r/directors

Picking up clear dialogue

In a film where clearly hearing the dialogue is make or break for how someone will understand the films story, I have two question categories.

  1. Regarding audio, what should the ratio be? Absolutely no background noise, only dialogue? Or a little background noise mixed in?

  2. Regarding actors, should they be directed to speak as clearly as possible ? Or is that bad directing advice that could harm their performances overall?

Thank you.

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u/EmployeeOk6022 — 2 days ago
▲ 45 r/directors+7 crossposts

After shipping nonstop, we finally made a quick demo video for FrameRate

Hey everyone,

Over the past several months we’ve been building FrameRate.tv, a video platform focused on motion designers, filmmakers, editors, animators, and other video professionals.

Ironically, we’ve been shipping so fast that we never actually stopped to make a proper demo video showing what the platform does. 😅

So we finally put one together.

A lot of what inspired FrameRate was the feeling Vimeo used to have for the creative community. A place where presentation mattered, discovery felt human, and the work itself was the focus.

Some of the things we’ve built so far:

  • beautiful portfolio profiles
  • customizable embeds
  • frame-accurate review tools
  • live collaborative Sync Calls
  • showcases for pitching work to clients
  • collections and discovery features
  • community-focused feeds and curation

We’re still early, but the response from the motion design community so far has honestly been incredible.

Would genuinely love feedback from this community, both on the platform itself and the direction we’re taking it.

Thank you,
Tyler

u/framerate-tv — 2 days ago

How to become a film director?

I’ve seen many successful directors say that they never went to film school, yet they still became amazing directors. In one interview, a director even said, “Don’t go to film school if you want to be a director. Instead, go to a design school."

So now I’m confused — what’s actually the best way to become a director? Should I go to film school or design school? Guys, help me out.

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u/DonutExcellent5158 — 3 days ago
▲ 24 r/directors+4 crossposts

Feedback on cinematic album

Hey everyone!, I have been a musician for about 21 years. Ive been composing for 3, Started a business film scoring and doing sound design 3 years ago and have amazingly somehow managed to get several short film jobs, one feature length and a lot of sound design jobs.

The last 6 months ive been slowly compiling a bunch of small compositions to challenge myself in my spare time. I know im not brilliant at arrangement or structure but I turned my practice into an album. Im self taught, never had a music lesson in my life. Taught myself mixing and mastering i was just wondering what some of you think of this work and if you have any criticism or thoughts? If you do i would love to hear!

Here's the link!

https://open.spotify.com/album/0wRZQpnLn1U1UZB9py09V7?si=gNzeRcl8SGGilY-0Kf\_wEw

u/LittleFurtherAu — 3 days ago
▲ 22 r/directors+1 crossposts

Where's the line between holding creative ground vs just coming across as uncompromising and "difficult to work with"

I am and always have been an avid consumer of director interviews, bts, masterclasses etc. But trying to apply the same survivorship bias lens that the productivity guru sphere is now starting to apply, I think over half of the advice you learn consciously or unconsciously from consuming all the 'advice' content from famous directors can be actually quite harmful and potentially damaging to both your career and sanity.

One particular area is the 'auteur' visionary, and how the mantra is all about holding steadfast to your vision no matter the cost. But this simply does not work in the wider world of filmmaking, collaborating, clients etc.

I tried to break it down a bit more and explain it in the video I'll link below, but I wanted to know what everyone else thinks in terms of balancing defending your creative vision so it isn't butchered or watered down to the point you might as well be redundant, vs fighting tooth and nail for every last ounce of it.

https://www.youtube.com/watch?v=1zfBfXNQbOs

u/TheoGelernter — 4 days ago

A parent said I hit her kid. I didn’t but now the director and owner want to have a meeting with me. I need advice.

Im panicking a bit as to whether I went too far in this situation. Im 17F. In a youth theatre group. We are doing a production currently and only people in a certain part of the show were being used for like an hour of rehearsal.

The rest of us were in a room unsupervised. The little kids were being very loud. Im usually great with kids but a 14 year old girl was getting really stressed out by the little kids. She started crying and saying she just wants them to shut up and was shouting at them to shut up. I tried to deescalate the situation and said. “Guys it’s ok to talk please just don’t be too loud as [girl] has a headache. Shes not feeling very well.” Some of the little kids then started teasing her and purposely annoying her.

She was getting more angry and started cussing at them. I said “Don’t swear at the kids. Do you need to go to the bathroom to calm down?” I also told the kids “knock it off shes very upset she shouldn’t have sweared. She feels sick though leave her alone.”

The girl wouldn’t back down though and purposely started saying inappropriate things. I said “seriously stop. Theyre little kids.” Some of the little kids understood what she was saying and started explaining it to other kids and I said “see that one knew what you meant. Seriously take 5 minutes.”

But she started shouting at them saying theyre annoying and should’ve been swallowed. Again which some of them understood.

The little kids ended up leaving her alone after I said again to leave her alone. But these two kids started play fighting really loudly and aggressively. The girl started losing it at them. I told them to not play fight it’s dangerous and stressing her out.

They stopped for a little bit and did it again. I told them again to knock it off. They again started play fighting again this time really aggressively. Like one kid hit his head pretty hard yet kept going. And this other little kid who wasnt a part of the play fight was getting upset too because she almost got hit in the mix of it.

This time I broke up the fight. I told them to stay away from each other and one of them said im being bossy and theyre just playing. I said they could get hurt for real though and the other girl almost got hurt and the 14 year old is getting annoyed.

He started sulking. I said you can still play just don’t play aggressive. But he was very upset at me.

That was a few days ago. Today my mother got a call asking to have a meeting with me. The parents of that kid complained that I was saying inappropriate things around him (I didn’t that was the 14 year old) and that I hit him (I didn’t hit him I was just trying to break up the fight.)

I am usually really good with kids I’m usually chill but I didn’t know what to do because I didn’t want them or other kids to get hurt and the 14 year old to say even worse things.

Im really scared about getting kicked out of the group or in trouble. I don’t know what to do. Does anyone have any advice. What would have been a better way to go about this? And what do I tell the director and owner?

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u/AssociateOk4124 — 4 days ago

Can I score your film/short film for free? I'm a music producer with 10 years of reputable credits but no film score portfolio (yet)

Hello! Ive been working in music production since 2015 covering a wide range of different sounds/genres/recording techniques you name it. I dont have a film score portfolio other than a brief scene I scored for this short film (https://www.youtube.com/watch?v=vK3Wu5TqqI8), and i apparently have an IMBd page, lol (https://www.imdb.com/name/nm9569930/?ref_=ttfc_fcr_5_1)

As for music Ive made though, its ranged from hip hop, rnb, pop, rock/alt/indie, dance even country more recently. I've mainly collaborated with artist Aminé on all of his solo albums, also have songs out that Ive produced with Kendrick Lamar, Kali Uchis, Vince Staples, Unknown Mortal Orchestra, Jorja Smith, and most recently produced and recorded an album by former Blood Brothers guitarist Cody Votolato for his new band JR Slayer, to give you a gauge of my range.

Its surprisingly hard to meet filmmakers within my music circle that ive been in for the past 10+ years but its what Ive always wanted to do. I auditioned and was accepted to go to Berklee for film score in high school until i got hit with the price tag and my career took a more production focused route. But im so ready to get the practice in to really do this, and know that I gotta start somewhere like everyone else. Please DM or leave a comment if youre down to give me a shot. Any advice on where to be to meet filmmakers would be appreciated, I live in LA and im either really bad at finding short film festivals/etc or they evade me but thats something i want to look out for too.

Thanks for reading if you made it this far!

u/pasqueheatitup — 6 days ago

After our Kickstarter failed, we made the movie anyway...

I figured the stripped down version was better than nothing at all. So we shot with essentially no crew, kept the setups simple so we could move fast, and did all the effects in-camera. We shot the entire film in just under three weeks over the summer.

Premise: Living alone on the edge of a secluded forest, widowed farmer Malcolm Gardner keeps to a quiet routine, until a strange ten-year-old girl emerges from the trees, revealing a hidden world lurking just out of view.

Reviews have been all over the place. Some great. Some okay. A few talk about how the movie clearly was made on no money (in a negative way), which is kind of a bummer. I wonder what those people would say if Kevin Smith released Clerks today. Or if they've seen movies like Primer or Following, which Primer in particular was a huge influence for me. I don't know. Maybe people aren't watching no budget films anymore? I'd love to hear your thoughts.

You can watch it free here: https://tubitv.com/movies/100051267/the-girl-in-the-woods

One last thing... our movie deals with some actual scientific theories placed in real world circumstances. One reviewer nailed the exact experiment the film was based on, but a few others have said they had no idea what happened at the end. Compared to Primer, I thought our concept was easy to understand, but did I go too far/not explain enough?

u/Inevitable-Lack-2514 — 7 days ago
▲ 12 r/directors+9 crossposts

Project EDEN (2026) | Short Film

My first-ever short film, released yesterday! Coming from a background in illustration, this means a lot. Hope you like it and am definitely open for any feedback!

youtu.be
u/SweetHeartist_ — 7 days ago

A script I wrote in about 15 mins while listening to the Ink Spots

Movie opens to the ink spots if I didn't care. Then it shows from the side of the bed looking at a child lieing down. The mother peeks her head through the door saying goodnight. The boy returns the comment and as he lays his head down on the pillow toward the camera we get a brief look at his face. Then the camera descends done to where we pass to the bottom of the bed and it goes black. We then continue to go down and up come a starting scene of an old town 1940's - 1960's which starts in a yellow-ee kind of black and white colour pallette. The camera then settles above the floor to where it would be shoulder height with passer bys. Then we see a distinct man pass us by. We don't yet know why he is so distinct but know he is of importance. We then go to a higher up angle but the man is walking parallel to the camera but he starts at a far distance so we pan from left to right with him. We do not see the character as he has a hat on with a suit and suitcase in hand. Being gripped as if the contents inside are too important to lose. We then get a look at the man as he sits down on a bench outside a shop under a canopy, Leg shaking violently under the bried case. We slowly pan up to the man who looks almost worried. UNFILLED DONT KNOW WHAT TO PUT DOWN YET. LATER -> We see him look into the camera while he sits on a stool surrounded by others. But it's not as if he's looking at us but something in the distance. We then see him open the case slightly. Something happens, the music ends briefly until the case shuts violently. The music replays again as we see the music is faded into playing from a record. But while he opened the case we see a slight change in the character, a bit of colour. We then see him at almost knee height, as he leaves the bar in a haste with out back to him as he leaves through the door. The camera lingers a little longer then it should, as if to show us that there is something else to be seen. This is when another person enters the frams but they walk across the screen. We don't yet know who but again there is that sense of importance which passes with here. Maybe a small bit of red colour in her shoes. The music then fades and the scene ends, the screen going to black. MORE TO COME.

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u/StarwarsRi — 11 days ago
▲ 20 r/directors+5 crossposts

i figured i'd give one of these a shoot, came out a lot better than expected

u/TipicalTypo — 14 days ago