Hi everyone,

I am an independent filmmaker looking to collaborate with a writer on a short film script. I have produced and directed five short films to date. Three came out of online collaborations with writers, and one was with a writer I found right here on r/ProduceMyScript.

Here is what I am looking for:

• 5 to 15 pages
• 1 to 4 characters
• 1 to 4 locations, simple ones (no hospitals, airports, luxury homes etc.)
• No special effects
• Full writer credit on a produced, festival submitted film

+ $100 USD

• Genres: Horror, Thriller, Suspense, Mystery, Drama

Format does not have to be perfect. A solid rough draft works fine, as long as you are open to suggestions and collaboration, the story is clear, the characters feel real, and the story goes somewhere. I am looking for something tight and character driven. Character over spectacle. Something that stays with the audience long after the credits roll.

Looking forward to working with you.

Hey everyone. I have a script about a small town punk band who is trying to get a van. (Everything will change if they get it) It was heavily inspired by the righteous gemstones, so it's crude and silly. We follow the band through making merch and getting through their first few shows to build up enough money to get the van and go on tour. Things obviously aren't as easy as they think.

85 pages

There are 6 main characters, but around 22 in total. Mostly one off characters

Locations include 3 house show, one bar show, 1 church, 1 park, 1 garage, and 1 driving scene.

I have actually been working to make this film myself but the scheduling has been a nightmare. It would be nice if I could pay the actors to take time off from work.

Looking for about 10k

Hello all! I'm looking for a short script to produce and direct for 2027. This is what I'm looking for:

1. No more than 10-12 pages
2. Genre: Drama, Coming of Age, Comedy, Horror
3. No more than two locations
4. No/ limited special effects
5. Budget will be no more than $20k (SAG Micro-Budget Project Agreement)

If you aren't comfortable sending over the full script right away, then a logline with treatment would suffice.

I'm currently writing a feature film, that will be finished by the end of the year, but I wanted to film something in the new year. You can send it to Production@blumestreet.com

Thanks!

25yo Studio Founder Seeking Co-Creator Partner for Music-Driven Seinen Thriller 'White Hayven' (Equal Partnership)

Hey everyone! I am a 25-year-old writer and the founder of Saint L.C. Studios. I have a massive, fully completed 4-season master script pipeline ready to go (spanning over 560 pages of material), and I am looking for a dedicated artist partner who wants to build a universe together as an equal co-creator duo.

I am not looking for a mechanical worker who just wants a quick gig—I want a true creative partner. I am completely willing to work side-by-side with you to shape the product, adapt the script pages, and tailor the panel pacing to fit your absolute best artistic strengths and visual style.

Project Style & Concept:
"White Hayven" is a gritty, high-velocity, adult psychological Seinen thriller. Think "Code Geass" rebellion stakes mixed with the dark streetwear aesthetic of "Gachiakuta" and the raw psychological intensity of "Tokyo Ghoul."

The narrative follows an underground insurgent cell called The Hive executing high-stakes midnight raids against an oppressive, neon-drenched corporate infrastructure distribution grid. It centers around a main character named Mugi who is hiding an elite royal bloodline to systematically dismantle and overthrow his tyrannical grandfather's empire from the absolute inside.

To give you a taste of the raw visual pacing across our 4-season pipeline, here are some of the peak cinematic moments we will be co-creating right out of the gate:

• The Subway Grid Blackout: A breakneck action sequence where a synchronized alternative rock track drops on the exact frame an infrastructure link is severed, plunging a high-speed corporate transport line into pitch blackness while the high-contrast silhouettes of the insurgents move through the shadows.
• The Late-Night Diner Standoff: A high-tension, slower psychological chapter set inside a rain-slicked, neon-lit roadside diner. The characters are completely unwinding after a raid, but the entire scene builds an suffocating mental weight as characters trade heavy, calculated dialogue over a low, slow alternative R&B bassline, building a complex love triangle and deep internal trust issues.
• The Grandfather Confrontation Reveal: The monumental turning point where Mugi’s hidden imperial lineage is violently exposed, shifting the story from street-level urban guerrilla operations into a massive, multi-generational psychological war of masterminds.

The signature identity of this project relies heavily on an editing rhythm synchronized directly to music—matching stylized line art, deep blacks, and aggressive panel flow with early 2000s post-grunge and alternative R&B track tempos (Deftones, Linkin Park, Aaliyah).

What I Have Ready:
I write directly with an animator's eye for frame rates, camera cuts, and visual audio cues. I have complete panel breakdowns, full wardrobe tracking sheets, and episodic roadmaps ready to put on your desk. If you can visualize high-contrast silhouette panels, tech-wear fashion aesthetics, and musical timing cuts, let's build this world together.

NOTE ON COMMUNICATION:
My Reddit chat and direct messaging features are completely back up and running smoothly! Feel free to hit me up with a DM right here on the platform to talk details. Alternatively, if you prefer email or want to send over portfolio links directly, you can reach me at michaelmcconnell0825@gmail.com with the subject line "BASS DROP". Let's connect!

God bless,
Michael McConnell

Hi all,

I'm a working director based in Los Angeles looking for a comedy writer to collaborate with me on a mockumentary short that I intend to produce and direct.

I'm specifically interested in the kind of mockumentary that treats an absurdly specific world/character with complete seriousness Less sketch comedy, more “this documentary crew somehow discovered a world that shouldn't exist.”

I'm developing the outline/premise, so I'm not looking for someone to simply execute an already-finished idea. I'm looking for somebody funny with a strong point of view who wants to build the story, characters and escalation together. But with the intention to keep this in a reasonable scope so we can make this thing.

My directing work

Target: 10–12 pages Genre: Mockumentary / dark comedy / satire

Location: Writer can be anywhere in America, production will likely be LA or NYC.

Production: I will direct and produce the finished short

Goal: Make something genuinely great and festival-caliber.

happy to pay a small stipend for the collaboration.

**LOOKING FOR WRITERS, PRODUCERS & FILMMAKERS:** *THE TRIAL*

Hey everyone! I’m developing an original feature film called THE TRIAL. I’m looking to connect with writers, producers, filmmakers, and industry professionals interested in helping me take this project further.

THE TRIAL is a conspiracy thriller and horror survival story about two brothers. They enter a corporate survival trial because they believe the company behind it is hiding something much darker than anyone realizes.

I have much of the story, characters, world-building, major plot points, and overall vision developed, but I want to create a strong team around the project.

I’m particularly interested in connecting with:

Screenwriters: People who can help develop the story, structure, characters, dialogue, and eventually the screenplay.

Producers: Anyone who can help develop the project, package it, or connect it with other industry professionals.

Story/Development Writers: If you enjoy breaking down stories, fixing plot issues, developing characters, or turning ideas into something cinematic, I’d love to hear from you.

Industry Professionals & Connectors: **PLEASE** anyone with connections to producers, directors, actors, production companies, studios, or others who could help move the project forward.

Filmmakers/Creatives: Directors, Cinematographers, editors, concept artists, or anyone who wants to collaborate and help build something from the ground up.

I don’t expect anyone to work for free indefinitely. I’m not looking for someone to take my idea and write it for me. I want to work with people who genuinely enjoy creating stories and want to help shape this project with me.

I’m open to hearing from people at different stages in their careers. Whether you’re a new writer seeking experience, an established professional looking for a new project, or someone who loves this genre and wants to collaborate, I’d love to hear from you.

If you’re interested, feel free to message me here on Reddit . Tell me a bit about yourself, what you do, and what interests you about the project.

Even if you aren’t a writer or producer but know someone who might be a good fit, I’d appreciate the connection.

I’m trying to build the right team for THE TRIAL, and I’d love to meet the people who can help turn this idea into a real film.

Hey everyone,

I’m a filmmaker based in the UK, and I’m looking to connect with aspiring writers who have a short-film idea they really want to see made.

If you have a 3-page script, story treatment, or even a strong short-film concept, I’d love to hear it.

I’m particularly interested in ideas that are:

Original and character-driven

Filmable on a realistic indie budget.

Any genre — drama, comedy, thriller, romance, social issues, etc.

Something that can work as a compelling short film.

The idea is simple: find interesting new voices and collaborate on turning their ideas into an actual film.

I’m not looking for people with huge portfolios or industry connections.

If you’re an aspiring writer sitting on an idea and thinking “someone should make this” — this could be worth a conversation.

If you’re interested, feel free to DM me with your 3-page script/idea and a little about yourself.

Let’s see if we can turn a few pages into something that ends up on a screen

Logline: When attendees of a remote screenwriting workshop start getting murdered the same way characters die in famous twist-ending movies (including Psycho and Hide and Seek), they must use their twist-ending film knowledge to suss out the identity of the killer--before they breathe their last.

Background: What if M. Night Shyamalan held a remote screenwriting retreat about how to write twist-ending movies and then attendees began dying like the deaths in famous twist-ending movies? That question was the genesis of Twist Ending. I researched and watched over 300 twist-ending movies in preparation for writing this feature murder mystery script.

Why I'm Posting It Here: I have no film experience and am seeking a producer. The story all takes place at a Texas ranch and only contains 13 characters, so the budget could be kept very low. And the film references and concept will attract twist-ending movie fans and ensure a healthy return on investment.

Script Length: 100 pages, reads very quickly.

Script Link: https://drive.google.com/file/d/1q5XFV9X6p6YEgNfDYxnEDph1p9ZalAeF/view?usp=drive_link

Hello Everyone,

I am a writer looking to collaborate with an artist on a 4 page sample scene for a dark, dystopian military-political thriller graphical novel called AIMERLAND.

Visually, the goal is to blend a 2D fully coloured semi realistic artstyle with dramatic cinematic pacing/panel language, like Manga's gekiga genre.

Here's the general premise/hook:

Wayne (18) is a loyal soldier who worships his older brother, Commander Darren; the head and renowned hero of the state. But during a seemingly routine mission to hunt down "traitors", Wayne discovers his brother's authoritarian regime is covering up a devastating famine. Forced to choose between family loyalty and a starving nation, Wayne's decision will teach him what it truly means to lead.

HOW WE'LL COLLABORATE

I'll write in a sort of screenplay/script sort of style. Meaning I can handle story beats, dialogue and character actions, but you have total creative freedom over panel layouts and page breaks. So we can blend my written storytelling with your visual expertise.

PROJECT GOAL

I don't have a corporate budget right now, so this'll be an unpaid partnership; useful for portfolios, building skills and things of that nature.

The immediate long-term goal if this partnership works out very well is to use this 4-page sample scene as a pitch to a publisher.

If this world sounds like something you'd want to build with me, feel free to DM me or respond.

Thanks for reading!

Hello everyone,

Looking to shoot short free screenplays of any genre. If you just purely want someone to shoot your screenplays I want to give it a go! Will be giving writing credits of course.

-any free to use/ accessible locations, public or not

- 1-2 characters

-low budget

-any genre

DM if you’re down!

Title: The Black Communion

Genre: Thriller/Horror

Number of pages: 49

Price: Looking for funding for myself to shoot as my debut, have co-written two previous features with David Kirkman(Wokenation Studios)

Cast #: 6 main characters

Logline: When Detroit’s privileged are slaughtered in a string of ritual murders, a relentless FBI agent must join forces with an estranged vigilante to stop a centuries-old cult from completing the blood ritual it believes will grant them a new world to rule.

Hey screenwriters

,

I’m a director/cinematographer based in Delhi preparing to shoot a 2 to 5-minute suspense/psychological thriller short film. I'm looking to partner with a writer who can deliver a tight, high-tension script built around accessible visual environments.

Available Locations & Gear:

Interiors: Single apartment room, kitchen, balcony (high vantage point), washroom/bathroom (mirrors, tight framing).

Exteriors/Public: Delhi Metro (transit, platform), local urban markets, public parks, apartment society grounds.

Gear: Sony mirrorless setup focused on atmospheric lighting, mic , lights, kinetic camera moves, and deep visual mood.

Script Requirements:

Genre: Psychological Thriller, Suspense, Mystery, Paranoia, or Grounded Horror.

Length: 2 to 5 pages (max).

Cast: 1 to 2 actors max.

Constraints: No vehicles (cars/bikes) or heavy VFX required.

What You Get:

Full Written/Story Credit: On IMDb, poster, film credits, and festival submissions.

Portfolio Showcase: A fully shot, color-graded, sound-designed finished film.

If you have an existing script or a micro-pitch that fits these locations, drop a logline below or DM me your script!

Hi everyone,

We are a new London-based film studio looking for a writer to develop a short film with us. We operate on a low-budget so are looking for someone who can work with the parameters below. We are open to ready-made scripts or working together to develop one. The goal is to successfully collaborate on this project and build an ongoing relationship as we continue to grow. This will be a paid job but please reach out to discuss further.

REQUIREMENTS

• Pages: 5-6
• Open to any genre
• Ideally 1-2 locations
• Residential locations available as well as outdoor locations.
• 2 Characters
• Limited budget, therefore script must be suitable

Please reach out to discuss further,

Thanks

Guys I have an idea for a film I’ve wanted to make for so long and finally have the motivation to do. It’s called observe, and it is inspired by mark duplasses “Creep” movies. I plan on having me and my friend be the actors of the movie, and I have great things planned. I so badly want to talk about the movie but aside from that friend I have no one to chat about it with. I also plan on the movie being about half an hour, so not really short but not really long either. Please comment if you are interested!!

Throughout my journey as a screenwriter, I have explored and tried many different ways to reach real opportunities, present my work, and connect with producers, directors, and creative professionals. I did not rely on a single method; instead, I built my path through several approaches, including:

- Creating a professional profile as a screenwriter and preparing introductions about myself, my writing style, and the genres I focus on, such as psychological thriller, mystery, horror, crime, and drama.

- Building my own website to showcase my scripts and creative projects, including summaries and information about works such as ASHEVILLE and other original stories.

- Using screenwriting and filmmaking platforms such as Stage 32, FilmFreeway, Coverfly, The Black List, Script Revolution, and ScriptHop to discover opportunities, connect with industry professionals, and present my work.

- Searching for screenplay competitions, industry opportunities, and production-related programs that allow emerging writers to gain exposure.

- Reaching out directly to producers and directors through Instagram, LinkedIn, Reddit, and email, introducing myself, sharing my projects, and attempting to build professional connections.

- Researching production companies interested in psychological stories, horror, mystery, crime, true stories, and character-driven dramas that match the themes of my writing.

- Communicating with industry professionals and receiving feedback on my work, including producer Juan Loney, who provided notes on my screenplay ASHEVILLE and suggested developing it into a feature-length script.

- Exploring online communities for writers, filmmakers, and producers, including Reddit and writing groups, to find collaboration opportunities and industry connections.

- Looking for platforms similar to Screenwriting Staffing, where writers can connect directly with producers and filmmakers searching for new projects.

- Improving and developing my scripts based on professional feedback, expanding my ideas, and adapting my projects to better fit industry standards.

- Searching for opportunities internationally and reaching out to creative professionals in different markets, including the United States, India, Korea, and other countries, because my goal is to bring my stories to a global audience.

Although the journey has not been easy, I have continued learning, improving, and exploring different paths to enter the film industry. Through this process, I have gained experience in presenting my work, communicating with professionals, and developing my stories while continuing to search for the right opportunity to bring them to the screen.

I've been writing screenplays for years, and I'm trying something different: posting an original thriller one episode at a time.

Each episode will be around 2–3 pages, and I'll continue the story based on where the mystery takes us.

Here's Episode 1&2.

THE VOICE NOTE

EPISODE 1 — "11 Seconds"

INT. AARAV'S BEDROOM — NIGHT

2:17 A.M.

Darkness, broken only by the pale glow of a phone screen resting face-down on the nightstand.

AARAV (28) lies on top of the covers, still in yesterday's clothes. He hasn't changed them. He hasn't really slept either , just long stretches of staring at the ceiling, broken by shorter stretches of nothing at all.

Beside the phone: a framed photograph of his MOTHER, mid-laugh, caught off guard by whoever was holding the camera.

Aarav isn't looking at his phone. He's looking at her.

A soft BUZZ. The screen lights up, casting a rectangle of white across the ceiling.

He doesn't move at first. Then, slowly, his head turns.

One word on the screen.

MOM.

Aarav sits up so fast the bed frame creaks. He stares at the notification like it might vanish if he blinks. It doesn't. He picks up the phone with both hands, the way you'd hold something that could break , or something that could burn you.

The chat opens.

MOM — Last seen 3 days ago.

Three days ago. The day before the funeral.

Below it, a single voice message. Eleven seconds long.

His thumb hovers over the play button and stops. He glances at the photograph, half-expecting her to answer for him.

AARAV (barely audible) Maa?

Nothing answers. Of course nothing answers.

He presses play.

A beat of static , the particular static of an old recording, or a bad signal, or something in between. Then, underneath it, a voice.

Hers.

Thinner than he remembers. Tired in a way she never let herself sound when he was in the room.

MOTHER (V.O.) Aarav...

His breath catches audibly. It's her voice. Not a memory of it , the actual sound, the actual weight of it in his ears for the first time in three days.

MOTHER (V.O.) (CONT'D) If you're hearing this...

A pause just long enough to hurt.

MOTHER (V.O.) (CONT'D) ...I'm already dead.

The recording ends.

Aarav doesn't move. Doesn't breathe, it seems. Then, almost against his will, his thumb finds the play button again. He listens to it a second time. A third. Each time searching for something he might have missed , a clue, a joke, proof that this is some kind of mistake.

His hands have started shaking. He sets the phone down like it's suddenly too heavy, then picks it back up before it even settles.

He taps her contact. Presses call.

Ringing. Once. Twice. A third time, cutting off mid-tone.

CALL FAILED.

He stares at those two words longer than they deserve.

Then another buzz. The screen updates.

MOM — 0:07

Aarav doesn't reach for it. Not yet. His eyes drift, instead, to the photograph on the nightstand , and something about it unsettles him, though he couldn't say what. He picks it up, turns it over in his hands, checks the back like the answer might be taped there.

Nothing. Just cardboard and a date written in his mother's handwriting.

He sets it down. Looks back at the phone. The message is still waiting.

He presses play.

MOTHER (V.O.) Don't trust your father.

Her voice is different this time , quieter, quicker, like she's speaking with someone listening at the door.

Aarav's expression shifts. He turns toward his bedroom door.

Beneath it: the faint outline of a shadow. Still. Unmoving. As if someone on the other side is standing just as frozen as he is.

Neither of them breathes.

Then the shadow is gone.

Silence returns to the room , the kind of silence that feels louder than noise.

His phone buzzes a third time.

MOM — 0:03

Aarav looks down at it. His thumb hovers over play.

CUT TO BLACK.

END OF EPISODE 1

EPISODE 2 — "Something Outside the Door"

INT. AARAV'S BEDROOM — CONTINUOUS

The three-second message still sits unopened. Aarav hasn't moved from the edge of the bed. His eyes stay fixed on the door, on the strip of hallway light beneath it, waiting for the shadow to return.

It doesn't.

He counts to ten in his head. Then twenty. Somewhere around thirty, his heartbeat starts to slow, and the part of his brain that still believes in ordinary explanations starts making its case: a draft. A trick of the light. Grief doing what grief does at 2 A.M.

He almost believes it.

Then, faintly, from the hallway , a FLOORBOARD CREAKS.

Aarav freezes.

Not the house settling. A footstep. Weight, then release. The sound of someone trying very hard to be quiet and not quite managing it.

He sets the phone down without looking at it and gets to his feet. His legs don't feel entirely like his own.

INT. HALLWAY — CONTINUOUS

He opens the door slowly, wincing at the small creak it gives. The hallway stretches out in front of him, lit only by the amber glow of the streetlight through the far window.

Empty.

He exhales — and stops halfway through it.

At the end of the hallway, his mother's bedroom door, which has stayed shut since the day of the funeral, hangs open by a few inches.

Aarav stares at it the way you'd stare at a door you already knew you had no choice but to walk through.

AARAV (quiet, to no one) Dad?

No answer. The house holds its silence the way it's held it for three days carefully, like it's trying not to wake something.

He moves toward the room, each step slower than the last. His hand finds the door frame. He pushes it open the rest of the way.

INT. MOTHER'S BEDROOM — CONTINUOUS

The room is exactly as it was left , bed made, curtains drawn, her reading glasses still folded on the nightstand as if she might walk back in and put them on. It smells faintly of the sandalwood soap she always used, which somehow no one has thought — or dared — to move.

Aarav steps inside. His eyes move slowly across the room, cataloguing what's changed and what hasn't, though nothing seems to have.

Except one thing.

The bottom drawer of her writing desk sits open an inch. Just an inch. Not forced , opened by someone who meant to close it properly and didn't quite manage it in the dark.

Aarav crouches beside it. Hesitates. Then pulls it open the rest of the way.

Inside: old letters, a stack of medical reports rubber-banded together, and , tucked beneath them, half-hidden , a second phone. Cheap. Unfamiliar. Not the one that was buried with her.

He picks it up. The screen is cracked in one corner. He presses the power button, and against all reasonable expectation, it flickers to life.

One app open on the screen. WhatsApp.

The chat is empty except for a single contact he doesn't recognize — saved only as a string of numbers, no name.

His thumb hovers over it.

Behind him, from the hallway, a FLOORBOARD CREAKS again — closer this time.

Aarav turns, phone still in hand, heart slamming against his ribs.

AARAV Who's there?

Silence. Then, from his pocket, his own phone buzzes — the third message, the one he never played, suddenly impossible to ignore.

MOM — 0:03

He looks down at the cracked phone in one hand, his own phone in the other, and understands, in a way he can't yet explain, that he is holding two halves of something he was never supposed to find.

The bedroom door, behind him, creaks slowly shut on its own.

CUT TO BLACK.

END OF EPISODE 1 & 2

Okay, I’m curious what you think.

Aarav now has two phones — one belonging to his dead mother, and one he was never supposed to find.

And someone is clearly inside the house.

Who do you think is behind all this?

1. His father
2. Someone connected to his mother's past
3. His mother planned this before she died
4. Someone else entirely

And most importantly...

Would you play that 3-second voice note?

Hi everyone,I’m a 14‑year‑old independent filmmaker working on a short film. I’ve completed the script, shot list, and storyboard, and I’m now looking for actors and collaborators to bring the project to life. I’ll be editing, producing sound, and handling post‑production myself.

About the Project:

Genre: psychological drama / crime thriller

Length: Approx. 17 minutes

Story:

A 13-year-old boy whose sister is murdered. In Grief, he tracks down and kills the killer, leading to a 24-year prison sentence. Upon release, he struggles to reintegrate into the world

Roles Needed:

Jeremiah 13-15

Jeremiah's mother 25-35

Jeremiah (older) 30-40

Man 1 17-20

Man 2 20-25

Mysterious man 20-40

Police man 1 17-50

Police man 2 17-50

Judge 30-80

Jury 30-80

Old man 60-80

Location: Toledo / Temperance

Compensation: depends on the role

Dm me if you are interested In the role This is a low‑budget independent project. I am currently saving toward the budget and may or may not be able to provide payment immediately. If compensation is available, it will be in cash, in person

Perks: The film will be released on YouTube as part of my independent channel, with festival submissions planned. Cast and crew will receive credit

How to Apply:

Please reply here or DM me with:Name and age range Headshot or recent photo Any acting experience (not required — enthusiasm matters most!)Thanks for reading — I’m excited to collaborate with passionate people and make this project happen!

Email:aidenkali15@gmail.com

Title: Diana

Genre: Action/Romance

Length: 92pp

Locations: Dozens

Characters: Dozens

Logline:

Oscar level Vietnam war/action movie.

Details:

A real movie that costs real money. Will turn the two leads (male/female) into movie stars. I dream big, if my confidence offends you then keep moving.

Reception: Advanced in the 2026 Beverly Hills Film Festival, the 2026 Cannes Film Awards and semi-finalist in 2026 Sunvale Screenplay Contest.

Write Time: 1 draft, 6 days.

Serious inquiries only.

I’m an aspiring filmmaker who is currently developing two projects, but I did have an idea for a action Gothic style thriller that I’m willing to send out for free as long as I get a writing credit on the film and I am willing to do as many revisions that the producer or director thinks is necessary.

TITLE:

American Hero

OUTLINE PAGE COUNT:

5 to 10 pages

ESTIMATED BUDGET:

1,000 to 2,500 USd.

if no one wants to use it, I understand if it’s too expensive and stuff like that I can also rewrite it to be a much smaller budget but that’s why I am looking for someone with a fair amount of experience and money to invest in it

Today I began writing the script for my first feature which is going to be a slasher with very limited characters and locations. after which I’m really hoping to direct and produce a fan film based on Halloween. All I need is some sort of treatment or outline based on the first film. If I like it you can turn it into a screenplay for the early drafts which I’ll revise as the director and we can share a writing credit.

As I said before I’m quite young so you‘ll have to do this for free so you don’t have to worry about deadlines. take your time.

and I understand concerns about copyright violations but this is for a no-profit fan film and will be uploaded to YouTube.

i thank you in advance!

Genre:

horror/slasher/mystery

TITLE:

Halloween.

TREATMENT PAGE COUNT:

5 to 10 pages.

SCREENPLAY:

75 to 90 pages as long its suspenseful.