▲ 341 r/nova

We will never go to any psychiatry facility or provider in Virginia ever again.

On Sunday we took my partner to the emergency room at Inova Fairfax because she was up all night with manic symptoms. Nobody could accompany her beyond the check-in station. At some point on Sunday night she was admitted to the inpatient facility at the same hospital. Unbeknownst to us, she was also set up for a "TDO" (Temporary Detention Order?), basicallly a hearing to be involuntarily committed.

The hospital has since refused to give us any information on her condition or allow any visitors, because she is too "disorganized" to sign any of the information release or visitor forms. At the TDO hearing she was committed for 30 days, and we are now completely in the dark with zero information and no way to visit or transfer her - not even her own mother. Absolute nightmare.

This is the exact opposite of our experience when this exact same thing happened before, only in Maryland. There the facility gave us updates, allowed visitors and phone calls, and there was never a legal hearing or involuntary detention. We just dropped off our person and her and us were treated like human beings every step of the way.

We have a stack of legal documents ready for her to sign when she gets out, and IDGAF where we are if this happens again we will drive straight to Maryland and never set foot inside a psych facility or see a psych provider in Virginia ever again.

EDIT: Some of you are helpful and compassionate and that is much appreciated. Some of you really suck at the whole being a human thing and perhaps should be in the tank yourselves.

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u/zigthis — 5 days ago

Jimi was a Led Zeppelin fan

From Eric Barrett's new book:

>Other bands that Jimi was really into at that time were Eric Clapton’s Cream and Led Zeppelin. He’d play their albums a lot.

I've read a blatzillion Jimi books/articles and never once heard of Hendrix speaking a word about Led Zeppelin.

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u/zigthis — 15 days ago

Jimi Hendrix was a Zeppelin fan.

From his roadie Eric Barrett's new book:

>Other bands that Jimi was really into at that time were Eric Clapton’s Cream and Led Zeppelin. He’d play their albums a lot.

I've read a blatzillion Jimi books/articles and never one heard of Hendrix speaking a word about Zeppelin.

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u/zigthis — 15 days ago

Theory re the Tena Bar money

It's possible that the Tena Bar money was money that Cooper 'gave' to Tina Mucklow. We know that he offered her some and she declined. The theory is that he stuck it in her bag while he was alone prepping to jump, and she freaked out over what to do with it and ended up burying it. Thoughts?

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u/zigthis — 22 days ago

Mini w/ b48 engine idles rough/stalls after cold start.

2018 Mini Cooper F56, b48 engine. Often but not always, immediately after a cold start, it will idle rough and sometimes sputter/stall. For a while this would only happen if the car was put into gear (D or R) right away after starting, but now it's been happening just sitting there in Park.

The rough idle will continue even if put it in gear, but goes away once driving commences and does not return until another cold start.

Took it to a shop once and tried to explain the whole bit about putting it into gear right away, but the clerk just wrote "cold start rough idle" on the ticket and sure enough they didn't experience the problem the next day. It happened as I was driving away from the shop.

I put some BG-44K in it once but that doesn't seem to have made a difference.

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u/zigthis — 1 month ago

The opening lyrics of Dust N' Bones and Double Talkin Jive came from real world events

In the case of Dust N' Bones, Izzy had read/watched a news article about a man who committed suicide with a firearm inside a camper on an Interstate highway - supposedly I-65 which runs through Indiana.

As for Double Talkin Jive, apparently some body parts were found in a trash can in the alley behind a Los Angeles studio where they were recording UYI, and Izzy turned the story into lyrics.

u/zigthis — 2 months ago

TIL that to accurately play Voodoo Child (Slight Return), there is a part near the beginning where you must jiggle the pickup selector switch repeatedly to alter the sound of a note.

u/zigthis — 2 months ago

War Pigs vs Walpurgis

I was watching the Live in Paris 1970 video and noticed that for the last verse of War Pigs, Ozzy switches to the original Walpurgis lyrics. Was this unique to the Paris show or did this happen more often? Did anyone in the band ever comment on the changed lyrics?

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u/zigthis — 3 months ago

The story of the Izzy Stradlin 1995 demos is the ultimate lost chapter in Guns N' Roses history. It represents a brief, one-week window where the band’s original songwriting engine almost restarted, only to be shut down by the shifting musical vision of Axl Rose.

​By April 1995, Guns N' Roses was in a state of paralysis. Slash was increasingly checked out, focusing on his Snakepit project, and Axl Rose was obsessed with finding a new, modern sound that moved away from traditional blues-rock. ​Desperate to get the momentum back, Duff McKagan reached out to Izzy Stradlin. Izzy had been gone for four years, but Duff knew that without Izzy’s rhythm and effortless songwriting, the band was spinning its wheels. Duff’s pitch was simple: "I’m trying to write new songs for the next record. Come lend me a hand".

​To the surprise of many, Izzy agreed. He flew into Los Angeles and met Duff and drummer Matt Sorum at Rumbo Recorders. For seven days, the trio - essentially the core of the Illusion band minus the lead guitar and vocals - became a songwriting machine. Reports from the studio described it as the most fun the guys had had in years. They were playing fast, loose, and raw, leaning into the "Rolling Stones meets The Stooges" sound that Izzy excelled at. In just one week, they wrote and recorded rough demos for at least ten songs.

​While these tapes have never officially leaked in their entirety, a few specific titles have been confirmed by band members and insiders:

* Machine Gun: Described as a fast, punk-influenced rocker.

​* Toothpuller: A gritty, mid-tempo track with a heavy Izzy-style groove.

​* Down by the Ocean: This is a mid-tempo, melodic rocker that Axl actually took a liking to. It remained in the GNR vault for decades and was reportedly considered for Chinese Democracy several times.

​* Parasite: Not the KISS cover, but an original track that later found its way into Izzy’s solo work.

​The story ends abruptly when the tapes were presented to Axl Rose. At the time, Axl was heavily influenced by industrial bands like Nine Inch Nails and Ministry. When he heard the Izzy/Duff demos, he reportedly dismissed them as being too "retro" and "old-fashioned." ​Axl wanted complex, multilayered soundscapes; Izzy had brought him "three chords and a cloud of dust." Axl rejected almost all of the material, which effectively ended Izzy’s involvement with the project.

​Izzy didn't let the songs go to waste. In 1998, he released his second solo album, 117 Degrees. Many GNR historians believe that several of the tracks on that album - specifically Parasite, Methanol, and Up Jumped the Devil - were evolved versions of the riffs and ideas he had demoed for GNR in 1995.

​These demos are considered the "Holy Grail" because they are the last time the engine of the band (Duff, Izzy, and Matt) worked together on original GNR material. They represent the road not taken - a version of the post-1993 Guns N' Roses that could have been a raw, back-to-basics rock band instead of the industrial-metal experiment of Chinese Democracy.

u/zigthis — 4 months ago

For over 30 years, historians and fans believed that the three nights at the London Marquee in June 1987 were only captured in high-quality audio (used for the Live from the Marquee EP). However, Slash eventually revealed that a complete visual record of this pivotal moment actually exists.

​In interviews surrounding the 2018 Locked N' Loaded reissue of Appetite for Destruction, Slash dropped a bombshell: he owns a private video of one of the Marquee shows. ​He explained that during that first trip to London, an associate or friend of the band - not a professional film crew - followed them around with a video camera for an entire day. Slash eventually had the old magnetic tape transferred to a DVD, which he keeps in his private collection.

​According to Slash, the footage isn't just a bootleg from the crowd; it’s a "day in the life" documentary that captures the band at their most raw and vulnerable. There is footage of the band in their cramped Kensington apartments, surrounded by the "matchstick" wreckage of their furniture-trashing sessions. There is also footage from the Marquee’s legendary, tiny dressing room. The video supposedly shows the band getting ready, dealing with the nerves of their first international show, and the "baptism by spit" they endured from the London punk crowd. The tape also includes the actual performance. This is the only visual record of the band playing the Marquee, where they famously debuted "Knockin' on Heaven's Door" live. You can see the spit flying and the moment Axl stopped the set to confront the crowd.

​Slash has admitted that he has "no idea what to do with it." In his words, the footage is "very raw and very personal". It captures a time when the band was still essentially homeless and struggling. Because it was shot by a friend on a consumer-grade camera, the quality might not meet the standards for a high-def release without significant, expensive restoration.

​The reason people often see "Marquee 1987" videos on YouTube is due to a common mislabeling. High-quality footage of the band in a small club setting exists from August 2, 1987, at the Park Plaza Hotel in LA. This was filmed by Marc Canter during the "Welcome to the Jungle" video shoot.​ The real Marquee video, however, remains locked away in Slash’s house. He once told an interviewer that seeing himself in that footage was "trippy" because they were just "five kids who had no idea they were about to become the biggest band in the world".

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u/zigthis — 4 months ago