u/Pumpkin_Sushi

The dude has snake theming coming out the wazoo. I was waiting the whole game for him to become Yawn 2.0. Not only does he not do this, what he does turn into is a clone of the RE3R Nemesis boss?

Also, in his boss fight, Leon says "A Nemesis? That explains why you wont stay down"

But like... when was he down? Let alone multiple times? He crashed his motorbike a few hours ago and came back all broken up.

It really seems like they planned something else for him and it just didnt make it into the final game for some reason.

"As a Star Wars fan, new things scare me. So its really important I felt like I could get the same experience watching via the Disney+ app on my phone"

When you think of PS2 JRPGs, you're really spoiled for choice. Persona 4, Dragon Quest VIII, Dark Chronicle, Final Fantasy X AND 12, Tales of the Abyss, and I could go on!

One series you don't see talked about much, even though it trucked along with steady releases on the PS2, are the Wild Arms games. If you're like me, you were always aware of there being a franchise called Wild Arms. You'd know it had a Western theme, a decent reputation, along with a decent number of releases for a while. But that's where it'd stop. Maybe in another life it could have been allowed to shine brighter, but it had to exist on THE JRPG powerhouse.

So when PS Classics recently announced Wild Arms 4 was being released, it made me want to finally check out the series. From the small but loud fanbase, they were all saying the same thing: "4s good, it just feels underwhelming coming right after 3". Well, this might be the only chance I give the franchise, might as well try the best, I thought.

I went in expecting Final Fantasy but with Cowboys. What I surprisingly got was one of the most unique JRPG experiences I've ever had, and a game that's up there as one of my favourites in the genre.

GAMEPLAY

One of the things that strikes you with Wild Arms 3 right away is how atypical it is from conventional genre trappings. It takes so many chances, and for my money, most pay off. I wanted to outline all the different ways Wild Arms impressed me with its cool ideas:

• Puzzles

Here's one I didn't know going in - the game is a JRPG/Puzzle hybrid. Every character is given a set of tools to use, such as a boomerang that can be thrown around corners, a water spray that puts out fires, a doll that lets you open chests from a distance, etc. While most dungeons in JRPGs are little more than mazes, maybe with some light puzzles like moving blocks, Wild Arms dungeons are full on test chambers. They ask you to use your head and tools creatively, often mixing more than one together to progress further. As an example; one riddle talks about returning a crystals shine to open the door. I figured this meant getting a light on it. So I backtracked, found a way up to the rafters, and used the boomerang to break the wooden door blocking the window. Still no good. I then realised that the water spray, which had only been used to put out fires until now, could be used to clean the window and viola! I loved figuring all that out. There's also passwords, key items, minigames and so on top.
There's a great moment where you find half a photograph. The games leaves it to you to remember the other half you've had in your inventory the whole game, making you go into menu and select yourself. That kind of confidence in the player to clock puzzles is unheard of in JRPGS now. These dungeons were so fun I was actively looking forward to each one, which I don't think I've ever felt before in an RPG. Apropos, a surprisingly considerate touch for a PS2 JRPG: whenever you reach a puzzle room, encounters turn off so you won't be interrupted while figuring them out.

• Encounters

Speaking of encounters, the game introduces a unique system to give more autonomy to the player. Whenever an encounter is about to hit, you will be notified by a "!". A Green ! means you can skip it entirely before it starts, and red means its too high level to avoid. Most will be white !s however. You play the game with an encounter metre, and depending on the difficulty of the upcoming battle, you can see how much of your bar you can spend to skip it. So, you can choose to avoid the harder encounters and just smash out the little ones. Or you can skip the easy ones and only engage with the tougher ones. Or, like me, just play it by ear based on your mood. You cant abuse it or you'll run out and have to fight. Fortunately, your bar is refilled via fighting or finding white crystals in dungeons while exploring. It means the pace of combat is not totally, but very much largely in your hands. The meter can also be increased (making more encounters green and less red) by finding a collectable called "Migrant Seals", which encourages further exploration.
Maybe its a bit much to learn at the start, but its such a cool idea, especially at a time when games would just crank up encounters and call it a day.

• The Opening Adapts As You Play.

Firstly, the intro is amazing. The only other thing I had heard about Wild Arms is the games all have killer introduction cutscenes, and that's certainly true here. I'd kill for a figure of Virginia slinging her piece. There's more however! It may seem odd at first that the game plays its intro not before the title screen, or after choosing New Game, but every time you load a file. Of course this is easily skipped, but it's worth rewatching now and again as it will change as the plot progresses. Immediately, once you unite all four protagonists, lyrics are added. Once three villains make themselves known, the "showdown" section of the opening changes. I believe it's meant to feel like an anime changing as you shift into different arcs. Partly because if you ever "quit" after saving, it'll play an anime end credits sequence with the character stats in lieu of staff. I love it.

• The Game Lets You Rename Anything

I mean that. When I say the game let's you rename anything, you can rename everything. Using the "Name Tag" item, you can choose to change Character names, skill & ability names, item names, NPC names, etc. I don't even know why you'd want to, but come on! It's cool that it lets you.

• Exploration

YMMV on this one, but I adore how WA3 treats exploration. There are no waypoints or markers. There is a map but its expensive and updates as you explore. Wild Arms 3 wants you to feel like you are actually exploring this world, not going from checkpoint to checkpoint. So, nothing on the map is visible until you scan the area for it. To know where to scan, you need to talk to citizens and listen for nearby places of interest. A NPC might tell you there's an abandoned lab to the northeast by a leyline, with a second citizen saying the lab is at the base of a mountain. So you go northeast from the town, follow the leyline until you reach the base of a mountain and scan.
Again, that's so cool to me. You have to actively pay attend to find where you're going. Its also a very forgiving system. Your scan area is massive and can be spammed a bit, and if you've gone off track they'll often leave signposts pointing you back to the right direction.
One of my favourite examples was being told about an old Lighthouse nearby from when the sea was still around. So you survey around the town, notice a path leading to a cliffside overlooking a large aera of deep sand. Scan the peak of it and there's your Lighthouse. Making sure you talk to people is also a way to find secret dungeons and aeras.
I already know some people will just want to be told "there's the town, go to it" - but this kind of immersive puzzle solving is what I live for. Really makes you feel like a bonafide explorer.

• Combat

The combat's fun! It's based around juggling the four characters abilities to maximise the most damage in the shortest amount of time. You start with 0 FP (basically MP) and earn it by inflicting/taking damage. FP can then be spent on your combat abilities, with an emphasis on buffs/debuffs. The game is also very status effect heavy, with 10 separate statuses to throw and receive. Make sure you learn what they all do and how to cure them! Each one has its own requirement so stock up. "Cure Alls" are very rare for a reason. Its a big part of the combat loop, and thankfully bosses are never immune to more than a few.
Honestly, there's a hell of a lot under the surface to dig into, too much to go over it all here. While I would argue very little of it is explained in-game, and that could be seen as a negative (they expected you to read the manual). But I cant pretend all the info isn't easily available online via a quick google search.
Character stats and abilities change based on what guardians you give them (think FF8 functioning summons, but with multiple of em). Shooting gives FP, but you will have to reload when you've run out, but this can be offset by upgrading your guns BLT stat. I could go on and on. There's a lot of meat here, like the personal skills you can invest point in (ATT Block is so useful).
All I'll say is don't neglect LUCK. It's usually a bit of a dud stat in JRPGS, but it is super important both in and out of combat in WA3. It'll affect critical hits, rate of red encounters, quality of items found, etc. I keep seeing people online say the treasure chest you can disarm after fights is cooked, but success is based on the luck stat! Give one character a beefy amount and you'll be golden!

• Gimel coins

Again, YMMV on this. You can save all you want in towns, but outside of them you need "Gimel Coins". These are like ink ribbons in Resident Evil: saves you need to ration out. In my experience, you always have plenty so the number is not strict. Still, the fact they are limited means you're careful of when and where to use them. It's just another factor at play to work with. There were a couple of times I had neglected to save, and managed to sweat out a tough boss fight because I didn't want to go back (they also also be used to retry any loss to a Boss). Really satisfying imo.

STORY

Outside the meat of what makes WA3 so good (the gameplay elements), I wanted to also shout out the story and presentation.

Firstly, the game is gorgeous. It takes the JSRF approach of true-cel shading and adds a pencil filter on top. This has allowed the visuals to age extremely well. It could honestly be released to today as AA or indie title and no one would notice. I had recently played Star Ocean: Till The End of Time, which had released not long before, and the difference is striking.

In, from what I gather, a staple of the series, our four leads quick-draw on one another in the opening set piece; from here, we can flashback to an introductory chapter for each of them in any order we want. It's a very stylish way to establish our small, but focused, JRPG cast. By spending about 40mins with each solo, we come to understand their motives, personalities, and combat quirks before they have to work as a team. We know going in that Jet is adapt in evasion, and will struggle to get along with the others. We know that Virginia is a naïve leader and good all rounder. That Gallows is a irresponsible slacker but good with magic thanks to a heritage he's disinterested in. Offset by Clive's experience, responsibility, secrecy, and role as a powerhouse. WA3 goes to great lengths to develop these four, and by the end they were one of my favourite casts I've gotten to play as. They really play off each other well!

This extends to the world-building too. The world of Filgaia is fascinating, both geographically and sociologically. Again, I was expecting a straight forward final fantasy JRPG world but with cowboys. The idea that the world is literally a living being and human's exist on it in a manner similar to bacteria in a human body, or those small spiders that live in our faces, was really engaging. In WA3, the world should be all green and fantastical as you'd expect from a JRPG. Unfortunately, the human "parasites" have grown too destructive for their own host, resulting in it both slowly dying (seen through the spreading desert), and fighting off its harmful invaders like white blood cells on a disease (a comparison the game itself makes). What can be done about this situation makes up the heart of the game's conflict; with one side trying to cut its losses at the cost of many lives to save a few, and the other choosing to have faith in seeking a better outcome. This ties into a reoccurring metaphor of "flying without wings", or moving forward without any reassurance that things will be okay.

This extends to the nature of "Drifters". The closest analogy I can think of would be how One Piece presents the idea of pirates. Drifters aren't hunters or peacekeepers or thieves. In Filgaia's culture, a drifter is someone who sets off into the desert looking for purpose. Its very ethereal what that means. A drifter being someone who cuts ties with their home and takes faith they can live a fulfilling life travelling the potentially deadly desert. While a drifter can be friend or foe, or even switch on the fly; the people in settlements have learned to accept and even rely on these drifters to survive. So there's this great mixture of weariness, pressure, and hopeful burden you get from settled civilians. There's almost a "travelling monk" like element to them, though if monks were allow to be greedy and shoot people. What exactly it means to take a leap of faith to be a "true" drifter is something Virginia has to struggle to learn as the newest one of the four. It's also something the other three have to re-evaluate as they progress. With Jet having used the title as a means to keep a safe distance from other people, while Gallows became one as an escape from the responsibilities his family put on his shoulders. Even the rival villain becomes disillusioned after a life with no roots or possessions, seeking to find away to leave a legacy to be remembered. This all, again, ties into the grander theme of how humanity moves forward in the face of extinction. Its all really solid, focused stuff.

And ultimately, the characters are just so damn likeable, especially our lead. I'd buy a Wild Arms 3-2 in a heartbeat just to get more of them.

CONCLUSION

I don't want to explain much more of the story or other gameplay elements I dig, liking having to build your airship yourself. I'm just blown away over how quirky and high quality this game was. Top 5 for me, easily.

Return to Zombie Island is by far the most over hated film in the series. Not that its good. At best its okay. Very standard. Instead, there's a weird fan rumour (taken as fact) that it "rewrites the events of Zombie Island 1 to be non-supernatural". That it turns out all the cat people and zombies and ghosts were actually just a set of costumes used in a traditional SD scheme.

It does not do this. Velma claims its an "unsolved case" at the start as she still doesn't believe the supernatural stuff happened. Other than that, its a story of an unrelated man doing an unrelated plan on the island to capitalise on the first film's legacy to run a scam. The only REAL connection is it ties up Captain Moonscar's lost treasure, a red herring in the first film.

The actual events of the first film? Totally untouched. Still very obviously supernatural, despite Velma still being in denial (which, tbf, is totally in character). Very basic, very bleh, but ultimately inoffensive.