Would love for them to cover Sylvia Plath, Assia and Shura Wevill, and Ted Hughes' body count

Would love for them to cover Sylvia Plath, Assia and Shura Wevill, and Ted Hughes' body count

I've mentioned this in a few "what would you like them to cover" threads already, but I would love a full LPOTL treatment on the life and tragic death of Sylvia Plath, and the life and tragic death of Assia Wevill and her daughter Shura Hughes, and the life and richly deserved death of the man who drove both women to suicide: Ted Hughes.

Sylvia Plath was the greatest poet of the 20th century and her coming-of-age novel "The Bell Jar" is a classic, currently being made into a movie directed by Oscar winner Sarah Polley. She was married to a real shithead named Ted Hughes, who became famous thanks to her deft management of his writing career. (She'd been selling and publishing her work since she was a teenager; she essentially taught him the submission and sales process.) He was physically abusive and adulterous throughout their marriage, and when he left her -- alone, in the middle of winter, in an apartment with no heat and two small children -- she committed suicide. He burned the diaries she wrote in the final days of her life and made sure that she was buried as Sylvia Plath Hughes. Her readers have been vandalizing her grave to remove "Hughes" ever since. See above.

During his marriage to Plath, Hughes cheated on her with a remarkable woman named Assia Wevill. Assia was Jewish, born in Berlin, and she fled Nazi Germany when she was just 12 years old. She had a successful career as an advertising copywriter at a time when the field was male-dominated, and she also had aspirations to be a poet. She met Plath and Hughes when she rented an apartment from them; Hughes immediately set his sights on her, writing the below dogshit poem about Wevill while he was still married to Plath:

>She sat there...
Slightly filthy with erotic mystery...
I saw the dreamer in her
Had fallen in love with me and she did not know it.
That moment the dreamer in me
Fell in love with her, and I knew it.

As I said, Hughes had an affair with Wevill. He left Plath for Wevill, instigating Plath's suicide. After her death, Hughes moved their two children into his home and forced Wevill to care for them. He also got Wevill pregnant, twice; she had an abortion the first time, and the second time gave birth to her daughter, Shura. Hughes refused to marry Wevill and carried on multiple affairs throughout their relationship, including one with a woman 20 years younger than him. Wevill described being distraught by Hughes' behaviour and his treatment of her as a "housekeeper."

Just six years after Plath's suicide, Wevill killed herself and her daughter using the same method Plath had used.

It's my opinion that Hughes is essentially like. A multiple murderer. And it is absolutely crazy to me that he remains celebrated as a great writer to this day. Need him to get the LPOTL treatment so bad, man.

u/underwooding — 12 hours ago

If you're specifically JDI, why?

I've been surprised to see how many people here believe that John strangled JonBenét or dealt the blow to her head.

We have two plausible theories published by members of law enforcement: Thomas believes Patsy did everything; Kolar believes that Burke hit JonBenét and that Patsy staged the scene. Neither Thomas nor Kolar believe John was involved in a cover-up until sometime on the morning of December 26, after the police arrived.

With all that in mind, if you're adamantly JDI, what evidence is the basis of that belief? I'm genuinely curious.

reddit.com
u/underwooding — 1 day ago

I'm a transgender man. Is Pete Campbell really capable of getting a woman pregnant?

I mean obviously I know he's capable of sexual intercourse, I’m not one of those trans guys who can't comprehend a man with a penis, but the show acts like he's constantly knocking women up. And these are beautiful women on the show: Alison Brie, Elisabeth Moss, etc. Is it really that realistic that Pete would have been getting everyone pregnant all the time? Maybe I’m missing something.

u/underwooding — 6 days ago

of a biography of President Lyndon B. Johnson: 3,282 pages, four volumes and counting.

I bought these bad boys in 2020 thinking I'd whip through them in quarantine. It's now 2026 and I'm in the home stretch of Volume 4.

The author, Robert Caro, is 90 years old. He has spent 53 years--more than half of his life--writing the definitive biography of President Lyndon B. Johnson.

He decided to start writing in 1973, right after Johnson died. He is still not done.

He published the first volume, "The Path to Power," in 1982, when he was 44 years old. He has since published four full volumes. They total a combined 3,282 pages.

Lyndon B. Johnson is not born until page 66 of Volume One. He is not sworn in as president until page 336 of Volume Four. The remaining 274 pages of Volume Four cover only the first seven weeks of his presidency.

In 2011, Caro said he would need two to three years to finish writing Volume Five. He's still working on it. His current draft is 983 pages. He hasn't gotten to the Vietnam War yet.

u/underwooding — 11 days ago

On the "Petal" video: I ran a sentiment analysis on the 1,000 most recent comments

When I glanced at the comments on the official YouTube upload of the "Petal" video, it seemed to me that comments about her health vastly outnumbered comments about the video or the song. So I ran a sentiment analysis on the 1,000 most recent comments (as of 3:15 PM EST on August 1, 2026) to see if this was actually the case.

Here's what I found.

Primary theme of comment Rough estimate
Health / eating disorder / concern for Ariana ~27–30%
Discussion of the music video (cinematography, references, symbolism, horror, plot) ~15–18%
Simple fan support ("love you Ari", emojis, "she ate", etc.) ~15–18%
Praise or discussion of the song, vocals, lyrics ~12–15%
Meta-discussion about whether people should comment on her body ~8–10%
Appearance unrelated to health (beauty, styling, make-up, etc.) ~6–8%
Criticism unrelated to health ("this video sucks," plagiarism, violence, politics, religion, etc.) ~5–8%
Miscellaneous / jokes / off-topic ~5%

The reason you're seeing a range of percentages in this table is that some comments cover multiple themes.

In another analysis, I used multi-label coding to account for comments that combined two or more themes, like, "I'm worried about her, but her voice is beautiful, and I like her make-up." Here is that table:

Topic Entries Share
Ariana’s appearance 345 32.2%
Her weight, thinness, or a presumed eating disorder 202 18.8%
The music itself: song, sound, lyrics, production or vocals 121 11.3%

It's worth noting that "appearance" captures comments like "I'm worried about how she looks," which do not explicitly refer to weight or health.

This means that roughly 51% of comments in the dataset concern Ariana's physical appearance and/or her health. This includes requests that Ariana “get help,” appeals to her family or team, assertions that she has an eating disorder, predictions that she may die, and claims that fans have a duty to intervene.

The dominant tone is affectionate, not hostile. The commenters who speculate about her health frequently address her directly, describe themselves as longtime fans, and insist that they love her.

The most-liked comment in the dataset, with 319 likes, says:

>Girl… I don’t NEED the old Ari back… I just want her to be alive atp..

Hostile comments exist, but they form a comparatively small fringe. Most criticism targets Ariana's management or inner circle, the entertainment industry, or fans who "refuse to see the problem." Here is one typical example:

>I hate commenting on women’s bodies. I’m against body shaming. But seeing such a dramatic change is genuinely heartbreaking. Please, team, do something!!

We can also look at which comments are collecting the most likes.

Theme Two or more likes Zero or one like
Health concern 52.3% 34.0%
Appearance discussion 44.1% 30.8%
Music as principal subject 3.6% 3.4%

Health-concern comments collected 80% of all likes in the dataset.

Bottom line: Viewers interpret Ariana’s appearance as the video’s most urgent message. Generally speaking, they do not care about the song or the video; they care about Ariana's health.

It's worth noting that the music press is, a) barely discussing this, and b) completely out of touch with public sentiment.

Searching "ariana grande health" and "ariana grande weight" on Google News at 4:10 PM EST on August 1, 2026, I found just six articles from the past week.

A few things to note here:

  • Reputable publications (including ones that reported on the music video) are not addressing the widespread concern for Ariana's health. It's purely the stuff of tabloids and blogs.
  • These outlets misrepresent public sentiment, using words like "debate" and quoting an equal number of comments from those fearful for Ariana's health and those who do not see a problem. AOL even makes "Fans Push Back" their headline. In fact, based on the above numbers, fans are overwhelmingly concerned about her health, and those "pushing back" represented, at most, 8 to 10% of commentators in the dataset.

The only outlet that didn't "both sides" the issue was, shockingly... BroBible? Some quotes:

  • "The gaunt appearance of Ariana Grande in her latest music video for the song “Petal” has fans worried that the musician and actress might be dealing with a major health problem."
  • "Concerns about her weight first arose around the release of the first of two Wicked films in 2024, and they’ve now become even more worrisome for fans."
  • "We here at BroBible dot com are not doctors. We do not know how much Grande weighs, nor if it is healthy for her, and we’re not here to tell her how to look. But it’s easy to understand why there is so much worry surrounding her appearance."
  • "Hopefully, we’re all just wrong and Grande is completely healthy. But more so, if she’s not, hopefully she feels comfortable getting the help that she needs."

It's worth contrasting this BroBible blog post with the December 2025 article "What Ariana Grande’s Weight-Loss Discourse Gets Wrong," from Ms. Magazine, the feminist publication founded in 1971 with Gloria Steinem. A few quotes to capture the general sentiment of this article:

  • "While talking about individual celebrities’ appearances is harmful, we can’t afford to look away from changing beauty norms in our society, and how they are fueling eating disorders."
  • "But while it can feel cathartic to criticize or distance ourselves from prominent women who seem to be conforming to dangerous beauty standards, that criticism is harmful and does not bring us any closer to addressing the problem."
  • "By naming the issue—rather than getting lost in harmful debates about individual celebrities’ bodies—we give ourselves a chance of finding ways to turn this trend around."

Though the article is clearly concerned about anorexia generally, it repeatedly underscores that commentary about Ariana Grande's specific anorexia is "harmful." The author never explains why she considers these comments harmful; she simply states, again and again, that they are harmful.

TL;DR: Viewers of the "Petal" video are overwhelmingly concerned about Ariana Grande's health; the press is not acknowledging this widespread public sentiment.

u/underwooding — 18 days ago

Does anybody else feel like they're already grieving her?

Let me start this with the caveat that I have my own struggles with mental illness, including disordered eating. That's certainly colouring my perspective here. So before anyone says I sound crazy - like, yes, I am, clinically.

But I'm no longer able to write off my anxieties about her health as catastrophizing. I was concerned for her in 2024, around the release of "yes, and?" and the first Wicked press tour. I'm terrified for her now. I believe it's possible that she is dying.

I feel - I am - completely helpless. There is nothing I or anyone else can do to stop this tour, force her into treatment, and get her well. I'm also acutely aware that even if she does seek help, she has surely already done lasting damage to her health.

I'm angry at everyone in the entertainment industry who has continued with business as usual even when she has appeared on talk shows and red carpets. I'm angry at the journalists who have talked in circles about "bodyshaming" instead of identifying the people who are profiting off of her and publicly holding them to account. And I have nowhere to put my anger.

I've been listening to her music for over a decade. I've never seen her perform live. I now believe it's likely I never will, that the Eternal Sunshine tour would have been my last chance. I didn't buy a ticket; I didn't want to see her in this state, nor did I want to feed the machine of event promoters and label executives leeching off of her.

I can't listen to the new album. I can't listen to the old albums. I feel like I'm just holding my breath for the inevitable headline that she's collapsed on stage. I can't be the only one who feels this way.

reddit.com
u/underwooding — 19 days ago

Any other books worth reading?

This is my little library thus far. Is there anything else that you would consider an indispensable read?

I do feel the need to note that The Death of Innocence was a $6.59 ThriftBooks purchase for reference purposes only, lol.

Also, I picked up The Cases That Haunt Us purely for an articulation of the intruder theory from someone with a law enforcement background; found it sloppy.

u/underwooding — 1 month ago

Firsthand testimony about Patsy from JonBenét's pageant dance instructor, Kit Andre

From pages 74-76 of Lawrence Schiller's Perfect Murder, Perfect Town:

One day in the spring of 1996, Pam Griffin, who had met Patsy and JonBenét at a pageant, telephoned Kit Andre, a dance instructor she knew. "I've got a great child for you," Pam said.

"Wonderful," Kit replied.

The following week, Patsy and JonBenét drove to Kit Andre's dance studio in Westminster, twenty minutes southeast of Boulder. Kit had danced in the Broadway companies of Hello, Dolly! and Peter Pan and had ballet credits in Paris and London, including a featured role under Dame Margot Fonteyn.

Patsy began by saying, "My little girl's name is JonBenét. I'd like her to learn to dance and sing."

Kit was impressed by Patsy. She was attractive and outgoing. However, JonBenét, who wore ordinary play clothes, was very plain-looking, she thought.

"Hello, JonBenét," Kit said. "How are you?"

JonBenét answered, "Hi," and smiled.

Patsy told Kit that JonBenét participated in pageants and she herself had been in pageants when she was younger. She'd brought an audiotape of music—"I Want to Be a Cowboy's Sweetheart."

There was no time for JonBenét to learn the basics of ballet or tap, but Patsy said they needed a song and dance by summer. "And whatever it takes, I'll pay for it," Patsy said. Private lessons were $100 each, Kit told her. That was no problem, Patsy replied.

The following week when JonBenét came in, she was dressed in shorts and sandals. Kit still didn't see anything special about her, though of course she wasn't made up and her hair wasn't styled.

"Can I join you?" Patsy asked.

Kit told her it would be better if she didn't, and Patsy stayed in the reception room.

Kit had three dance studios, mirrored and with 12-foot ceilings. She took JonBenét into the "small" one, which she used for private lessons—it was almost a thousand square feet.

First the two of them talked about music, then Kit played the audiotape Patsy had brought. She suggested a few movements to JonBenét—a little rhythm, then a few steps.

This child can dance, Kit thought. She's good.

"Now let's try this." A few more steps.

"Now try this," JonBenét said with a laugh, mimicking Kit.

The hour went by fast.

"How's she doing?" Patsy asked when the two of them emerged from the studio.

"She's going to be wonderful," Kit said.

"Can she sing?"

"Well, not really," Kit admitted. "We're going to have to work on that."

"Can you see her tomorrow?"

Kit scheduled three lessons a week. Patsy was determined that JonBenét would be ready for the summer pageants.

During the third lesson, Patsy knocked on the studio door. "It will be better if I'm here," she insisted. "I've done this before."

Kit could see that she was miserable in the reception room and was eager to show her exactly how the routine should be staged.

Kit watched, and she thought that Patsy wasn't great but she was OK. She knew every note, every step, and every gesture. From that moment on, Kit couldn't get Patsy out of the studio.

As Kit taught JonBenét, Patsy would tap her feet, take notes about the movements, and then write down the words "I want to be a da-da cowboy" so that JonBenét could practice at home.

One day during the second week of lessons, Patsy got up and danced with JonBenét, showing Kit what she wanted. Side by side, mother and daughter. Suddenly Kit could see that Patsy wanted to be up there herself, wanted JonBenét to perform the way she longed to do. Kit now knew that she'd have to teach the song Patsy's way.

Finally Kit said, "Patsy, you're a pest. Teaching is my job. Sit down and be quiet."

Then one day Nedra, JonBenét's grandmother, showed up. She frequently came to Boulder to visit her family. Kit thought she was adorable—a small woman with a big personality. Nedra sat in a director's chair and couldn't stop talking about when Patsy was a little girl in the pageants and then when she was Miss West Virginia and competed in the Miss America pageant.

For her part, JonBenét was eager to learn and a quick study. Never once did she say, "I don't want to. I'd rather go play."

"You're going to be a star," Kit told her. "But if you want to be a star someday, you have to be a star right now."

Kit soon discovered that JonBenét had a wonderful personality. She understood how to gesture and use her shoulders as she danced. Kit was struck by how smart and talented she was. But she also understood that JonBenét was performing because her mother wanted her to, not because she wanted to. JonBenét wasn't one of those kids who had seen someone dance and decided, That's what I want to do.

>JonBenét died that winter. I never saw her in a pageant. Never saw her in the cowboy costume. Never saw her do the routine I taught her until I saw that pageant video on TV.

>I saw Patsy at the memorial service in Boulder. She was pathetic. She was nothing. She was all gone. And that was the first time I ever saw John Ramsey. He was talking about what had happened. Kind of matter-of-factly. Calmly. Patsy was crying in the chapel aisle—some friend was holding her up. I wasn't going to intrude on her—she was too distraught. But then she came over to me. Of course I went to her and hugged her.

>"She was a fabulous child," I told her. "She was a star."

>I've looked at that pageant video several times. They made JonBenét look like a clown. Someone else taught her those pseudo-adult movements, the provocative walk, the poses, all of it.

>The pageants were Patsy's gig. JonBenét was her alter ego. Patsy had the money, she had the costumes, and she had the kid. She could relive her own pageant thing. You got the picture right there. Patsy didn't have a sense of proportion about how this should fit into her child's life. What I saw on the pageant video... you don't do that to a six-year-old.

>—Kit Andre

reddit.com
u/underwooding — 1 month ago

That damn mustache makes me physically ill

I'm at the point where I need to avert my eyes every time Ammon is onscreen. How much money do I have to give to the Patreon to get Ben to pixelate just the twirly tips of that Wild West villain-ass mustache? Or run a black bar across his upper lip? I can't take it anymore.

reddit.com
u/underwooding — 1 month ago

John Ramsey has NO comeback for Steve Thomas: "John, you can't say for certain who did or did not kill JonBenét, because you have said you were asleep."

https://youtu.be/5hGR2fdPW-k?si=gSXWxUf5yHWxupa8&t=761

The relevant clip starts at 12:40.

>Steve Thomas: John, you can't say for certain who did or did not kill JonBenét, because you have said you were asleep. You cannot say for certain, because you weren't there.

>John Ramsey: I... Ha, ha, ha, ha.

u/underwooding — 2 months ago

Patsy and Nedra's bigotry toward disabled children

>Patsy was growing anxious about High Peaks, the school JonBenét and Burke went to. There were children in some classes who would never be self-sufficient, physically handicapped, but they were being mainstreamed into the classroom. They have a right to be educated, but there were these other intelligent little boys and girls who were growing up to make a living, pay taxes, and they were sitting and waiting. The teacher told me her first obligation was to those handicapped children. And you just wonder how much time in the course of a day is spent on the children who need to be learning so that they can take their place in society. I know the teacher wanted to do more, but there was only one of her and an aide.

- Nedra Paugh, Patsy's mother, quoted in Lawrence Schiller's Perfect Murder, Perfect Town

I've been mulling over this passage since I first read it several days ago. I admit I'm shocked that Nedra would say this on the record, apparently not mindful of how poorly it would reflect on her and Patsy. Not only does she seem to express a rank, ugly, and categorically false bigotry toward disabled children, she indicates that she has expressed these sentiments one of the children's teachers. The teacher seems to have told Nedra, in polite terms, that she would continue to prioritize the disabled children in her classroom.

I'm now going to move into speculation.

Thinking about this quote from Nedra, I was reminded of the kidnapping and murder of the Lindbergh baby. In Suspect No. 1, her 2020 book on the case, Lise Pearlman noted that Charles Lindbergh was an avowed anti-Semite, a Nazi sympathizer, and a proponent of eugenics. He was working with a fellow eugenicist, the French biologist and Nazi collaborator Alexis Carrel, on research for new techniques in organ transplantation. Rebecca Skloot, author of The Immortal Life of Henrietta Lacks, says that Carrel presented this work as a means "to preserve what he saw as the superior white race, which he believed was being polluted by less intelligent and inferior stock."

Pearlman notes in her book that Lindbergh's infant son was "known to be sickly and to have an abnormally large head." She posits that Lindbergh may have wanted to euthanize the boy, or to "normalize" him through an experimental operation by Carrel. In any case, she suggests the kidnapping was staged to cover this up.

Outside of Pearlman's specific theory, experts widely dispute the guilt of Richard Hauptmann, who was ultimately convicted and executed for kidnapping and murdering the Lindbergh baby.

Returning to JonBenét, we know that Nedra and Patsy held bigoted attitudes about disabled children. We also know that they prided themselves on JonBenét's intelligence. Immediately after the above screed, Nedra tells Schiller, "JonBenét started to read when she was about three." Earlier in the book, Schiller quotes Patsy as writing, "JonBenét is enjoying her first year in 'real school.' Kindergarten in the Core Knowledge program is fast paced and five full days a week. She has already been moved ahead to first grade math."

The night she died, JonBenét was struck on the head. Sometime later, she was strangled. Some believe the blow to JonBenét's head may have been an accident; all agree the strangulation was deliberate. There's debate about whether the strangulation was an act of violence or merely staging. And if the blow to the head was an accident, why wasn't an ambulance called immediately afterward? There's a lot we simply don't know.

But we know that JonBenét sustained an 8.5-inch skull fracture, extensive internal bleeding, and brain damage. None of this would have been initially clear--the wound wasn't even externally visible--but it may have rendered her unresponsive or unconscious. It's possible that, had she survived, she would have been permanently disabled.

We also know that Nedra believed these disabled children "would never be self-sufficient," in contrast to JonBenét and Burke, who "were growing up to make a living, pay taxes," who "need[ed] to be learning so that they [could] take their place in society."

We know that Patsy "was growing anxious" about the mere presence of disabled children in JonBenét and Burke's classrooms.

How much more anxious might she have been about the presence of a disabled child in her own home?

This is as far as I feel comfortable speculating. I don't know who struck JonBenét on the head, or why. I don't know who strangled her, or why.

I simply know that Patsy apparently believed that severe disability rendered a person incapable of meaningful participation in society. Incapable of meaningful participation in an elementary school classroom, even. That belief seems relevant to me in considering how she may have reacted to her daughter's catastrophic head injury.

u/underwooding — 2 months ago
▲ 198 r/LPOTL

Eliza Clark's novel "Penance" clearly references Last Podcast on the Left

To put this in context: "Penance" is a (fantastic) work of fiction written and presented as a non-fictional true crime book. It includes transcripts from several imaginary podcasts, including "I Peed On Your Grave."

I don't know how many hundreds of hours of LPOTL Eliza Clark has listened to, but she's got the voices pretty much down.

Bonus: Later in the book, podcast host "Andy Koontz" successfully pulls off the social media cancelation of a true crime author who does NOT approve of "I Peed On Your Grave."

u/underwooding — 3 months ago
▲ 309 r/JonBenetRamsey+1 crossposts

JonBenét Ramsey on her sixth birthday, hugging her brand new American Girl doll, Samantha Parkington

We are launching a public election-year campaign to call for a second grand jury in the JonBenét Ramsey case. If you live in Colorado and you want to be part of this effort, please send us a DM.

u/JusticeForJonBenet26 — 2 months ago