
I think I need a few more tbh
So I've been collecting for 13 years. Not yet satisfied with the collection tho lol

So I've been collecting for 13 years. Not yet satisfied with the collection tho lol
I bought a 1975 Keilwerth Toneking tenor sax. I had a Vandoren V16 T6M mouthpiece first with leather ligature. Then i switched to metal ligature and it was okay, i liked it. But before i switched i tryed a Theo Wanne Essentials Contemporary 7* mouthpiece, and i loooved it, it was so good. No needed that mutch air like the Vandoren. Now i sold the vandoren and bought the theo wanne aaand… im not satisfied… It has strange sound, need a lot of air (2.5 reeds) and its so f&cking hard to play the low notes.. now i dont know what to do.. maybe try with size 2 reeds?
I recently graduated college and am looking to pick up a horn that’s somewhere around $3000 maybe plus or minus $500. I’m open to new and used (as long as it can be found from a reputable source).
A little about my playing profile: I have about 12 years of experience on the saxophone. I would probably call myself intermediate as at some point I switched my primary instrument and stopped improving on the sax. Been on hiatus for almost a year now. I would like to start playing again and join a local community band as well as just playing for myself
What are some good options you know of that you think might fit me and my budget? Thank you in advance!
Hey guys,
3 years ago I drove down to my local music store and rented a tenor saxophone. I started at 38 y/o having never played a woodwind instrument, and not knowing what to expect. Only that I wanted to finally really try to put in the time, effort, and consistency to play music. When I was a kid and young adult, I tried: piano, violin, and guitar but they fell my the wayside. What remained however, was the desire to make music.
I've documented my journey along the way and am sharing this video in hopes that other late bloomers may take inspiration from it. Not that I'm some amazing player or anything, but if theres one thing I've done right, it's being consistent.
Throwaway because this is embarassing.
I have a beautiful Japanese Yamaha tenor saxophone that I played in my first couple years of college, but after I dropped out, it went unplayed for years. I want to pick it up again, but there's mold all through the body. I know a shop wont touch it in this condition. How can I make this instrument playable again?
In open beta now:
https://sessionography.dynamicappdesign.com
Looking for feedback, feature requests and any thoughts on the app.
I’m playing in both a jazz and concert band but cannot afford to stay buying jazz reeds separate from my classical reeds. What reeds would be good for playing both styles?
D-C A# D D# C // DD CC AA G DD CC
I know that a lot of people have A LOT of different opinions about low G on a bari, I think it would be useful if there was a way to make it functional. functional being a way to still be able to play low A and be able to play the G# and G natural as well. if anyone has any pointers about how to do this, I would love feedback :) (I do plan on making this part that's why i'm asking lmao)
The pads are in good condition maybe 1 or 2 needs to be replaced
Hey I recently just got a series 2 jubilee 2 days ago and when I went to put my neck in it was super and needed a good amount of force to twist it in. I was wondering if a scratch like this is normal or if I just ruined my new sax.
it's a tough transition from brass to wind even though I haven't played in years. I'm getting there though
I love this sax !! Pretty good looking, sound great! 100% satisfied…
Hey last summer (early June) I got a new synthetic reed (Iegere), and till Christmas it was playing perfectly but then the tragedy happened. I saw that it had sth like a hill as you can see in the images. I thought "yea this must be the reason why I'm squeaking during everytime I play" cuz till September it would play perfectly fine. Now after all this time I had kept it in "perfect" condition I thought that I might be able to fix it. what do you think?
I'd like to add that u in the photos the "hill" looks small but irl it's bigger and it results in squeaks, changing octaves without wanting to, hard to play generally
I am borrowing a Yamaha tenor saxophone from my school, but I cannot find a standard model number. The only number marked on the instrument itself is "812102." Additionally, there is a stamp of the letter "N" at the joint where the body meets the bell.
I’ve always watched bettersax’s content, but with their new line of saxophone I’ve hardly seen any bad reviews. Do they have a chance to be competitive to brands like Selmer and Yani or will they fall closer to brands like Jupiter?
Hi saxophone people,
So I am not historically a saxophone person although I can play one well enough to have fun since the fingerings are basically the same as my flute and the embouchure is less frustrating than my clarinet. I bought this tenor recently and as far as I’m concerned it sounds great, the intonation is reliable, and it’s heavy AF… That’s what I can tell you. But! There’s no make/model/serial number.
The story is that it was originally acquired from the home (maybe the estate?) of a professional who had a lot of other really nice instruments and took care of his stuff. This one seems virtually unplayed, though the case smelled veeeeeeeery faintly of cigarettes which means it’s seen some things or at least sat in the house for a while.
Any ideas? I’m perfectly happy with it but am curious.
Is Jupiter JAS510q a good saxophone for beginners? Or are there better ones I can get for that price?
Polka (or "Old Time" as it's called in the Upper Midwest) doesn't get too much attention these days. I thought it would be fun to do an arrangement of a modern-day popular song in the style of the New Ulm, MN bands in their heyday. Enjoy!
Hi, hobbyist saxophonist here! Been playing since elementary school, and am in a few bands. Maybe this is a better question for r/musicians or the likes, but I figure many of us are in the field of Jazz and know something of solos.
I see people shredding all the time up and down arpeggios with modal modulation and crazy music theory, and I get that takes fine-tuned practice of patterns and scales and transcriptions. But I have no formal training past high school and playing.
I'm wondering, how much of that is repetition of that solo in practice to fine tune it and hone in for a particular composition (i.e. plays same on stage as in practice), and how much of that is done on the fly?
I tend to do a mix of both, fine tuning bits and pieces, but ultimately my "words" come out different each time. But then again, I cannot figure out how to get my fingers to move that fast, even 12 years playing since an active lesson.
My babies for the algorithm.