r/TechnicalArtist

I've recently launched an auto retopology tool for Blender which I have been working on for over a year, it uses specialized methods for each mesh class (cloth, inanimate and organic) in order to reach the best possible output. Most of the time was spent in learning ONNX and how to build models correctly.

Inanimate objects can translate to any hard surface models which require no vertex deformation, the remesher is equipped to generate the lowest possible vertex count while prioritizing the overall 3D shape and outputting coherent edge flow mimicking artist-like topology.

Inanimate remeshing is completely automated and can handle loose parts intelligently, though it is recommended to keep face count below 1.1 mil to ensure a faster completion rate.

As for cloth remeshing, it is guided using UV islands while assisting the artist by highlighting the vertices to use for creating a grid. I plan to fully automate this using multiple AI layers + algorithms, much like what is currently configured for inanimate.

Documentation and tutorials are planned (things are pretty self explanatory though), will be visible in the account center under the Community section. If you purchased through my Lemon Squeezy during it's early stages, insert your email or order # in the promo code area for a discount or free upgrade depending on the license.

available at https://empyreanremesher.com/

As a Visual Communication grad here in India, and with little experience in 3d animation and modelling, I am really passionate to enter the game industry as an environment artist or a level artist. Ik gaming not even a big thing here in India to purse a career here. Planning to immigrate to Canada or Uk.

Read enough posts on how bad the industry is rn and people with 10-15 years of experience are jobless. But yeah, to get hired in a studio, the portfolio should be like exceptionally well, in a way an employer couldn’t miss. Ik it takes heart and soul to get there. Willing to put that and even 80 hr weeks to build my portfolio. The thing being, the right network.

Also the visa and the work permit regulations are tbh frustrating for Canada. Very few courses at Universities are Pgwp eligible. While it’s getting expensive too. Haven’t explored much of UK yet other than Alberta.

Would really be helpful if anyone could guide me through the process of selecting the right path. I personally feel, people who’ve experienced stuff, could guide better.

Thanks in Advance!

Hi everyone

I’ve been working as an Animator for nearly 8 years(studied animation and VFX) but over the last year, I’ve been focusing on the technical side—learning Python and developing custom add ons in blender. My ultimate goal is to transition into a dedicated Technical Artist / Rigging TD role. I’ve been unemployed for 5 months and it’s getting really frustrating…
I’d love to get feedback from experienced TAs on whether I’m framing my skill set correctly and targeting the right areas:

Demo Reel: https://drive.google.com/file/d/1XkyYJA8vKIjdfNKACZET1BCDMagKss8G/view?usp=drivesdk

ArtStation: https://koalina.artstation.com

For those who transitioned from pure Animation to Tech Art, what was the biggest gap you had to bridge when applying to studios?
Any critique on the work or advice on the career path is highly appreciated. Thanks!

Hi everyone! I’m a design student about to graduate, and I’ve decided to specialize in 3D and motion design. The problem is my current computer can’t keep up: performance-wise it’s holding me back, and I feel like it won’t let me reach the level I’m aiming for. So it’s time to replace it.
I mainly work with After Effects, Cinema 4D and Blender.
I’m super torn between a powerful Windows laptop and a MacBook Pro. Anyone here working in motion or 3D who can share their experience? What would you buy today?

Thank u <3

If I’m starting from scratch and want to become a Technical Artist, what should I learn and in what order? I’m currently learning 3D modeling and game development, including Maya and Unreal Engine, so I’d like to know which skills I should build on top of that, such as Unreal materials and shaders, Blueprints, Python, procedural workflows, optimization, tools and pipeline development, or anything else that is important for getting hired. I’d also like to understand what a Technical Artist actually does day to day, what the entry-level job market is like, and whether Technical Art is a reasonably stable long-term career considering the rapid development of AI.

I want to become a technical artist, and I’ve started learning Houdini and the VEX language. What kind of suggestions do you have?

I'm terribly sorry if anyone already asked this. Couldn't find it anywhere. I'm a 2d | 3d generalist and looking to transition to a technical artist role after three brutal years of getting my ass handed to me by the current job market.

A little background, i fully understand the entire 3D pipeline. Can do an entire project from start to finish. Including rendering and compositing. My strongest skillset is animation and lighting. I've been enjoying working on programming side projects the last few years.

I know HTML, CSS and basic JavaScript. Understand a lot about APIs and automation for some reason. But never got deep into python and C+ which is the basis of 3d programming.

I'm willing to learn that, as Houdini is the next DCC I want to bring into my skillset.

My main question is, is it worth it to become a Technical artist? The gaming and film industry are in shambles. But for me it has never really made a difference, since I'm in Africa and been closed off to the industry overall.

Do you recommend me learning to become a technical artist? Do I have to be in a production hub to get work like other roles in games and film? And is it worth it given the current state of the industry. Or should I just transition to software development?

I’m curious what people who work in game design, animation, 3D, or related fields think about Unreal Engine’s MetaHumans.
Do you see MetaHumans as a useful professional asset that can speed up character creation and let artists focus more on animation, storytelling, environments, customization, etc.? Or is using them sometimes looked at as lazy compared to modeling and creating a character completely from scratch?
I’m also wondering how accepted they are in professional settings. Are MetaHumans commonly used in actual game, animation, cinematic, or virtual production pipelines, or are they more seen as a prototyping/previs tool?
And from a student/portfolio perspective, is it okay to use a MetaHuman in a portfolio if you’re transparent about what you did? For example, if someone used a MetaHuman as a base but created/customized the clothing, hair, textures, animation, lighting, environments, and overall presentation themselves, would employers still consider that a strong portfolio piece?
Would it depend on the role you’re applying for? Like, would it be more acceptable for someone applying for animation, game design, technical art, cinematics, or Unreal-related positions than someone applying specifically as a character modeler?
I’m interested in animation/game design rather than specifically becoming a character modeler, so I’m trying to understand where the line is between using professional tools efficiently and relying too heavily on premade assets.
Would love to hear from people currently working in games, animation, Unreal, virtual production, or anyone involved in hiring/reviewing portfolios.

Hi everyone,

Our team lineup has changed significantly, so we’re looking for interested people to help out to finish our demo.

We need:

A 3D animator (Blender)

A technical artist

A level designer

You can find most of the artwork on our profile; feel free to message us, and we will answer your questions.