No,” Jacob breathed, shaking his head wildly. “No! That’s impossible! Show me!”
He lunged forward and grabbed the mouse, staring at the monitor.
The feed was crisp. Timestamp: 2:28 AM.
On screen, the door to Apartment 11 opened. Jacob stepped out into the empty hallway, alone. He knelt down, pulled a black marker from his pocket, scrawled something on a slip of paper, slid it under his own door, and knocked on the wood himself.
He watched his screen self hide in the shadows, wait two minutes, then crawl back into the apartment to retrieve the note.
Jacob backed away from the desk, hands flying to his head.
“What — what is happening to me?” he sobbed. “What is happening to my head?”
Without another word, Miss Warner retreated toward her bedroom door. “You need to leave, Jacob,” she said, her voice shaking. “Please. Just leave.”
Jacob stumbled out of her apartment into the main foyer. Behind him, the heavy wooden door slammed shut, followed by the sharp, decisive double-click of her deadbolts.
He was alone in the dark hallway.
He turned toward the stairs, his mind a burning, chaotic ruin. It was me. It was all me. The notes… the blood… the vendor… the homeless man…
He began to climb back toward Apartment 11.
With every step, a strange, overwhelming sensation built inside him. As he reached the third-floor landing and approached his door, an intense, unbearable heat rushed up through his torso, as if his blood had turned to liquid fire.
THUMP.
It felt like a physical punch delivered straight to the center of his chest, from the inside.
Jacob gasped, clutching his left arm as blinding, agonizing pain radiated down his side. His knees buckled instantly. He collapsed onto the cold red carpet of the corridor, his vision going black as he passed out again.
Down on the first floor, Miss Warner sat staring at her CCTV monitor. She had been watching the third-floor feed, terrified of what he might do next. She saw Jacob drop to the floor, motionless.
With shaking hands, she picked up her landline and dialed 911.
“Please,” she wept into the receiver. “Send an ambulance to Apartment 11. My tenant — I think he’s dying.”
The smell was different when he woke. Not pastrami, diesel, or old dust — the sharp, sterile stench of bleach, rubbing alcohol, and cold air.
Jacob opened his eyes slowly.
The ceiling above him was white acoustic tile, lit by soft recessed fluorescents. He tried to move his arms; his wrists felt heavy, restrained by soft cloth straps. Flexible plastic tubing snaked into his nostrils, delivering a steady hiss of oxygen, and IV lines were taped to the backs of his hands.
Beside the bed, a heart monitor beeped in a steady rhythm: Beep… beep… beep…
He pressed the call button clipped to his bedsheet with his thumb.
A moment later, the door opened. A nurse in blue scrubs walked in, holding a plastic chart.
Jacob looked up at her, his voice faint and raspy. “Where — what am I doing here?”
She offered a gentle, sympathetic smile as she stepped to the side of his bed to check his vitals.
“You’re at Saint Vincent’s, Jacob,” she said softly. “Your landlord called an ambulance after you collapsed in your hallway.”
“What happened to me?” Jacob whispered.
“You had a severe medical event,” she explained calmly. “According to your records, you stopped taking your prescribed antipsychotic medication several weeks ago. Discontinuing that kind of medication cold turkey can trigger a massive psychotic break — severe paranoia, vivid visual and auditory hallucinations.”
“How — how do you even know that?” Jacob croaked, throat raw. “About the medication?”
“It's standard when someone comes in with acute psychiatric symptoms,” she said, tapping the chart against her palm. “We ran your name through the state prescription monitoring database as soon as you were stable enough to be identified. Your last fill was almost six weeks ago. The bloodwork we took overnight backed it up — there was no trace of the drug left in your system by the time you collapsed. We also reached your psychiatrist's office this morning. They confirmed you'd missed your last two check-ins.”
She adjusted the IV drip above him.
“The stress your body was under during the psychosis triggered a major cardiac event — a heart attack. You were very lucky your landlord was watching that camera.”
Jacob lay back against the pillows, tears leaking from the corners of his eyes, running into his hair.
Psychosis.
The vendor. The maggots. The homeless man calling his name. The whispering in the hall. The notes under the door. The scars on his wrists. The man standing behind him in the mirror.
None of it was real. There was no stalker. No killer chasing him. Only his own broken, grieving mind, tearing itself apart under the weight of guilt and unmedicated trauma.
“We’ve restarted your medication through the IV,” the nurse continued. “Your heart rate is stable now, but you’ll need to take it very easy going forward. Rest is the most important thing.”
A profound sense of relief washed over Jacob. It was horrible — he was sick — but the nightmare was over. The monster wasn’t real. He was safe. He was going to get better. He was finally getting the help he had needed for so long.
“Oh,” the nurse added, pausing near the bedside table on her way out. “Before I forget — someone left you a note at the nurse’s station.”
Jacob frowned, his heart giving a small, uneasy flutter. “A note? Who? I — I don’t have any family left. I don’t have any friends in the city.”
“The delivery guy just dropped it off,” the nurse said pleasantly. She picked up a small, folded square of white paper from the table and handed it to him. “Rest up, okay? I’ll check on you in an hour.”
She smiled and walked out, the heavy door clicking shut behind her.
Jacob sat alone in the quiet room, staring at the folded square of paper in his lap.
Slowly, his trembling fingers unfolded it.
Written inside, in thick, black, crude marker, were seven words:
I gave a letter to the postman.
Jacob stared at the page.
The air in the room turned suddenly ice-cold.
The monitor beside his bed began to beep faster.
Beep-beep-beep-beep…
No, Jacob thought, eyes widening in pure horror. No, no, no. The nurse — she said I was safe. She said it was psychosis.
The monitor’s tone accelerated into a frenzied, chaotic pitch.
Beepbeepbeepbeep!
A sharp, crushing pressure slammed onto his chest like a dropped anvil. He gasped for air, but his lungs refused to expand.
If I wrote the notes… who wrote this one?
The heart monitor let out a single, continuous tone.
EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE—
The red lines on the display flattened into one motionless horizontal stripe. Jacob’s eyes rolled back, and his head fell limp against the pillow.
A shrill alarm tore through the ceiling speakers.
“Code blue, room four-twelve. Code blue, room four-twelve.”
The door burst open. The nurse who had handed him the note was first through it, already shouting over her shoulder into the corridor. Two more nurses and a broad-shouldered resident spilled in behind her, wheeling a crash cart that rattled against the doorframe. Someone dropped the head of the bed flat. Someone else tore his gown open at the chest, exposing skin already going the color of wax.
“No pulse. Starting compressions.”
The resident climbed half onto the mattress, laced his fingers together over Jacob's sternum, and drove down hard and fast, counting under his breath. The bed frame creaked with every compression. A nurse fitted a bag valve mask over Jacob's slack mouth and squeezed it in rhythm, forcing air into lungs that would not draw breath on their own.
“Charging to two hundred,” the resident called, stepping back as the defibrillator pads were pressed to Jacob's ribs. “Clear.”
Jacob's body jerked off the mattress and dropped back down. The monitor held its flat, unbroken tone.
“Nothing. Resume compressions.”
They pushed epinephrine through the IV line. They shocked him again, and then a third time. The resident's shirt went dark with sweat under the arms; the nurse doing compressions rotated out for a second, then a third, her forearms burning with the effort. A clipboard clattered to the floor and nobody stopped to pick it up.
Four rounds. Six. Eight minutes stretched into eleven.
“Does anyone object to calling it?” the resident finally asked, not looking up, two fingers still pressed to Jacob's throat.
Silence answered him. He glanced at the clock mounted above the door.
“Time of death, four forty-seven AM.”
One by one, the staff stepped back from the bed. The mask came away from Jacob's face. The monitor's tone was silenced, and the room went quiet except for the rain against the window and the distant squeak of a gurney wheel somewhere down the corridor.
The attending physician arrived last, checked Jacob's pupillary response out of habit more than hope, and made the note official on his chart.
At the nurses’ station down the hall, the head nurse picked up the desk phone and dialed the emergency contact listed on Jacob’s intake sheet — the only known contact for Apartment 11.
On the ground floor of the tenement on the Lower East Side, the phone rang.
Betty Warner picked up the receiver and pressed it to her ear. “Hello?”
“Miss Warner?” the doctor’s voice came through, heavy and formal. “I’m calling from Saint Vincent’s Hospital regarding Jacob. I’m so sorry to have to tell you this, but Jacob suffered another massive cardiac arrest moments ago. We performed CPR, but we were unable to revive him. He’s passed away.”
Miss Warner stood in her dark living room, surrounded by dusty framed photos and the quiet hum of her static-filled television.
She was silent for a long moment, the phone still pressed to her ear.
“Shame,” she murmured softly, her voice devoid of emotion. “I liked Jacob.”
She set the receiver back on the hook.
She crossed the cluttered living room to the small desk where the security monitor still glowed pale blue against the dark, its four feeds grainy and silent. She sat, took the mouse, and cycled the cameras — past the empty stairwell, past the Red Corridor on the third floor, past her own darkened vestibule — until the screen settled on a plain wooden door at the end of the ground-floor hall.
Door 12. Still vacant. A crisp white FOR RENT card sat taped inside the glass beside it, one she had hung herself only that morning.
Betty studied the still, empty frame for a long moment, her own reflection ghosting faintly across the monitor glass.
Then she rose, crossed to the worn velvet armchair by the window — the same chair she had sat in for thirty years, its cushion long since shaped to the curve of her hips — and lowered herself into it with a small, contented sigh.
On the side table beside her sat the old record player, its needle resting silent in its cradle. Beside that, a small stack of white paper squares. And resting on top of the stack, cap already loosened, a thick black marker.
A slow smile spread across Betty Warner's face.
She reached over and lowered the needle. The turntable crackled to life, and she picked up the marker, uncapping it with her teeth the way she always did, and smoothed a fresh sheet of paper flat against the arm of the chair.
At the top, in slow, careful strokes, she wrote two words.
Apartment 12.
Outside, the rain kept falling against the old brick tenement. Betty rocked gently in her chair, marker poised over the paper, and began to hum along under her breath, low and tuneless, swelling into a soft, contented song as she started to write.
“I gave a letter to the postman…”
It’s on portsdown hill close to the bedhampton end. Is it going to be a single house or multiple houses?
Also wondered why it’s taken years to finish?
Ignoring politics, Ignoring the weather and ignoring work or anything else usually posted on this sub. Simply how is everyone doing today? Are you ok? How's your day going? Have you eaten well?
I actually stood pretty much where Kevin did in home alone 2, which I thought was pretty cool as a kid
For context I was born in Portsmouth and grew up there for over 25 years. Between the late 80s and mid 2000s Portsmouth was a gorgeous city. Vibrant town centre, well kept and just generally a nice place to live. Going through the city yesterday. Fratton road and north end are awful and full of the same shops over and over, not to mention it looks filthy. Commercial road is awful and full of graffiti, homelessness, drug use and mostly closed shops.
What happened to this once beautiful city? I still love Portsmouth and to see it decline so badly is heartbreaking.
I made a window piece so the pipe isn’t just pushed out the window letting the heat in still. It’s not perfect by any means but seems to do the job
Hi all, I modded my OG switch and put tinfoil etc on it but cannot remember how to add games etc? I watched a youtube video but its still confusing me. The only app i have showing on the switch is tinfoil. Do i remove the sd card and do it through pc? The main reason i ask is i remember you couldn't just drag and drop, There was something different that had to be done? Any help is appreciated. Side note - Would it make sense to re mod it? just remove the mod and start fresh?
I’m curious, can anyone explain how Steven’s blood was in the Rav and DNA on the hood latch but no fingerprints? Also did they find Theresa’s DNA while checking the Rav? I haven’t seen that mentioned. Also why wasn’t her DNA on the key? She must have used that car everyday almost?